Loveday

A superb quality late 19th century walnut double chair back sofa / settee after a George II design of Giles Grendey’s . English Circa 1880. A wonderful sofa having scroll back supp...

A very fine and impressive European walnut monopodia library armchair, upholstered in a Rosie Uniacke cotton velvet moss, an almost identical armchair having been published in ‘Engli...

A very stylish and unusual large mid 20th century curved Italian three light floor lamp. Italian Circa 1960-70s Of unusual form, the tapered and shaped rectangular brass base i...

An exceptional quality and rare Central European Nero Portoro serpentine marble topped gilt-wood console table of large proportions and fine original patina. Probably Austrian - c...

An über chic Italian Aldo Tura tobacco coloured lacquered goatskin / parchment elliptically shaped dining table by renowned Italian Desinger Aldo Tura in the mid 20th Century, a fine...

A wonderfully impressive large gilt bronze and cut glass lustre, twenty-five-light two-tier chandelier in the Louis XV style. French late 19th Century - Circa 1890-1900. Of Rococo design with tiers of glass lustres, the foliate cast corona supporting two graduated tiers of leaf cast scrolling candlebranches, issuing from a pierced leaf and lily-cast compound baluster stem, finishing with a pierced finial. In excellent condition having been recently cleaned, rewired and PAT tested, having the original gilt bronze ceiling...

A highly impressive rare French carved Régence period giltwood fauteuil / armchair of imposing proportions with needlework upholstery. French - circa 1715 Of grand scale, this ...

An unusual French Empire mahogany reclining wing back armchair of high proportions. French, Circa 1820. Of elegant proportions, having an un...

A large and impressive French Empire period gilt bronze mantel clock of exceptional quality and colour. French (possibly retailed in Italy) - Circa 1820. The finely chased and original gilt bronze case depicting Orpheus playing his lyre with an eight-day bell striking movement, outside countwheel, backplate initialled and numbered 'A C D 1516’. The dial with Roman numerals and inscribed Riccardo Pacinoti of Lavourne. It is a French movement (silk suspension) striking the hour and half hour. The case in the form of an oblong pillar cast with anthemium and cornucopia beneath a draped urn and a laurel wreath, flanked by the figure of Orpheus playing his lyre, the stepped plinth cast with wonderfully detailed underworld scenes, on leaf scroll feet. In excellent condition the clock case has been cleaned with the movement completely overhauled and serviced to the highest standard by a specialist restorer. In general 19th century French bronze clocks...

A fine late 18th Century George III Satinwood and sabicu ladies writing cabinet with important provenance. (Possibly by George Simpson) English London made - Circa 1785 Provenance Exhibited by W. R. Harvey in their Old Bond Street showrooms in 1986 and 1987, the piece being chosen to be advertised in Country Life magazine in 1986 and in the Grosvenor House...

An unusual Mid 20th Century brass mounted root wood coffee table with oval glass top. French circa 1970 A well designed root coffee table with an unusual shaped brass hammered ...

A rare and finely constructed circular satinwood centre table most probably by Henry Thomas Peters of Genoa. Italy Circa 1830. The circular tilt top having a finely chosen cuts of book-matched West Indian satinwood veneer with a rosewood banded and moulded edge over a splayed in-curved quatroform base, terminating on four acanthus carved scrolled rosewood lions paw feet raised on brass castors. A very fine table with wide cuts of satinwood which would have been extremely expensive in the early 19th Century. Inspired by the French Empire design as viewed through the lens of English Regency, in particular the designs of Thomas Hope of 1807, along with the construction all point to Henry Thomas Peters being the maker, active in Genova around 1820 to 1850, being one of the leading cabinet makers of the period obtaining the title of ‘cabinetmaker of his Majesty’. Henry Thomas Peters’ English antecedents remain obscure although he probably began his career in England. However, he is not listed in Beard and Gilbert’s Dictionary of English Furniture Makers 1660-1840. He arrived in Genoa in circa 1817, and by 1824 had established a workshop in Via Balbi, a neighbourhood in which the Royal Palace and other noble residences were located; today some of his works are preserved in the Palazzo Rosso, Genoa and were probably bequests from the various aristocratic families for whom he worked, including the Brignole Sale family. Peters was appointed by the Court of Savoy and produced furniture for their palaces in Turin, Genoa and Racconigi including the Palazzo Reale. Notably, in 1841, furniture for the wedding of Prince Vittorio Emanuele. In 1846, Peters and his extensive workshop won the silver medal at the Esposizione dei Prodotti e delle Manifatture Nazionali. As pointed out Peters was famed for producing furniture with the technical accuracy typical of English but adapted to the late Italian Empire style. A set of six Italian Giltwood...

