Otto Binx

Rare Componibili storage unit components in vibrant hot pink. Will come with 2 “body” units and 1 “top” The Componibili Storage Unit (1969) takes its name from componibile, Italian ...

The Flos Hide wall lamp by Flos Lighting is a modern LED wall flusher that functions as a shelf as well. Indirect-light wall lamp. Body in pressofused aluminium, with shiny finish. I...

Maurizio Tempestini for Satlerini Patio Set, White Reed Enameled steel 1960s. Rare set includes 4 lounge chairs and coffee table. Original finish. Lovely and relaxing alternative to ...

The Marbro company was founded by Morris Markoff and his brother, hence the name "Marbro" from Markoff brothers. They started the company shortly after WWII. The company was located in a 3 story brick building in the garment district of Los Angeles, just south of Downtown right by the Santa Monica Freeway. During the time they ran the company, they sold almost as many antiques as they did lamps. Marbro sold their products mainly through interior designers and a few upscale furniture stores. Most of the products were built to order. A typical order from a designer or retailer took between 75 and 90 days to complete. Most of the components that made up the lamp bodies (ceramic, brass, glass, etc) were purchased from small companies and antique dealers around the world. For the most part, none of the bodies were made on site. . Italy was the source for alabaster, Japan and China for Porcelain, Brass in India and Crystal from Germany and France. Lamps would also be made from sculptures that customers brought to in to the shop. Once the lamp bodies arrived, a group of Marbro employees would make the wood bases, spin the metal caps, make the shades, and do the painting and tinting. With the help of about 20-40 other true world class artisans, metal workers, finishers and handmade shade makers, they produced lamps and shades that were truly some of last of their kind of art. Here we have an astonishing example of Marbro production. This mid to late 18th century lusciously oxblood lacquered "sang de boeuf" Chinese urn was almost certainly a custom commission by a client, the owner of the Qing urn. The exceptional quality of the urn, it's size, gentle proportions, the even application of the oxblood glaze (especially over the stunning elephant handles) are of a quality that I have not seen before in a lamp. The Marbro artisans truly did right by their client, as they allowed the exceptional form and color of the Chinese antique take center stage. The simple base follows the proportion of the body yet perfectly echoes the angle and curve of the elephant trunk handles. Victorian lampshade...

Midcentury embroidered silk fabric, white floral champagne taupe, rare vintage. Gorgeous midcentury textile. Marked 100 percent silk. Approxima...

Rometti Italy midcentury porcelain breadstick holster server platter. Hand painted figurative scene in orange and cream inside, green marbled exterior, swooping metal handle with yel...

Bob Van Allen holiday bow red & green oval placemat set of 5 & napkin set of 10. Bob Van Allen holiday/christmas table linens, includes 5 foam backed p...

Midcentury figural oil painting "Triumph of the Egg", 1970s.

Sonoma Forge water bridge 9 inch two holes deck mount short bridge bathroom faucet with waterfall spout. Features: Custom “Matte White” finish. New in ...

Tytgat's style can be described as a simplification of reality with an intended naivety. He derived his inspiration mainly from daily life and incorporated these experiences in his own dream world. For the present lot Tytgat was inspired by the traditional seven sacraments in the Church: Baptism, Confirmation or Chrismation, Eucharist, Penance, Anointing of the Sick, Holy Orders, and Matrimony. Tytgat also references the Flemish tradition of visual representation of these sacraments that dates back all the way to age of Jan van Eyck and Rogier van der Weyden...

Missoni home red jacquard and chevron wells cushion, Italy. Measures:  20” x 20.” New with tags. Retail price 655 USD.

George J. Sowden, Bitossi Ceramiche Handmade Limited Edition Clay Triangle Vase. Numbered 057/299. George J. Sowden is a designer with experience in ...

Hyacinth pink silk square pillow sham, pink crystal beaded flange, zip. Measures: 18 x 18 inch.

Biker in a mirror black and white photograph Gravure print by Burk Uzzle 1980 Gravure print (1984, France). Burk Uzzle is an American photojournalist, previously member of Mag...

