Aurelien Gendras Seating

Pair of green and pink glazed ceramic tables by Sophy Mckeith. Artist signature under the base. 2023. H : 1.2’ x 9.8’ x 13.6’ inches. H : 1.2’ x 9.8’ x 13.6’ inches.

Green and pink glazed ceramic table by Sophy Mckeith. Artist signature under the base. 2023. H : 16.5’ x 15.3’ inches.

Green and pink glazed ceramic table by Sophy Mckeith. Artist signature under the base. 2023. Unique piece. H : 16.9’ x 15.3’ inches.

Engobed stoneware bench by Maarten Stuer. Artist signature under the base. 2023. H : 80.1’ x 23.4’ x 17.1’ inches.

Blue glazed bollène stoneware stool by Jean Ponsart. Artist monogram at the base. 2023. H : 17.5’ x 11.2’ x 11.2 inches.

Pair of white and black engobed bollène stoneware stools by Jean Ponsart. Artist monogram at the base. 2023. H : 17.7’ x 11.2 inches.

Pair of blue glazed bollène stoneware stool by Jean Ponsart. Artist monogram at the base. 2023. H : 20.8’ x 12.6’ x 10.8 inches.

White and black engobed bollène stoneware stool by Jean Ponsart. Artist monogram at the base. 2023. H : 20.9’ x 11.2 inches.

White and black engobed bollène stoneware stool by Jean Ponsart. Artist monogram at the base. 2023. H : 17.7’ x 11.2 inches.

White and black engobed bollène stoneware stool by Jean Ponsart. Artist monogram at the base. 2023. H : 17.7’ x 11.2 inches.

White and black engobed bollène stoneware stool by Jean Ponsart. Artist monogram at the base. 2023. H : 17.7’ x 11.2 inches.

White and black engobed bollène stoneware stool by Jean Ponsart. Artist monogram at the base. 2023. H : 17.7’ x 11.2 inches.

Blue glazed bollène stoneware stool by Jean Ponsart. Artist monogram at the base. 2023. H : 20.8’ x 12.6’ x 10.8 inches.

Blue glazed bollène stoneware stool by Jean Ponsart. Artist monogram at the base. 2023. H : 17.5’ x 11.2’ x 11.2 inches.

Blue glazed bollène stoneware stool by Jean Ponsart. Artist monogram at the base. 2023. H : 17.5’ x 11.2’ x 11.2 inches.

Blue glazed bollène stoneware stool by Jean Ponsart. Artist monogram at the base. 2023. H : 17.5’ x 11.2’ x 11.2 inches.

Blue glazed bollène stoneware stool by Jean Ponsart. Artist monogram at the base. 2023. H : 17.5’ x 11.2’ x 11.2 inches.

Blue glazed bollène stoneware stool by Jean Ponsart. Artist monogram at the base. 2023. H : 17.5’ x 11.2’ x 11.2 inches.

Blue glazed bollène stoneware stool by Jean Ponsart. Artist monogram at the base. 2023. H : 17.5’ x 11.2’ x 11.2 inches.

The trapezoidal armchair is a typically French creation from the second half of the sixteenth century. Although the nineteenth century gave it the name of "caquetoire", it was descri...

A stoneware bench or coffee table by Maarten Stuer with kaolin engobe decoration. This piece can be put indoor or outdoor. Signed. 2021.

Cristal 1, 2023 by Laurent Dufour Glazed stoneware. Unique piece. Signed at the base. This piece can be put indoor and outdoor.

A ceramic stool or table with glazes decoration by Mia Jensen. Unique piece. Signed under the base. Circa 2022.

A ceramic stool or table with glazes decoration by Mia Jensen. Unique piece. Signed under the base. Circa 2022.

A stoneware bench or coffee table by Maarten Stuer with kaolin engobe decoration. This piece can be put indoor or outdoor. Signed. 2021. Only available upon order. Manufacturing...

A ceramic stool or table with glazes decoration by Mia Jensen. Unique piece. Signed under the base. Circa 2021.

A stoneware bench or coffee table by Maarten Stuer with kaolin engobe decoration. This piece can be put indoor or outdoor. Signed. 2021.

