circa20c

Introducing the Mira Nakashima Conoid Slab Cocktail Table in Black Walnut and Rosewood, a true testament to mid-century modern craftsmanship. Thi...

Mary-Ann Prack was born in Hamilton, Ontario, Canada, and is a third generation member of an architectural engineering family. Prack began her formal fine art education at the Univer...

Born in Melrose, Ohio in 1922, Clyde Burt would go on to become a major voice in American studio ceramics. He studied at Fort Wayne Art School and later at the Cape Cod School...

Discover the timeless elegance of the "Tamnel" vessel by Claude Conover, a notable American ceramist (1907-1994), renowned for his intricate craftsmanship. This large ceramic piece, ...

Add a touch of mid-century modern elegance to your space with the Kelby Ceramic Table Lamp. This unique lamp by Kelby features a circular drum shape adorned with an abstract design i...

Illuminate your space with the Pair of Contour Artic White Ceramic Table Lamps designed by Kelly Wearstler, a masterpiece of organic forms and timeless elegance. Exclusively crafted ...

Richard Etts (20/21st century) is active/lives in New York, California. Richard Etts is known for body composite sculpture, surrealism, fantasy, life castings. From his web site: In 1962 at the age of seventeen I relocated to New York City and accepted various art related jobs allowing me to experience many aspects of the arts. From 1964 – 1965 at the age of nineteen I moved to Madrid, Spain to apprentice molding and casting at the Circulo de Bellas Artes. In 1966 I began creating showroom displays back in New York City for DuPont in the Empire State building as well as for Bloomingdale's and Macy's and window displays for Tiffany & Co. on Fifth Avenue. Then I took commissioned projects for Allied chemical trade shows and window displays for Smirnoff Vodka, Hanes hosiery, Max Factor makeup...

A good Mid-Century Modern G Plan teak extendable dining table from the "Fresco range", designed by V.B. Wilkins, 1960s. The table from G Plan's iconic Fresco range, the table having ...

Elevate your living space with the exquisite Roger Sprunger for Dunbar Lounge Chair and Ottoman, newly upholstered in Holly Hunt Great Plains Cardigan—a boucle' fabric renowned for i...

A stunning burled olivewood credenza designed by Roger Sprunger for Dunbar, this exquisite piece exemplifies mid-century modern elegance. The credenza features gorgeous wood grain an...

Beautiful pair of lounge chairs with chrome frames and new upholstery in Donghia Skyline/Charcoal.

A set of six dining chairs by Milo Baughman with cane backs. Newly upholstered in Holly Hunt Great Outdoors.

Beautiful ceramic vessel by Tim Keenan.

These are Lucite with metal tips to hold candles. Thick Lucite. Charles Hollis Jones or Karl Springer style. Measures: All are 2.25 square, smallest is 6.38", medium is 8.38" and tal...

Very nice chairs in a faux ostrich vinyl. Chairs are on casters. Great for a bar area, office, living or family room card table.

Beautiful pair of very large bulbous ceramic lamps with heavy relief. Colors are beiges, bronze, brown. Measurements are to top of the harp and di...

Made in Italy, this chair has a solid canaletto walnut wood frame and black hair on hide cushions. Chair is no longer in production. Retailed at over $7500/chair.

A great looking pair of scoop lounge chairs by Milo Baughman. Newly upholstered in a Holly Hunt performance weave.     

Mr. Bouras(1931 - 1990) earned a master of fine arts degree at the University of Illinois and also did postgraduate study at the University of Chicago. He was an artist-in-residen...

A black walnut Frenchman's Cove dining table with free edge dtd. 1964. Authentication and original paperwork included.

