Lehmann Maupin

While Sung Neung Kyung has used newspapers as his artistic medium for over half a century, "Everyday English" (2003 - 2018) has a distinctive aspect in its focus on “everydayness.” I...

Beginning in 1979, Sung Neung Kyung’s iconic "Venue" series demonstrates the artist’s longstanding exploration of the inherent power of newspapers. For the series, Sung collected pre...

McArthur Binion (b. 1946, Macon, MS; lives and works in Chicago, IL) combines collage, drawing, and painting to create autobiographical abstractions of painted minimalist patterns ov...

McArthur Binion (b. 1946, Macon, MS; lives and works in Chicago, IL) combines collage, drawing, and painting to create autobiographical abstractions of painted minimalist patterns ov...

About the Tree of Life Series: These works feature a cast of cartoon characters, bisected in each painting by an eponymous tree of life, and accompanied by various gestural abstracti...

About the Tree of Life Series: These works feature a cast of cartoon characters, bisected in each painting by an eponymous tree of life, and accompanied by various gestural abstracti...

OSGEMEOS (b. 1974, São Paulo, Brazil; live and work in São Paulo), translated as “the twins" in Portuguese, is a collaborative art duo comprised of twin brothers Gustavo and Otavio P...

OSGEMEOS (b. 1974, São Paulo, Brazil; live and work in São Paulo), translated as “the twins" in Portuguese, is a collaborative art duo comprised of twin brothers Gustavo and Otavio P...

OSGEMEOS (b. 1974, São Paulo, Brazil; live and work in São Paulo), translated as “the twins" in Portuguese, is a collaborative art duo comprised of twin brothers Gustavo and Otavio P...

Michael Vasquez is an American artist most recognized for his works that explore identity and the cultivation of community amidst an inherent disposition of broken homes inside margi...

California is part of a group of new photographic works by Alex Prager that eschew a deliberate narrative through-line, instead focusing on the presentation of emotionally charged vi...

In this series Opie turns her lens towards the history and architecture of Vatican City. By examining the power systems and architectural structures that exist within the Vatican, the artist engages with both the legacy and present identity of this city within a city, raising critical questions about the history of the Roman Catholic Church and Catholicism and its impact today. In Walls, Windows, and Blood Opie carefully examines the politics of place as it relates to identity, advancing ideas explored in many of her recent bodies of work including The Modernist (2017), Rhetorical Landscapes (2019), and 2020. In each of these series Opie seeks to map the complexities of our contemporary moment, especially with respect to the relationship between identity and structures of power, both physical and social. The images in Walls, Windows, and Blood were taken over the course of six weeks during the summer of 2021, while Opie was the Robert Mapplethorpe Resident in Photography at the American Academy in Rome. Due to pandemic access restrictions, the Vatican was uncharacteristically empty, allowing the artist to document both Vatican City and the Vatican Museum with an extraordinary amount of freedom. Taken from inside, the Windows alternatively depict glimpses of the Vatican’s interior lawns and architecture and look out over the wider Roman capital...