Molecula

This incredibly stylish 1970s rectangular wall mirror has the richest of colours, the wide frame made from wicker woven split cane with an inner bamboo frame around the mirror. Measu...

Superb set of four first generation 1950s Fritz Hansen FH4103 ‘Heart’ dining chairs, designed in 1953 by Hans Wegner, and are not only beautiful, they’re also practical - three legge...

A very large (nearly 5.5ft) conical-shaped copper fireplace hood, removed from a 1960s villa in Ibiza. The unpolished copper fireplace hood has t...

A striking 1960s abstract painting, possibly of a Northern England Industrial street scene. Oil on board signed FD Taggart (British born 1937), with indistinctive title to the back. ...

An outrageous pair of highly decorative French ceramic glazed pottery candlesticks by Keller & Guérin - the bases in the form of a sea dragon pursuin...

A magnificent example of 19th century French Decorative Arts. The vitrine is pure opulence and has had no expense spared, with exotic decoration and materials used from top to bottom...

Recently imported from Italy, this is a good example of post war Italian Avant Garde design. Measuring an impressive 3-metres from floor to ceiling – a common height in Italian apartments – with opportunity to arrange the shelves to suit. This impressive freestanding storage...

This is a large hand blown emerald green opaque glass vase with applied open work copper overlay decoration, which is likely to have been manufactured i...

A wonderful three hooped ‘Pagoda Pot’ by Alan Ashpool, tiered forms made from a mixture of thrown and slipcast sections joined together, in an ecru / pale green colourway, with three matt green slip stripes. In very good condition with no chips or cracks. Alan Ashpool backstamp to the base. Dorset based potter Alan Ashpool, studied pottery under Heber Matthews (1905-1959), a foremost student of William Staite Murray and teacher of Hans Coper. During the 1960s Ashpool’s pots were sold in leading design stores such as Heal’s, alongside those of Dame Lucie Rie...

A stunning three hooped ‘Pagoda Pot’ by Dorset potter Alan Ashpool, with a flared bowl to the top, tiered forms made from a mixture of thrown and slipcast sections joined together, culminating in a bell shaped base. Predominantly in an ecru colourway, followed by a dark grey glaze, then a turquoise/blue glaze, culminating in a stunning bronze manganese glaze. There are also beautiful blue flecks in the ecru finish, which were created in the firing process. A wonderfully impressive and tactile piece measuring 40cm in height, in very good condition with no chips or cracks. Alan Ashpool backstamp to the base alongside the original address label. Dorset based potter Alan Ashpool, studied pottery under Heber Matthews (1905-1959), a foremost student of William Staite Murray and teacher of Hans Coper. During the 1960s Ashpool’s pots were sold in leading design stores such as Heal’s, alongside those of Dame Lucie Rie...

1950s desk lamp designed for Helion VEB Leuchtenbau in the city of Arnstadt, East Germany, unusually with both a Bakelite shade and base, articulated by a brushed steel curved arm. T...

A very attractive and large Chinese silk rug with central floral motif and stylised linked chain lattice in subtle colours depicting lotus flowers, symbols of wealth and foliage on a...

An outrageous pair of Venetian glass chandeliers of large proportions hand painted with gold and black decoration. A fantastic opportunity to buy a pair of flamboyant chandeliers, bo...

Wonderfully textured West Country coastal scene in oil using palette knife signed by Bristol artist, Arthur E. Milne. Milne was a painter of landscapes, portraits and flower pieces in oil, watercolour and pastel. Capturing the mood of the rugged West Country coast with his technique of laying on thick layers with visible palette-knife strokes. Signed bottom right Arthur E.Milne, complete with labels on the reverse. Arthur Edwards...

A striking, energetic piece of original abstract artwork dating from the 1960s/70s. Acrylic and oil have been used to create bold lines and brushwork on the canvas giving the piece a...

A magnificent 1930s taxidermy specimen of a Common buzzard with outstretched wings in a large ebonized museum cabinet. This bird has been cleve...