TASCHEN

The world seen upside down. The paintings and sculptures of Georg Baselitz. Proverbially known for the audaciously simple but game-changing strategy of painting the motif on its he...

Earth’s Mightiest Heroes Assembling the definitive Marvel Age Avengers anthology By early 1963 the foundations of the Marvel Universe had been laid. Following the introduction of the Fantastic Four in 1961 came the amazing (Spider-Man), the astonishing (Ant-Man), the strange (Doctor, that is), the incredible (Hulk), the invincible (Iron Man) and the mighty (Thor). Still, Marvel editor in chief Stan Lee realized something was missing. “I was writing these characters and I thought it would fun to put them together in a team,” he recalled. So Lee and artist Jack Kirby assembled Iron Man, Ant-Man and the Wasp, Thor, and the Hulk...

“This book reveals everything about me. It’s been a 60-year contract. Photography is love and death—that’ll be my epitaph.” —Araki The first title in our new TASCHEN limited seri...

Saffron in the City A colossal installation in New York’s Central Park February 2005 marked the ephemeral installation of a monumental work of art by Christo and Jeanne-Claude in N...

BABY SUMO, welcome to the world! The legendary Helmut Newton SUMO in a spectacular new edition The Helmut Newton SUMO was overwhelming in every respect: a ...

Tropical abstraction The colors and concepts of Beatriz Milhazes In her vibrant works, Brazilian painter Beatriz Milhazes fuses two very different ways of looking at the world. Her...

Welcome to Heimat An enchanted trip through Bavaria with Ellen von Unwerth Ellen von Unwerth’s puckish humor pervades the pages of Heimat, an enchanted tour around Bavaria. The ren...

We access the intimacy of Frida’s affections and passions through a selection of drawings, pages from her personal diary, letters, and an extensive illustrated biography featuring photos of Frida, Diego, and the Casa Azul, Frida’s home and the center of her universe. This large-format XXL book allows readers to admire Frida Kahlo’s paintings...

In the flesh. Just months before her death, Marilyn Monroe gave a young photographer his big break, and this is his story. “You’re already famous, now you’re going to make me f...

You talking to me? Previously unseen photographs from Scorsese's masterpiece. Taxi Driver has long been regarded as a cinematic milestone, and Robert DeNiro’s portrait of a tri...

Three legends. Monroe by Mailer and Stern. We have paired Mailer’s original text (his 1973 biography Marilyn) with Bert Stern’s extraordinary photographs, widely considered the m...

Hardcover in a slipcase, letterpress-printed text, two different paper stocks, and tip-ins, 9.4 x 13.4 in., 356 pages. In 1964, famed writer Ken Kesey and...

Hardcover Photography book, 14.1 x 10.2 in., 9.21 lb, 528 pages. For six years Sebastião Salgado traveled the Brazilian Amazon and photographed th...

This Sumo-sized art edition (No. 301–400), designed by Lélia Wanick Salgado and signed by Sebastião Salgado, is presented with a clothbound companion volume, the signed print The Par...

This Sumo-sized Art Edition (No. 101–200), designed by Lélia Wanick Salgado and signed by Sebastião Salgado, is presented with a clothbound companion volume, the signed print Young H...

This SUMO-sized Art Edition (No. 1–100), designed by Lélia Wanick Salgado and signed by Sebastião Salgado, is presented with a clothbound companion volume, the signed print Adão Yawa...

To study Gio Ponti’s prolific body of work is to appreciate the clear, unifying vision behind a complex creative universe. His creations expand intuitively with the Italian grandeur ...

Partners in life and art. Intimate portraits of John and Yoko. Renowned for his sensual, provocative images, Kishin Shinoyama is one of Japan’s most controversial and acclaimed artists, at once hailed by critics and charged for public indecency. Photographing everything from antiques to porn stars, Shinoyama is particularly recognized for his work with pop icons and celebrities, and the rare, private moments he captures with very public personalities. Through his lens, world-famous faces often reveal an unexpected openness and vulnerability. This capacity for ease and intimacy is perhaps most poignantly expressed in his beautiful series of photographs of Yoko Ono and John Lennon, shot at Ono’s request for the cover and promotion of the couple’s celebrated 1980 album, Double Fantasy...

