Ottocento

A charming and spirited Art Deco study, Clown showcases Jean Aumond’s playful approach to costume, colour, and character. Signed Jean Aumond lower right, this work on paper combines ...

A lively and intimate composition, Sidonie on Holiday in Cornwall captures Hans Feibusch’s distinctive blend of figurative observation and expressive brushwork. Executed in oil on ca...

A richly textured and atmospheric landscape, Low Mountains of Snowdonia exemplifies Hugh Cronyn’s mastery of light, colour, and form. Signed CRONYN lower right and inscribed on the r...

A beautifully observed pastel still life, Blue Hydrangeas exemplifies Bernard Myers’ refined command of colour and light. Signed B Myers lower right, the work reflects the artist’s m...

A refined still life by Jan Matulka, executed in gouache on paper, signed lower left. Measuring 21.25 x 14.125 inches (54 x 36 cm), this work exemplifies Matulka’s distinctive approa...

A striking and rare textile design by Graham Sutherland, executed in gouache on paper. This large-scale work, measuring 54 x 23.25 inches (137.4 x 59 cm), is inscribed with notations...

Frederick Little Packer (American, 1886–1956) Bathers II Oil on board Signed and inscribed with title (on a label, on the reverse) 19 ¾ x 15 in. (50.2 x 38.3 cm) Radiant and rhythmic...

Stanley Spencer (British, 1891 – 1959) Study of a boy Pencil on paper 16.3/8 x 10.1/8 in. (41.6 x 25.8 cm.) Provenance: From the estate of Sir Stanley Spencer Study of a Boy is a fi...

Stanley Spencer (British, 1891 – 1959) Clasped hands Not signed Pencil on paper 16.3/4 x 11.3/8 in. (42.5 x 29 cm.) Provenance: From the estate of Sir Stanley Spencer Clasped Hands ...

After Doubles (1990) is a compelling oil on canvas by Mark Lancaster (British, 1938–2021), measuring 19⅞ x 23¾ inches (50.7 x 60.3 cm). The work demonstrates Lancaster’s sophisticate...

Circles (1986) is a refined and contemplative oil on canvas by Mark Lancaster (British, 1938–2021). Measuring 9¾ x 20 inches (24.8 x 50.5 cm), the work is signed with the artist’s mo...

Marie Laurencin (French, 1885 – 1956) Portrait of Pauline Laurencin, the artist’s mother, circa 1903 Black crayon on paper Inscribed ‘Despair and die / not die’ (upper right) Not sig...

Lord Frederick Leighton (British, 1830-1896) A Medieval Allegory Not signed pencil on paper the fragment measures approx. 19.1/2 x 13 in. (49.5 x 33 cm.) Provenance: Gifted by Leighton to his cousin Edith Emily Jellicorse, nee Garnham, and thence by descent. We would like to thank Daniel Robins, the curator at Leighton House for the authenticating this work in full. Daniel has suggested this study would have been executed when Leighton was studying in Frankfurt Leighton was born in Scarborough to Augusta Susan and Dr. Frederic Septimus Leighton. He received his artistic training on the European continent, first from Eduard von Steinle and then from Giovanni Costa. According to Daniel Robbins, the curator at Leighton House, This drawing comes from the time Leighton studied under Eduard von Steinle. He then studied at the Accademia di Belle Arti in Florence. From 1855 to 1859 he lived in Paris, where he met Ingres, Delacroix, Corot and Millet. In 1860, he moved to London, where he associated with the Pre-Raphaelites. In 1864 he became an associate of the Royal Academy and in 1878 he became its President (1878–96). American art critic Earl Shinn claimed at the time that "Except Leighton, there is scarce any one capable of putting up a correct frescoed figure in the archway of the Kensington Museum." His paintings represented Britain at the great 1900 Paris Exhibition. Leighton was knighted at Windsor in 1878 and was created a baronet, of Holland Park Road eight years later. He was the first painter to be given a peerage. Leighton remained a bachelor and rumours of him having an illegitimate child with one of his models, in addition to the supposition that Leighton may have been a homosexual, continue to be debated. On his death his barony was extinguished after existing for only a day; this is a record in the Peerage. His house in Holland Park, London has been turned into a museum. It contains many of his drawings and paintings, as well as some of his former art collection including a painting dedicated to Leighton by Sir John Everett Millais. The house also features many of Leighton's inspirations, including his collection of Iznik tiles. Its centrepiece is the magnificent Arab Hall. Leighton was an enthusiastic volunteer soldier, enrolling with the first group to join the 38th Middlesex (Artists') Rifle Volunteer Corps (later to be known as the Artists Rifles...