A ceramic stool with orange and white glazes decoration by Mia Jensen. Unique piece. Signed under the base. Circa 2021.

A ceramic stool by Martin Goerg with glazes decoration. This piece can be put indoor or outdoor. Perfect original conditions. 2018. A set of 8 pieces is available.

A ceramic stool by Martin Goerg with glazes decoration. This piece can be put indoor or outdoor. Perfect original conditions. 2018. A set of 8 pieces is available.

A ceramic stool by Martin Goerg with glazes decoration. This piece can be put indoor or outdoor. Perfect original conditions. 2018. A set of 8 pieces is available.

A ceramic stool by Martin Goerg with glazes decoration. This piece can be put indoor or outdoor. Perfect original conditions. 2018. A set of 8 pieces is available.

A ceramic stool by Martin Goerg with glazes decoration. This piece can be put indoor or outdoor. Perfect original conditions. 2018. A set of 8 pieces is available.

A ceramic stool by Martin Goerg with glazes decoration. This piece can be put indoor or outdoor. Perfect original conditions. 2018. A set of 8 pieces is available.

This walnut chair stands on four square-section feet linked by four crossbars. The front spacer is carved as an intertwined branch. The backrest’s jambs are adorned with leaves motif...

Those armchairs made from a fine walnut wood are perfect example of the Henri IV model. It’s low seat stands on four feet linked by an H-shaped spacer wit...

The straight uprights of the backrest are surmounted by gilded plumages. Gilded acanthus leaves in the form of consoles adorn the top of the two front legs, supporting the large flat...

This cathedra or chayère chair is conceived following rules of monumental architecture. The seat can be lift open to reveal a chest. Both curved arm-rests are supported by a baluster...

This chayère chair of beautiful proportions stands on a rectangular box base enriched by vermiculure motifs executed in flat-plane. This base is topped by a moulding of strong gadroo...

During the first half of the seventeenth century chairs evolve towards a new model today known as Louis XIII foreshadowing the armchair. Chairs adopt a widen and lower silhouette. Horizontal lines prevail. Cushions disappear supplanted by horse hair upholstery. This chair stands on four feet linked by an H-shaped spacer and a frontal cross-bar. Legs, spacers, cross-bar and arm-rests are all turned as rosary beads...

Partly turned wood, simulating books.

Set of six armchair from the Louis XIV period. Period : 17th century Origin : VAL-DE-LOIRE Height : 120 cm Width : 64 cm Depth : 62.5 cm Walnut wood Good state of cons...

Set of four Italian armchairs Origin : Italy Period : 17th century Measures: Height : 130 cm Width : 63 cm Depth : 38 cm Walnut ...

Beautiful Renaissance Carved Walnut armchair Origin : Italy Period : 16th century Dimensions: Height: 114 cm Seat height: 52 cm Widt...

Beautiful renaissance carved walnut armchair Origin : Italy Period : 16th century Dimensions : Height : 111,5 cm Seat height : 52 cm ...

