South Loop Loft

An Italian console or desk executed in the manner of Luigi Fornasari, from the 1950s. The streamlined rectangular top is finished in pale formica, its smooth, light-reflective surfac...

An Italian accent chair in the manner of Guglielmo Veronesi, from the 1950s. Upholstered in rich red velvet, the chairs present a compact silhouette defined by a gently curved backre...

A French limestone table lamp by sculptor Arsène Galisson from the 1970s. Carved from a solid block of pale stone, the form is monolithic yet quietly expressive, its softened rectang...

A French Modernist coffee table designed in the manner of Guillerme et Chambron, from the 1960s, crafted in oak. The composition is defined by its architectural lines and grounded pr...

Jules-Emile Leleu wasn’t simply a furniture maker — he was one of the architects of French Art Deco refinement. Born just outside Paris in 1883, Leleu came from a family of decorati...

An Italian ‘Tenaglia’ floor lamp designed by Francesco Buzzi Ceriani in 1969, in white enameled metal. The design is defined by two hemispherical shades, positioned like a pair of o...

An Italian chandelier from the 1960s, in the manner of Fontana Arte, defined by its elongated, horizontal form and layered glass construction. A frosted central band emits a soft, e...

A French end table by Atelier Chauvin from the 1970s, designed in the manner of Maison Regain. Crafted in solid elm, the piece is constructed with thick cylindrical legs and softly r...

An Italian glass dome pendant from the 1970s, designed by Ludovico Diaz de Santillana for VeArt. The shade is formed in mold-blown glass, its surface wrapped in soft, horizontal ban...

A French ash wood and ceramic coffee table by Roger Capron, crafted in Vallauris during the 1960s. The rectangular top is composed of hand-glazed ceramic tiles set within a warm ash ...

An antique French carved oak pedestal with an inset marble top, distinguished by its expressive Art Nouveau ornamentation. Crafted in solid oak, the pedestal rises from a stepped pli...

A petite Italian bookcase designed by Vittorio Parigi and Nani Prina for Rimadesio in the 1960s. The structure is composed of thick, curved glass side panels that frame a warm mahoga...

A contemporary Italian ‘Trisio’ marble bowl designed by architect G. Galli for Up&Up. A shallow, gently curved basin in softly veined ivory and blush marble rests between three ...

A French Art Deco méridienne chaise lounge from the 1930s, distinguished by its asymmetry and low-profile form. Designed for repose, the silhouette features a raised headrest that ge...

A gentle rhythm of wood and movement, this 1940s tambour room divider, attributed to French designer Jomain Baumann, brings elegance to the act of defining space. Crafted from slende...

A 1970s Belgian coffee table, defined by the contrast between a honed slate top and solid wood block supports. The top is cut from Belgian bluestone, its matte surface marked by fin...

A French ceramic vase by artist André Bloch. Crafted in stoneware and rising in a tapered, elongated silhouette, the vessel transitions from a softly rounded body to a sharply facete...

A French faux bois footed planter from the 1940s, sculpted in concrete to evoke the organic texture of carved wood. Raised on three sturdy legs, the cylindrical vessel is richly work...

A Mid 20th century ceramic vase by Marie-Madeleine Jolly, created during her years working in Vallauris in the 1950s–60s. Rising to a slender, elongated neck with a gently flared lip...

A 1940s French console table, in the manner of René Prou, a key figure in early 20th-century French decorative arts. The table pairs an oval solid...

An elegant Italian sideboard from the 1950s, attributed to Paolo Buffa, executed in richly figured mahogany with contrasting blonde wood. The elongated case is quietly architectural,...

A petite French Art Deco table lamp by Maison Desny, dating to the 1930s. The nickel-plated brass base is profiled with concentric detailing, lending the form a precise, architectura...

A Belgium Brutalist coffee table attributed to Willy Ceysens, from the 1970s. The table is anchored by a pair of bases cast in solid bronze, their jagged, organic contours evoking th...

A French demilune console, circa 1960s, defined by the contrast between a richly patterned marble top and a spare iron base. The top is cut from breccia marble in warm rosé tones, it...

A ‘Tumble’ lounge chair and ottoman designed by Adriano Piazzesi and produced by Tre D in Italy in 1973, a piece that sits somewhere between furniture and gesture. Low to the ground...

Crafted in the manner of René Gabriel, this textured lounge chair, complemented with a throw pillow presides from France in the 1940s. The chair is built from solid wood, its frame ...

An Italian pendant from the 1970s, formed in Murano glass and defined by its balanced, spherical silhouette. The globe is rendered in a soft, translucent blue, wrapped with a contin...

Attributed to Stilux, this Italian floor lamp from the 1950s illustrates where structure is reduced to line and color is used with intention. The composition rises from a circular b...

A French desk from the 1940s, defined by its hand-cut and inlaid parquetry top. The surface is composed in a geometric patchwork of maple, each section carefully arranged to create ...