Mid-Century Modern Lucite and brass Bipartite curtain rod with brackets, vintage. 40’’ each, connects at middle, includes 3 brackets.

Orchid Pink Origami Pleated Silk Taffeta Crystal Pleat Decorative Pillow Sham. Central size 14" x 14." Flange extends beyond this. Orchid Pink. Comes wit...

Gorgeous and monumental gilt hand painted floral Porcelain chinoiserie ginger jar wired as lamp. Lovely scale and proportions. Genius use of color.

Vintage Sherle Wagner hand painted scalloped ceramic soap dish mums bouquet. Vitreous China. Hand painted and hand decorated item. Mums Bouquet pattern applied by hand, multiple firi...

Mineral green silk square pillow sham, Crystal beaded flange, zip. Measures: 18 x 18 inch.

Manuel Canovas Emeraude cotton velvet Rivoli, emerald green, jewel tone textile 6 yards. 52” width. Lovely cotton velvet, gorgeous drape and subtle sheen, fresh color. Pile is 100 pe...

Tommi Parzinger green leather occasional table, model no. 3303, ca. 1955 Ebonized wood, embossed leather. Manufactured by Charak, USA. Measures: 26" H ...

Inspired by Americana, Miller's work stands to bring new light and perspective to the often overlooked but ubiquitous cultural artifacts that form the American visual lexicon and lived experience. Maybe as impressive as the work itself, is the magnitude of which his creations come to life. At such an impressive scale, his process is truly spectacle to witness. Pieces from his famed ‘Blue Plate Special...

Phillip Jeffries Navy Blue Velvet Cocoon Wallpaper, Lasercut Gilt Velvet Textile. Gorgeous wallcovering by Phillip Jeffries from the Velvet Cocoon collection. Item number 9103 Lot nu...

Rose and Erni Cabat glazed porcelain feelie vase, purple, gray ceramic. Signed and dated. Rose Cabat worked in earthenware, stoneware and, finally, porcela...

Silk Charmeuse Knife-Pleat Queen bed skirt with pins, new, slate teal and sand. Set includes pleated skirt for three sides of bed and pins to attach to platf...

Andrea Branzi orange canaries basket #7, fused glass sculpture, 2008. Orange canaries basket fused glass and acrylic Measures: 22¼ H × 12½ W × 7...

Francesco Scavullo black & white photograph Jay & Jed Johnson. Photo on Board. From Scavullo Studio. 1968-1969. Large scale. 18.25 x 12.25 inches. Minnesota twins, Jay an...

Inspired by Americana, Miller's work stands to bring new light and perspective to the often overlooked but ubiquitous cultural artifacts that form the American visual lexicon and lived experience. Maybe as impressive as the work itself, is the magnitude of which his creations come to life. At such an impressive scale, his process is truly spectacle to witness. Pieces from his famed ‘Blue Plate Special...

Vintage watermelon hand carved sculpture set, decoy decor, Trompe L’Oeil, hand painted melon sculptural set. Gorgeous. Signed by artist. Largest pie...

Mediterranean wrought iron caged blown amber glass chandelier, murano art glass. Exceptional caged glass chandelier. Gorgeous wrought iron work. Rare Empire...

Brunschwig and Fils Boscobel Restoration Medford Inn 1804 hand-printed wallpaper. Very unusual paper - it is marked as custom hand-printed for the Boscobel Restoration, Inc. with a copyright date of 1977. The Boscobel Restoration is a rebuilt historic mansion (see images 9 and 10) in Garrison, NY using salvaged parts of an original Federal-period home that was demolished in the 1950s. This is a historic pattern, marked on the paper as "Medford Inn, 1804" and a registered design of the Society for the Preservation of New England Antiquities. The Medford Inn (see image 11) was built in 1804 and became known as a well-known hotel located on Main Street in Medford, Massachusetts. The design of the paper hearkens back to Roman tradition of wall decoration, with a trompe l’oleil effect that mimics ornate panelling and stone inlay. As per the this paper was also produced in a brown colorway and is part of the Digital Public Library of America and Historic New England...

