Brood

This is an old low stool made from a tree stump, thought to have been made in Japan during the Taisho to early Showa period, in the early 20th century. It was cut from a section clos...

This is a highly distinctive low table composed of old materials from 20th-century Japan. A square iron plate has been used as the tabletop, while beneath it sits a hollowed-out bas...

This is a piece that is thought to be an old wooden low table made on the Korean Peninsula. Although its exact date cannot be stated with certainty, judging from its overall construction, the design of the legs, and the character of the wood, it can be understood as an old piece of common people’s furniture from the Joseon period. The tabletop appears to be made of a hardwood similar to oak or elm, while the legs appear to be made of a softwood such as pine or cedar. What makes this table especially interesting is the way it carries something of the atmosphere of Korean antique furniture...

This is an old iron deer object, not of Japanese origin, although its exact country or region has not been definitively identified. The date of production is also unclear, but judgin...

This is a complete set consisting of a wooden Daikokuten statue and its zushi shrine, made in Japan. According to the inscription on the accompanying plaque, it was made in Kyoho 13,...

This is a small jar fired in Tamba, Japan. It is thought to date from the late Edo period to the Meiji period, around the second half of the 19th century. Although it is small enough...

This is a small jar fired in Tamba, Japan. It is thought to date from the late Edo period to the Meiji period, around the second half of the 19th century. Although it is small enough...

This is a Japanese antique drawer chest, believed to date from the late Edo period to early Meiji period circa 1800s to 1900s. Constructed from solid wood and finished in a deep tim...

A profoundly sculptural bench carved from a single massive plank of wood, embodying the quiet power of material and time. The form emerges organically. Its low elongated seat is sup...

This Japanese cha dansu tea cabinet was crafted during the Taisho to early Showa period and is made from richly grained keyaki (zelkova wood), one of the most prized hardwoods in tra...

This exceptional Japanese mizuya tansu dates to the Meiji period, circa 1860s to 1900s, and is crafted from solid cedar wood. It embodies the quiet refinement of traditional Japanese...

This is a masterpiece low-seated chair designed in 1955 by Katsuhei Toyoguchi, who dedicated his life to researching chairs for Japanese people. Its...

This is a stone statue of a Sōtai Dōsojin (paired roadside deity), believed to have been created in the early to middle Edo period (17th–18th century). Dōsojin are protective deitie...

This is a stone statue of Bishamonten (also known as Tamonten), believed to have been created during the Edo period. What is most noteworthy is its rarity. Even after many years of ...

This is a wooden pig sculpture believed to have been produced in Southeast Asia or possibly the Nepal region. The exact date of production is unclear, but based on the surface textur...

This is a traditional Japanese folk toy known as a **temari**, believed to have been made from the Taishō period to the early Shōwa period (early 20th century). Having survived the ...

This is a stone statue of Jizo Bodhisattva, believed to have been created on Sado Island in Niigata Prefecture during the Edo period. On Sado Island, there is a small Jizo hall known as “Nashinoki Jizo,” where numerous stone Buddha statues dedicated by local people since the Edo period are still enshrined today. The sight of these statues, densely covering the ground, conveys the everyday prayers of the people of that time—their heartfelt wishes for children’s growth, recovery from illness, and protection in daily life. Against this background, Jizo worship on Sado Island is closely connected to the concept of “Migawari Jizo,” or substitute Jizo. This belief holds that Jizo takes upon itself the misfortunes and suffering that would otherwise befall people. It was a common practice for people to dedicate Jizo statues...

This is an iron-painted dish from the Cizhou kiln, produced in northern China. The production date is estimated to be from the Yuan dynasty to the middle of the Ming dynasty (approxi...

This is a Shigaraki ware jar made in Japan during the late Muromachi period (around the 16th century). Shigaraki ware is known as one of the Six Ancient Kilns of Japan and has been ...

This is a bronze vase made in Korea during the late Goryeo dynasty (around the 12th–13th century). The Goryeo dynasty was a period in which highly sophisticated craftsmanship developed alongside a flourishing Buddhist culture. During this era, many outstanding works of art were produced, including celadon ceramics and metalwork. This piece is an example of bronze craftsmanship from that time and possesses an elegant form that reflects the refined aesthetic sensibilities of the period. The shape of this vase is known as “Yuhuchun” (玉壺春), a classic bottle form frequently seen in Chinese Song dynasty celadon. The slender neck rises gracefully upward, leading to a gently swelling rounded body, and finally to a small, stable foot. This silhouette creates a beautifully balanced curve throughout the entire form. While Goryeo craftsmanship was influenced by Chinese culture, it also developed its own distinct aesthetic, and this vessel appears to have been created within that cultural context. Around the neck and shoulder are ring-shaped ridges known as “tutdae” (突帯). These raised bands create a subtle rhythm in the form and give visual structure to the vessel. Such decorative ridges are one of the characteristic features seen in Goryeo bronze objects. They function not merely as decoration but also as an important design element that defines and tightens the overall contour of the vessel. Across the surface, a natural patina has formed over the centuries, with areas of green corrosion and soil accretions typical of ancient bronze. The coloration shifts subtly from blue-green to light brown tones. This patina cannot be artificially reproduced; it appears only through the passage of a long period of time. The piece embodies both the rough character typical of excavated artifacts and a quiet beauty, as though it has preserved a fragment of the ancient landscape within its surface. Regarding its condition, because this is an excavated object, corrosion over time has caused a hole to form in the body. Please refer to the detailed photos for confirmation. For this reason, it cannot be used to hold water directly. However, if you wish to arrange flowers, you may place a slender glass container inside the vase and fill that with water. It also works beautifully with dried flowers or branches. The heavy texture of ancient bronze pairs exceptionally well with natural plant materials, making it a striking decorative object within an interior space. This vase also comes with its original storage box. On the lid is an inscription reading “Goryeo Period Bronze Water Vessel...

