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Enzo Mari Dima modular wall shelving system for Simon International Dima Italy, circa 1970 Enameled steel, shelves adjustable with solid plastic holders...

Pair of Alabaster end tables or plant or display collums. Hand carved highly figured Alabaster made in Italy.

Mies van der Rohe for Knl set of Four Bruno chairs with arm pads, Original Gray leather with stainless steel frames. * Seat Height (in): 17.5 * ...

Enzo Mari Dima Modular Wall Shelving System for Simon International Dima Italy, circa 1970 Enameled steel, shelves adjustable with solid plastic holders....

Arthur Elrod large cocktail table for the Ittleson Residence in Palm Springs. A highly expressive base in silvered, hand-welded bronze supporting an irregular 1/2" trapezoidal glass ...

Arthur Elrod small cocktail table for the Ittleson Residence in Palm Springs. A highly expressive silvered bronze base carries an irregular trape...

Jens Risom credenza in oiled walnut, features four drawers and one file drawer, two doors with adjustable shelves, finished on the backside, and Stainless...

Paul McCobb Travertine Consoles and or Sofa Tables, model 8704 for Directional. Square tubular brass with 3/4" travertine.      

Paul McCobb Room Divider for Calvin Furniture Company, Features Mahogany, solid brass and glass shelves. Lower section has Five Drawers with brass...

Important Esherick Table from The Hedgerow Collection. Crafted by Esherick in 1924. The table is thought to have been used by Esherick at the family's home Sunekrest prior to 1938. That year Esherick enhanced the table's form by reshaping its legs, thus simplifying the design. The table found it's way to Hedgerow Theatre in 1940 in the Theatre's Green Room for many years. Provenance: Made by the artist for the artist's home, Sunekrest, Paoli, Pennsylvania, 1924 Re-designed by the artist, 1938 Sold to Hedgerow Theatre, Rose Valley...

Paul McCobb for Calvin Dining Set, Features Six Dining Chairs, Two Arm Chairs, and Four Side Chairs, a Rectangular Table in mahogany veneer original medium tone with a solid brass st...

Pair of murano wall sconces, monumental is size and stature. Made of multiple hand blown Venini art glass, shades hangs on steel frame with up and down lights.

John Dickinson selected this table as the centerpiece Table for The Firehouse with the help of MoMA curator Peter Selz, who had curated the re-examination of Art Nouveau at MoMA in 1960 before moving to Berkeley and founded the Berkeley Art Museum. Also, a client of Dickinson's. Attributed to Victor Horta...

Arthur Elrod Steel Fireplace Surround for William Cody Designed Goldberg Residence, Rancho Mirage

Arthur Espenet Carpenter Three-Legged Occasional Table in solid birch trapezoidal top with turned oak legs that pierce the top and are exposed as a design detail. Signed on underside...

Pair of William Armbruster Monumental Five Seat Sofas in Chase Manhattan NYC Armbruster included in MoMA's Good Design exhibits in the early 50's and l...

William Armbruster Monumental five-seat sofa for Chase Manhattan Executive Offices. A generous 144" in length, Reupholstered with Italian wool, cotton...

Richard Mann Organic Hand Painted screen.

Samuel Marx Andirons.

Gerald McCabe Custom Steel and Glass Cocktail Table

Michael Thonet Sofa Bench Kanapee Sittee NR22 First original form, produced 1889-1890 Cane replaced with mohair Seat Height: 20.5"

Edward Wormley Executive Office Chair for Dunbar “In Clover” 932 Executive chair button tufted leather, solid walnut base, brass casters, tilts and sw...

Arthur Espenet Carpenter Roll-Top Desk 1979, in American black walnut. Features:Inlay rosewood butterflies. Three pencil drawers lined in felt. Multiple drawer and puzzle storage bo...

Nine Foot Hand Crafted Free-Edge Trestle Table by Don Braden. Oakwood straight edge with inner free edge opening. Base and edges painted salmon color, top oil finish.

Angelo Mangiarotti Vase for Knoll, Light Grey Marble with Dark Grey veining. [Stamped underside Made in Italy]

Pair of Kai Kristiansen cube tables Made from solid teak wood and glass.

Benjamin Baldwin custom wall-mounted console in burled elm, from the C.F. Murphy Jr. residence, Chicago. Sold with a photocopy of The New York Times article illustrating the interior...

Florence Knoll two-door cabinet in Teakwood, Finished on back. Features Notch pulls with chrome details, Four file drawers and Four pencil drawers, and chrome-plated adjustable feet....