Papercutting is a traditional Chinese art going back 2,000 years. The colored, intricately cut papers are used as a story-telling medium in fes...

Get down with such legends as Marvin Gaye, Earth Wind & Fire, Stevie Wonder, Donna Summer, The Jacksons, Diana Ross, James Brown, and Chaka Khan in this...

Stephen Wilkes’s extraordinary panoramas depict our most famous landmarks from dawn to dusk. He captures thousands of single exposures, carefully editing and blending them into one s...

An intimate visual survey of the unparalleled Patti Smith by Lynn Goldsmith, whose lens has immortalized a golden era of rock ’n’ roll history. With hundreds of unseen photographs an...

David LaChapelle returns with his first new publication in a decade. This two-volume collection narrates the photographer’s career through his own lens; the first tome traces LaChape...

Hardcover, 50 x 70 cm (19.6 x 27.5 in.), 498 pages, 13 fold-outs, with an adjustable bookstand designed by Marc Newson, plus an illustrated 680-page chronology book A Bigger Book, TASCHEN’s SUMO...

A stately Art Edition presenting the first major career retrospective of Marvin E. Newman, with some 170 featured images as well as signed photographic print 42nd Street, 1983, a sce...

A stately Collector’s Edition presenting the first major career retrospective of Marvin E. Newman, the remarkable New York photographer largely u...

Hardcover, 620 pages, 41.1 x 30 cm (16.2 x 11.8 in.) in clamshell box. With portfolio of 5 cel setups, 37.6 x 30 cm (14.8 x 11.8 in.) and 30 x 36.3 cm (11.8 x 14.3 in.), and 64-page facsimile of 'The Sorcerer's Apprentice' storyboard from Fantasia, 30 x 37 cm (11.8 x 14.6 in.). This Taschen Collector’s edition presents the first volume of one of the most expansive illustrated publications on Disney animation. In it, some 1,500 images as well as top essays by eminent Disney experts take us to the beating heart of the studio’s “Golden Age of Animation,” tracing Disney’s complete animation journey from the silent film era, through his first full-length feature Snow White and the Seven Dwarfs (1937) and the pioneering artistic experiment Fantasia (1940), right up to his last masterpieces Winnie the Pooh and the Honey Tree (1966) and The Jungle Book (1967). The book brings focus to each of the major animated features made during Walt’s lifetime, including Pinocchio, Fantasia, Dumbo, Bambi, Cinderella, Peter Pan, Lady and the Tramp, and 101 Dalmatians, without forgetting the experimental short films of the Silly Symphonies series, underappreciated episodic musical films such as Make Mine Music and Melody Time, and many unfinished projects, such as proposed sequels to Fantasia or a homage to Davy Crockett by painter Thomas Hart Benton. With extensive research conducted through the collections of the Walt Disney Company, as well as private collections, editor Daniel Kothenschulte curates some of the most precious concept paintings and storyboards to reveal just how these animation masterpieces came to life. These original artworks are accompanied by cel setups of famous film scenes, rare pictures from Disney photographers, and fascinating excerpts from story conferences between Walt and his staff. Throughout, contributions from leading Disney specialists detail the evolution of each film and honour the outstanding animators and designers who influenced the style of the studio, among them Albert Hurter, Gustaf Tenggren, Kay Nielsen, Carl Barks, Mary Blair, Sylvia Holland, Tyrus Wong...

A stately Art Edition presenting the first major career restrospective of Marvin E. Newman, with some 170 featured images as well as signed photographic print Broadway, 1954, a hidde...

Pitch perfect. From Funny Girl to a Star is Born, the meteoric rise of Barbra Streisand. In 1970 Barbra Streisand published a story in Life magazine titled "Who Am I Anyway?" It was the very question two leading photojournalists of the day—Steve Schapiro and Lawrence Schiller—were also asking as they photographed her during her first five years in Hollywood, working to get beneath the veneer and capture "the real Barbra." Brimming with photographs—over half of which have never been published before—and stories behind the shots from Schapiro and Schiller, this is a must-have collection for any Streisand fan. All the best movies of Streisand's first Hollywood decade are here: Funny Girl, On a Clear Day You Can See Forever, The Way We Were, The Owl and the Pussycat...