An Italian abstract acrylic painting on wood panel by Alessandro Bonato, dated 1971. The composition is defined by a geometric, relief-like form, rendered in layered tones of rose-pi...

Blending craftsmanship and natural materials in a harmonious design, this Danish coffee table from the 1970s, designed by Ox Art for Trioh Møbelfabrik, features a large, round cerami...

An Italian abstract acrylic painting on wood panel by Alessandro Bonato, circa 1970s. The composition is defined by a geometric, relief-like form, rendered in layered tones of satura...

Hand-pulled Murano glass forms the foundation of this 1960s chandelier, attributed to Toni Zuccheri for Venini—each element shaped in heat and suspended in quiet balance. The chande...

A French valet from the 1950s by Jacques Adnet reflects a refined approach to utility, where structure, material, and detail are brought into quiet alignment. The form is slender an...

An Italian wall-mounted console from the late 1970s to early 1980s, where furniture begins to take on the language of architecture. The form is anchored by a cylindrical pedestal—co...

Hand-pulled Murano glass forms the foundation of this 1960s chandelier, attributed to Toni Zuccheri for Venini—each element shaped in heat and suspended in quiet balance. The chande...

Its commanding presence, stretching just over six feet in length, articulates this Italian dining table from the 1970s. The scale is generous without overwhelming, allowing the piece...

An Italian console from the 1980s, where geometry is treated not as a fixed system, but as something to be shifted, offset, and rebalanced. The composition is asymmetrical, built th...

An Italian Neoclassical Revival nightstand from the 1940s, its scale intimate yet resolute, offering presence without overpowering. Crafted in rosewood and accented with burlwood, t...

A French ‘Marsala’ lounge chair by Michel Ducaroy for Ligne Roset, designed in 1971—a moment when Ducaroy began pushing seating into new territory, replacing traditional frames with ...

A ceramic vase by Greek artist Nikos Dazelidi, created in Athens in the 1960s, and signed by the artist. The form is approached as both vessel and object, balancing utility with a di...

Attributed to Barovier & Toso, this Italian Murano glass leaf basket pendant from the 1940s embodies a dialogue between delicacy and structure, where light is both contained and ...

An Italian mirror from the 1960s, crafted in lacquered wood and rendered in a manner where function gives way to atmosphere and surface becomes narrative. The circular frame is gent...

Designed in Italy during the 1970s, this pendant is composed of two acrylic hemispheres joined in quiet symmetry, an object defined as much by restraint as by detail. Each half is m...

Crafted from richly grained elm, this 1960s French armchair is defined by its architectural frame and low, grounded stance. Broad plank arms extend forward in a confident line, suppo...

An Italian Art Deco table lamp from the 1930s. The domed shade is formed in molded ribbed glass, its fluted surface casting a soft, rhythmic diffusion of light while emphasizing its ...

A 20th Century French plaster bust sculpture, likely representing Zeus, modeled in the classical tradition. The figure is depicted with abundant, flowing hair and a full, curling bea...

An early 20th-century Swedish primitive monk chair, crafted from solid oak and defined by its deeply carved surfaces and architectural form. Designed to nest neatly into a corner, th...

A sculptural Italian coffee table from the 1970s. The round smoked glass top, measuring 26 inches in diameter, rests on a cylindrical marble plinth with expressive grey veining. The ...

A French Art Deco pendant from the 1920s, defined by a molded glass globe suspended below a wrought iron support. The spherical shade is articulated with radiating, leaf-like forms t...

An Italian ‘Bastiano’ lounge chair designed by Afra & Tobia Scarpa for Gavina in the 1960s. Upholstered in rich black leather, the generous seat and back cushions rest freely wit...

A French stone pedestal from the 1960s, drawing on classical column forms. Carved from solid stone, the form rises from a square plinth into a fluted column, its proportions kept lo...

The ‘Oktavo’ wall sconce, model C-1542, designed by RAAK in the Netherlands during the 1970s, is a study in balance, proportion, and quiet innovation. Composed of two opposing curve...

Woven rattan defines the body of this 1970s French pendant, shaped within a bentwood frame that brings structure to an otherwise soft, yielding material. The shade is formed from ti...

A 1960s Italian wall mirror defined by its sculptural teardrop silhouette and smoked acrylic surround. The translucent frame, cast in a warm bronze tone, softly diffuses light around...

A French Art Deco pendant from the 1930s, defined by its molded glass shade suspended from three twisted metal supports. The glass is formed in a faceted, tapering silhouette, articu...

Glass and iron come together in this 1960s French torch sconce, where traditional form is extended to an architectural scale, rising to nearly four...

A 19th century Italian Neoclassical urn carved from solid Carrara marble. The vessel takes on a generous, rounded form with a deeply recessed bowl and a thick, molded rim, flanked by...

A French Art Deco mantel clock garniture set from the 1930s, composed of a central marble clock and a pair of coordinating bookends. The clock is framed by geometric columns and step...

A low coffee table by Jacques Blin, created in France during the 1960s, brings together iron and ceramic in a composition that feels both grounded and expressive. The structure is s...