Avery Galleries

Pink Waterlily with Green and Black Background, 1940 Crayon and pencil on paper 10 3/8 x 13 11/16 inches (26.4 x 34.8 cm) Signed and dated at lower right: Joseph Stella / 1940 Josep...

Untitled (Tree Trunks) Pastel on paper, 12 x 9 1/4 inches (30.5 x 23.5 cm) Framed dimensions: 15 1/4 x 12 3/4 inches Inscribed on verso of overmat: 148 W. Houston St. Joseph Stella’...

White Iris with Fern, c. 1925 Crayon and silverpoint on paper, 17 x 12 inches (43.2 x 30.5 cm) Framed dimensions: 23 1/4 x 18 1/4 inches Signed twice in pencil, at lower right and lo...

Study for "Golden Fall", 1940 Pastel on paper, 26 x 20 inches (66 x 50.8 cm) Framed dimensions 33 1/2 x 27 1/2 inches Joseph Stella’s artistic career defies easy categorization. He ...

Knights Bridge Oil on board, 16 x 20 inches (40.6 x 50.8 cm) Framed dimensions: 23 x 27 1/8 inches Signed lower right: WEBaum The only prominent artist of the Pennsylvania Impressio...

Collecting Seashells Oil on canvas, 12 1/4 x 16 1/4 inches (31.1 x 41.3 cm) Framed dimensions: 17 3/4 x 21 5/8 inches Signed lower left: W.E. Norton Born in 1843 to a family of Bost...

Silhouette of a Young Girl Charcoal on paper 14 1/2 x 10 3/4 inches (36.8 x 27.3 cm) Signed lower left: J.W. Alexander Provenance Grand Central Art Galleries, New York; Samuel B. an...

Weehawken Sequence, c. 1910-16 Oil on canvas board, 9 x 12 inches (22.9 x 30.5 cm) Framed dimensions: 13 3/8 x 16 1/4 inches John Marin’s long and prolific career is best marked by ...

Study of Ruth, c. 1925 Charcoal and sepia ink on paper 22 1/4 x 27 3/4 inches (56.5 x 70.5 cm) Signed upper center: Lillian Westcott Hale Lilian Westcott Hale...

Edwin Dickinson (1891-1978) View Of Wellfleet, Massachusetts, 1942 Oil on canvas, 10 x 12 inches (25.4 x 30.5 cm) Framed dimensions: 15 1/4 x 17 1/4 in Signed in the wet, vertically ...

Tangier, 1870 Oil on canvas, 11 3/4 x 14 1/2 inches Framed dimensions: 16 3/4 x 19 3/4 inches Inscribed and dated lower right: Tangier / Africa. Sep. 23rd / 1870 Estate stamp lower left: R Swain Gifford...

July 25, Casco Bay Watercolor on paper, 4 x 12 inches (10.2 x 30.5 cm) Framed dimensions: 11 x 18 1/2 inches Susan Van Campen’s plein-air oil paintin...

Yellow Sky, Southern Island Watercolor on paper, 4 x 12 inches (10.2 x 30.5 cm) Framed dimensions: 11 x 18 1/2 inches Susan Van Campen’s plein-air oi...

Crabapples Watercolor on paper, 30 x 23 inches (76.2 x 58.4 cm) Framed dimensions: 33 1/4 x 25 3/4 inches Signed lower right Susan Van Campen’s plein...

Brookline Village in Snow, 1893 Oil on canvas, 26 x 33 inches (66 x 83.8 cm) Framed dimensions: 36 x 43 1/2 inches Signed and dated lower right: Dwight Blaney '94 Provenance The art...

Wooded Sand Dune Oil on panel, 12 x 18 1/8 inches Framed dimensions: 17 1/2 x 23 1/2 inches Estate stamp lower right: RSwain Gifford Provenance The artist; By descent in the family ...

Kenneth Nunamaker (1890-1957) House in Center Bridge Oil on canvas on board, 8 x 10 inches (20.3 x 25.4 cm) Signed lower left: K. Nunamaker Inscribed on verso: K. Nunamaker / New Hop...

Irving Ramsey Wiles (1861-1948) Still Life with Flowers, c. 1915 Oil on canvas 14 x 12 inches (35.6 x 30.5 cm) Signed upper right: Irving R. Wiles Provenance Thomas Colville Fine Ar...

Norton Bush (1834-1894) Tropical Landscape Oil on board, 8 3/4 x 11 3/4 inches (22.2 x 29.8 cm) Signed lower left: N. Bush Provenance Private collection, New York; Private collection, Pennsylvania First noted for his portraits, marine views, and East Coast landscapes, Norton Bush became best known for his tropical views of Central and South America. He studied in New York City with the Hudson River school painter Jasper Cropsey and received criticism from another Hudson River school painter, Frederic Edwin Church. Like many who worked in the Hudson River school style, Bush also sought to inspire viewers with an expansive view of nature that dwarfed the relative influence and position of man. He first became interested in painting exotic...