A stately Art Edition presenting the first major career restrospective of Marvin E. Newman, with some 170 featured images as well as signed photographic print Broadway, Believe It, 1...

Salgado’s masterpiece: GENESIS — Earth eternal. A photographic homage to our planet in its natural state. Two volumes bound in full leather, limited to five editions of 100 numbered and signed sets. Every set comes with a gelatin silver print, signed by Sebastião Salgado and printed under his personal supervision. “My love letter to the planet.” — Sebastião Salgado. Art Edition A - No. 1-100. Two Mursi women, Omo Valley, Ethiopia, 2007. Gelatin silver print. Measure: 25 x 34.5 cm/10 x 14 in. (image), 30 x 40 cm/12 x 16 in. (sheet). (Frame not included). The Art Edition comes with a book Stand designed by Tadao Ando. The GENESIS book Stand was conceived by Japanese architect Tadao Ando, the only living person to have won architecture’s four most prestigious prizes. Ando’s simple and innovative design consists of two “twin” pieces of wood, bound together with leather, into which a third piece of wood can be slotted to form a sturdy, elegant display. Fine print: GENESIS is printed on a traditional coated 250 gsm art paper from the German paper mill Scheufelen that is no longer available on the market and was produced specially for Taschen. The black and white pictures are reproduced in a four-color separation process, with two blacks and two shades of grey; the density of the blacks achieved rivals that of the finest silver gelatin prints. GENESIS was printed and bound in an Italian workshop utilizing traditional craftsmanship techniques that are unique worldwide in this field, using Italian Cialinen fabric for the cover. The Ando book Stand was hand made in Spain, and the leather originates from Britain. Precious cargo: The two volumes come carefully packaged along with the Stand in a robust custom-made wooden crate to preserve and protect them. Attention: total weight is 59 kg (130 lb)! Art Edition limited to 100 numbered and signed sets. Two volumes bound in full leather. Every set includes a book Stand in cherrywood veneer designed by Tadao Ando. Also included is a cloth-bound caption book. Every set comes with a gelatin silver print, signed by Sebastião Salgado and printed under his personal supervision. Delivered in a wooden cargo box...

The definitive monograph of Oehlen's work to date. Limited to 1,000 numbered copies, each signed by Albert Oehlen. Also available: An Art Edition limited to 100 copies, each signed by the artist and accompanied by an original artwork. Often wryly funny and just as smart, Albert Oehlen’s paintings play the medium for all it’s worth and then some. After realizing that the so-called death of painting freed him to explore "the number of aspects through which one could expand painting," Oehlen started work on a wide variety of figurative and non-objective offerings, in what he has called his "post-non-figurative" art. The artist continuously challenges himself, setting up rules that force him to overcome convention and his own routine in order to arrive at a satisfying image. During his career he has chosen to paint in primary colors only or in gray, to integrate mirrors into his canvases, or to start on computer paintings when the first PCs became available. In his most recent work Oehlen expands painting through the use of advertising posters whose in-your-face aesthetics he transforms with subtle brushwork. Never without a touch of tongue-in-cheek humour, his work seems to be winking at us as it dares us to change the way we perceive an image. This XL monograph covers the entire Scope of Oehlen’s oeuvre: Roberto Ohrt discusses the early years, when Oehlen came into his own alongside Kippenberger, Bu¨ttner, and others, part of a scene that broke rules in art and rock music. Klaus Kertess examines the years from 1988 onwards, when Oehlen saw himself more self-consciously as a painter and started his first abstract works, then continued to probe the limits of the medium. Martin Prinzhorn and John Corbett...