Jill Freedman Kissing FDNY 1976, black & white photo on Kodak Endura, Signed. Image also known as ‘Brotherly Love.” This is a black and white photogr...

Minimal Italian modern Brix modular lowboy double dresser by Bensen, Italy. Brix is a modular stacking drawer system that can be arranged in almost endles...

Pairpoint table lamp, exceedingly rare piece, planter base ring holder, Vienna shade, seascape and New England village featuring Vienna shade, signed, C3072 serial number. Documented (see below), USA, circa 1910. Obverse-and reverse-painted acid-etched glass, milk glass, patinated metal 14 height × 16 diameter stamped manufacturer's mark to shade 'The Pairpoint Corp'n'. Stamped manufacturer's mark to planter insert 'Pairpoint MFG Co...

Vintage Camer Venini Murano crystal prism flush mount, 1970s.

Gorgeous red monochrome Pop Art still-life drawing on paper, in the midst of the artist’s untitled table series of which I have a few large canvases listed. Don't miss this treasure!

Stunning Marianna von Allesch modern ceramic table lamp with original custom shade, circa 1948. Exceptional form and color. Single owner, commissioned directly from artist for a Broo...

Gorgeous still life drawing by New York Ab Ex artist Salvatore Grippi. Violet oil pencil on paper.

Extremely rare bucking zebra plaster table lamps by iconic midcentury Philadelphia based designer - Frederic Weinberg. With manufacturers label. These are the real deal. Philadelphia based artist and Industrial designer Frederic Weinberg produced and sold a wide variety of striking decorative and functional pieces items under a company bearing his name. More then 50 years after ceasing production, Weinberg’s designs remain as fresh and vital as ever. His extremely stylized figures and masterfully playful use of line and negative space to convey form are an absolute delight. Very little else is known about the man and his company. The majority of pieces attributed to him lack his signature / label. His table lamps and horse figures are thought to be earlier productions, circa 1946-1950, and marked examples are extremely rare and highly coveted. Ruffled lampshades and vintage Chanel satin bows...

Midcentury Barovier and Toso Murano opaline caged art glass monumental table or floor lamp. Monumental!

Frank Lloyd Wright Schumacher Sheer textile panel, curtain or drapery. Extremely rare panel, large scale. Dana House fabric panel, #14730 (1955 / 1986) Measures: 4' 10" W x 7' 11" L.  

Inspired by Americana, Miller's work stands to bring new light and perspective to the often overlooked but ubiquitous cultural artifacts that form the American visual lexicon and lived experience. Maybe as impressive as the work itself, is the magnitude of which his creations come to life. At such an impressive scale, his process is truly spectacle to witness. Pieces from his famed ‘Blue Plate Special...

Inspired by Americana, Miller's work stands to bring new light and perspective to the often overlooked but ubiquitous cultural artifacts that form the American visual lexicon and lived experience. Maybe as impressive as the work itself, is the magnitude of which his creations come to life. At such an impressive scale, his process is truly spectacle to witness. Pieces from his famed ‘Blue Plate Special...

Robert Venturi for Knoll Postmodern square dining table Model No. 65848, 1984. Cabriole legged dining/ center/ work table in iconic postmodern "Grandmother's Tablecloth" printed lami...

Gingerlily Vintage Charcoal Pure Mulberry Silk Queen Duvet Cover, Fine Bed Linen. A stunning charcoal gray silk duvet cover that can be seamlessly mixed an...

Silk Charmeuse Euro pillow sham, mango silk, envelope. Gorgeous, lush silk. Silk knot buttons. Will be shipped without insert. It is for the sham only.

Mid-Century Modern abstract "Arau Potter" painting by Xavier Gonzalez, 1969 Signed and titled bya artist. Measures: Painting: 28.5"x 36". Provenance: From the personal collectio...