Lord Frederick Leighton (British, 1830-1896) A very early study of a Medieval Minstrel pencil on paper Not signed the fragment measures approx. 19.1/2 x 13 in. (49.5 x 33 cm.) Provenance: Gifted by Leighton to his cousin Edith Emily Jellicorse, nee Garnham, and thence by descent. We would like to thank Daniel Robins, the curator at Leighton House for the authenticating this work in full. Daniel has suggested this study would have been executed when Leighton was studying in Frankfurt Leighton was born in Scarborough to Augusta Susan and Dr. Frederic Septimus Leighton. He received his artistic training on the European continent, first from Eduard von Steinle and then from Giovanni Costa. According to Daniel Robbins, the curator at Leighton House, This drawing comes from the time Leighton studied under Eduard von Steinle. He then studied at the Accademia di Belle Arti in Florence. From 1855 to 1859 he lived in Paris, where he met Ingres, Delacroix, Corot and Millet. In 1860, he moved to London, where he associated with the Pre-Raphaelites. In 1864 he became an associate of the Royal Academy and in 1878 he became its President (1878–96). American art critic Earl Shinn claimed at the time that "Except Leighton, there is scarce any one capable of putting up a correct frescoed figure in the archway of the Kensington Museum." His paintings represented Britain at the great 1900 Paris Exhibition. Leighton was knighted at Windsor in 1878 and was created a baronet, of Holland Park Road eight years later. He was the first painter to be given a peerage. Leighton remained a bachelor and rumours of him having an illegitimate child with one of his models, in addition to the supposition that Leighton may have been a homosexual, continue to be debated. On his death his barony was extinguished after existing for only a day; this is a record in the Peerage. His house in Holland Park, London has been turned into a museum. It contains many of his drawings and paintings, as well as some of his former art collection including a painting dedicated to Leighton by Sir John Everett Millais. The house also features many of Leighton's inspirations, including his collection of Iznik tiles. Its centrepiece is the magnificent Arab Hall. Leighton was an enthusiastic volunteer soldier, enrolling with the first group to join the 38th Middlesex (Artists') Rifle Volunteer Corps (later to be known as the Artists Rifles...

Max Ernst (German, 1891 – 1976) L’Oiseau Mere (The Mother Bird) An etching and aquatint on Japan paper Numbered and signed ‘4/60 Max Ernst’ (under the plate) The plate measurements: ...

Edward Burra (British,1905 – 1976) A costume design for two young women in Carmen Pencil and watercolour on paper with a swatch of fabric attached (lower right) Signed and inscribed ...

Bold and enigmatic, Venus in Furs / The Fur Coast exemplifies Lynn Chadwick’s distinctive vision — a fusion of geometric abstraction and organic sensuality. Created in 1971, this lit...

Patrick Procktor (British, 1936 – 2003) Seagull at the window Pencil and watercolour Signed and dated ‘Patrick Procktor 00’ (upper right) and further signed ‘Patrick Procktor’ (lower...

John Piper (British, 1903 – 1992) Warning to travellers, number 18 from India Love Poems’ Signed ‘John Piper’ (lower right) Mixed media pencil and watercolour and gouache 16 x 11.3/8...

Patrick Procktor (British, 1936 – 2003) The gift horse Pencil and watercolour Signed ‘Patrick Procktor’ (lower left) 9.1/2 x 6.3/4 in. (24.2 x 17 cm.) Rendered with graceful economy...

Patrick Procktor (British, 1936 – 2003) Misty Pencil and watercolour Signed and inscribed ‘Misty Patrick Procktor’ (lower edge) 9.1/2 x 6.3/4 in. (24.2 x 17 cm.) Rendered with grace...

Rene Fontayne (French, 1891 – 1952) La Rochelle Signed ‘Rene Fontayne’ (lower right) Oil on canvas 36 x 25.1/2 in. (91.5 x 65 cm.)

Francis Hewlett RWA (British, 1930 – 2012) A Welsh Idyll Signed and titles ‘Francis Hewless RWA, Welsh Idyll’ (on the stretcher) Oil on canvas 24 x 30 in. (61.3 x 76 cm.) Francis He...