Florence Knoll Eight-Drawer Credenza in Teakwood, features Notch pulls with chrome details, Four file drawers and Four pencil drawers, chrome plated adjustable feet, with lock. [Kno...

Edward Wormley for Dunbar "A" Frame Arm Chair, Horseshoe curved back with original leather-covered armrests, solid mahogany frame, brass exposed screws...

Paul Frankl custom dining table, designed for a project in La Jolla, California 1930c. Sold with two 24-inch leaves when both are inserted the tabl...

J.J. McVicker painting "Hard Edge" painting "Number 1", 1980. Jesse Jay McVicker (b.1911-d.2004) was an American painter, printmaker and sculptor...

Paul McCobb for Directional. Pair of model 8704 console tables. Square tubular brass frames with travertine top. Patina on brass consistent with age and use. Stool sold separately.

Mario Dal Fabbro sculpture no. 24 Signed, 1976. Nodding head. C.6 Multi-disciplinary artist Mario Dal Fabbro was born in Cappella Maggiore, Italy in 1913. He trained in his family's furniture design shop prior to attending both the R. Superior Institute for Decorative and Industrial Arts in Venice as well as Magistero Artistico, graduating with high honours in 1937. From the years of 1938-1948 Dal Fabbro immersed himself in furniture design and academia. Primarily, he designed furniture for both design houses and private clients. Del Fabbro participated in the Triennale de Milano competition in both 1939 and 1947 and won the Ganzatti Contest for 'Standardization of Furniture". During this period he also contributed to the Italian design publications Domus and Stile and the French magazine L'Architecture D'Aujourd'hui. In 1948 Mario Dal Fabbro immigrated to America and began designing furniture for mass production, working for J.G. Furniture in New York and Quakertown, PA. During his years steady employ, he published Modern Furniture: Its Design And Construction in 1949 and contributed regularly to The New York Times and House and Garden. His subsequent publications spanned a little over the decade and included How to Build Modern Furniture (1951), How to Make Built-In Furniture (1955) and How to Make Children's Furniture and Play Equipment...

Mario Dal Fabbro sculoture no. 25 "Cube With Inner Space" 1976 Multi-disciplinary artist Mario Dal Fabbro was born in Cappella Maggiore, Italy in 1913. He trained in his family's furniture design shop prior to attending both the R. Superior Institute for Decorative and Industrial Arts in Venice as well as Magistero Artistico, graduating with high honors in 1937. From the years of 1938-1948 Dal Fabbro immersed himself in furniture design and academia. Primarily, he designed furniture for both design houses and private clients. Del Fabbro participated in the Triennale de Milano competition in both 1939 and 1947 and won the Ganzatti Contest for 'Standardization of Furniture". During this period he also contributed to the Italian design publications Domus and Stile and the French magazine L'Architecture D'Aujourd'hui. In 1948 Mario Dal Fabbro immigrated to America and began designing furniture for mass production, working for J.G. Furniture in New York and Quakertown, PA. During his years steady employ, he published Modern Furniture: Its Design And Construction in 1949 and contributed regularly to The New York Times and House and Garden. His subsequent publications spanned a little over the decade and included How to Build Modern Furniture (1951), How to Make Built-In Furniture (1955), and How to Make Children's Furniture and Play Equipment...

Mario Dal Fabbro sculpture no. 23 Signed: [Mario Dal Fabbro 1983 R.1] Multi-disciplinary artist Mario Dal Fabbro was born in Cappella Maggiore, Italy in 1913. He trained in his family's furniture design shop prior to attending both the R. Superior Institute for Decorative and Industrial Arts in Venice as well as Magistero Artistico, graduating with high honours in 1937. From the years of 1938-1948 Dal Fabbro immersed himself in furniture design and academia. Primarily, he designed furniture for both design houses and private clients. Del Fabbro participated in the Triennale de Milano competition in both 1939 and 1947 and won the Ganzatti Contest for 'Standardization of Furniture". During this period he also contributed to the Italian design publications Domus and Stile and the French magazine L'Architecture D'Aujourd'hui. In 1948 Mario Dal Fabbro immigrated to America and began designing furniture for mass production, working for J.G. Furniture in New York and Quakertown, PA. During his years steady employ, he published Modern Furniture: Its Design And Construction in 1949 and contributed regularly to The New York Times and House and Garden. His subsequent publications spanned a little over the decade and included How to Build Modern Furniture (1951), How to Make Built-In Furniture (1955) and How to Make Children's Furniture and Play Equipment...