Oil on linen. "Pit Thea", Study of a pine cone. From the Plant Series 1968-1989. Signed lower left, dated 1974. Signed and titled and dated on back. 20" X 24" (floating frame 21" X 25"). My imagery is rooted in the world of the spirit which manifests itself through ritual, myth and symbol. The monolithic single-image plant forms which I began painting in 1968 are potent symbols of the ancient Great Goddess in Her aspect as ‘Lady of the Plants’, who . . . has been worshipped under a thousand names since the beginnings of prehistory.” (Buffie Johnson, Artist’s Statement for the exhibition catalogue of The Language of Symbols, Landmark Gallery, New York City, April 1980.) “... in the ancient world ... such images were perceived as sacred. This sense of divinity inherent in the plant has inspired these icons and through them I hope to evoke a similar magical experience. These forms were created both as metaphors for the spiritual mystery of nature . . . [and] as celebrations of the feminine.” (Buffie Johnson, Artist’s Statement for the exhibition catalogue of Buffie Johnson: The Spirit of Plants, Chuck Levitan Gallery, New York City, October 3rd – October 26th, 1997.) BORN: February 20, 1912 New York City DIED: August 11, 2006 at her home and studio , Greene Street, New York City SOLO EXHIBITIONS: 1937 * Jake Zeitlin Gallery, Los Angeles (First Solo Exhibition) 1939 * Galerie Andre J. Rotge, Paris: “Peintures Recentes de Buffie Johnson” (First Solo Exhibition in Paris) 1939 * Wakefield Gallery, NYC: “Buffie Johnson” (First Solo Exhibition in New York) 1941 * James O’Toole Gallery, NYC: “Recent Paintings and Portraits by Buffie Johnson” 1942 * Robert C. Vose Galleries, Boston: “Paintings and Portraits by Buffie Johnson” (First Solo Exhibition in Boston) 1944 * Caresse Crosby's G Place Gallery, Washington, D.C. 1945 * Howard Putzel’s 67 Gallery, NYC: “An Exhibition of Recent Paintings by Buffie Johnson” 1948 * The John and Mabel Ringling Museum of Art, Sarasota: “Buffie Johnson” * Galleria del Cavallino, Venice: “Buffie Johnson” 1949 * The Hanover Gallery, London: “Buffie Johnson” (First Solo Exhibition in London) * Galerie Colette Allendy, Paris: “Buffie Johnson” * The John & Mable Ringling Museum of Art, Sarasota * Galleria del Cavallino, Venice 1950 * Betty Parsons Gallery, NYC: “Recent Works by Buffie Johnson” 1951 * Galerie Bing, Paris * The Paul Mellon Gallery, The Choate School, Wallingford: “Exhibit of Portraits: Buffie Johnson 1936-51” 1956 * Galerie Bing, Paris: “Buffie Johnson: Exposition de peintures” 1960 * Galerie Bing, Paris: “Buffie Johnson: peintures recentes” * Bodley Gallery, NYC: “Buffie Johnson” 1961 * Gallery Thibaut, NYC: Buffie Johnson: “Phases of the Sun” 1963 * World House Gallery, NYC 1964 * Galeria de Antonio Souza, Mexico City: “La exposicion de las obras de Buffie Johnson” * The Granville Gallery, NYC: “Buffie Johnson: Recent Paintings” * World House Gallery, NYC 1966 * Galeria de Antonio Souza, Mexico City 1969 * The New School for Social Research/The New School Associates, NYC: “Buffie Johnson: Creation Myths - Oils” 1973 * Max Hutchinson Gallery, NYC: Buffie Johnson: Paintings 1968-1973” 1975 * Palm Beach Galleries, Palm Beach “Buffie Johnson” 1976 * Andre Zarre Gallery, NYC: “Buffie Johnson: Recent Paintings” 1977 * The Stamford Museum and Nature Center, Stamford: “Two Organic Women: Buffie Johnson / Stella Snead” 1979 * Gallery 700, Milwaukee: “Buffie Johnson: Floral Paintings” 1981 * Ankrum Gallery, Los Angeles: “Buffie Johnson” * Landmark Gallery, NYC: "Retrospective" 1984 * Elizabeth Leach Gallery, Portland: “Buffie Johnson” 1989 * 56, Bleecker Gallery, Ltd., NYC: “Buffie Johnson Portraits 1936-1947” 1991 * Cardiff House at University of California, Santa Cruz: “The Numbering Series” 1992 * PMW Gallery, Stamford: “Buffie Johnson: A Span of Time” Retrospective 1993 * The Institute for Contemporary Art, P. S. 1 Museum, Long Island