Supaform

When Hartmut Esslinger founded Frog Design with the motto "form follows emotion," he challenged the soulless tech objects of his time, introducing a new era of hardware design that p...

The design of Supaform's "Case Study" floor lamp draws inspiration from industrial and mechanical technologies. It incorporates components salvaged from idle machines and mechanisms,...

This Avant Garde commode is made of Carrara marble and high-quality powder-coated steel. The function of this piece is more sculptural and decorative but at the same time, it can be ...

This Avant Garde sofa is made of high-quality powder-coated steel. The sofa can be complemented by a plant in a special pot-leg. Also, the sofa can be...

Design of the "Apart chair" appeals to the classics of Russian avant-garde, which was stopped by a Soviet regime in the early 1920s. There were a lot of influential designers and art...

This elegant and minimalistic armchair was designed as an addition to "The Disused Collection". The armchair has sectional construction. It makes the armchair easy to fold. The armc...

Russian designer Maxim Scherbakov‘s new exhibition at Rome’s Contemporary Cluster gallery, he pushes that idea to the extreme: What if design could be all about emotion, and little else? His barely functional pieces, and his general conceit, feel uncomfortable at first — we’re not sure we want to live in a world where design is purely an aesthetic indulgence — but in an era when furniture is increasingly difficult to distinguish from art, it does feel in some ways like we already are. And the ornate backdrop of the gallery’s home, the 14th-century Palazzo Brancaccio, serves as a potent reminder that it’s possible we always have. Maxim Scherbakov, who works under the studio name Supaform, says that he developed the new collection “as a result of a careful visual search for the frontiers of comfort,” seeking to celebrate “beauty for no reason,” he says. His floor lamp has no bulb, his coffee table is too bumpy to hold a glass upright, and his desk has trick drawers and a gap in the middle where its writing surface should be. Yet his various seating elements look no less functional than, say, Rick Owens’s, and Scherbakov has a compelling raison d’etre: Also a longtime painter, he pulled all of the works directly from his canvases, making them a literal elision of the two-dimensional realm and the three. If he can celebrate fantasy and feeling in one of them, he wondered, then why not the other? This wooden sofa is a part of the 'Hidden Entourage...

Supaform has created this chair, made especially for the "Collectible" design fair in Brussels. The shiny chair is metal made but it gets a very poetic an...

This chair is a part of an imaginary scene, which was designed by Supaform in 2019. Thanks to a private french customer this chair was thought out and realized as a real piece and ...

This wooden coffee table was created as a part of the "Normative" collection, which was shown in Milan Design Week 2019. This surreal “Normative” collection makes advances to the So...

The armchair was created as a part of the "Normative" collection, which was shown in Milan Design Week 2019. This surreal “Normative” collection makes advances to the Soviet everyda...

This Modern chair is made of high quality painted wood, metal chrome frame and Raf Simons upholstery. The "Normative-chair" was created as a par...