Ottocento

Serra (French, 20th Century) Homage au violin Oil on canvas laid down on board Signed ‘SERRA’ (lower right) 16.7/8 x 20.7/8 in. (43 x 53 cm.)

Leon Davies (British, b.1947) Still life with Cornish harbour Oil on board Signed with monogram and dated ‘LD 2020’ (lower left) Further inscribed on the r...

Circle of Austin Osman Spare (British, 1888 – 1956) Bohemian Fantasy Pen and gouache on paper 13.1/2 x 19.5/8 in. (34.3 x 50 cm.)

Jean Gabriel Domergue (French, 1889 – 1962) ‘Scene Gallante’ Oil on canvas 25 x 29in. (63.5 x 74cm.) (Octagonal shape) Executed circa 1925 Provenance: Gallerie du Carlton, Cannes Th...

Terry Durham (British, 1936 – 2013) Golden Rocket Morning Acrylic and Mixed media Signed and dated ‘DURHAM.72.’ (lower left) 18 x 23.3/4 in. (45.8 x 60.3 cm.) The orange composition shows a rocket but there are heavy resemblances to a fish. Other foliate motifs, squares, circles and references to the moon and clouds...

Richard Lindner (German-American, 1901-1978) An Art exhibition poster for Lennox Hill Hospital and Skowhegan School of painting and sculpture, 1967 Artist’s proof Signed in pencil ‘R...

Mabel Catherine Robinson (British, b.1875) Harvesters Watercolour on paper Signed ‘M. Robsinson’ (lower right) 6.1/8 x 11in. (15.6 x 28cm.)

Attributed to Rowland Wheelwright, 20th Century 'Bather's on the shore' and 'Sunbathing by the Cliffs' Oil on canvas board 9 X 10. 1/4in. (22.8 X 2...

William Heath Robinson (British, 1872 - 1944) 'Boring The First Tunnel With An Early Type Of Rotary Excavator, And The Red Flag', circa 1935 (railway ribaldry was published in this year) The former signed 'W. Heath Robinson (lower left) and inscribed with title (lower left and right) The former to mount 14 X 10.1/4in. (35.5 X 26cm.) The latter 1.1/2 X 8.1/2in. (3.8 X 21.6 cm.) Literature: Railway Ribaldry, first published by the Great Western Railway, Paddington, 1935. William Heath Robinson was an English cartoonist and illustrator best known for drawings of ridiculously complicated machines for achieving simple objectives. During the First World War, he drew large numbers of cartoons, depicting ever-more unlikely secret weapons being used by the combatants. In the UK the term "Heath Robinson" entered popular language during this time as a description of any unnecessarily complex and implausible contrivance. Its continuing popularity was undoubtedly linked to Second World War Britain's shortages and the need to "make do and mend". In the course of his work, Robinson also wrote and illustrated three childrens books including The Adventures of Uncle Lubin (1902) which is regarded as the genesis of his depiction of unlikely machines. The inventions he drew were frequently powered by steam boilers or kettles, heated by candles or a spirit lamp and usually kept running by balding, bespectacled men in overalls. There would be complex pulley arrangements, threaded by lengths of knotted string. One of his most famous series of illustrations accompanied the first Professor Branestawm book written by Norman Hunter. The stories provided a perfect backdrop for Robinson's drawings. One of the automatic analysis machines built for Bletchley Park during the Second World War to assist in the decryption of German message traffic was named "Heath Robinson" in his honour. He died in September 1944 during the Second World War and is buried in East Finchley Cemetery. The Heath Robinson Museum in Pinner opened in October 2016 to house a collection of nearly 1,000 original artworks owned by The William Heath Robinson Trust. In the Wallace and Gromit...

Leopold Survage (French / Finnish 1879- 1968) Les danseuses Signed and dated ‘Survage / 31’ (lower right) Pencil on paper 10.1/2 x 8.5/8 in. (27 x 22.2 cm...

Francois Charles Baude (French, 1880-1953) 'Ligurian Peasants Crossing A Bridge’ Signed And Dated ‘Francois C. Baude 1934’ (Lower Right) And Inscribed ‘En Ligurie.’ (On The Reverse) ...

Leon Underwood (British, 1890 – 1975) A River landscape in Italy Signed, inscribed indistinctly and dated ’25. Watercolour on paper 10.5/8 x 14.1/2 in. ...