City: “Buffie Johnson: Paintings from the 40s and 90s” curated by Director, Alanna Heiss 1995 * Kingsborough Community College Art Gallery of The City of New York, Brooklyn: “Buffie Johnson: Plants” 1996 * Millennium Art Gallery, East Hampton: “Perceptions”: Buffie Johnson – A Retrospective of her work from the 1940s to the 1990s” 1997 * Chuck Levitan Gallery, NYC: “Buffie Johnson: The Spirit of Plants" (Part I) 1998 * Chuck Levitan Gallery, NYC: “Buffie Johnson: The Spirit of Plants" (Part II) 2002 * Anita Shapolsky Gallery, NYC: "Buffie Johnson: Transcendentalist" 2007 * Anita Shapolsky Gallery, NYC: "Buffie Johnson Memorial Exhibition" Group exhibitions: 1938 * Galerie Le Niveau, Paris: “Paysages: Exposition de Groupe” 1939 * Wakefield Gallery, NYC * The Fine Arts Gallery, Balboa Park, San Diego: The Fine Arts Society of San Diego: “The Eleventh Annual Southern California Art Exhibition” * Galerie de Beaune, Paris: “VIIe Exposition de Gravures et Platres Gravés du Groupe de L’Atelier 17” 1940 * Wakefield Gallery, NYC: “Group of Small Paintings” 1941 * Carnegie Institute, Pittsburgh: "International Exhibition of Painting and Sculpture" * Marie Sterner Gallery, NYC: “International Group of Contemporary Painters” * The American British Art Center, NYC: “First ABAC Exhibition: Paintings and Sculpture from England, Canada & America” * The American British Art Center, NYC: “Stage and Circus: An Exhibition of Contemporary Paintings, Designs and Model Stages by American and British Artists” 1942 * Society of the Four Arts, Palm Beach: “Fourth Annual Exhibition by Artist Members” * Parke-Bernet Galleries, NYC: “A Loan Exhibition of Paintings for the Benefit of The American Red Cross representing Happier Days in The United Nations arranged by Marie Sterner” 1943 * Peggy Guggenheim's Art of This Century, NYC: “Exhibition by 31 Women” 1945 * Howard Putzel’s 67 Gallery, NYC: “Preview 1945-1946 Season of Two-man and Group Exhibitions at this Gallery” * Howard Putzel’s 67 Gallery, NYC: “40 American Moderns” 1946 * Walker Art Center, Minneapolis: "136 Americans" * The Springfield Museum of Fine Arts, Springfield, MA: “Sixth Annual Spring Purchase Exhibition: 30 Paintings by 30 Contemporary American Artists” 1948 * Salon des Realites Nouvelles, Paris 1949 * Salon des Realites Nouvelles, Paris 1950 * The Brooklyn Museum, Brooklyn: "Fourth National Print Annual Exhibition" * La Galerie Arnaud, Paris: “sculpteurs et peintres abstraits americains de paris” * The Riverside Museum, NYC: “Creative Art Associates” * Guild Hall, Moran Gallery, East Hampton: 10 East Hampton Abstractionists” 1951 * Guild Hall, East Hampton: “Frankly Romantic” 1953 * Guild Hall, East Hampton: "A Selection from 12 East Hampton Collections" * Guild Hall, East Hampton: "17 East Hampton Artists" * The Brooklyn Museum, Brooklyn: "17th Biennial International Watercolor Exhibition" 1954 * stabile Gallery, NYC * Whitney Museum of American Art, NYC: “The Whitney Annual” * The Baltimore Museum, Baltimore * Hampton Gallery & Workshop, Amagansett: "Group Show: Eight Painters, Two Sculptors" 1955 * stabile Gallery, NYC * Moderna Galerija, Ljubljana, “Exposition Internationale de Gravure” 1956 * Haus der Heimat, Iserlohn: "Junge Amerikanische Kunst" * Group Espace, Paris * Guild Hall, East Hampton: “13 Artists of the Region: Museum Acquisitions and Recent Works” 1957 * Signa Gallery, East Hampton: "Second Exhibition" 1959 * Hirschl & Adler Galleries, NYC: "Works by Gallery Artists" 1960 * Guild Hall, East Hampton: "Monotypes and Prints" * Whitney Museum of American Art, NYC: Friends of the Whitney Museum of American Art: "Business Buys American Art" * Bodley Gallery, NYC * The Philadelphia Art Alliance, Philadelphia: “Monotypes & Prints of Related Techniques” Shown concurrently with the publication of Henry Rasmusen’s Printmaking with Monotype 1961 * Bertha Schaefer Gallery, NYC: "Contemporary Collage" 1964 * Long Island University/The Parrish Art Museum, Southampton: "Long Island Artists" at Long Island University’s Galleries * Guild Hall, East Hampton: “Festival of the Arts Exhibition: Artists of the East Hampton Area Each showing one of his own works along with a favorite work of art or object from his collection.” 