Molecula

This is a large hand blown emerald green opaque glass vase with applied open work copper overlay decoration, which is likely to have been manufactured i...

A wonderful three hooped ‘Pagoda Pot’ by Alan Ashpool, tiered forms made from a mixture of thrown and slipcast sections joined together, in an ecru / pale green colourway, with three matt green slip stripes. In very good condition with no chips or cracks. Alan Ashpool backstamp to the base. Dorset based potter Alan Ashpool, studied pottery under Heber Matthews (1905-1959), a foremost student of William Staite Murray and teacher of Hans Coper. During the 1960s Ashpool’s pots were sold in leading design stores such as Heal’s, alongside those of Dame Lucie Rie...

A stunning three hooped ‘Pagoda Pot’ by Dorset potter Alan Ashpool, with a flared bowl to the top, tiered forms made from a mixture of thrown and slipcast sections joined together, culminating in a bell shaped base. Predominantly in an ecru colourway, followed by a dark grey glaze, then a turquoise/blue glaze, culminating in a stunning bronze manganese glaze. There are also beautiful blue flecks in the ecru finish, which were created in the firing process. A wonderfully impressive and tactile piece measuring 40cm in height, in very good condition with no chips or cracks. Alan Ashpool backstamp to the base alongside the original address label. Dorset based potter Alan Ashpool, studied pottery under Heber Matthews (1905-1959), a foremost student of William Staite Murray and teacher of Hans Coper. During the 1960s Ashpool’s pots were sold in leading design stores such as Heal’s, alongside those of Dame Lucie Rie...

1950s desk lamp designed for Helion VEB Leuchtenbau in the city of Arnstadt, East Germany, unusually with both a Bakelite shade and base, articulated by a brushed steel curved arm. T...

A very attractive and large Chinese silk rug with central floral motif and stylised linked chain lattice in subtle colours depicting lotus flowers, symbols of wealth and foliage on a...

Wonderfully textured West Country coastal scene in oil using palette knife signed by Bristol artist, Arthur E. Milne. Milne was a painter of landscapes, portraits and flower pieces in oil, watercolour and pastel. Capturing the mood of the rugged West Country coast with his technique of laying on thick layers with visible palette-knife strokes. Signed bottom right Arthur E.Milne, complete with labels on the reverse. Arthur Edwards...

A striking, energetic piece of original abstract artwork dating from the 1960s/70s. Acrylic and oil have been used to create bold lines and brushwork on the canvas giving the piece a...