Salgado’s masterpiece: Genesis, Earth eternal. A photographic homage to our planet in its natural state. Two volumes bound in full leather, limited to five editions of 100 numbered and signed sets. Every set comes with a gelatin silver print, signed by Sebastião Salgado and printed under his personal supervision. “My love letter to the planet.” Sebastião Salgado. Art edition D-No. 301-400. Marine iguana, Gala´pagos, Ecuador, 2004. Gelatin silver print. Measures: 33.5 x 25 cm/13 x 10 in. (image), 40 x 30 cm/16 x 12 in. (sheet). (Frame not included). The art edition comes with a book Stand designed by Tadao Ando. The Genesis book stand was conceived by Japanese architect Tadao Ando, the only living person to have won architecture’s four most prestigious prizes. Ando’s simple and innovative design consists of two “twin” pieces of wood, bound together with leather, into which a third piece of wood can be slotted to form a sturdy, elegant display. Fine print: Genesis is printed on a traditional coated 250 gsm art paper from the German paper mill Scheufelen that is no longer available on the market and was produced specially for Taschen. The black and white pictures are reproduced in a four-color separation process, with two blacks and two shades of grey; the density of the blacks achieved rivals that of the finest silver gelatin prints. GENESIS was printed and bound in an Italian workshop utilizing traditional craftsmanship techniques that are unique worldwide in this field, using Italian Cialinen fabric for the cover. The Ando book Stand was hand made in Spain, and the leather originates from Britain. Precious cargo: The two volumes come carefully packaged along with the stand in a robust custom-made wooden crate to preserve and protect them. Attention: total weight is 59 kg (130 lb)! Art Edition limited to 100 numbered and signed sets. Two volumes bound in full leather. Every set includes a book stand in cherrywood veneer designed by Tadao Ando. Also included is a cloth-bound caption book. Every set comes with a gelatin silver print, signed by Sebastia~o Salgado and printed under his personal supervision. Delivered in a wooden cargo box...

Collector's edition book: 8.1 x 10.6 in. Pigment print: 10 x 7.9 in. The set includes a hand-written introduction by Robert Crumb. Each set of this 1,000-copy limited edition al...

Salgado’s masterpiece “Genesis” earth eternal. A photographic homage to our planet in its natural state. Two volumes bound in full leather, limited to five editions of 100 numbered and signed sets. Every set comes with a gelatin silver print, signed by Sebastião Salgado and printed under his personal supervision. “My love letter to the planet.” -Sebastião Salgado. Art Edition B - No. 101-200. North of the Ob River, Yamal Peninsula, Siberia, Russia, 2011. Gelatin silver print. Measures: 24.5 x 34.5 cm/10 x 13 in. (image), 30 x 40 cm/12 x 16 in. (sheet). (Frame not included). The Art Edition comes with a book stand designed by Tadao Ando The Genesis book stand was conceived by Japanese architect Tadao Ando, the only living person to have won architecture’s four most prestigious prizes. Ando’s simple and innovative design consists of two “twin” pieces of wood, bound together with leather, into which a third piece of wood can be slotted to form a sturdy, elegant display. Fine print: Genesis is printed on a traditional coated 250 gsm art paper from the German paper mill Scheufelen that is no longer available on the market and was produced specially for Taschen. The black and white pictures are reproduced in a four-color separation process, with two blacks and two shades of grey; the density of the blacks achieved rivals that of the finest silver gelatin prints. Genesis was printed and bound in an Italian workshop utilizing traditional craftsmanship techniques that are unique worldwide in this field, using Italian Cialinen fabric for the cover. The Ando book Stand was hand made in Spain, and the leather originates from Britain. Precious cargo: The two volumes come carefully packaged along with the stand in a robust custom-made wooden crate to preserve and protect them. Attention: total weight is 59 kg (130 lb)! Art Edition limited to 100 numbered and signed sets. Two volumes bound in full leather. Every set includes a book stand in cheerywood veneer designed by Tadao Ando. Also included is a cloth-bound caption book. Every set comes with a gelatin silver print, signed by Sebastião Salgado and printed under his personal supervision. Delivered in a wooden cargo box...