Carle Vernet (French, 1758 – 1836) ‘La Marchande de Coco’; and ‘La Tour de Babbe d’un Charbonnier’ Ink, watercolour on paper Both signed C Vernet and Carle Vernet (lower left and lower right respectively) 12.1/4 x 9 in. (31 x 22.8 cm.) A pair Vernet was born in Bordeaux. At the age of five, he showed an extraordinary passion for drawing horses, but went through the regular academical course as a pupil of his father and of Nicolas-Bernard Lépicié. Strangely, after winning the grand prix (1782), he seemed to lose interest in the profession, and his father had to recall him back from Rome to France to prevent him from entering a monastery. In his Triumph of Aemilius Paulus, he broke with tradition and drew the horse with the forms he had learnt from nature in stables and riding-schools. His hunting-pieces, races, landscapes, and work as a lithographer were also very popular. Carle's sister was executed by the guillotine during the Revolution. After this, he gave up art. When he again began to produce under the French Directory (1795–1799), his style had changed radically. He started drawing in minute detail battles and campaigns to glorify Napoleon. His drawings of Napoleon...

Terry Frost (British, 1915 – 2003) Dancing figure Mixed media Collage 16.1/2 x 18.1/2 in. (42 x 47 cm.) to slip edge Provenance: Created for and donated to the St. Ives Theatrical Pr...

Victor Noel (Belgian, 1916 – 2006) Curved forms Oil on canvas Signed and dated ‘V. Noel 93’ (on the reverse) 23.3/4 x 23.3/4 in. (60 x 60 cm.)

Jean Maurice Lasnier (French, 1922 – 2006) Deux grandes nues cubisantes Oil on board Signed on the reverse under the backboard 38.1/4 x 25.5/8 in....

A beautiful and bold composition of La Cad'oro in Venice with clear blue skies above and a cubist reflections of the buildings below in different shades of blues and turquoises. H...

Vladimir Pavlovich Nechoumoff (Russian, c. 1900 – 1977) Turkish bath scene in Istanbul Watercolour/ gouache and pencil on paper 5.1/2 x 8.1/2 in. (14 x 21.4...

Jeantimir Kchaoudoff (French, 1941 – 2017) Le Carrosse du prints Ink and crayon on paper Signed ‘JEANTIMIR’ (lower left) 9.1/2 x 12.5/8 in. (24.2 ...

Marcel Louis Baugniet (Belgian, 1896 – 1995) Sigale de Mer (Cicada of the sea) Oil on board with scraffito Signed ‘M L BAUGNIET / 47’ (upper right) 17.3/4 x 13.1/2 in. (45 x 34.3 cm.) Marcel-Louis Baugniet was born in Liege on the 18th March 1896. Painter, theorist, furniture designer, creator of posters, costumes and stage sets, he was one of the main defenders of the notion of Pure Plastic Arts. Baugniet studied painting at the Royal Academy of Beaux-Arts in Brussels where he mixed with Paul Delvaux, René Magritte, Victor Servrancks and Pierre-Louis Flouquet. He spent some time in Paris and decided that he would become an iconoclastic and avant garde artist. He discovered abstract art with Kandinsky, Kupka, Mondrian and Delaunay and with wonder and stupeur he also learnt of the constructivist movement, which was born in Russia with Malevitch and Lissitsky. In 1922, Baugniet then 26 years old returned to Brussels and married the Russian danser Akarova for whom he designed costumes and stage sets. M-L Baugniet painted, designed and engraved some superb series of dansers and sportspersons (the « Kaloprosopies »), works entrenched with impeccable lines of constructed art. He painted with contemplation geometric compositions which mixed a grace of colours with the rigour of shapes. Baugniet wrote articles on esthetics and applicated arts in the magasine 7 Arts and edited, with the Dutch architect Van Tonderen, the manifesto of the movement that they called « Le beau, C’est l'utile » (beauty is useful) Towards the end of the 20s, he separated from Akarova and in 1927 he opened his own Home Decor shop. With regret Baugniet laid down his paint brushes and threw himself into interior design and the creation of tubular furniture, everyday objects and carpets. He remarried the Russian Olga Reich. He created a circle of ideas that included artists, writers, politicians and intellectuals of all kinds. Throughout his career, Baugniet participated in numerous international exhibitions of decorative art. In 1977 abstraction, constructivism and Marcel-Louis Baugniet were rediscovered. Decorated and lauded, Baugniet began to paint once more and co-founded the magasine Mesures with Jo Delahaut...

A poster design for a musical play, in black and white, designed by LE Maresquier

Derrick Latimer Sayer (British, 1917 – 1992) A vase of summer blooms Watercolour on board 24.3/4 x 16.3/4 in. (60.3 x 42.5 cm.) Sayer studied at the Chelsea School Art under Henry Mo...

