Peter Schlächter

Bernhard Pankok (1872-1943) Drawing “Scene from the English garden in Munich” Pencil drawing, framed, 1893, signed and dated Dimensions 34x 28 cm On May 16, 1872, one of the most i...

Gothic front gallery chest, Westphalia around 1500 - 1550, wrought iron bands, boxy oak body, partially carved. Monumental star-shaped key plate with original key, feet on the front ...

Rare side table with secret compartments, Westphalia, c. 1800, plum wood, maple and rosewood veneered on softwood, table top with floral banding and vase motif, ingenious mechanism w...

Carl Ludvig Thilson Locher “Coast” Oil on canvas, signed lower right Format: 59 x 84 cm Locher, son of the marine painter Jens Thielsen Locher, father of the Danish sculptor Axel ...

Half cupboard Biedermeier, Rhineland around 1815/20, cherry veneered on softwood, concealed drawer, ebonized profile, shellac hand polish Dimensions: height 77 cm; width 64 cm; dep...

Francois Nicholas Riss (1804-1886) Portrait of a child signed and dated center left, Riss 1829, oil on canvas, partly retouched, stretcher renewed, framed Dimensions: height 62 cm - width 50,5 cm François Nicholas Riss (1804 Moscow-1886 ibid) Born in Russia, he studied painting in Paris...

Gerhard Uhlig (1926-2015) Drawing with graphite pencil, unique “untitled”, signed and dated by hand, created 1990, framed behind glass Dimensions: Sheet size 15 x 21 cm Frame siz...

Sam Francis (1923 San Mateo - 1994 Santa Monica) "Jubilee" color lithograph, created 1964, edition of 50 copies, signed, numbered and dated, Ex.: e.a. Dimensions: 50.5 x 65.5 cm Sam Francis was an American painter and graphic artist. His work is classified as Abstract Expressionism or Color Field Painting Sam Francis is one of the most important American artists, born in San Mateo (California) in 1923, died in Santa Monica in 1994. After a plane crash during his service in the US Air Force, he began painting in 1944 during his convalescence and then studied under David Park at the California School of Fine Arts in San Francisco. His early abstractions, which are still reminiscent of Clyfford Still and Jackson Pollock, show spontaneous painterly gestures that led to the typically American "all over" structure: the canvas is completely covered with dots, spots, marks and other traces of the painter's brush. When Francis was in Paris from 1950 to 1957, he abandoned color and broke new ground with works such as "White Painting" (1950). But as early as the summer of 1951 in the south of France, he used pink and red again, only to return to the full palette later on. Sometimes he used all the colors and their variations in tone, sometimes he let one color dominate, as in "Blue Balls" (1960). Although Francis has been associated with Color Field painting, this must be seen as an aid to classification, to help one come to terms with a highly original visual language. When "fields" appear in Francis' work, they are almost never (if ever) color fields. Instead, they have an interplay of foreground and background. They often create depth, which makes the canvas more of a "color space". It is typical of Sam Francis' pictorial strategies that he often leaves the center of the picture free...

Marburg finch chest Biedermeier around 1800/10, cherry wood and other precious woods richly veneered and marquetry on an oak body, hunting motif, 2 small drawers in the base area, or...

Karl Otto Götz color lithograph 1.450,00 € incl. VAT Karl Otto Götz (1914 Aachen - 2017 Wolfenacker) Color lithograph "untitled", signed and dated, created 1967, framed behind glass ...

Ernst Fuchs (1930 - 2015) "Head of a cherub", created in 1982 Color silkscreen, ed. 200 pieces, signed and numbered Dimensions 67.7 cm x 45 cm Ernst Fuchs was born on February 13, 1930 in Vienna Ottakring as the only child of Maximilian and Leopoldine Fuchs; his father was of Jewish descent, which is why his grandfather and father emigrated to the USA and Shanghai in 1938 after the annexation of Austria by the Third Reich. To protect little Ernst from anti-Semitic hostility, it was decided to baptize him according to the Roman Catholic rite in 1942. The 12-year-old Ernst Fuchs was allowed to choose his own baptismal name and chose Ernst Peter Paul, in honor of the painter Peter Paul Rubens, whom he admired at the time. Around the same time, his godmother's brother, the painter and restorer Alois Schiemann, taught him the basics of drawing and painting. Until the age of 15, he attended the St. Anna painting school in Vienna, where he was taught sculpture and painting by Emmy Steinböck and Fritz Fröhlich. After the war, Ernst Fuchs was finally able to take up his longed-for studies at the Academy of Fine Arts in Vienna, which he had previously been denied for racist reasons. His teachers were first Robin Andersen, then Albert Paris Gütersloh. While still a student, he was allowed to hold his first solo exhibition in Paris in 1949, and soon afterwards, in 1950, he also moved to the French capital. Ernst Fuchst traveled through Europe and the USA for six years before taking an extended stay at the Dormition Monastery on Mount Zion in Israel in 1957 to study icon painting in depth. He finally returned to Vienna in 1962, where he founded the Vienna School of Fantastic Realism with former fellow students, of which he himself was to become the most important representative. The early years in particular were characterized by a strong surrealism; mythical and religious symbols in particular appealed to Ernst Fuchs and permeated his work. Later, Fuchs turned increasingly to Mannerism. Ernst Fuchs' artistic spectrum broadened over the years: he sang and recorded various albums, which, like the majority of his paintings, were inspired by mystical motifs, and he designed stage sets for such famous operas as Wagner's Parsifal and Lohengrin or Mozart's Die Zauberflöte. Ernst Fuchs also wrote philosophical treatises. He repeatedly collaborated with other artists, including the musicians Klaus Schulze...