Rare double Cathedra made from walnut wood, sculpted, and inlaid, around 1500 Origin: Southern Germany Period: Late 15th Century - Early 16th Century Height: 221cm Width: 146,5cm Depth: 60,4cm Walnut wood and inlaid Good state of conservation Description: This double cathedra in walnut wood was probably intended for an abbey, according to the sculpted decor. This cathedra is made from a symmetrical aspect and is divided into three levels. The bottom level has a base sustained by six feet. In the front, the base is decorated by four sculpted elements flattened with a “napkin fold decoration”. Each of the seat rises, revealing a trunk. The intermediate level in divided by three straight and solid armrests. The lower part of the backrest has two inlaid panels with “tarsia certosina” for geometric patterns. This technique also called “inlay in the mass” consists in digging a cavity in the wood to inlay decorative elements. Those panels are framed with the “tarsia a toppo” technique. The top level is divided in two elements. The top part of the backrest has two panels, where parchment patterns frame two badges. Three pinnacles dominate the summit of the backrest. The center of the backrest is sculpted in a rectangular shape. Inside, there are two niches with biblical characters: Saint Anthony the Great and the Virgin Mary. Saint Anthony the Great: Or Antony the Ermit is a monk considered as the father of the Christian monasticism. Born around 251 in Egypt, he withdraws very early into a spirituel solitude. Divine powers are conferred to Saint Antony thanks to the exorcism of the king of Catalonia’s family. But also, the piglet’s episode, born blind. During the XI century, a hospital Order is founded under the invocation of the saint which makes him a holy thaumaturgist. His iconography appears during this period, often represented as an old man with a bear wearing a hooded bute dress, characteristic of the monks of his order, sign of poverty. Also, wearing a long coat. This bas-relief takes back all its usual attributes. - The tau: holding in his left hand, which serves as an abbot’s crook. Also embroidered on his coat. - The bell: hanging from his right hand, also known as hermits’ attribute, used to repel demons. - The book of “la règle des Antonins”: sign of the diffusion of the Faith and the precepts of the Order. - The pig: first, from the piglet’s episode. Then he often is linked to demons, and has another function here: he represents firefighting, coming from the fact that his meat could cure ill people from ergot poisoning. In Italie, he’s known as “Antonio del porco”. - Flames: are associated to the French name of the ergot poisoning (“le feu saint Antoine”: Saint Anthony fire). This attribute is emerging during the XVI century. Furthermore, a nimbus crowns the hermit. The two olive branches symbolize peace. We can see resilience and the pain of the saint who bares the disease of humanity. The Virgin of the Apocalypse: Saint Antony is looking at the Woman of the Apocalypse. This biblical character appears in the twelfth chapter, described by Saint John. Theologians have recognized the appearance of the Virgin even though there are differences for this identification. As a matter of facts, to some, this figure could be the New Eve holding the New Adam in her arms. Other iconographic representations, such as the Immaculate Conception or the Assumption, use the Woman of the Apocalypse attributes. In fact, the Virgin is crowned by angels, holding the Christ. This representation of the Virgin of the Apocalypse is being formed during the Middle Ages and the Renaissance. This iconography takes it rises during the XVI century. In our cathedra, the Virgin is standing up, wrapped in a long flowing drape falling down her feet. The collar of her tunic is decorated with embroidery and brocades. Mary is wearing her hair down, framing a calm and benevolent face, looking down. Two angels are crowning her, with gemstones. She seems to be holding a Christ gesticulating. The baby Jesus hangs on Mary’s neck. Finally, the Virgin is resting on a moon cross. The moon symbolizes the frontier between the incorruptible world and the corruptible one, which in the ancient tradition, used to be under the moon. And so, the Virgin seems incorruptible. Literature • RÉAU, Louis, Iconographie de l’Art Chrétien...

Beautiful Renaissance walnut armchair. Origin: Italy. Period: 16th Century. Dimensions: height: 110 cm. length: 66 cm. depth: 50 cm. Material: walnut wood. leather t...

Set of four Italian walnut Savonarola armchairs ORIGIN : FLORENCE, ITALY PERIOD : LATE 15TH CENTURY - EARLY 16TH CENTURY Measures: height : 102 cm 40.15 inches, height : 93 cm 36.61 inches length : 68 cm 26.77 inches, length : 68 cm 26.77 inches depth : 55 cm 21.65 inches, depth : 50 cm 19.68 inches Walnut Very good condition This movable Italian seat from the late 15th century descents from the roman curule seat. It took the name of sedia Savonarola...

RARE RENAISSANCE CAQUETOIRES FROM THE FONTAINEBLEAU SCHOOL WITH A PERSPECTIVE MOTIF THAT COULD FORM A PAIR ORIGIN : FRANCE, VAL DE LOIRE or ILE DE FRANCE PERIOD : 16th CENTURY Heig...

RENAISSANCE CHAYÈRE WITH PERSPECTIVE MOTIF ORIGIN: FRANCE, LYON ÉPOQUE: FIRST HALF OF THE XVI CENTURY Height: 166cm Width: 74cm Depth: 47cm Walnut wood From: Château de Quintin’...

SET OF FOUR HENRI IV CHAIRS ORIGIN: FRANCE PERIOD: 17th CENTURY Height: 88 cm Length: 54 cm Depth: 39 cm

SET OF SIX LOUIS XIV CHAIRS ORIGIN: FRANCE PERIOD: 17th CENTURY Height: 110 cm Length: 45 cm Depth: 45 cm