Derrick Latimer Sayer (British, 1917 – 1992) Adam and Eve Ink and watercolour/ gouache on paper Signed ‘DEK Sayer 12/44’ (lower right) 13.5/8 x 10.1/2 in. (34.7 x 26.5 cm.) Sayer st...

Maurice Potier (French, 1926 – 2002) Vase bleu et fruits (Blue vase and fruits) Oil on canvas Signed ‘M Potier’ (lower right) 27.1/2 x 23.5/8 in. (70 x 60 cm.)

Frederique Giusti (French, b. 1925) Femmes Africaines Oil on board Signed ‘Giusti’ (lower edge) 24 x 18.3/8 in. (61 x 46.7 cm.)

Frederique Giusti (French, b. 1925) Femmes Africaines II Oil on canvas laid down on board Signed ‘Giusti’ (lower right) 29 x 18.3/4 in. (73.8 x 47.3 ...

Frederique Giusti (French, b. 1925) Erosion II oil on canvas laid down on board signed ‘Giusti’ (lower right) 18 x 15 in. (45.7 x 38 cm.)

Ken Scott (American, 1918 – 1991) Dreamscape Pen and ink on paper Signed ‘Ken Scott’ (on the reverse) 10.7/8 x 7.3/8 in. (27.8 x 18.5 cm.) Ken Scott was a fashion designer known fo...

R. Bazin (French, 20th Century) Still life with kettle, cup and jug Oil on canvas Signed ‘R BAZIN’ (lower left) 15 x 18 in. (38 x 46 cm.)

Louise-Jeanne Cottard-Fossey (French 1902-1983) Still life with apples and wine bottle Oil on canvas, Signed ‘L COTTARD-FOSSEY’ (lower right) 18.1/8 x 21.1/2 in. (46 x 54.7cm.) Exh...

Pierre Jourda (French, 1931 – 2007) Joconfiture Collage on canvas Numbered 520 10.2/3 x 8.3/4in. (27 x 22cm.) Provenance: From the Pierre Jourda workshop This is an iconic Pop A...

Edward Stott, ARA (British, 1859 - 1918) Reclining nude Pastel and black crayon 8.1/2 x 12.1/4 in. (21.7 x 31.2 cm.) Provenance: Abbott and Holder, London A few years after its foundation in 1886, a critic referred to the New English Art Club as that Steery, Starry, Stotty. Stotty referred to William Stott of Oldham and Edward William Stott. The four men had in common the love French plein air painting...

Anne Bulitis (British, 20th Century) Pre-Raphaelite girls Aquatint Signed and dated ‘Anne Bulitis 93’, inscribed with title, an artist’s proof The plate measures 2.1/4 x 9 in. (5.4 x...

Vladimir Pavlovich Nechoumoff (Russian, c. 1900 – 1977) The maiden of spring Pencil on paper Signed and dated ‘V. Nechoumov / 1921’ (lower right) 8.1/4 x 8 in. (21 x 20 cm.) Figu...

Vladimir Pavlovich Nechoumoff (Russian, c. 1900 – 1977) Study of a Turkish warrior pencil on paper signed and dated ‘V Nechoumov, 1921’ (lower left) 8 x 8 in. (20.3 x 20.3 cm.) Fig...

Vladimir Pavlovich Nechoumoff (Russian, c. 1900 – 1977) The Turkish hurdy gurdy pencil on paper signed V Nechoumov, 1921 (lower right) 7.3/8 x 8 in. (18....

Vladimir Pavlovich Nechoumoff (Russian, c. 1900 – 1977) Café society in Istanbul pencil on paper 8 x 8 in. (20.3 x 20.3 cm.) Executed in 1921 Figurative painter, illustrator Vladimi...

Vladimir Pavlovich Nechoumoff (Russian, c. 1900 – 1977) Famille e bebe pencil and watercolour on paper 3.3/4 x 4.5/8 in. (9.5 x 11.2 cm.) It is possible that this is a scene influen...

Vladimir Pavlovich Nechoumoff (Russian, c. 1900 – 1977) A nanny resting on a bench pencil and watercolour on paper 3 x 4.1/4 in. (7.7 x 11 cm.) Figurative painter, illustrator Vladi...

Vladimir Pavlovich Nechoumoff (Russian, c. 1900 – 1977) Turkish fruit sellers, Istanbul Pencil and watercolour on paper 9 x 13.5/8 in. (22.8 x 34.5 cm.) Figurative painter, illustra...