Extremely fine pair of decorative 19th century Italian painted and parcel gilt armchairs of neoclassical design, Italian, late 19th century, circa 1880. Oozing style these very...

Extremely fine pair of decorative 19th Century Italian painted and parcel gilt armchairs of neo-classical design. Italian Late 19th C - Circa 1880. Oozing style these very attr...

An elegant and rare early 19th century burr root maple drum top table on splayed triform base. Scandinavian circa 1820. The circular top with ra...

An extremely fine gilt bronze mounted parquetry kidney shaped writing table attributed to Gillows of Lancaster. English Circa 1865 The rosewood lozenge trellis inlaid kidney shape...

A fine pair of walnut Baroque Italian armchairs dating to the middle part of the 17th century retaining parts of extremely old leather seating. Italian circa 1650-70. T...

An exceptional 19th century Model of the tea clipper ‘Glengarry’ in full sail, built by Royden & Sons Liverpool in an oak and glass display case. English Circa 1868. The Glengarry was a famous Tea Clipper ship...

A highly Important, Regency period mahogany, ebonised and parcel-gilt partners writing table on monopodia legs of exceptional quality and design, in the manner of George Smith, stamped Chas Norman, whom was associated with the work of Gillows. Labelled ‘Morning Room’. English, Regency period, circa 1810-20. Rarely seen, the crescent shaped ended rectangular top, beautifully lined with the original gilt tooled leather writing surface, enclosed by a mahogany cross-banded border and reeded edge. The frieze, containing four finely chosen fiddle-back mahogany drawers, two pairs to opposing sides, each retaining the original gadrooned carved ebonised knob handles. The perimeters having a finely ebonised cockbead, whilst the drawer liners being executed in mahogany retain the original recessed brass locks, which look to have never been removed. Flanking the drawers are bead-moulded ebonised panels which conform to either end above a reeded mould. Raised on four boldly designed and imposing, crisply carved, ebonised and parcel-gilt leopard monopodia supports, of wonderful original waxed condition. The Egyptian leopards mask above a bold breast decorated with carved gilt anthemion and guilloche motifs, finishing on a finely detailed carved leg and paw foot. The condition is excellent, retaining the original hand-dyed and gilt tooled waxed leather writing surface along with original locks, handles and ebonising with gilt-work to the legs. Commissioned for what presumes to be a private collection and due to its condition, being obvious to see, this writing table has been home to an important household. Labelled ‘Morning Library’ to the underside, whilst in this exemplary condition strongly suggests this striking piece of Regency furniture has furnished the library of the said house for the majority of its life. As can be noted, this is an extremely rare, elegant, early Regency writing table of exceptional colour, which corresponds with designs of the celebrated furniture maker and designer George Smith, workmanship of Gillows, being stamped to the underside Chas Norman four times. George Smith (1756 - 1826) was one of the most influential furniture designers of the English Regency Period (1811-1830). Smith, who began his pattern-book in 1804, wrote of ‘the great taste and elegance’ of this design. In 1808 he published his influential and definitive text on Regency interior Design titled ‘ A Collection of Designs for Household Furniture and Interior Decoration’ and classed himself as ‘Upholder Extraordinary to His Royal Excellency the Prince of Wales’…The Prince Regent. Smith was inspired in his designs from his earlier career as an Egyptologist, producing drawings incorporating motifs of Leopards heads and paws, Lions, sphinx’s, anthemia, and griffons amongst others. Charles Heathcote Tatham (1772-1842) published ‘Etchings, Representing the Best Examples of Ancient Ornamental Architecture; Drawn from the Originals in Rome, and Other Parts of Italy During the Years 1794, 1795, and 1796’, in which he illustrated an antique tripod table...

An extremely rare pair of Regency cast-iron sarcophagus shaped strong boxes. Regency, circa 1820 Painted to simulate palisander wood and with parcel-gilt, the cavetto-moulded hinged lids cast with flower sprays above foliate-cast bands over front panels relieved with river gods within canted corners cast with standing muses, the sides with lion mask and ring handles over leafy aprons on massive lion’s paw feet; the Brahmah type lock stamped “T. Davis from London” and impressed with the Royal Crown. These extraordinary pieces are modelled on Regency wine coolers. The forms are classic Greco-Roman revival with the boat-hook handles, mythic figures and the overall sarcophagus pattern. You would struggle to find one let alone a pair. Good items for any collection. Research on going into these strong boxes but we have found possible information on the lock stamped Davis….(historyoflocks ) The relationship of King George III and George Davis of Windsor, who was locksmith in ordinary to His Majesty. Davis, in 1799, invented and patented a unique style of lock, which was also beautifully engraved with a warning not to make duplicate keys. Sensitive government secrets always demanded, then as today, locks that were state of the art. Davis locks ended up on government dispatch boxes...