Salgado’s masterpiece: Genesis, earth eternal. A photographic homage to our planet in its natural state. Two volumes bound in full leather, limited to five editions of 100 numbered and signed sets. Every set comes with a gelatin silver print, signed by Sebastião Salgado and printed under his personal supervision. “My love letter to the planet.” Sebastião Salgado. Art Edition C-No. 201-300. Black-browed albatrosses, Falkland Islands, 2009. Gelatin silver print. 24,5 x 33,5 cm / 10 x 13 in. (image), 30 x 40 cm / 12 x 16 in. (sheet) (Frame not included). The Art Edition comes with a book Stand designed by Tadao Ando. The Genesis book Stand was conceived by Japanese architect Tadao Ando, the only living person to have won architecture’s four most prestigious prizes. Ando’s simple and innovative design consists of two “twin” pieces of wood, bound together with leather, into which a third piece of wood can be slotted to form a sturdy, elegant display. Fine print: Genesis is printed on a traditional coated 250 gsm art paper from the German paper mill Scheufelen that is no longer available on the market and was produced specially for Taschen. The black and white pictures are reproduced in a four-color separation process, with two blacks and two shades of grey; the density of the blacks achieved rivals that of the finest silver gelatin prints. GENESIS was printed and bound in an Italian workshop utilizing traditional craftsmanship techniques that are unique worldwide in this field, using Italian Cialinen fabric for the cover. The Ando book Stand was hand made in Spain, and the leather originates from Britain. Precious cargo: The two volumes come carefully packaged along with the Stand in a robust custom-made wooden crate to preserve and protect them. Attention: total weight is 59 kg (130 lb)! Art Edition limited to 100 numbered and signed sets. Two volumes bound in full leather. Every set includes a book Stand in cheerywood veneer designed by Tadao Ando. Also included is a cloth-bound caption book. Every set comes with a gelatin silver print, signed by Sebastião Salgado and printed under his personal supervision. Delivered in a wooden cargo box...

Fuzzy bunnies, big-eyed girls, meat, magic and mystery. Mark Ryden’s carnival of curiosities. Collector’s edition: No. 51–1,050. Limited to 1,000 individually numbered copies,...

Two artists, one vision. The enigmatic and genre-defying work of Inez van Lamsweerde and Vinoodh Matadin. “It is typical of the photographic art of van Lamsweerde and Matadin that they urge their image making to de-stabilize the pristine surfaces expected of consumer culture; to this end they make use, in turn, of the Gothic, inscrutability, androgyny, comedy, eroticism, surrealism, fantasy, montage, cinema, replication, image manipulation, Pop Art, fetishism and art historical nuance.” —Michael Bracewell, from the introduction Inez van Lamsweerde and Vinoodh Matadin’s work has graced the walls and pages of some of the world’s finest galleries and fashion magazines, and if it is surprising that their photographs easily float between these worlds, it is by Virtue of their ease in creating imagery that seeks homes in both culturally elite and mainstream outlets. For some of their photographs, such as their portrait of Bjo¨rk or Campaign for Givenchy, van Lamsweerde and Matadin have worked in collaboration with the art directors M/M (Paris), who have also designed this sumptuous two-volume retrospective set that looks back at “pretty much everything” that the photographers have been working on for over two decades and has brought them to the forefront in the fields of both art and fashion. Limited Collector’s Edition of 1,000 copies, each numbered and signed by the artists. Two-volume retrospective with 666 photographs of “pretty much everything” that the photographers have been working on for over two decades. Additional reader with interviews and texts about the photographic œuvre of Inez van Lamsweerde and Vinoodh Matadin. Entire set designed by the artists’ longtime collaborators M/M (Paris) and includes original silkscreened poster, origami-folded over the top corner of the slipcase. Also available in two Art Editions of 100 copies each including two signed and numbered photographic prints. The designer: Established in Paris in 1992, M/M (Paris) is an art and design partnership consisting of Mathias Augustyniak and Michael Amzalag. They are best known for their art direction and collaborations with musicians, fashion designers, and contemporary artists, including Bjo¨rk, Madonna, Yohji Yamamoto, Balenciaga, Pierre...

