Fine 19th Century Ball and Claw Sofa After Howard and Sons

Extremely fine marble group of Bacchus and Ariadne after the antique attributed to Carlo Albacini (1734 – 1813) Italy Rome circa 1800 Provenance A French Private Collection Carved in the round of white marble, the young couple shown walking and apparently exchanging words, his left arm gently wrapped around her shoulder, upholding part of her drapery, a wreath of fruit-bearing vines placed on his head, while hers shows no berries, from her right shoulder suspended a suggestive skin of a goat. In excellent condition having a restoration on Ariadne's left index finger. This finely carved sculptural group is one of a number of known examples of this subject, all inspired by a Greco-Roman classical original 1st and 2nd centuries A.D which is now in the Museum of Fine Arts in Boston (inv.68.770). Demonstrating the beginning of Bacchus' courtship of Ariadne and illustrates the “Return to Antiquity” which was expressed in numerous archaeological works in Rome at the end of the 18th Century. The subject matter made it perfect for a wide variety of settings and fine copies of the subject which survive in such collections as the Rothschilds at Waddesdon Manor, the Pitti Palace in Florence, the Musée des Beaux-Arts de Nantes, the Musées royaux des Beaux-Arts de Belgique and the National Trust property Erddig in Wales. This marble is exemplary of neoclassical aesthetics, by its ancient origin and by the creativity of the sculptor who perfectly links these two figures in the manner of Antonio Canova's standing groups (see Daedalus and Icarus or Venus and Adonis). This marble represents a moment of tender complicity illustrating the ability of neoclassical sculptors to detach themselves from ancient rigour in order to introduce an ideal of softness into their works. These two figures are not simply next to each other, but marry through the fusion of their drapes, through the play of glances and through the embracing gesture of Bacchus. Of the surviving 18th and early 19th century examples of this group, the finest are signed by or attributed to the Italian master Carlo Albacini (1734-1813). Albacini was a restorer of ancient marbles who worked extensively on such aristocratic assemblages as the Charles Townley collection, later to form the basis of the fine sculpture collections at the British Museum, whilst also creating copies of these antique pieces for his elite clientele. Aside from Townley, one of the most interesting and important English collectors of this period was the Earl of Bristol who had a fine house in Naples, a London townhouse and his Suffolk family seat Ickworth which he intended to fill with exceptional examples of art of all kinds. Bristol was a great patron of Italian artists and a chimneypiece from his collection that was supplied for his Italian home and later fitted at Ickworth was sold at Sotheby's on the 26th of November 2003 lot 87. This exceptionally carved chimneypiece...

A superb quality late 19th century walnut double chair back sofa / settee after a George II design of Giles Grendey’s . English Circa 1880. A wonderful sofa having scroll back supp...

Finely carved mid 19th century Italian giltwood open armchair of wide proportions in the Rococo manner. Italy, Venice Circa 1860. The asymmetrical scroll and leaf-carved top rail, centred on a stylised shell within over scrolled uprights, above a newly upholstered grey silk padded and dished seat between scroll-ended arms, raised on a decorative foliate carved scrolling X-frame base with a conforming central stylised shell. In excellent condition having a wonderful look to the gilt work this gondola style chair...

An extremely fine gilt bronze mounted parquetry kidney shaped writing table attributed to Gillows of Lancaster. English Circa 1865 The rosewood lozenge trellis inlaid kidney shape...

A very fine and impressive European walnut monopodia library armchair, upholstered in a Rosie Uniacke cotton velvet moss, an almost identical armchair having been published in ‘Engli...

Extremely fine pair of decorative 19th century Italian painted and parcel gilt armchairs of neoclassical design, Italian, late 19th century, circa 1880. Oozing style these very...

We are delighted to offer for sale this very fine, fully restored Howard & Son’s Berners Street London, large Baring sofa upholstered with new Fully Anilin...

We are delighted to offer for sale this stunning exceptionally rare and original Howard & Son's circa 1880 two seat sofa with duvet feather padded arms and seat cushions, with Aesthetic movement ebonised frame and Claw & Ball feet in the original Chinese Chinoiserie upholstery. I have a large collection of very fine restored and original unrestored Howard & Son's seating listed under my other items. This is simply put the most comfortable sofa in the world, the arms back and base are all feather and fibre filled, you sink when seated in a similar manner to a very plump feather filled duvet. The upholstery is super rare original Victorian, heavily distressed, its Chinese Chinoiserie and has wonderful colours. The frame is period Victorian, it is the only Aesthetic movement ebonised frame I have seen and one of very few Claw & Ball examples as well. Howard & Sons are simply put are the finest sofa and armchair makers in history, the Queen even had a private collection. This piece is totally original and unrestored, it will only every be original once, as such I have left it as it is for the new owner to decide what to do with it, I can help with full restoration should the new owner wish. Dimensions Height:- 74cm Width:- 137cm Depth:- 77cm Seat height:- 44.5cm Please note all measurements are taken at the widest point. A History of Howard and Sons The name of Howard and Sons is probably one of the best known and highly sought-after names in Upholstered furniture. Over the next few paragraphs, I will do my best to give you a brief history of the company. The company was started by John Howard in 1820 trading from 24 Leman St, London as a Cabinet Maker. Over the next 25 years they would make several changes of premises within the Whitechapel area. First to 27 Great Alie St (Now just Alie St) before moving a short distance to 34 Great Alie St. In 1844 the company made its first venture into upholstered furniture by opening a showroom/workshop at 36 Red lion St. This was also to be a big move towards what would be their next and most famous location. In 1848 they moved to a new address much more accustomed with the name; Berners St. London as “Cabinet Maker, Upholsterer and Decorator” under the name John Howard and Sons. The business seemed to boom at this location with workshops opening up at Tottenham St, Charlotte Mews and Fitzroy Sq and an expansion to a second Berners St building in 1853. In 1869 the company consolidated its many workshops into the one building on Cleveland St. By 1872 the company was occupying 25, 26 and 27 Berners St. These adresses would remain unchanged until 1935. During this period they became a limited company in 1899 and won the first of their Royal warrants in 1901. In 1935 the the well-established decorators Lenygon and Morant...

A superb 19th century Howard & Sons Grantley sofa. Raised on Howards uniquely hand turned walnut legs all capped with stamped H&S gilt brass cup casters. Retaining its original siege...

We are delighted to offer for sale this stunning exceptionally rare pair of original early Victorian Howard & Son’s Berners street cigar brown leather, fully restored Chesterfield bu...

Royal House Antiques Royal House Antiques is delighted to offer for sale this very fine pair of, fully restored Antique Victorian, fully stamped, Howard & Son’s London, large two seat Portarlington...

This sofas have high sides and back which is cosy in front of a fire or anywhere. The high sides are sprung and have built in down cushions. This makes them supremely comfortable if ...