An extremely elegant, rare Regency amboyna and brass inlaid gilt bronze mounted pier table. Provenance Part of Sir William Whitfield Collection. English Regency period, Circa 1815. The raised back with open shelf, surmounted by a pierced anthemion three quarter brass gallery above a rectangular mirror plate, flanked by gilt bronze pierced foliate scrolled supports, over a finely coloured amboyna and banded top above cut brass inlaid frieze drawer decorated with anthemion and flower head motif. The dual tapering scroll supports with palmette lappet surmounts and cut brass inlay terminate on gilt bronze claw feet, flanking a later large mirror plate to the rear, raised on a inverted breakfront plinth base edged with gilt bonze beading. Formerly in the collection of Sir William Whitfield. This elegant Regency pier table is a superb example with its fine quality mounts and distinctive amboyna veneers which are rarely found on furniture of this period. The condition is excellent, having the most wonderful colour and patination to the finest cuts of amboyna that would have been available, during the early 19th century this veneer was thought to be worth more in its weight than gold. This table would have almost certainly been especially commissioned, further research maybe undertaken to find a comparative example and insight to a potential maker. As such pieces in amboyna are far rarer, an example of pier table has yet to be found, but an amboyna sofa table with extremely similar brass inlay and form can be seen in Clifford Musgrave’s book Regency Furniture, published by Faber and Faber in 1961, plate 63. It is from the Royal Collection and the caption includes ‘made about 1816 for Clarement,’ (Claremont) ‘ Esher, Surrey, home of the Princess Charlotte...

A very comfortable pair of Art Deco 20th century ebonised armchairs upholstered in an off white crushed velvet. French Circa 1930-40. The ...

Of outstanding quality, an early 19th Century Regency ormolu mounted amboyna and ebony shaped side cabinet on tapering legs English circa 1810. Finely decorated with ebony bea...

He moulded oblong top lacquered on a red ground decorated in the chinoiserie manner with Chinese figures at a lakeside above a shallow frieze painted with prunus and diaper on slender square tapering legs. Chinoiserie has influenced European furniture styles since the 17th Century and never really fallen out of fashion. Japanning had a surge in popularity in the 1820’s due the extensive use of chinoiserie and orientalist used by the Prince Regent...

A well proportioned and substantial late 19th century carved mahogany wing-back armchair in the George II manner upholstered in a tan leather. English circa 1880. A fine quality and well drawn carved mahogany wing chair inspired by William Kent of the early 18th Century. Upholstered in a hand dyed natural leather with a feather cushioned seat, having grand proportions making this a very comfortable reading chair. The shaped sides with scrolled arms being finished with brass stud work, upon a finely carved mahogany base having a central satyr mask surrounded by foliage and ribbons raised on hipped cabriole legs with shell to the knee terminating on ball and claw feet. This impressive antique leather chair...

Rare and outstanding example of an early 19th century Anglo-Chinese export amboyna and ebony campaign kneehole desk retaining the original patina with wonderful colour. China circa 1830 One of the finest examples you will see, constructed using thick hand sawn cuts of amboyna and solid ebony with ivory stringing and countersunk brass pulls to the camphor wood lined drawers, having brass drop carrying handles to each side. The rectangular top with book matched amboyna veneers enclosed by a solid ebony boarder above a frieze drawer fitted with an adjustable inset velvet lined writing slope flanked by multiple sliding lidded compartments and pen rests. Below is an arrangement of nine ivory strung drawers and a kneehole recess with foliate carved and pierced ankle brackets, the whole being raised on eight solid ebony turned feet. This impressive colonial inspired desk is Chinese and would have been intended for the export market. Some years back this desk was often mistaken to have been Anglo-Indian due to the fact it shares many characteristics of Indian furniture...

A rare early 18th century Louis XV provincial burr elm shaped front mazarin commode of excellent colour and proportions. French Circa 1710. Constructed with thick cuts of tight burr elm dowelled to the carcass, the rectangular burr elm panelled top with a fruitwood banding, over three inverted breakfront drawers...

An exhibition quality grand Italian walnut armchair carved in the Baroque style after Andrea Brustolon, possibly by the great Florentine carver Luigi Frullini...

