Shapero Modern

Screenprint in colours, 1982, on Fabriano paper, signed, dated, titled, and inscribed ‘AP’ in pencil, one of 15 numbered artist's proofs, aside from the edition of 100, printed by Do...

The extremely rare, complete collection of 28 artists original graphics, the first signed edition before the second poster edition of 4000, with varying edition numbers including Artist’s Proofs, from the total edition of 200, each hand signed and numbered or inscribed, 1969 - 1972, printed on varying papers, published by the Organising Committee for the Games of the XXth Olympiad and F. Bruckmann, Germany, with 2 additional screenprints of the Emblem by Victor Vasarely, 1972, signed from the edition of 200, on wove paper, each sheet, various measurements. (30 works) The 1972 Olympic Committee commissioned 28 international artists to each produce an original print for the Munich Games that year. The artists were given unprecedented freedom to explore their personal perspectives of the Olympic spirit using their own unique styles and methods. Departing from the traditional subject matter and style of past Olympic prints, the artists produced works which ranged from abstraction to realism, and from collage to op-art. The Committee specifically commissioned world-renowned artists to produce this series in order to destigmatise the idea that fine art should be reserved for private enjoyment. Instead, these posters demonstrated that art can exist comfortably in the public sphere, serving both as art and advertisement and echoing the founder of the modern Olympics, Pierre de Coubertin...

Screenprint in colours, 1988, on Lenox Museum Board, signed and dated in pencil, numbered from the edition of 100, published by Martin Lawrence Limited Editions, New York, with their...

Screenprint in colours, 1988, on Lenox Museum Board, signed and dated in pencil, numbered from the edition of 100, published by Martin Lawrence Limited Editions, New York, with their blindstamp, 75.9 x 101.9 cm. (29 7/8 x 40 1/8 in.) This piece is part of Keith Haring’s ‘Growing...

Screenprint in colours, 1988, on Lenox Museum Board, signed and dated in pencil, numbered from the edition of 100, published by Martin Lawrence Limited Editions, New York, with their blindstamp, 75.9 x 101.9 cm. (29 7/8 x 40 1/8 in.) This piece is part of Keith Haring’s ‘Growing...

Aquatint in colours, circa 1955, on Rives BFK wove paper, signed in pencil and numbered from the edition of 300, published by Atelier Crommelynck, Paris, with their blindstamp, 56 x ...

Lithograph in colours, 1995, on BFK Rives paper, signed and dated in pencil, inscribed ‘P.P.’ a printer’s proof, aside from the standard edition of 30, published by Tyler Graphics Lt...

A unique work, 1977, acrylic on paper, signed and dated 'Frankenthaler '77' in pencil, 61 x 99 cm. (24 x 39 in.) Helen Frankenthaler came of age in the midst of the avant-garde art s...

Lithograph, drypoint, etching in colours, 1987/88, on handmade wove paper, signed in pencil, numbered from the edition of 75, printed and published by Polígrafa Obra Gráfica, Barcelo...

Screenprint in colors, 2006, on Rives BFK paper, signed and dated in pencil, numbered from the edition of 120, published by the Naples Art Museum, Florida, 78.7 x 93.7 cm. (31 x 37 i...

Etching, aquatint and drypoint in colours, 1987, on Magnani paper, signed and dated in pencil, numbered from the edition of 71 (there were also 8 artist’s proofs), published by 2RC E...

Screenprint in colours, 1997, on White Lana mouldmade paper, signed and dated in pencil, 69th from edition of 75 (there were also 15 artist’s proofs), printed by Tyler Graphics, Ltd....