Robert Swain Gifford (1840–1905) The Edge of the Forest Oil on canvas, 15 x 23 1/4 inches (38.1 x 59.1 cm) Estate stamp lower right: RSwain Gifford Provenance The artist; By descent in the family to the artist's great-grandaughter, until 2023 Born on a small island near Martha's Vineyard, R. Swain Gifford and his family moved to the New Bedford, Massachusetts, area when he was two years old. The Dutch marine painter Albert Van Beest arrived in New Bedford in 1854, providing the teenage Gifford with the opportunity of study; he collaborated with Van Beest on a number of ship pictures...

Robert Swain Gifford (1840–1905) Landscape with Haystacks Oil on canvas, 14 1/8 x 24 inches (35.9 x 61 cm) Estate stamp lower left: RSwain Gifford Provenance The artist; By descent in the family to the artist's great-grandaughter, until 2023 Born on a small island near Martha's Vineyard, R. Swain Gifford and his family moved to the New Bedford, Massachusetts, area when he was two years old. The Dutch marine painter Albert Van Beest arrived in New Bedford in 1854, providing the teenage Gifford with the opportunity of study; he collaborated with Van Beest on a number of ship pictures...

Provenance Collection of Mrs. Victor R. Bieber, Gwynedd, Pennsylvania Born in Ohio, Worthington Thomas Whittredge began his career as a sign and portrait painter in Cincinnati, wher...

Provenance Kennedy Galleries, New York; DC Moore Gallery, New York; Private collection, Ireland, until 2012 Exhibitions New York, DC Moore Gallery, Charles Burchfield Paintings, 19...

Provenance Private collection; Christie's, Fine American Paintings, Drawings, and Sculpture, New York, March 9, 2007, lot 120 A fine example of Jonas Lie's mature artistic style, Wi...

Provenance Private collection, St. Petersburg, Florida; Arthur and Holly Magill, Greenville, South Carolina, acquired from the above; Sotheby’s, New York, 30 November 2000, lot 11, s...

Provenance The artist; Florence Norton, the artist's daughter; By descent in the family Born in 1843 to a family of Bostonian shipbuilders, William Edward Norton's early childhood i...

Provenance The artist; By descent in the family to the artist's great-grandaughter, until 2023 Born on a small island near Martha's Vineyard, R. Swain Gifford and his family moved t...

Provenance Bonhams Skinner - Malborough, March 8, 1991, lot 226; Private collection, Pennsylvania, until 2022 A painter especially known for street and waterfront scenes of Boston, ...

Provenance The artist; Collection of Walter Stuempfig, Philadelphia; Private collection, Massachusetts until 2022 The Philadelphia modernist Arthur B. Carles was a brilliant coloris...

Elsa, 1915 Charcoal on paper, 14 x 11 inches (35.6 x 27.9 cm) Signed and dated lower left: Daniel Garber / 1915 Provenance The artist; Estate of the artist, 1958; Tanis Garber Page,...

Albert Jean Adolphe was known as a decorator, a portrait painter, and a landscape artist. He worked in oil and watercolor. Born in Philadelphia in 1865, he attended the Pennsylvania ...

Peter was born in New York in 1946. He received a BFA from the Tyler School of Art and an MFA from the University of Pennsylvania. Peter taught at the Germantown Friends School in Ph...

Wendel was born in Midway, Ohio, and trained at the McMicken School of Design where he met and befriended Joseph DeCamp. Together, the two artists traveled to Munich in 1878 to study...

Provenance The Artist; Charles Prendergast (acquired from the above in 1924); Mrs. Charles Prendergast (thence by descent from theabove in 1948); Kraushaar Galleries, New York; Mr...

Born on a small island near Martha's Vineyard, R. Swain Gifford and his family moved to the New Bedford, Massachusetts, area when he was two years old. The Dutch marine painter Alber...

Ralph Cahoon Jr.'s whimsical paintings are not only lighthearted and charming, they are also the hallmark of his creativity and imagination. His playful approach to painting and info...

John White Alexander's graceful depictions of beautiful women earned him critical acclaim both in Europe and America. However, his career did not get off to an easy start—Alexander b...

Walter Launt Palmer is best known as “the painter of the American Winter.” In Bars of Light, the cool areas of shade haphazardly crisscross and then blanket the warm sunlight on the ...

Kenneth Nunamaker never took a formal art lesson. His “training” began during his travels out West as a young man, where he painted in his spare time. It continued informally through...

Spring Hillside exemplifies Nunamaker's ability to capture seasonal nuances of light and atmosphere. His simple composition of two buildings on a hillside is elevated by the delicate...

This still life by Stephen Scott Young stands out in the artist’s oeuvre in that Young is most known for his luminous portraits of African Americans or native Bahamians. Nonetheless,...

Ernest Lawson is an artist who defies easy categorization. His work exhibits characteristics of both Impressionism and realism. In fact, he studied with the American Impressionists, ...

Born on a small island near Martha's Vineyard, R. Swain Gifford and his family moved to the New Bedford, Massachusetts, area when he was two years old. The Dutch marine painter Alber...