Finely carved mid 19th century Italian giltwood open armchair of wide proportions in the Rococo manner. Italy, Venice Circa 1860. The asymmetrical scroll and leaf-carved top rail, centred on a stylised shell within over scrolled uprights, above a newly upholstered grey silk padded and dished seat between scroll-ended arms, raised on a decorative foliate carved scrolling X-frame base with a conforming central stylised shell. In excellent condition having a wonderful look to the gilt work this gondola style chair...

An exceptionally fine example of an early 17th Century Spanish renaissance walnut vargueno / bargueno escritorio writing desk on trestle stand. Sp...

An imposing 17th century mahogany Portuguese colonial trunk / chest, of grand proportions, decorated with pierced brass panels. Probably Brazil, circa 1670. This rare chest...

A wonderful 18th century George III quill work (scrollwork) tea caddy of hexagon form. English circa 1790 Finely executed, this very attractive caddy ...

An extremely fine 19th century French Louis XV Revival gilt ormolu mounted Kingwood bureau de dame / writing table. French, circa 1870. A very attractive and of the finest qua...

Captivating English late Regency period pollard oak cellarette - wine cooler of substantial proportions having the most enchanted untouched color and patina ‘skin’. English - Geor...

An extremely fine and unusual French Amboyan and gilt bronze bureau plat - writing table inspired by the Neoclassical designs. French circa 1880-1900. A superb amboyna writing ...

A one off masterpiece by Amulet Berton (1875 - 1967). Italian carved wood faux bois vine branch polychrome centre table parcel gilt with onyx top in the Venetian style. Italy ...

A very fine pair of late 18th century original painted demilune pier tables reminiscent of the work of Seddon, Sons and Shackleton. English circa 1795. An elegant and rare pair...

An exceptional marquetry and ormolu centre table of exhibition quality attributed to Edward Holmes Baldock. English, circa 1840. Finely co...

A superb large hand painted papier-mâché shaped tray impressed to verso by the Royal Makers Jennens & Bettridge, London. English, circa 1830. Beautifully hand painted and gilt ...

A rare 18th century Louis XV period bombe shaped chestnut provincial commode. French circa 1750 Of an unusual curvaceous waisted form having a shaped front (often referred to a...

An outstanding gilt bronze-mounted tulipwood, kingwood and sycamore parquetry breakfronted breche violet marble topped commode, in French Transitional style dating to the late 19th-e...

A very decorative and impressive pair of Italian Venetian giltwood wall sconces late 18th Century. Italian circa 1780. The two leaf carved up-scrolled candlebranches issuing fr...

A fine quality pair of cast iron polished Victorian urns. This pair of Victorian cast iron urns in my eyes are cracking models with egg and dart moulded ...

An exceptional quality and rare pollard oak 19th century architectural twin pedestal inverted breakfront sideboard. English, circa 1850. The quarter cut inverted breakfront top...

Wonderful pair of 19th Century Roman Emperor Portrait Busts Representing Marcus Aurelius and Caracalla in Terracotta with Bronze Heads. Italy Naples late 19th / early 20th Century. Life-size busts, the heads cast in bronze with the body of terracotta, modelled with vest without sleeves and toga thrown over one shoulder. Wonderful verdigris patination to the bronze and weathered to the terracotta. Very unusual to have a bronze head coupled with a terracotta body these highly imposing decorative busts are of excellent quality. Depicting the Roman Caesars...

This attractive mahogany Edwardian Davenport / writing desk, circa 1900s has been constructed from quality solid mahogany having a raised back above a fall front moulded edge writing slope with a raised and fielded panelled cupboard door standing on bracket feet. The Davenport's top section has a brass hinged mahogany lift up lid to reveal an original lead lined storage...

A good quality Victorian bleached oak dresser standing on carved cabriole legs. This well proportioned dresser having a moulded cornice over a shelved upper section with grooved plate troughs and two lockable cupboard doors with brass escutcheon plate drop handles. The upper section sitting over a deeper base with two moulded oak lined drawers with hand-cut dovetails to the right-hand side and with the left-hand having a fielded and paneled door. The whole being raised on carved cabriole legs with acanthus leaf to the knee terminating on ball and claw feet. In excellent condition with no loose joints this Victorian oak dresser...

An imposing and fine quality pair of early 19th century French Tole Peinte and parcel gilt wall lanterns with outstanding original finish. French early 19th century - circa 1820. These extremely impressive unique wall lanterns of imposing scale have a wonderful original finish. Of frosted glass vase shaped form, the imbricated “fish scale” domes...

A rare Victorian leather upholstered mahogany child’s chair. English Circa 1880. This rare child’s chair has a shaped pierced carved back with ...

A fine quality William IV flame mahogany inverted breakfront sideboard of good color. English, circa 1835 The raised carved back having a central anthemion cartouche, ...