South Loop Loft

A French demilune console, circa 1960s, defined by the contrast between a richly patterned marble top and a spare iron base. The top is cut from breccia marble in warm rosé tones, it...

A ‘Tumble’ lounge chair and ottoman designed by Adriano Piazzesi and produced by Tre D in Italy in 1973, a piece that sits somewhere between furniture and gesture. Low to the ground...

Crafted in the manner of René Gabriel, this textured lounge chair, complemented with a throw pillow presides from France in the 1940s. The chair is built from solid wood, its frame ...

An Italian pendant from the 1970s, formed in Murano glass and defined by its balanced, spherical silhouette. The globe is rendered in a soft, translucent blue, wrapped with a contin...

Attributed to Stilux, this Italian floor lamp from the 1950s illustrates where structure is reduced to line and color is used with intention. The composition rises from a circular b...

A French desk from the 1940s, defined by its hand-cut and inlaid parquetry top. The surface is composed in a geometric patchwork of maple, each section carefully arranged to create ...

An Italian abstract acrylic painting on wood panel by Alessandro Bonato, dated 1971. The composition is defined by a geometric, relief-like form, rendered in layered tones of rose-pi...

Blending craftsmanship and natural materials in a harmonious design, this Danish coffee table from the 1970s, designed by Ox Art for Trioh Møbelfabrik, features a large, round cerami...

An Italian abstract acrylic painting on wood panel by Alessandro Bonato, circa 1970s. The composition is defined by a geometric, relief-like form, rendered in layered tones of satura...

Hand-pulled Murano glass forms the foundation of this 1960s chandelier, attributed to Toni Zuccheri for Venini—each element shaped in heat and suspended in quiet balance. The chande...

A French valet from the 1950s by Jacques Adnet reflects a refined approach to utility, where structure, material, and detail are brought into quiet alignment. The form is slender an...

An Italian wall-mounted console from the late 1970s to early 1980s, where furniture begins to take on the language of architecture. The form is anchored by a cylindrical pedestal—co...

Hand-pulled Murano glass forms the foundation of this 1960s chandelier, attributed to Toni Zuccheri for Venini—each element shaped in heat and suspended in quiet balance. The chande...

Its commanding presence, stretching just over six feet in length, articulates this Italian dining table from the 1970s. The scale is generous without overwhelming, allowing the piece...

An Italian console from the 1980s, where geometry is treated not as a fixed system, but as something to be shifted, offset, and rebalanced. The composition is asymmetrical, built th...

Hand-pulled Murano glass forms the foundation of this 1960s chandelier, attributed to Toni Zuccheri for Venini—each element shaped in heat and suspended in quiet balance. The chande...

A French ‘Marsala’ lounge chair by Michel Ducaroy for Ligne Roset, designed in 1971—a moment when Ducaroy began pushing seating into new territory, replacing traditional frames with ...

A ceramic vase by Greek artist Nikos Dazelidi, created in Athens in the 1960s, and signed by the artist. The form is approached as both vessel and object, balancing utility with a di...

Attributed to Barovier & Toso, this Italian Murano glass leaf basket pendant from the 1940s embodies a dialogue between delicacy and structure, where light is both contained and ...

An Italian mirror from the 1960s, crafted in lacquered wood and rendered in a manner where function gives way to atmosphere and surface becomes narrative. The circular frame is gent...

Designed in Italy during the 1970s, this pendant is composed of two acrylic hemispheres joined in quiet symmetry, an object defined as much by restraint as by detail. Each half is m...

Designed in France during the 1940s, this two-door wardrobe exemplifies the quiet evolution of late Art Deco into modernist sensibilities, a piece defined as much by proportion as by...

Crafted from richly grained elm, this 1960s French armchair is defined by its architectural frame and low, grounded stance. Broad plank arms extend forward in a confident line, suppo...

An Italian Art Deco table lamp from the 1930s. The domed shade is formed in molded ribbed glass, its fluted surface casting a soft, rhythmic diffusion of light while emphasizing its ...

A 20th Century French plaster bust sculpture, likely representing Zeus, modeled in the classical tradition. The figure is depicted with abundant, flowing hair and a full, curling bea...

A petite 1970s French wall mirror, handcrafted in bent rattan. The mirror plate is cut in a softly tapered form with rounded corners, framed by a rhythmic border of looping rattan ri...

An early 20th-century Swedish primitive monk chair, crafted from solid oak and defined by its deeply carved surfaces and architectural form. Designed to nest neatly into a corner, th...

A sculptural Italian coffee table from the 1970s. The round smoked glass top, measuring 26 inches in diameter, rests on a cylindrical marble plinth with expressive grey veining. The ...

A French Art Deco pendant from the 1920s, defined by a molded glass globe suspended below a wrought iron support. The spherical shade is articulated with radiating, leaf-like forms t...

An Italian ‘Bastiano’ lounge chair designed by Afra & Tobia Scarpa for Gavina in the 1960s. Upholstered in rich black leather, the generous seat and back cushions rest freely wit...