Attr Frank Brangwyn (British, 1867 – 1956) An Allegory of Summer Oil on canvas 32.1/4 x 32 in. (82 x 81.5 cm.) This richly worked canvas, An Allegory of Summer, depicts elegant figur...

Paul Deltombe (French, 1878 – 1978) Allegorie des recoltes Oil on canvas Signed ‘Deltombe’ (lower right) 68 x 38.3/8in. (172.8 x 97.5cm.) This monumental canvas by Paul Deltombe pre...

Hans Feibusch (German / British, 1898 – 1998) Sunflower and mask Oil on canvas Signed with initials and dated ‘HF 82’ (lower right) 30 x 20in. (76.3 x 51 cm.) Provenance: From the es...

Clifford Fishwick (British, 1923 – 1997) Bandstand Signed and dated ‘C Fishwick 54-5’ (lower right) Oil on board 18.3/4 x 42.1/2 in. (47.7 x 107.6 cm.) This striking mid-century com...

Tobias Trenwith (British, 20th / 21st Century) A view to the lighthouse Oil on canvas Signed ‘TRENWITH’ (lower right) 16 x 16 in. (40.5 x 40.5 cm.)

Sir Terry Frost RA (British, 1915 – 2003) Newlyn Rhythms Oil on canvas Signed and dated ’82 83 88’ (on the reverse) 29.1/4 x 29.1/8 in. (74.4 x 74.2 cm.) (including frame) This beau...

John Gilbey Bowles (British, 1929–2011) Jesus and the Disciples in the Wilderness Signed ‘J BOWLES’ (lower right) Oil on board 22 ¾ x 27 ⅝ in. (57.8 x 70 cm) Jesus and the Disciples ...

Mary Fedden (British, 1915–2012) The Green Apple Pencil and watercolour Signed and dated ‘Fedden 1979’ (lower left); further signed and titled ‘Mary Fedden, The Green Apple’ (on the ...

Dorothea Sharp (British, 1873–1955) Lilies, Dahlias and Other Summer Blooms in a Jug Oil on board Signed ‘DOROTHEA SHARP’ (lower left) 24 1/8 x 18 1/4 in. (61.3 x 46.5 cm) This beau...

Ernest Howard Shepard (British, 1879–1976) Laying Breaks on a London Street, an Illustration for Punch Magazine Inkpen and body colour Signed ‘Ernest H. Shepard’ (lower left) 8 1/8 x...

Sven Berlin (British, 1911 – 1999) For sculpture of horse’s head Signed and dated ‘Sven Berlin 49’ (lower right) Monotype 5 x 16.1/2 in. (12.7 x 42.7 cm.) Provenance: Porthmeor Galle...

Jack Yates (British, 1923–2012) Poster Man, 1965 Oil on canvas Signed and dated J. Yates, 1965 (upper right); further inscribed, dated and titled on the reverse Canvas: 39 3/4 x 31 7...

Peter Phillips (British, b. 1939) Untitled, from the Pneumatic Series Screenprint, 1968 Signed, inscribed and dated Peter Phillips, Printers Proof (lower right) Including frame: 27 1...

Salvador Dalí (Spanish, 1904–1989) Tristan and the Dragon Drypoint etching in colour From the 1970 Tristan and Iseult series, British book edition, printed on Mandeure paper, with ‘A...

Salvador Dalí (Spanish, 1904–1989) Frère Ogrin l’ermite (Brother Ogrin the Hermit) Drypoint etching in colour From the 1970 Tristan and Iseult series, British book edition, printed o...

Salvador Dalí (Spanish, 1904–1989) Le Géant Beliagog (The Giant Beliagog) Drypoint etching in colour From the 1970 Tristan and Iseult series, British book edition, printed on Mandeur...

Salvador Dalí (Spanish, 1904–1989) La Reine Iseult et sa fille (The Queen Iseult and her Daughter) Drypoint etching in colour From the 1970 Tristan and Iseult series, British book ed...

William Samuel Horton (American, 1865–1936) The Rooftops of Paris, 1922 Pastel on paper Signed and dated lower left ‘William S. Horton. 1922’ 17 × 21½ in. (43.2 × 55 cm) Provenance: ...