Media consists of fiber, paint, shellac on a linen canvas. Beautiful wood frame. Frank Faulkner by Philip Herrera, 2006: Born in Sumter, South Carolina in 1946, Frank Faulkner received his B.F.A. from the University of North Carolina in 1968, Phi Beta Kappa, and his M.F.A. from the same institution in 1972. Faulkner’s work quickly won him numerous grants and awards, including an individual artist grant from the National Endowment for the Arts in 1974. He was selected for the Whitney Biennial in 1975, which prompted him to settle in New York. There, he came to the attention of Dorothy Miller, Curator Emeritus of the Museum of Modern Art with a legendary eye for new talent. Since then, Faulkner has continued to garner acclaim and awards. He has been featured in dozens of one-person exhibitions (not to mention group exhibitions) in this country, as well as in Japan, Switzerland, and Germany. Faulkner’s work is owned by leading museums (the Smith College museum in Northampton, Massachusetts, for example, the National Museum of American Art and the Hirshhorn in Washington, D.C.) and by renowned collectors such as Nelson Rockefeller, Baron Leon Lambert, Phillip Hanes and Abba Eban. What a viewer first notices is the sheer elegance of the pieces, no matter what materials Faulkner uses—metal, wood and fabric as well as canvas and paper. Obvious, too, is the artist’s originality. Faulkner belongs to no school. His work is patterned but is far too intellectual to qualify as so-called “pattern art,” which mainly strives to be merely pretty. Rather, he paints in his own highly organized way, filling the surface without being excessive or boring. Faulkner sets up a system, say, of dots or dashes, then subtly changes the visual rhythms in order to add life and surprise—what he calls “the gymnastics of seeing.” He works and reworks the surfaces of his canvases, often laying down one thin layer of slightly reflective gold, silver or bronze paint upon another until the final work seems to glow with inner light. John Ashbery, a leading critic and poet, has likened Faulkner’s art to minimalist music, which achieves both simplicity and beauty from its obsessive repetitions. The critic Carter Ratcliff describes it more simply as “brilliant artifice.” Faulkner’s current work, a series of paintings on paper, continues and deepens this exploration of the relationship between wrought surface and changing light. Another striking aspect of the work is the influence of the decorative arts. Faulkner has made some paintings on wood that stand independently and fold open like screens. Other pieces resemble large tapestries, and yet others take their inspiration from Art Nouveau inlays...

A walnut sideboard 60" in width, straight edge top, wood doors, sub sap streak top and sides, 4 drawers on left and shelves on right. Documentation included.  

Tall mirror by Paul Evans. Cityscape chrome and signed. Can be used as wall or floor mirror.

This is a stunning console and mirror in the style of Karl Springer. In goatskin with browns, blacks, beige coloration. Console is 6 stacked layers of various sizes with softly round...

Rare Wormley table bentwood burl maple with ebonized rosewood tapered legs. Tray style.

Abstract expressionist painting with geometric color fields of yellow, blue, white, and green. Signed along the lower right. Provenzano (American, 1923-1999) was a student of Hans Hoffmann...

Born in Los Angeles, California, 1951 M.F.A., Rhode Island School of Design, Providence, Rhode Island, 1977 B.A., Claremont McKenna Col...

Ceramic vessels by Jim Kraft. One vase is 8.5" W x 7.5" D x 8.5" H. The other is 8.5" W x 8.5" D x 8.5" H. Jim Kraft received his BA in Ceramics from Nort...

Born in Melrose, Ohio in 1922, Clyde Burt would go on to become a major voice in American studio ceramics. He studied at Fort Wayne Art School and later at the Cape Cod School of Art before landing at the Cranbrook Academy of Art to study under Maija Grotell. While Grotell is responsible for bringing the wheel to Cranbrook, Burt made it central to his practice and his thrown works express the same endless curiosity as his teacher. Upon returning to Ohio, Burt built a home studio on his family’s farmland near the Little Auglaize River and harvested rich clay from the surrounding area. He started every day at 5:30 in the morning and would work until he knew he “had enough”. Constantly experimenting with glazes, colors and surface decoration, Burt painstakingly recorded his successes and failures in a small notebook...