No pain, no gain. The most memorable moments since the birth of pro football in America. The best of sports photographer Neil Leifer’s 10,000 rolls of football pictures, including hundreds of previously unpublished images. Presented in a custom slipcase and limited to a total of 1,500 copies signed by the photographer, this Collector’s Edition is a companion to Neil Leifer’s instant sell-out success, Ballet in the Dirt: The Golden Age of Baseball, published by seller in 2007. In 1958, sports photographer Neil Leifer took the picture that remains one of his most famous to this day. The day he got the shot - Alan Ameche’s game-winning "Sudden Death" touchdown - was Leifer’s 16th birthday. This game, called "The Greatest Ever Played," signaled football’s emergence as America’s new national pastime; formerly half-empty stadiums welcomed sold-out crowds seemingly overnight, while football surpassed pro baseball and college football in national television ratings. Starting then, on any given Sunday Leifer was most likely shooting a football game somewhere in America. His 1961 photo of legendary Giants quarterback Y.A. Tittle dropping back to pass landed Leifer his first cover for Sports Illustrated and cemented his close connection to the sport. While best known for his iconic photograph of Muhammad Ali towering over a fallen Sonny Liston, and for the enormous diversity of subjects he covered in and out of the sports world, it is his football pictures Leifer considers his best. This collection represents the best of his best, culled from over 10,000 rolls of film on the sport, including hundreds of previously unpublished pictures. It’s impossible to conceive of Peyton Manning hovering over an impromptu wood fire on the sidelines during a blizzard, but Leifer captured Tittle’s Giants doing exactly that during the coldest game in his living memory (the 1962 Championship in New York, a game "far colder than the famous Ice Bowl"). From Vince Lombardi...

The gospel according to Marc. Marc Newson's complete works to date. He has designed chairs, restaurants, boutiques, cars, planes, and even a spaceship. For Australian Industrial designer Marc Newson, the sky is no limit. From mass-produced objects to limited edition furniture to fashion, Newson has blurred boundaries, mapped new territories, and made himself an international superstar. This comprehensive tome leaves no stone unturned in cataloguing all of Newson’s works to date, from early pieces such as Lockheed Lounge (which holds the world record for the highest price paid for a piece of designer furniture, at over two million dollars) through designs of household objects and more recent, large-scale projects such as the interior of Qantas’s A380 and the Aquariva boat. Encyclopedia-style entries, arranged chronologically by categories: Furniture, Objects, Interiors and Architecture, Timepieces and Jewelry, Transport, and Unreleased Projects. Extended, in-depth case studies for a selection of Newson’s most important projects: the Kelvin40 plane, Qantas Airbus A380, Gagosian art editions, Ford 021C, Ikepod watches...

Walton's world. The beautifully savage beasts and birds of Walton Ford. Collector’s edition (No. 101–1,600). Limited to 1,500 individually numbered copies, each signed by Wa...

Celebrate the “photographer’s photographer,” Albert Watson, one of the most in-demand and versatile portrait, fine art, and fashion photographers. This Collector’s Edition showcases ...

A stately Art Edition presenting the first major career restrospective of Marvin E. Newman, with some 170 featured images as well as signed photographic print Coney Island, 1953, a d...

Fiber-based gelatin silver print, 21.8 x 28.8 cm on 22.9 x 33 cm paper (8.6 x 11.8 in. on 9 x 13 in. paper); hardcover volume in a slipcase, letterpress-printed text, two different paper stocks, and tip-ins, 24 x 34 cm (9.4 x 13.4 in.), 356 pages. In 1964, famed writer Ken Kesey and his band of Merry Pranksters set off across America on a “Transcontinental Bus Tour,” headed for the New York World’s Fair. Kesey’s journey, in the company of his Merry Pranksters, lies at the heart of The Electric Kool-Aid Acid Test, an as-if-first-hand account of the group’s antics and ethos by Tom Wolfe, wunderkind of the New Journalism movement. This Art Edition presents Wolfe’s era-defining text in letterpress, along with facsimile reproductions of his manuscript pages, ephemera of the period, and photographs of the acid scene by Lawrence Schiller and Ted Streshinsky. The accompanying print, Me and My Shadow, by Lawrence Schiller, was photographed at the Hollywood Acid Test on February 25, 1966. As the first photojournalist to capture the acid scene from the inside, Schiller began with a single contact in Berkeley, California, and built a large network of young, receptive subjects who allowed him to document their experiences with LSD starting in late 1965. At first, he was a fly on the wall as groups of friends tripped in the privacy of their homes. By early 1966 he had met the Merry Pranksters and was invited to the Acid Test in Hollywood. During the Test, Kool-Aid laced with a heavy dose of LSD was served up from an industrial-sized pot. Participants turned on the Grateful Dead’s music and tuned in to the burgeoning psychedelic scene. Schiller’s image of a tripster “freaking freely” with his own shadow—long believed to be Neal Cassady—appeared in Life magazine in March 1966 in a photo essay which served to introduce the nation to the sweeping new LSD epidemic. For Flaming Lips lead singer Wayne Coyne...