Pierre Jourda (French, 1931 – 2007) Pine Trees oil on canvas 89 x 55 cm. Provenance: From the studio sale of the artist

Jean Cocteau (French, 1889-1963) La Dame Queteuse Ink on paper Signed, inscribed and dated `La Dame Queteuse Jean 1922’ (below) 10.1/4 x 7.7/8 in. (26 x 20 cm...

Max Andrews (British, b. 1969) Along the beach Signed and dated ‘Max Andrews 19’ (lower right) Oil on board 12.1/2 x 12.1/2 in. (32 x 32 cm.)

Max Andrews (British, b. 1969) Moonlit horses Signed and dated ‘Max Andrews 19’ (lower right) Oil on board 12.1/5 x 12.1/5 in. (32 x 31.8 cm.)

Max Andrews (British, b. 1969) Booze bubbles Signed and dated ‘Max Andrews 19’ (lower right) Oil on board 12.1/5 x 10.3/8 in. (32 x 26.5 cm.)

Max Andrews (British, b. 1969) Fruit and wine Signed and dated ‘Max Andrews 19’ (lower right) Oil on board 12.1/2 x 12.1/2 in. (32 x 32 cm.)

Max Andrews (British, b. 1969) Eggs and pans I Signed and dated ‘Max Andrews 19’ (lower right) Oil on board 11.3/4 x 11.3/4in. (30 x 30 cm.)

Le Reve (The dream) An original theatre poster designed by Theophile Alexandre Steinlen for Le Reve at the Academie Nationale de Musique 96 x 76cm. (incl. frame) New white wood fram...

Jiri Kolar (Czech, 1914 – 2002) Pears, 1977 Collage triptych Each panel measures 21.7 x 15.5 cm. All three are signed with initials and dated ‘J.K. 97, the latter 2 dated ‘96’ The collages are suspended between layers of glass. Aside from the collages, the image is see through up to the frame edge. Jiri Kolar was the son of a baker who became a writer around 1943. He became one of group of several artists amoung whom Vaclav Havel and others met and discussed issues in café Slavia during the period leading up to the Prague spring...

Gerard Morot-Sir (French, 1931 – 2003) Graphica Ink on paper Signed and dated ‘ Morot-Sir, 59’ (lower left) 12.1/2 x 9.5/8in. (31.7 x 24.5cm.) Newly framed in a limed wood frame in a...

Robert Trenaman Back (British, 1922 – 2004) A moody coastal scene Gouache on paper with gum arabic 9.3/4 x 18.1/4 in. (24.5 x 46.5 cm.) Robert Trenaman Back is best known as a marit...

English school, 18th Century Figures at a mill Gouache on paper 4.5/8 x 7.1/2 in. (11.8 x 19 cm.)

Gilliam M Hobbs (British, 20th Century) Padstow from Rock at Dusk Pastel on paper Signed ‘Gillian M Hobbs’ (lower right) 7.1/4 x 10.3/4 in. (18.4 x 27....

Evelyn De Morgan (British, 1855 – 1919) Narcissi Pencil on paper 5.1/2 x 15 in. (14 x 38 cm.) Provenance: The Clayton-Stamm Collection. Dominic Wint...

A funky urban image from 1971 depicting some of the nuances of New York seedy underbelly. This original lithograph is number 73 of and edition of 75 from the 1971 'Fun City' suite. Originally there were 12 different artworks in this series by Richard Lindner of which this is the title piece. Signed in pencil 'R Lindner...

A Brun (French, circa 1900) Raising a glass Pencil, watercolour and gouache on canvas Signed ‘A Brun’ (lower right) 20.1/2 x 15.3/4in. (52 x 40 cm.)

William Heath Robinson (British, 1872-1944) 'The Friendly Dog' Signed 'W. Heath Robinson.' (lower right) Pen and ink on paper 11 X 8.1/2in. (28 X 21.7cm.) (excluding frame) 46 x 38cm. (18.1/4 x 15in. (including frame) Literature: 'Old Time Stories', Constable and Co. 1921, P. 143 William Heath Robinson was an artist and illustrator mainly associated with his gloriously complicated inventions for simple objectives. The name Heath Robinson has become commonplace in the English language as a result to describe anything mechanical that is eccentric, ridiculously complex and ingenious at the same time . Interestingly one of the automatic analysis machines built for Bletchley Park...

Le Caf’ Conc A poster for a post-liberation costume ball (retrospective 1900) on 23rd June 1945 designed by Jean Paul Le Verrier (1922-1996)

A wonderful, bold and rare vintage poster for Brussels World Fair in 1958, this is the first one held after World War II in excellent condition w...

An original vintage advertising poster from Czechoslavakia for sea fish. The names of the sea fish are tattoo'd all over his body ...