Born in Melrose, Ohio in 1922, Clyde Burt would go on to become a major voice in American studio ceramics. He studied at Fort Wayne Art School and later at the Cape Cod School of Art before landing at the Cranbrook Academy of Art to study under Maija Grotell. While Grotell is responsible for bringing the wheel to Cranbrook, Burt made it central to his practice and his thrown works express the same endless curiosity as his teacher. Upon returning to Ohio, Burt built a home studio on his family’s farmland near the Little Auglaize River and harvested rich clay from the surrounding area. He started every day at 5:30 in the morning and would work until he knew he “had enough”. Constantly experimenting with glazes, colors and surface decoration, Burt painstakingly recorded his successes and failures in a small notebook...

Born in Melrose, Ohio in 1922, Clyde Burt would go on to become a major voice in American studio ceramics. He studied at Fort Wayne Art School and later at the Cape Cod School of Art before landing at the Cranbrook Academy of Art to study under Maija Grotell. While Grotell is responsible for bringing the wheel to Cranbrook, Burt made it central to his practice and his thrown works express the same endless curiosity as his teacher. Upon returning to Ohio, Burt built a home studio on his family’s farmland near the Little Auglaize River and harvested rich clay from the surrounding area. He started every day at 5:30 in the morning and would work until he knew he “had enough”. Constantly experimenting with glazes, colors and surface decoration, Burt painstakingly recorded his successes and failures in a small notebook...

Lots of interesting detail in this beautiful Mid-Century Modern ceramic vase. A glazed ceramic vase embellished circular ceramic circles adorned with green glazed ceramic dots.

Great detail in this signed ceramic vase with a glazed white ceramic and detailed with cut and formed ceramic ornamentation around upper portion. Well executed.

Fresh and ready to go. These chairs have been restored. Upholstery is a Knoll fabric in bright blue.

Beautiful large cocktail table by Tommaso Barbi. Table has a new black glass top, black ceramic frame and brass trim.

Japanese Crane sculpture in marblized resin, signed. "Bird in Flight".

A heavy Lucite lamp in the manner of Karl Springer. Does not include shade. Lamp is 29" H to top of finial with existing harp.

Beautiful pair of black and white veined marble block table lamps by Nessen Studio. These lamps are very heavy. We have fitted for normal shades. Wi...

A potter and painter, Albert Green (1914-1994) earned an international reputation for his ceramics, stoneware, and canvases. A graduate of the University of Pennsylvania, he studied painting at the Art Students League in New York City, supporting himself with retail jobs selling men’s clothing. But in 1946 a chance encounter with a display of contemporary Japanese pottery inspired him on the spot to switch from painting to pottery. Green learned pottery techniques through engineering manuals and applied his knowledge of college chemistry to teach himself glazing. ​“In those days I looked at pots constantly,” he said. ​“I’d travel 100 miles to look at a good pot. I simply taught myself.” He took his painting skills and applied them to his clay works, creating pieces that critics praised for their painterly qualities and subtle sense of color. In 1976, he retired from the retail clothing...

A potter and painter, Albert Green (1914-1994) earned an international reputation for his ceramics, stoneware, and canvases. A graduate of the University of Pennsylvania, he studied painting at the Art Students League in New York City, supporting himself with retail jobs selling men’s clothing. But in 1946 a chance encounter with a display of contemporary Japanese pottery inspired him on the spot to switch from painting to pottery. Green learned pottery techniques through engineering manuals and applied his knowledge of college chemistry to teach himself glazing. ​“In those days I looked at pots constantly,” he said. ​“I’d travel 100 miles to look at a good pot. I simply taught myself.” He took his painting skills and applied them to his clay works, creating pieces that critics praised for their painterly qualities and subtle sense of color. In 1976, he retired from the retail clothing...

A potter and painter, Albert Green (1914 - 1994) earned an international reputation for his ceramics, stoneware, and canvases. A graduate of the University of Pennsylvania, he studied painting at the Art Students League in New York City, supporting himself with retail jobs selling men’s clothing. But in 1946 a chance encounter with a display of contemporary Japanese pottery inspired him on the spot to switch from painting to pottery. Green learned pottery techniques through engineering manuals and applied his knowledge of college chemistry to teach himself glazing. ​“In those days I looked at pots constantly,” he said. ​“I’d travel 100 miles to look at a good pot. I simply taught myself.” He took his painting skills and applied them to his clay works, creating pieces that critics praised for their painterly qualities and subtle sense of color. In 1976, he retired from the retail clothing...