Ernst Fuchs (1930 - 2015) "Head of a cherub", created in 1982 Color silkscreen, ed. 200 pieces, signed and numbered Dimensions 67.7 cm x 45 cm Ernst Fuchs was born on February 13, 1930 in Vienna Ottakring as the only child of Maximilian and Leopoldine Fuchs; his father was of Jewish descent, which is why his grandfather and father emigrated to the USA and Shanghai in 1938 after the annexation of Austria by the Third Reich. To protect little Ernst from anti-Semitic hostility, it was decided to baptize him according to the Roman Catholic rite in 1942. The 12-year-old Ernst Fuchs was allowed to choose his own baptismal name and chose Ernst Peter Paul, in honor of the painter Peter Paul Rubens, whom he admired at the time. Around the same time, his godmother's brother, the painter and restorer Alois Schiemann, taught him the basics of drawing and painting. Until the age of 15, he attended the St. Anna painting school in Vienna, where he was taught sculpture and painting by Emmy Steinböck and Fritz Fröhlich. After the war, Ernst Fuchs was finally able to take up his longed-for studies at the Academy of Fine Arts in Vienna, which he had previously been denied for racist reasons. His teachers were first Robin Andersen, then Albert Paris Gütersloh. While still a student, he was allowed to hold his first solo exhibition in Paris in 1949, and soon afterwards, in 1950, he also moved to the French capital. Ernst Fuchst traveled through Europe and the USA for six years before taking an extended stay at the Dormition Monastery on Mount Zion in Israel in 1957 to study icon painting in depth. He finally returned to Vienna in 1962, where he founded the Vienna School of Fantastic Realism with former fellow students, of which he himself was to become the most important representative. The early years in particular were characterized by a strong surrealism; mythical and religious symbols in particular appealed to Ernst Fuchs and permeated his work. Later, Fuchs turned increasingly to Mannerism. Ernst Fuchs' artistic spectrum broadened over the years: he sang and recorded various albums, which, like the majority of his paintings, were inspired by mystical motifs, and he designed stage sets for such famous operas as Wagner's Parsifal and Lohengrin or Mozart's Die Zauberflöte. Ernst Fuchs also wrote philosophical treatises. He repeatedly collaborated with other artists, including the musicians Klaus Schulze...

Eduard Bargheer (1901-1979) "Village in the desert", 1973 Color lithograph on laid paper, signed and dated by hand Ex.: 54/75 Dimensions: 42 x 59 cm Eduard Bargheer (1901 - 1979...

Johann Georg Müller (1913 - 1986) "Still Life" Created in 1981 Felt-tip pen on paper Framed with museum glass, dimensions: Sheet: 51 x 64 cm Frame 60 x 76.5 cm

Demi Lune console table / salon table Biedermeier c. 1810/20, cherry veneered, top with original oilcloth / fabric overlay, folds up to form a round sal...

Writing box, mahogany, England, around 1830, writing surface with leather overlay, nice interior division Large writing box / travel writing desk E...

Armchair, so called "Fauteuil à la reine", France, rococo around 1760, dark stained beech, carvings with rocaille motifs, upholstered armrests, new upholstery, height: 91 cm, width: ...

Folding console table Biedermeier around 1820/25 Mahogany veneered, top swivels and opens, rounded edges, restored condition, shellac hand polish ...

Large casket, rosewood solid and veneered, France circa 1860/70, brass handle embedded in the lid, brass inlays, nice division inside (originally for tokens and cards), restored cond...

Biedermeier side table, walnut veneered, 1 hidden drawer with interior partition and fold-out pincushion, restored condition, shellac polish height: 77 cm, width 55,5 cm, depth 39 cm

Biedermeier Demi Lune console Large Demi Lune console, Biedermeier c. 1830, mahogany veneered, top with deep frame supported by three fully plastic col...

Secretary à deux corps Baroque around 1760 Walnut and plum veneered on softwood, lower part with concave corrus and three drawers, two-door top with symmetrically arranged compart...