Colin Campbell Cooper is perhaps best known for his marvelous urban depictions of New York and Philadelphia, which encapsulate the vibrant modernity of these street scenes and skyscr...

Best known as an impassioned supporter and avid collector of modern art, Earl Horter was also an artist himself. Largely self-taught, Horter was a highly skilled draftsman and engrav...

Anna Richards Brewster is the daughter of the great marine painter William Trost Richards. Her father's reputation always precedes her own; however, Anna was an accomplished artist i...

Antonio Martino's work is a prominent example of the long tradition of realistic painting and instruction in Philadelphia. Painted towards the end of his long career, Before the Rega...

Stanley Reckless's formal art training began at the Pennsylvania Academy of the Fine Arts in 1913. He studied with Daniel Garber and was greatly influenced by his teacher's lyrical a...

Stanley Reckless's formal art training began at the Pennsylvania Academy of the Fine Arts in 1913. He studied with Daniel Garber and was greatly influenced by his teacher's lyrical a...

Hugh Breckenridge’s artistic training began at the Pennsylvania Academy of the Fine Arts in 1887. The academic precision and attention to detail that mark his portraits and still lif...

Born in New York City, modernist painter Adelaide Lawson Gaylor studied at the Art Students League and with Kenneth Hayes Miller. She was a member of the Society of Independent Artists, the Salons of America, and the New York Society of Women Artists. She was married to artist Wood Gaylor...

Star Island, Isles of Shoals is a fine example of Warren Sheppard’s great love and respect for the sea. As an expert navigator and yachtsman, Sheppard had a deep reverence for the oc...

The dark and smokey palette of Grez-sur-Loing reflects the influence of the French Barbizon School on Winkworth Allan Gay's painting style. It seems reasonable to assume that he pain...

A native of Philadelphia, John Pierce Barnes began his artistic training at the Philadelphia School of Industrial Design. He then attended the Pennsylvania Academy of the Fine Arts, ...

A native of Philadelphia, John Pierce Barnes began his artistic training at the Philadelphia School of Industrial Design. He then attended the Pennsylvania Academy of the Fine Arts, ...

Diego H. Rodriguez Carrion (Diego Hiromi) was born on July 26, 1995 in San Juan, Puerto Rico. Diego studied at the Atelier San Juan under the guidance of artists Luis Borrero and Amb...

An expatriate painter, noted for figurative paintings of peasants as well as classical works, Biblical scenes, mythological subjects, and still lifes, William Babcock was born in Bos...

Frank Mujica was born on December the 20th, 1985 in Pinar del Rio, Cuba. He studied at the San Alejandro Academy of fine Arts from 2000 to 2004 and at the Superior Institute of Art I...

Born in Warren, Ohio, Luther Emerson Van Gorder was one of the most distinguished painters of the Toledo area during the late nineteenth and ...

Like his mentor the great American Impressionist William Merritt Chase, Charles Webster Hawthorne was equally admired in his own day as both a talented painter and a highly influential instructor. Hawthorne first studied with Chase at his Shinnecock Summer School of Art, which was specifically dedicated to open-air landscape painting. Not only did Hawthorne quickly absorb all the principles of Chase’s instruction, but he also became determined to found his own school based on the same model. In 1899 Hawthorne discovered the small fishing village of Provincetown on the furthermost tip of Cape Cod, and after purchasing a large house on Miller Hill, he opened the Cape Cod School of Art, which proved to be an immediate success. While Hawthorne’s own approach as a teacher owed much to Chase, he developed a distinctly unique painting style and teaching method that defies easy categorization. He was greatly impressed with the work of Franz Hals, which he was exposed to during his trip to Holland in the summer of 1898. Hawthorne was particularly struck by Hals’ Regentesses of the Old Men’s Almhouse, and from this work he absorbed a deep appreciation for the power of human expression and an economy of technique. Hawthorne applied these lessons to his own realistic portraits of Provincetown fishermen and their families; these works have a somber, almost melancholy quality to them, and they reveal a sense of the vulnerability of the human condition. Stylistically, Hawthorne maintained a life-long commitment to the importance of color. “Beauty in art,” he said, “is the delicious notes of color one against the other.” Of equal importance to him was capturing the effects of light. He told his students: “Everything in painting is a matter of silhouettes. Hold light against shadow, not light against light.” He developed a particular technique of layering glazes and texturing the surface of his paintings, which heightens the relationship between the colors and creates a light effect that seems to emanate from within the painting. These stylistic techniques in combination with his straightforward compositions of one or more figures shown at close range create the hallmarks of Hawthorne’s best paintings. Hawthorne and his wife Ethel’s 1905-1907 trip to Italy did not result in a drastic impact on his artistic style. Nonetheless, it proved to be a transformative and enlightening voyage. The extensive trip was financed by collectors who paid in advance for a painting to be produced abroad. On the trip, Hawthorne explored the work of old masters and was struck particularly by the paintings of Titian, which to Hawthorne, demonstrated the master’s true adoration for the act of painting itself through his handling of paint and color. Where Titian’s paintings...