1965 * The Parrish Art Museum, Southampton: "Twelve Women Painters of the South Fork” 1970 * Le Salon International de la Femme, Nice. (Medailles d’argent) 1971 * Museum of Modern Art, NYC: "Penthouse Exhibition" * Whitney Museum of American Art, NYC: "American Art of Our Century" 1972 * Kunsthaus Hamburg, Hamburg: "Gedok American Woman Artist Show" * Suffolk Museum and Carriage House, Long Island: “Unmanly Art” 1973 * The New York Cultural Center, NYC: "Women Choose Women" * Whitney Museum of American Art, NYC: “1973 Biennial Exhibition: Contemporary American Art" * Women's Interart Center, NYC: "In the Beginning: Women and Religion" * University of Texas at Austin, "The Ciba-Geigy Collection of Contemporary Paintings" * A .I. R. Gallery, NYC * Brooklyn College, Brooklyn: "New York Women Artists" * Lehigh University, Bethlehem, PA: "New York Women Artists" 1974 * Kresge Art Center Gallery, Michigan State University at East Lansing: “Works by Women from the CIBA-GEIGY Collection” * Weatherspoon Art Gallery, The University of North Carolina at Greensboro: “Works by Women from the CIBA-GEIGY Collection” * Cranbrook Academy of Art, Bloomfield Hills: "Waves: An Artist Selects" * Grand Rapids Art Museum, Grand Rapids: "Waves: An Artist Selects" 1975 * Women's Interart Center, NYC: "Color, Light & Image" * The Pratt Institute Gallery, Brooklyn: "Women's Exchange Exhibitions: Artists from the Women Artist Historical Archives of the Women’s Interart Center" * Ashawagh Hall, Springs: "Women Artists Here & Now" * The Aldrich Museum of Contemporary Art, Ridgefield: "A Change of View" * The Brooklyn Museum, Brooklyn: "Works on Paper: Women Artists" * Whitney Museum of American Art, NYC: "Women from the Permanent Collection" 1976 * Buecker & Harpsichords, NYC: “Recent Portraits of Sari Dienes” * Soho Art Tour: A Benefit for Guild Hall of East Hampton * Guild Hall, East Hampton: "Artists and East Hampton: A 100 Year Perspective" * Landmark Gallery, NYC: “10 Artists" * The Hirshhorn Museum, Washington, D. C.: "A Bicentennial Edition of Banners" * Chuck Levitan Gallery, NYC: "A Bicentennial Edition of Banners" * National Museum Singapore, Singapore: “Artists Celebrate the Bicentennial” * Marion Koogler McNay Art Institute, San Antonio: "American Artists ‘76: A Celebration" * The Bronx Museum of the Arts, Bronx: "The Year of the Woman: Reprise" 1977 * The Bronx Museum of the Arts, Bronx: "The Magic Circle" * Hurlbutt Gallery, Greenwich: The Friends of the Greenwich Library Present: "Contact: Women and Nature” The Works of 30 contemporary women artists selected by New York critic and author Lucy R. Lippard * The Brooklyn Museum Art School, The Brooklyn Museum, Brooklyn: "Contemporary Women: Consciousness and Content" * New York University, Contemporary Arts Gallery, NYC: Visual Artists Coalition Exhibition: “Women Painters and Poets” 1978 * Women’s Interart Center, NYC: Women Artists: Sketch Books 1979 * Elaine Benson Gallery, Bridgehampton: "Five Artists New York/Hamptons" * Connecticut College, Cummings Center, New London: Visual Artists Coalition Exhibition: “Women Painters and Sculptors” * Clayworks Benefit Exhibition, 4 Great Jones Street, NYC 1980 * Landmark Gallery, NYC: "The Language of Symbols" * Fordham University, Lowenstein Library Gallery, NYC: “Evocative Images” * The Tweed Museum of Art, University of Minnesota, Duluth, “Invitational Print Show” 1981 * Landmark Gallery, NYC: "118 Artists" * The Parrish Art Museum, Southampton: "Alive at the Parrish" * American Academy and Institute of Arts and Letters, NYC: "Paintings And Sculpture by Candidates for Art Awards" 