This piece is an old Tokoname ware jar produced in the Tokoname region of Aichi Prefecture, Japan. It is believed to date from the Momoyama period to the early Edo period (late 16th ...

This piece is an Iga ware jar fired around the 16th century, during the late Muromachi period to the Momoyama period. Iga ware is pottery produced in the Iga region of Mie Prefectur...

Antique Japanese tansu cabinet crafted in Japan during the Meiji period (late 19th to early 20th century). The sliding doors are made o...

A wall shelf designed by Marcel Gascoin (1907–1986), model E, produced by ARHEC in France, circa 1950s. Crafted in oak, the shelf features a simple and refined form that evokes the ...

A wall shelf designed by Marcel Gascoin (1907–1986), model E, produced by ARHEC in France, circa 1950s. Crafted in oak, the shelf features a simple and refined form that evokes the ...

A refined French modernist sideboard designed by Andre Sornay in Lyon, France, circa 1950s. Crafted using Sornay’s signature cloutage technique, the cabinet reveals delicate nail-he...

Aerator 1958 l JEAN PROUVÉ Aerator component, created for the La Doua campus of the Institut National des Sciences Appliquées de Lyon, 1960-1963 This aluminium panel was designed by...

This piece is a white porcelain vessel from the Joseon Dynasty, believed to have been produced in the 15th century. It represents one of the typical examples from the early Joseon pe...

This is a small stone Buddhist statue, believed to have been created in the late Edo period (around the 19th century). Compact enough to rest in the palm of your hand, it weighs appr...

A small stone statue of Jizo Bosatsu. This piece is believed to have been created in the late Edo period (18th–19th century). Standing approximately 17 cm in height, it is small eno...

This wooden statue possesses a quiet presence yet somehow conveys a familiar, populist charm. The work depicts a figure seated atop a lion, a composition reminiscent of **Manjushri ...

とても良い修正です。 内容に忠実に、余計な脚色をせず翻訳いたします。 --- This work is a seated stone statue of Nyoirin Kannon, believed to have been created during the mid to late Edo period (18th–19th century). It...

This is a stone guardian deity statue created in Japan during the mid to late Edo period (18th–19th century). It is carved from a single piece of natural stone. With a height of 38.5...

This is a wooden standing statue of Kannon Bosatsu (Avalokiteśvara) produced in Japan during the mid to late Edo period (18th to 19th century). With a height of 36.5 cm, it possesses...

This is a wooden statue of **Jūichimen Senju Kannon Bosatsu (Eleven-Headed Thousand-Armed Kannon)**, created in Japan during the late Edo period. Senju Kannon (Thousand-Armed Kannon), formally known as *Senju Sengen Kanzeon Bosatsu*, is regarded as a symbol of compassion who saves all people through countless hands and eyes. Rather than literally carving one thousand arms, the expression of many arms symbolically represents “infinite salvation.” This work is further rendered in the **Eleven-Headed (Jūichimen)** form, bearing multiple faces above the main head. This signifies the ability to look in all directions and to never overlook the suffering of any being. The Eleven-Headed Thousand-Armed Kannon is both refined in design and highly significant in devotional practice. At **Sanjūsangendō (Rengeō-in)** in Kyoto, a similar Eleven-Headed Thousand-Armed Kannon statue is enshrined and is widely known as one of the representative masterpieces of Japanese Buddhist sculpture...

