Renaissance Cathedra with Perspective Motif

This cathedra or chayère chair is conceived following rules of monumental architecture. The seat can be lift open to reveal a chest. Both curved arm-rests are supported by a baluster...

The trapezoidal armchair is a typically French creation from the second half of the sixteenth century. Although the nineteenth century gave it the name of "caquetoire", it was descri...

This Renaissance Cabinet reveals the great mastery of the Lyon workshops which are at the origin of its realization. Sculptors and wood-carvers worked here in symbiosis to express an...

Beautiful Renaissance Carved Walnut armchair Origin : Italy Period : 16th century Dimensions: Height: 114 cm Seat height: 52 cm Widt...

Beautiful renaissance carved walnut armchair Origin : Italy Period : 16th century Dimensions : Height : 111,5 cm Seat height : 52 cm ...

A rare carved walnut wardrobe opening with four door-leaves and two drawers in the lower part. The doors bear architectural views in low reliefs, fluted pilasters and Ionic capitals. Upper Body Two door-leaves with carved architectural perspectives open the wardrobe framed by three fluted pilasters with Ionic capitals. Each door-leaf depict two semi-circular arcades whose cornice and base shows a central vanishing point. Likewise the pavement’s lines act for the artisan as a way to create depth. The vaulting instead leads us to think the vanishing point has to be situated where the handle is, between the two complementaries reliefs. The elegant moulded belt hides an internal secret space, accessible through a moveable plank in the upper body. Lower Body Two door-leaves identical to those of the upper body framed by three fluted pilasters with Doric capitals. The base of the wardrobe opens with two large drawers. The sides also bear panels depicting architectural perspectives. The external pilasters share their Ionic capital with the facade’s pilasters. Thus we can observe on the wardrobe’s sides the capital’s lateral parts with the elegant volute specific to the Ionic order. This palace wardrobe is topped by an overlapping cornice standing on three consoles for the facade and two consoles on each sides. Placed right above the pilasters each console are adorned by fully expanded leaves. During the 15th century a major interest for architecture and perspective studies arises and influences patrons tastes. The work of great theorists such as Leon Battista Alberti...

Large armchair / antique throne in carved walnut with lion heads. Beautiful beige, yellow and green multicolored fabric of good quality. Neo / Reviv...

1950s Italian brass Chiavari armchair with crossed arrows motif in the style of Gio Ponti, Tomaso Buzzi and Marc du Plantier. Seat cushion newly u...

A very handsome 19th Century continental renaissance style Curule Savonarola armchair or throne chair. This beautifully carved Gothic style chair w...

This Spanish walnut throne chair with a large wide seat made circa 1700. Made from well carved but simply done walnut the chair is centered on a leather covered seat and back with large antique nail heads...

A moulded cornice sits above the high, panelled back with fluting and applied roundels. The later, metal pin on the left edge releases the central, moulded panel in the back which retains its original hinges. When the pin is removed the panel can be lowered, revealing a large area behind. The scroll arms are supported by tapering turnings which can be compared with mid-16th century benches of the nave such as those in the churches in Gerberoy and Coivrel which are in Oise, the Piccardie region of Frances. The panelled, box seat has later 18th century hinges...

Edward William Pugin. A walnut side chair of slightly smaller proportions with curvaceous back rest, oak pegs and through tenon joints with pegged ends. Stood on brass mushroom shoes...