Mario Dal Fabbro No. 10 Signed Mario Dal Fabbro Multi-disciplinary artist Mario Dal Fabbro was born in Cappella Maggiore, Italy in 1913. He trained in his family's furniture design shop prior to attending both the R. Superior Institute for Decorative and Industrial Arts in Venice as well as Magistero Artistico, graduating with high honors in 1937. From the years of 1938-1948 Dal Fabbro immersed himself in furniture design and academia. Primarily, he designed furniture for both design houses and private clients. Del Fabbro participated in the Triennale de Milano competition in both 1939 and 1947 and won the Ganzatti Contest for 'Standardization of Furniture". During this period he also contributed to the Italian design publications Domus and Stile and the French magazine L'Architecture D'Aujourd'hui. In 1948 Mario Dal Fabbro immigrated to America and began designing furniture for mass production, working for J.G. Furniture in New York and Quakertown, PA. During his years steady employ, he published Modern Furniture: Its Design And Construction in 1949 and contributed regularly to The New York Times and House and Garden. His subsequent publications spanned a little over the decade and included How to Build Modern Furniture (1951), How to Make Built-In Furniture (1955), and How to Make Children's Furniture and Play...

Mario Dal Fabbro - No. 9 Signed Mario Dal Fabbro, 1983 Multi-disciplinary artist Mario Dal Fabbro was born in Cappella Maggiore, Italy in 1913. He trained in his family's furniture design shop prior to attending both the R. Superior Institute for Decorative and Industrial Arts in Venice as well as Magistero Artistico, graduating with high honors in 1937. From the years of 1938-1948 Dal Fabbro immersed himself in furniture design and academia. Primarily, he designed furniture for both design houses and private clients. Del Fabbro participated in the Triennale de Milano competition in both 1939 and 1947 and won the Ganzatti Contest for 'Standardization of Furniture". During this period he also contributed to the Italian design publications Domus and Stile and the French magazine L'Architecture D'Aujourd'hui. In 1948 Mario Dal Fabbro immigrated to America and began designing furniture for mass production, working for J.G. Furniture in New York and Quakertown, PA. During his years steady employ, he published Modern Furniture: Its Design And Construction in 1949 and contributed regularly to The New York Times and House and Garden. His subsequent publications spanned a little over the decade and included How to Build Modern Furniture (1951), How to Make Built-In Furniture (1955), and How to Make Children's Furniture and Play Equipment...

Mario Dal Fabbro - No. 20 Signed Mario Dal Fabbro Multi-disciplinary artist Mario Dal Fabbro was born in Cappella Maggiore, Italy in 1913. He trained in his family's furniture design shop prior to attending both the R. Superior Institute for Decorative and Industrial Arts in Venice as well as Magistero Artistico, graduating with high honors in 1937. From the years of 1938-1948 Dal Fabbro immersed himself in furniture design and academia. Primarily, he designed furniture for both design houses and private clients. Del Fabbro participated in the Triennale de Milano competition in both 1939 and 1947 and won the Ganzatti Contest for 'Standardization of Furniture". During this period he also contributed to the Italian design publications Domus and Stile and the French magazine L'Architecture D'Aujourd'hui. In 1948 Mario Dal Fabbro immigrated to America and began designing furniture for mass production, working for J.G. Furniture in New York and Quakertown, PA. During his years steady employ, he published Modern Furniture: Its Design And Construction in 1949 and contributed regularly to The New York Times and House and Garden. His subsequent publications spanned a little over the decade and included How to Build Modern Furniture (1951), How to Make Built-In Furniture (1955), and How to Make Children's Furniture and Play Equipment...

Mario Dal Fabbro sculpture No. 2 Signed Mario Dal Fabbro 1990 Multi-disciplinary artist Mario Dal Fabbro was born in Cappella Maggiore, Italy in 1913. He trained in his family'...

Mario Dal Fabbro - No. 12 Signed Mario Dal Fabbro, 1981 Multi-disciplinary artist Mario Dal Fabbro was born in Cappella Maggiore, Italy in 1913. He trained in his family's furniture design shop prior to attending both the R. Superior Institute for Decorative and Industrial Arts in Venice as well as Magistero Artistico, graduating with high honors in 1937. From the years of 1938-1948 Dal Fabbro immersed himself in furniture design and academia. Primarily, he designed furniture for both design houses and private clients. Del Fabbro participated in the Triennale de Milano competition in both 1939 and 1947 and won the Ganzatti Contest for 'Standardization of Furniture". During this period he also contributed to the Italian design publications Domus and Stile and the French magazine L'Architecture D'Aujourd'hui. In 1948 Mario Dal Fabbro immigrated to America and began designing furniture for mass production, working for J.G. Furniture in New York and Quakertown, PA. During his years steady employ, he published Modern Furniture: Its Design And Construction in 1949 and contributed regularly to The New York Times and House and Garden. His subsequent publications spanned a little over the decade and included How to Build Modern Furniture (1951), How to Make Built-In Furniture (1955), and How to Make Children's Furniture and Play Equipment...