1982 * Westbeth Gallery #1, NYC: “Sexuality in Art: Two Decades from a Feminist Perspective.” One of sixteen shows of “Views by Women Artists: Sixteen Independently Curated Theme Shows Sponsored by the New York Chapter of the Women’s Caucus for Art” * The State University of New Jersey Rutgers, Mabel Smith Douglass Library, New Brunswick: Women Artist Series at Douglass College: “Modern Masters: Women of the First Generation” * Frank Merino Gallery, NYC: “Heresies 3rd Annual Art Benefit: Work by 146 Women Artists for Sale at Artists’ Prices” 1983 * Philadelphia College of Art, Philadelphia: “An Exhibition of Work by Artists in the Historical Archives of the Women’s Interart Center of New York City” 1984 * Suzanne Gross Gallery, Philadelphia: "Major Contemporary Women Artists: In Celebration of Simone de Beauvoir" 1985 * The Parrish Art Museum, Southampton: "Looking At Pictures" 1987 * Schick Art Gallery, Skidmore College, Saratoga Springs: "Self-Portraits: The Message, The Material" * Hofstra Museum - Emily Lowe Gallery, Hempstead: "Self-Portraits: The Message, The Material" 1988 * Phoenix II Gallery, Washington, D. C.: “Small Works by Forty-Two Artists 1989 * Anita Shapolsky Gallery, NYC: "Early Abstractions: Painting and Sculpture of the 40’s and 50’s" * Knoxville Museum of Art, Knoxville in conjunction with Bennett Galleries, Knoxville: "American Women Artists: The 20th Century" 1990 * Queensborough Community College Art Gallery, Bayside: "American Women Artists: The 20th Century" * Guild Hall/East Hampton Center for Contemporary Art, East Hampton: "East Hampton Avant-Garde: A Salute to the Signa Gallery 1957-60" 1991 * Harmon-Meek Gallery, Naples, FL: “Gallery Group Exhibition” * Harmon-Meek Gallery, Naples, FL: “Recently Added Artists” * Anita Shapolsky Gallery, NYC: “The Prevailing Fifties” 1992 * The Institute for Contemporary Art, P. S. 1 Museum, Long Island City: "Slow Art: Painting in New York Now." Curated by the museum’s Director, Alanna Heiss * Stuart Levy Gallery, NYC: “American Vanguard: Jackson Pollack, Lee Krasner and Friends” for the benefit of The Study Center Development Fund of The Pollock- Krasner House and Study Center, East Hampton, New York * Harmon-Meek Gallery, Naples, FL: “Flowers in Art” * Melvin Gallery, Florida Southern College, Lakeland: “Women Artists From the Harmon- Meek Gallery” * Anita Shapolsky Gallery, NYC: “The Americas” 1993 * Richard Anderson Gallery, NYC: “Songs of Retribution.” Curated by Nancy Spero * Snyder Fine Art, NYC: “Out of the ‘50s”: Works Shaped by the Aesthetic of the 1950s * Benton Gallery, Southampton: “Woman!” * The Museum of the Provincetown Art Association, Provincetown: The Art Students League of New York and The Provincetown Art Association and Museum Exhibition of: “The League at the Cape” Part II: Contemporary Invitational Section * Anita Shapolsky Gallery, NYC: “Women of the Fifties” 1995 * The New York Open Center, NYC: “The Creative Call to the Divine: An interfaith art show and healing experience” * Millennium Gallery, East Hampton: "Living Legends" * Anita Shapolsky Gallery, NYC: “Artists of the Fifties” (Part 2) 1997 * Pollock-Krasner House and Study Center, Springs, East Hampton: "Art of This Century: The Women" 1998 * Anita Shapolsky Gallery, NYC: “Earthly Delights” 1999 * Anita Shapolsky Gallery, NYC: “The Immortals” 2000 * Anita Shapolsky Gallery, NYC: “Buffie Johnson, William Scharf, Yvonne Thomas, Rufus Zogbaum, Wilfrid Zogbaum: Feb. 12-April 29, 2000” 2001 * Emily Lowe Gallery, Hofstra University, Hempstead: “Abstract Expressionism, Then and Now” 2003 * Anita Shapolsky Gallery, NYC: "Re-Examining Abstract Art, Part 2" 2004 * Anita Shapolsky Gallery, NYC: "New York School Artists: Work of 50’s & 60’s" 2005 * Anita Shapolsky Gallery, NYC: "Betty Parsons & the Women" 2007 * Anita Shapolsky Gallery, NYC: "Collectors' Choices" * Thomas McCormick Gallery, Chicago: “Suitcase Paintings...

