South Loop Loft

An Italian ceramic vase from the 1950s, signed “Deruta Italy 58.” The softly tapering form is articulated with twisting fluted ridges that spiral around the body, lending the piece a...

A sculptural floor lamp designed by Kazuhide Takahama for Sirrah, Italy, in 1975. Named after the designer’s son, the ‘Kazuki’ reimagines the silhouette of traditional Japanese rice ...

A mid-century French ceramic vase signed 'O. de Lamazieres'. The tall, tapered form rises to a narrow neck, its surface accented with subtle vertical fluting. Around the shoulder run...

A large French ceramic vase by Georges Pelletier from the 1970s brings surface and form into a quiet dialogue shaped by glaze and light. Its presence is subtle yet assured. The silh...

An Austrian floor mirror from the 1910s, reflecting the period of the Vienna Secession and its distinctive interpretation of Art Nouveau. Tall and narrow in proportion, the piece is ...

Designed by Georges Pelletier in the 1970s, this French ceramic bowl combines deep blue glaze and gilt accents in a composition where color, texture, and light are quietly aligned. I...

A French round pedestal accent table from the 1950s, crafted from solid wood. The circular top rests on a tapered central column, its turned details adding subtle rhythm. The base re...

This French gilt and orange ceramic tray from the 1970s, designed by Georges Pelletier in the 1970s, embodies a quiet interplay between warmth, materiality, and light. The form is c...

A French iron and glass lantern pendant from the 1950s. Suspended from a darkened metal chain, the fixture is formed from a tapered iron frame that encloses softly diffused glass pan...

Designed by Georges Pelletier in the 1970s, this French ceramic tray explores gilt and gold tones in a composition that balances radiance with structure. Its presence is subtle, yet ...

A 1920s French terracotta vase by Charles Gréber (1853–1935), executed in the spirit of ancient Greek pottery through its use of the black-figure technique. Against the warm, earthen...

A set of twenty-three French ceramic plates and bowls from the 1960s, each one hand-thrown and incised with a repeating, radial motif. Curving lines and teardrop forms unfold across ...

An Italian chandelier from the 1940s, pairing luminous glass with the warmth of brass. Eight curved arms extend from a rectangular body, each ending in a flared, softly ribbed Murano...

A Belgian side table from 1976, where material contrast and proportion define the design. Low and grounded, the form is deliberately compact, scaled to sit beside a chair or float w...

The “Mrs Frick” Chair was designed by French industrial designer and architect Philippe Starck for Les 3 Suisses and Disform in 1985. Crafted in black lacquered steel, the form is r...

An Italian dining table from the 1970s, defined by its contrast of weight and transparency. A thick oval glass top rests lightly above, giving the impression of a surface that almost...

An Italian armchair from the 1950s, in the manner of Gio Ponti, where line and proportion are softened through material and curve. The frame is low, shaped with a continuous, sweepi...

A French bas-relief panel from the 1970s, conceived less as decoration than as a quiet intervention across the wall. A frieze-like composition that evokes ancient procession scenes, ...

Dating to the 1960s, this French table in hand-forged iron is a study in movement and ornament. The base is composed of intricately worked iron, each element shaped by hand into a se...

A French Regency coffee table, from the 1960s, created in the manner of Maison Jansen where metal takes on the language of textile. The structure is formed in gilt iron, its frame li...

A French pedestal from the 1970s, where the language of Art Nouveau is carried forward through hand and surface. The structure is architectural in miniature, a rising column set on ...

A small gesture of ornament, scaled for intimacy rather than grandeur. Just over a foot in height, this petite French wall mirror from the 1940s carries the language of classical dec...

Rooted in the principles of Scandinavian Modern, a 1970s Danish floor lamp in beech, attributed to Domus, with its original shade intact. The piece reflects a quiet clarity of form, ...

Hand-worked Murano glass defines this pair of Italian sconces from the 1960s, attributed to Venini, each element shaped with precision, then allowed to carry its own subtle variation...

Designed by Jean-Jacques Argueyrolles, this French Brutalist wrought iron and gold leaf dining table is a study in contrast, where weight and refinement are held in deliberate tensio...

‘La Barca’ extendable dining table designed by Piero De Martini in 1975 for Cassina featuring a beautiful honey hued oak. La Barca means Boat. Both the legs and top extend to create...

A French iron bar stool from the 1940s. Forged in iron, the frame is defined by a series of twisted supports that rise in a gentle taper, creat...

An Italian gilt leaf wall sconce from the 1960s, where craftsmanship meets the natural grace of botanical form. Rising from a circular backplate, six arms extend in fluid, organic c...

A rare Tovaglia coffee table designed by Studio Tetrach in 1969 and produced by Alberto Bazzani in Italy. Imported to the United States by Stendig, the table is formed in gel-coated fiberglass, molded to resemble draped fabric—a direct reference to its name, Tovaglia, the Italian word for tablecloth. Resting directly on the floor, the design transforms a familiar textile into a permanent architectural form. Soft folds appear to gather and pool around the perimeter, while the rigid fiberglass construction creates a compelling tension between material and illusion. The interior is finished in a marbled orange tone, adding depth and contrast to the monochromatic exterior. An iconic example of late-1960s Italian design, the Tovaglia reflects the period's experimentation with new materials and sculptural forms, blurring the line between furniture and object. Examples of the Tovaglia table...