This is a wooden **giboshi**, originally attached to the balustrade (koran) of a bridge or architectural structure. A *giboshi* is the ornamental “finial” placed on top of balustrade posts. While metal examples are widely known, there are also rare cases such as this one that were crafted from wood. They were used on bridges, temple and shrine architecture, and gates, serving to create a sense of boundary and dignity within a space. The design is said to originate from the image of the *hoju* (sacred wish-fulfilling jewel) seen in Buddhist architecture and ornamentation. A giboshi is not merely decorative; it has been regarded as a symbolic element that protects and spiritually defines a place. Based on its form and texture, this piece is estimated to date from the late Edo period to the Meiji period. Judging from the material quality, it is likely made from a dense hardwood, possibly zelkova (keyaki). Having been exposed to wind and rain for many years, the surface has developed a deeply weathered and dried expression. The parched wood grain, raised fibers, and naturally formed cracks all speak to the accumulation of time, giving the piece a sculptural presence. The rounded cap flowing into the strong vertical lines of the body creates a beautiful proportion—folk in spirit, yet somewhat primitive in character. This weathered texture should not be seen as deterioration, but rather as a beauty completed through the passage of time. Its quiet presence evokes wabi-sabi—an expression that cannot be reproduced through modern processing, but only formed by authentic aging. The size strikes an exquisite balance—neither too large nor too small. While easy to place, it creates a strong visual anchor within a space. Simply placing it alone on a shelf or sideboard gives it the presence of a sculptural object. In an entryway or alcove, it becomes a quiet symbolic accent. Positioned against a white or concrete wall, the contrast of materials becomes striking; paired with reclaimed wood furniture...

This is a vintage wooden stool. Although it is not certain whether it was made in Japan, based on its form and material characteristics, it is likely to have been produced in the So...

This is a small stone statue believed to have been made in Japan during the Edo period. It was placed at crossroads, village entrances, or along mountain paths to pray for the safety...

This vintage West African fabric is handwoven cotton dyed with vegetable dyes and decorated with embroidery and cowrie shells. It is likely to be from the Marino Dogon people. The ge...

This is an antique drafting table from France. Its structure, supported by four wooden sawhorses (workbench legs), embodies the practical furniture actually used in drafting rooms an...

This antique Spanish wood shelf has a striking, rustic yet powerful appearance. Crafted from thick solid wood, its structure, which has been assembled with chisel marks and saw marks...

These are 60s-70s chairs designed by Isamu Kenmochi for Akita Mokkou. The original stickers still exist. All frames are made of bent solid beech wood. Akita Mokkou has a history of o...

This minimalist metal table lamp is attributed to André Mounique. Charlotte Perriand frequently used it in her stage designs. This table lamp was manufactured by JUMO. This moderni...

This 19th century trestle table was crafted in Italy. It has a thick solid wood top and decoratively cut legs, supported firmly by a central crossbeam. It has been maintained so that...

The light sculptures named "AKARI" were created in 1952 by Isamu Noguchi, inspired by Japan's traditional Gifu lantern craft. Using the natural properties of washi paper to diffuse...

This is tapa (bark cloth) made by the Mbuti people, also known as pygmies, an indigenous people who live in the Ituri Forest, which stretches from northeastern Democratic Republic of...

This is a Japanese display shelf (tea shelf) made in the early to mid-Showa period. It consists of solid wood boards arranged above and below, quietly supported by slender bamboo pos...

This large Japanese tansu was crafted in the early 1900s and reflects a restrained yet powerful approach to utilitarian furniture. Made from solid cedar wood, the piece combines stru...

This is an exceptionally old piece of Japanese fabric, dating back to the Edo period (1800s–1860s). It has been carefully used to withstand the harsh winter cold. Since ancient time...

This is a seated stone Buddha statue believed to have been made in China. While its date of creation is unclear, the weathering of the stone surface, surface wear, and texture formed...

This low table was produced in Japan between the 1970s and 1990s. Following the period of rapid economic growth, Japanese lifestyles shifted dramatically from tatami-based living spa...

This is a statue of Nyoirin Kannon (Nyoirin Kannon) created in Japan during the mid- to late Edo period (circa 18th to 19th centuries). Nyoirin Kannon is a form of Kannon Bodhisattva...

This is a wooden full-length mirror crafted in Japan during the Showa era. Following the Meiji era, when new Western culture began to permeate Japan, Japanese lifestyles underwent ma...

This small ceramic object is by Raymonde Leduc, a ceramist from southern France. Fern leaves are pressed onto the surface, and the delicate shape is carved like a fossil by the firin...

This folding table was made in Sweden in the early 20th century. The legs have a beautiful structure and a practical design that allows the tabletop to be folded or folded depending ...

This is an old trunk made in Sweden in the late 19th century. Geometrically patterned colored paper (decorative paper) is pasted onto the wooden body, and the fading over time create...

This vintage floor lamp was made in France. Its hand-forged iron construction features decorative wrought ironwork such as twists and scrollwork throughout. The support rod rising fr...

This lamp was designed in 1969 by Jean Balladur, a leading architect of La Grande-Motte in southern France. Known affectionately as "BB," this lamp stands for "Borne Blindée" (Armor...

Rattan sofa designed by Isamu Kenmochi and manufactured by Yamakawa Rattan. Circa 1980s. No restorations or modifications have been made. The cushion is also original vintage condition.

Long a beloved part of Japanese culture, the "fuzukue" (writing desk) originated as a piece of furniture for writing, literally meaning "a desk for writing," and has accompanied quie...