1950s abstract Expressionism Woodblock print on handmade paper Gorgeous, graphic early work from Grippi. Experimentation with woodblock p...

This ink and watercolor figurative abstract expressionist piece on paper is signed by its creator, noted New York School artist Salvatore Grippi. Though undated, the piece is fits in...

Abstract Minimalist Diptych Black & White Panel Painting Erik Atkinson Icon 1971. Acrylic on board with mirror and plexi glass in 2 pieces, overall 1...

Gorgeous 2016 canvas by BT Newton with brilliant use of red in conjunction with intricate layering and luscious impasto.

Phillip Jeffries Grasscloth handmade cabana weave ocean air 3105 wallpaper. Lovely pattern, cool white / blue. Gorgeous interwoven chevon p...

Tom Dixon step beat tall white pendant light fixture, copper, contemporary, UK. Rare, Gorgeous piece. Was in production for a very short time. 2 available. Listing is for one. A concentric pendant...

Silk Charmeuse Euro pillow sham, deep chocolate silk, envelope. Gorgeous, lush silk. Silk knot buttons. Will be shipped without insert. It is for the shams...

Inspired by Americana, Miller's work stands to bring new light and perspective to the often overlooked but ubiquitous cultural artifacts that form the American visual lexicon and lived experience. Maybe as impressive as the work itself, is the magnitude of which his creations come to life. At such an impressive scale, his process is truly spectacle to witness. Pieces from his famed ‘Blue Plate Special...

Susan Manspeizer Untitled (red planks), 1988 , mixed media sculpture h. 27 w. 35 d. 12 in. signed and dated Artist statement -Susan Manspeizer As a sculptor, I am continuously ...

Impi Sotavalta (1885-1943) Finnish hand-woven wool lavender and marigold geometric ray rug, c. 1928, Finland. Gorgeous thick pile. Rare, divine color co...

Vintage Hollywood Regency 24 karat gold, crystal Palwa sconce, wall light 1960s. Manufactured by West-German lighting company Palwa (Palme & Walt...

Milo Baughman for Thayer Coggin 1984 Prisma collection armchair rocker lounge. After decades of working with Thayer Coggin, a famously ‘hands-on’ boss that maintained final say over each and every design that went into production, Baughman was well aware of the fact that marketability and a certain level of pandering to Coggin’s established client base around the US was key to his designs bring out into production by his long-time collaborator and boss. However, inspired by the courageous young avant...