A rare Tovaglia coffee table attributed to Studio Tetrach in 1969 and produced by Alberto Bazzani in Italy. Imported to the United States by Stendig, the table is formed in gel-coated fiberglass, molded to resemble draped fabric—a direct reference to its name, Tovaglia, the Italian word for tablecloth. Resting directly on the floor, the design transforms a familiar textile into a permanent architectural form. Soft folds appear to gather and pool around the perimeter, while the rigid fiberglass construction creates a compelling tension between material and illusion. The interior is finished in a marbled orange tone, adding depth and contrast to the monochromatic exterior. An iconic example of late-1960s Italian design, the Tovaglia reflects the period's experimentation with new materials and sculptural forms, blurring the line between furniture and object. Examples of the Tovaglia table...

An early 20th century French guéridon table, crafted in dark-stained wood and crowned with a marble top. The circular surface rests above a tailored apron, while turned legs taper, l...

This monumental sideboard by Hi Plan Design exemplifies the material experimentation and architectural discipline that defined Belgian design in the 1970s. Spanning over eight feet w...

A 1970s Italian console crafted from richly grained cherry wood and topped with a clear glass surface. The frame is defined by fluted vertical detailing, the grooves lending rhythm a...

A 1950s Italian lacquered metal lantern pendant with a cylindrical silhouette. The ivory-toned frame descends from a twisted suspension chain, its warm, time-softened finish carrying...

A 1950s Italian lacquered metal lantern pendant with a softly tapered silhouette. The ivory-toned frame descends from a twisted suspension chain, its warm, time-softened finish carry...

An Italian Art Deco table lamp crafted in the manner of the esteemed Barovier & Toso atelier, circa 1930s. Formed in Murano glass, the sculptural shade takes the shape of a styli...

An Italian ‘Cetra’ pendant light designed by Vico Magistretti for Artemide in the 1960s. Rendered in white lacquered metal, the form is composed of a slender vertical stem supporting...

A French oak pedestal from the 1940s, crafted in solid oak and composed with classical proportions and restrained detailing. The form rises from a square, stepped plinth base into a ...

A tall Italian ceramic and glass table lamp, dating to the mid-20th century. The elongated ivory ceramic base is articulated with carved geometric motifs, creating a sense of rhythm ...

A French Art Deco pedestal from the 1940s, distinguished by its rosewood veneer. The square top is capped with a veined dark marble, introducing a tonal contrast to the richly figure...

An Italian desk from the 1950s, attributed to Luigi Caccia Dominioni for Azucena, distinguished by a thick cast glass top that appears to float above a slender blackened metal frame....

A 1970s Italian two-seat leather sofa designed by Redwall for Borbonese & Rossi di Albizzate. Upholstered in supple leather, the sofa’s silhouette is defined by softly curved arm...

An Italian mirror and glass dining table attributed to Gavina, designed in 1975. A thick rectangular glass top, with subtly rounded edges, rests just above a mirrored pedestal base, ...

A 19th century English umbrella stand, crafted from warm toned brass, softened by time. The upright frame is formed of slender brass supports crowned with turned finials, gently arch...

A French red onyx pedestal from the 1950s, composed of five precisely fitted sections that stack to form a commanding classical column. Carved from richly veined red onyx, the surfac...

An Italian pedestal from the late 19th century, carved from richly veined green marble with deep moss tones and lighter mineral striations. The spiraling column rises from a faceted ...

A monumental five-tier brass and glass chandelier attributed to Christoph Palme, created as a custom commission for a hotel in Northern Germany, circa 1960s. Concentric tiers of vert...

A French brass floor lamp by Marcel Guillemard, dating to the 1950s. The design is defined by three slender brass uprights arranged in a crossed formation, each articulated with appl...

A French aged lantern sconce dating to the 1950s. Crafted from metal, the sconce features an elegantly curved arm adorned with decorative scrollwork, supporting a classic lantern-for...

An Italian glass and chrome pendant crafted in the 1970s. The slender, irregular glass elements descend in layered tiers, their cool aqua tones lending a sense of movement. Each piec...

A substantial 1940s French dining table in solid oak with classic trestle construction. The rectangular top expands via two pull-out leaves, ...

A trio of French round nesting tables by Jacques Adnet dating back to the 1950s, crafted in patinated metal with understated brass detailing and inset glass tops. The graduated forms...

An Italian chandelier designed by Antonio Lupi for Lupi Cristal Luxor, dating to the 1970s. The chandelier is composed of thick, precision-cut glass panels arranged in a sculptural c...

A French wrought iron console table in the manner of André Dubreuil from the latter part of the 20th Century. The rich, dark iron frame shows a gentle pattern of intersecting curves ...

A pair of Italian wall sconces from the 1950s, each composed of an elongated opaline glass shade that narrows into a sculptural, vessel-like form. The glass rises from a blackened, p...

A petite Italian Murano glass table lamp from the 1940s, crafted in the Art Deco era. The compact form features a pulegoso glass base, its softly bubbled texture lending depth and a ...

A French oak credenza from the 1940s, crafted in solid oak with a warm, honeyed tone and pronounced natural grain. The elongated case is elevated on finely tapered legs, lending the ...

An ode to balance and form, the ‘Lunario’ table by Cini Boeri for Knoll, designed in the 1970s, embodies the designer’s mastery of material tension and minimalist poise. This edition...

A Spanish ceramic tile dining table dating to the 1970s. The rectangular tabletop is composed of individually set ceramic tiles, each decorated with...

A pair of Dutch Brutalist oak nesting tables dating to the 1960s. Designed to nest seamlessly, each table features a thick, rectangular top with subtly softened edges, supported by s...