A French stone pedestal from the 1960s, drawing on classical column forms. Carved from solid stone, the form rises from a square plinth into a fluted column, its proportions kept lo...

The ‘Oktavo’ wall sconce, model C-1542, designed by RAAK in the Netherlands during the 1970s, is a study in balance, proportion, and quiet innovation. Composed of two opposing curve...

Woven rattan defines the body of this 1970s French pendant, shaped within a bentwood frame that brings structure to an otherwise soft, yielding material. The shade is formed from ti...

A 1960s Italian wall mirror defined by its sculptural teardrop silhouette and smoked acrylic surround. The translucent frame, cast in a warm bronze tone, softly diffuses light around...

A French Art Deco pendant from the 1930s, defined by its molded glass shade suspended from three twisted metal supports. The glass is formed in a faceted, tapering silhouette, articu...

Glass and iron come together in this 1960s French torch sconce, where traditional form is extended to an architectural scale, rising to nearly four...

A 19th century Italian Neoclassical urn carved from solid Carrara marble. The vessel takes on a generous, rounded form with a deeply recessed bowl and a thick, molded rim, flanked by...

A French Art Deco mantel clock garniture set from the 1930s, composed of a central marble clock and a pair of coordinating bookends. The clock is framed by geometric columns and step...

A low coffee table by Jacques Blin, created in France during the 1960s, brings together iron and ceramic in a composition that feels both grounded and expressive. The structure is s...

An early 20th century French Art Deco table lamp featuring a flower-form iron base set upon a marble plinth. The metalwork is shaped into an arching stem crowned by layered, petal-li...

An exploration of softness shaped into form, where volume and texture take precedence over line, defines this French chenille lounge chair from the 1970s. The chair is composed as a...

An Italian ceramic vase from the 1950s, signed “Deruta Italy 58.” The softly tapering form is articulated with twisting fluted ridges that spiral around the body, lending the piece a...

A sculptural floor lamp designed by Kazuhide Takahama for Sirrah, Italy, in 1975. Named after the designer’s son, the ‘Kazuki’ reimagines the silhouette of traditional Japanese rice ...

A mid-century French ceramic vase signed 'O. de Lamazieres'. The tall, tapered form rises to a narrow neck, its surface accented with subtle vertical fluting. Around the shoulder run...

A large French ceramic vase by Georges Pelletier from the 1970s brings surface and form into a quiet dialogue shaped by glaze and light. Its presence is subtle yet assured. The silh...

An Austrian floor mirror from the 1910s, reflecting the period of the Vienna Secession and its distinctive interpretation of Art Nouveau. Tall and narrow in proportion, the piece is ...

Designed by Georges Pelletier in the 1970s, this French ceramic bowl combines deep blue glaze and gilt accents in a composition where color, texture, and light are quietly aligned. I...

A French round pedestal accent table from the 1950s, crafted from solid wood. The circular top rests on a tapered central column, its turned details adding subtle rhythm. The base re...

This French gilt and orange ceramic tray from the 1970s, designed by Georges Pelletier in the 1970s, embodies a quiet interplay between warmth, materiality, and light. The form is c...

Designed by Georges Pelletier in the 1970s, this French ceramic tray explores gilt and gold tones in a composition that balances radiance with structure. Its presence is subtle, yet ...

A 1920s French terracotta vase by Charles Gréber (1853–1935), executed in the spirit of ancient Greek pottery through its use of the black-figure technique. Against the warm, earthen...

A set of twenty-three French ceramic plates and bowls from the 1960s, each one hand-thrown and incised with a repeating, radial motif. Curving lines and teardrop forms unfold across ...

An Italian chandelier from the 1940s, pairing luminous glass with the warmth of brass. Eight curved arms extend from a rectangular body, each ending in a flared, softly ribbed Murano...

A Belgian side table from 1976, where material contrast and proportion define the design. Low and grounded, the form is deliberately compact, scaled to sit beside a chair or float w...

The “Mrs Frick” Chair was designed by French industrial designer and architect Philippe Starck for Les 3 Suisses and Disform in 1985. Crafted in black lacquered steel, the form is r...

An Italian dining table from the 1970s, defined by its contrast of weight and transparency. A thick oval glass top rests lightly above, giving the impression of a surface that almost...

An Italian armchair from the 1950s, in the manner of Gio Ponti, where line and proportion are softened through material and curve. The frame is low, shaped with a continuous, sweepi...

A French bas-relief panel from the 1970s, conceived less as decoration than as a quiet intervention across the wall. A frieze-like composition that evokes ancient procession scenes, ...

Dating to the 1960s, this French table in hand-forged iron is a study in movement and ornament. The base is composed of intricately worked iron, each element shaped by hand into a se...

A French Regency coffee table, from the 1960s, created in the manner of Maison Jansen where metal takes on the language of textile. The structure is formed in gilt iron, its frame li...