A potter and painter, Albert Green (1914 - 1994) earned an international reputation for his ceramics, stoneware, and canvases. A graduate of the Universit...

A potter and painter, Albert Green (1914 - 1994) earned an international reputation for his ceramics, stoneware, and canvases. A graduate of the University of Pennsylvania, he studied painting at the Art Students League in New York City, supporting himself with retail jobs selling men’s clothing. But in 1946 a chance encounter with a display of contemporary Japanese pottery inspired him on the spot to switch from painting to pottery. Green learned pottery techniques through engineering manuals and applied his knowledge of college chemistry to teach himself glazing. ​“In those days I looked at pots constantly,” he said. ​“I’d travel 100 miles to look at a good pot. I simply taught myself.” He took his painting skills and applied them to his clay works, creating pieces that critics praised for their painterly qualities and subtle sense of color. In 1976, he retired from the retail clothing...

A potter and painter, Albert Green (1914 - 1994) earned an international reputation for his ceramics, stoneware, and canvases. A graduate of the Universit...

A potter and painter, Albert Green (1914 - 1994) earned an international reputation for his ceramics, stoneware, and canvases. A graduate of the Universit...

A potter and painter, Albert Green (1914 - 1994) earned an international reputation for his ceramics, stoneware, and canvases. A graduate of the Universit...

Beautiful organic shape and style, vessel appears aged and has multiple colors and textures. Kris Cox Born in Los Angeles, California, 1951 M.F.A., Rhode Island School of Design, ...

Carl-Harry Stalhane (1920-1990) was a Swedish ceramic artist who worked for the Rörstrand porcelain works in Lidköping. He trained as a painter in Stockholm and as a sculptor in Pari...

Warren Platner's iconic Easy chair for Knoll. We have reupholstered this in a high-quality mohair.

Jay Milder (born 1934) is an American artist and a figurative Expressionist painter of the second generation New York School. Old Testament themes such as Jacob's Ladder and Noah’s Ark, and the Jewish...

This is one of those pieces of art that you know you are looking at something really special. It is an extremely well executed work of art. The ceramic pieces are clustered and adher...

Thin frame chrome and leather bench by Steelcase.

By Flos: Since 1958, this iconic Gino Sarfatti design has served as an ultra-modern representation of the traditional mid-century chandelier. Every detail of this state-of-the-art ceiling light is exceptional, from the mirror-polish finish of its main steel structure to the way each bulb is fitted with its own horizontal arm and the graceful wiring meanders down the stem. The Mod 2097 by Gino Sarfatti holds 50 incandescent bulbs, emitting indirect light. It features a ceiling fitting and includes a suspension cable. Inspiration behind the design: Renowned for his contribution to the modern architectural movement in lighting, creator Gino Sarfatti designed the FLOS 2097 Chandelier...

Large mixed media by Texas artist John Pavlicek. Signed and dtd. 1988. In the tradition of Kurt Schwitters and Georges Braque, Mr. Pavlicek continues the exploration of technique...

We have fully restored this beautiful cocktail table by Edward Wormley for Dunbar. It has a mahogany frame and a walnut top, a shelf underneath the top and a brass stretcher that sur...

Beautifully restored, pair of white lacquer nightstands/chests by Milo Baughman for Thayer Coggin. Chest have three drawers each and chrome detailing on sides along with chrome trim ...

We have reupholstered this beautiful high quality settee designed by Agner Christoffersen in a rich textured Kelly Wearstler fabric.

A comfortable pair of Ward Bennett style lounge or club chairs with a swivel base and tufted seat and back by Woodmark.

Le Corbusier held that furniture should be “extensions of our limbs and adapted to human functions.” The LC4 Chaise Longue (1928) embodies this notion with a “floating” frame that mo...

Le Corbusier held that furniture should be “extensions of our limbs and adapted to human functions.” The LC4 Chaise Longue (1928) embodies this notion with a “floating” frame that mo...