William Samuel Horton (American, 1865–1936) St. Mary’s Abbey, York Pastel on paper Signed lower left ‘William S. Horton’ 17½ × 23 in. (44.5 × 58.5 cm) Provenance: From the estate of ...

William Samuel Horton (American, 1865–1936) Whitby Abbey Pastel on paper Signed lower right ‘William S. Horton’ 17⅝ × 23 in. (44.8 × 58.5 cm) Provenance: From the estate of the artis...

William Samuel Horton (American, 1865–1936) Eccleston Abbey Pastel on paper Signed lower left ‘W. S. Horton’, further signed ‘Horton’ on an old label to the reverse 18 × 23¾ in. (45....

William Samuel Horton (American, 1865–1936) Early Morning Moon Set, Gstaad Pastel on paper Signed lower right ‘W. S. Horton’, further signed and inscribed ‘Paysage / early morning mo...

Brocke Bluckert (Swedish, 1887–1956) Deep on the Sea on the Diamond Rocks Sits the Water Spirit Nack, 1937 Pen and watercolour with body colour on paper Signed and dated lower left, ...

Frances Cyril Stanley Rose (British, 1909 – 1979) The bird in your heart Coloured ink Signed, inscribed and dated ‘Francis Rose 50 A Bird in your heart’ (lower edge) 18.1/2 x 14.1/2i...

Adrian Heath (British, 1920–1992) Abstracted Life Study Pencil and watercolour Signed with initials ‘AH’ (lower right) 8.5 x 10.625 in. (21.7 x 27 cm) This intimate work on paper by...

Adrian Heath (British, 1920 – 1992) The artist’s model Pencil and watercolour on paper Signed with initials ‘AH’ (lower right) 14.3/8 x 9.1/2 in. (36.5 x 24 cm.) This intimate work ...

Antoine Bouvard (French, 1882–1956) Gondolier on a Venetian Backwater Oil on canvas Signed ‘Bouvard’ (lower left) 21.25 x 32 in. (54 x 81.5 cm) In this tranquil Venetian scene, Anto...

Ron Wood (British, b.1922) The Obby Oss festival, Padstow Oil on board Signed `Ron Wood’ (on the reverse) 22.1/4 x 30.1/4 in. (56.5 x 76.8 cm.) £1800 The Obby Oss festival is a fol...

Bernard Myers (British, 1925–2007) Tower of London Oil on paper Signed ‘B. Myers’ (lower left) 24 x 31.75 in. (61 x 80.7 cm), including frame Provenance: From the estate of the artis...

Bernard Myers (British, 1925–2007) Tower Bridge Oil on canvas 23.75 x 29.875 in. (60.5 x 75.8 cm) Provenance: From the estate of the artist In Tower Bridge, Bernard Myers offers a n...

Bernard Myers (British, 1925–2007) HMS Belfast Oil on canvas 30 x 39.75 in. (76.2 x 101 cm) Provenance: From the estate of the artist A luminous and contemplative painting by Britis...

Salvador Dali (Spanish, 1904-1989) Le Coche et la Mouche (The Coach and the Fly) 1974 Drypoint etching on Japan paper Signed and numbered '79/250' (lower left) and 'Dali' (lower righ...

Richard Hayley Lever (American, 1876–1958) Hyde Park Promenade at Apsley Gate, c. 1900–1905 Oil on canvas laid down on board Signed ‘Hayley LEVER’ (lower right) 6.75 x 9.625 in. (17....

Ginés Parra (Spanish, 1896–1960) Damas Oil on canvas Signed ‘PARRA’ (lower left); further signed and inscribed Composition Parra Registra 19 25.5 x 21.125 in. (64.8 x 53.9 cm) A str...

William Samuel Horton (American, 1865–1936) Cattle Grazing at Dusk Oil on canvas laid down on board 25.25 x 29.125 in. (64 x 74 cm) Provenance: From the estate of the artist and then...

William Samuel Horton (American, 1865–1936) The End of the Day Oil on canvas laid down on board 25 x 30 in. (63.5 x 76.2 cm) In The End of the Day, American Impressionist William Sa...

Peter Fleming (British, b.1949) Summer Orchard gouache on paper signed ‘Peter Fleming’ (lower right) 29.1/2 x 45.1/2 in. (75 x 115.5 cm.) Painter and teacher, born in London, who st...