James Prestini sculpture Nickel plated with impressed signature to underside: [Prestini]. Signed to underside: [Prestini 315]. This can be displayed on a table case or floor in the...

Prototype hand-forged, steel rocker designed by Arturo Pani and executed by Telleres Chacon, Mexico City. The piece has been reupholstered in hand-stitched, Edelman leather with custom piping. This piece was acquired from Telleres Chacon upon the retirement of Manuel Chacon, master metalsmith in the 1980s. This design is based on a Maison Jansen rocker...

JOSEF ALBERS (1888 – 1976) "Formulation : Articulation" Portfolio II, Folder 17 Screen-printed geometric composition printed by Ives Stillman, Inc., New Haven, CT. From the set of...

Arturo Pani custom table lamp with central bronze column flanked by two panes of beveled glass raised on a square beveled glass base, with a patinated bronze beaubeche and scalloped details. Mexico, circa 1960 Provenance: Private residence, Lomas de Chapultepec, Mexico City, Mexico Arturo Pani was one of the most significant figures working in design during the ‘Mexican Miracle’, a period from 1940-1970 of optimistic economic Expansion. While his brother, architect Mario Pani...

JOSEF ALBERS (1888 – 1976) "Formulation : Articulation" Portfolio II, Folder 14 Screen-printed geometric composition printed by Ives Stillman, Inc., New Haven, CT. From the set of...

Robert E. Matheny Glitter on Canvas, 1969 An early glitter-on-canvas work by American conceptual artist Robert E. Matheny (1929–2020), dating to 1969 and presented in its original Lu...

Thonet Coatrack, stained oakwood bentwood furniture design with lacquer finish.

After Warren McArthur for Namco Lounge Chairs, Tubular Aluminum, and leather lounges by Warren McArthur for Namco. Reupholstered with Spinneybeck leather.

Clyde Burt stylized face vase in matte gray glazed stoneware with manipulated and applied facial details. Signed to underside: [CB]. American, circa 1965.

WARREN PLATNER (1919 – 2006) Custom curvilinear console in Rosso Alicante marble, raised on a trio of lacquered brass wall-mount brackets. Execu...

Paul McCobb for Irwin collection display table, model C8707 Comprised of eight equal rectangular 1/4" milk glass slabs on an architectural bridge lik...

WARREN PLATNER (1919 – 2006) Custom beveled mirror in an arched gold leaf frame. Signed: [WARREN PLATNER ASSOC. 10611 J 7544]. Executed by Platner Associates. American, 1989 Provenan...

Jan De Swart's "Ark" Ship, sculpted architectural and playful elements intricately displayed showing the master’s wit and technical skills.Exhibi...

Lyndon by Vico Magistretti for Oluce; chrome-plated finished candelabra-style body, enclose transparent glass spheres, inside which the light bulb is hosted.  

Arthur “Espenet” carpenter dining table, solid walnut hand carved details with 2 leaves [Signed ESPENET ‘70].    

Osvaldo Borsani and Valeria Borsani Unique Revolving Coffee Table for Tecno A rare, one-of-a-kind revolving coffee table designed by Osvaldo Borsani in collaboration with Valeria Bor...

Edward Wormley for Dunbar 5-drawer cabinet, mahogany wood with tapered brass legs. [metal tag Dunbar].

Marco Fantoni for Tecno, these unique nesting tables were designed for Borsani Commission. Bronze painted metal with leather tops. Measures: Height of largest table 16"width 23"dept...

Arturo Pani Campaign style, mahogany trestle table with brass escutcheons with glass top. Designed by Pani for a family residence in Lomas de Chapultepec, Mexico City, circa 1960. Arturo Pani was one of the most significant figures working in design during the Mexican Miracle (1940-1970), a period of economic expansion marked by class tensions. While Mario, his architect brother, reconfigured Mexico City through the creation of vast social housing tracts and university projects, Arturo, son of the Ambassador to France, worked as decorator to Mexico’s most powerful classes and created the ‘Acapulco Style’ during that city’s golden age of Hollywood...