Pigment print on platine archival fibre rag paper, 53.5 x 68 cm (21.1 x 26.8 in.), hardcover volume with two-fold-outs in a metal cage, 33.0 x 44.0 cm (13.0 x 17.3 in.), 334 pages. Michael Muller has carved a career out of impressive encounters. Famed for his portraits of the world’s most elite actors, musicians and sports stars, he has spent the last decade diving to ocean depths around the world to create one of the most spectacular portfolios of underwater shark...

Pigment print on Platine Archival Fibre Rag paper, 53.5 x 68 cm (21 x 26.8 in.), hardcover volume with two fold-outs in a metal cage, 33.0 x 44.0 cm (13.0 x 17.3 in.), 334 pages. Michael Muller has carved a career out of impressive encounters. Famed for his portraits of the world’s most elite actors, musicians, and sports stars, he has spent the last decade diving to ocean depths around the world to create one of the most spectacular portfolios of underwater shark...

GOAT: Greatest Of All Time - A tribute to Muhammad Ali is a book with the power, courage, depth, creativity and dazzling energy of its extraordinary subject. With thousands of images...

Microfiber pouch with zipper and leather tag, inner zip pocket, linen lining, hand-crafted in Italy, 35 x 26 cm Portable Pleasure Culture Pure Ponti elegance, for everyday use Hand...

Microfiber pouch with zipper and leather tag, inner zip pocket, linen lining, hand-crafted in Italy. Portable Pleasure Culture The imaginary universe of André Butzer Hand-crafted ...

Microfiber pouch with zipper and leather tag, inner zip pocket, linen lining, 35 x 26 cm Portable Pleasure Culture Helmut Newton’s audacious comment on 1980s consumerism Hand-craft...

Microfiber pouch with zipper and leather tag, inner zip pocket, linen lining, hand-crafted in Italy, 35 x 26 cm. Portable Pleasure Culture A pouch for all seasons Hand-crafted in I...

Microfiber pouch with zipper and leather tag, inner zip pocket, linen lining, hand-crafted in Italy, 35 x 26 cm Portable Pleasure Culture Pay homage to the godfather of fantasy art ...

Microfiber pouch with zipper and leather tag, inner zip pocket, linen lining, hand-crafted in Italy, 35 x 26 cm Portable Pleasure Culture High drama on the open sea Hand-crafted in...

Hardcover volume with 2 fold-outs in a metal cage, 33 x 44 cm (13 x 17.3 in.), 334 pages. Michael Muller has carved a career out of impressive encounters. Famed for his portraits of the world’s most elite actors, musicians and sports stars, he has in the last decade built up one of the most spectacular portfolios of underwater shark...

C-print, 21.8 x 28.8 cm on 22.9 x 33 cm paper (8.6 x 11.8 in. on 9 x 13 in. paper); hardcover volume in a slipcase, letterpress-printed text, two different paper stocks, plus tip-ins, 24 x 34 cm (9.4 x 13.4 in.), 356 pages. “Larry Schiller is the one who came up with so many of these primal pictures. It was he who broke the story in the first place!” —Tom Wolfe In 1964, famed writer Ken Kesey...

Art Edition of 200 copies, each signed by Vanessa and accompanied by a signed fine art print of Vanessa by Robert Crumb. Fine art digital print, 29 x 29 cm, hardcover volume in clam...

Limited Art Edition of 100 (No. 1–100), numbered and signed by Neil Leifer, each with the pigment print Johnny Unitas (1964). Pigment print on Museo Portfolio Rag paper, 38 x 30.5 c...

Limited Art Edition of 100 (No. 101–200), numbered and signed by Neil Leifer, each with the pigment print Alan Ameche (1958). Pigment print on Museo Portfolio Rag paper, 38 x 30.5 c...

Art Edition (No. 1–100) copies with original signed serigraph print, The Firebird Suite Edition of 100. Seven-color serigraph print, 33 x 33 cm, hardcover volume in slipcase, 39.6 x ...

You Talkin’ to Me? Previously unseen photographs from Scorsese’s masterpiece The Art Edition (No. 101–200) is limited to just 100 signed and numbered copies, each with the original ...