TISHU Boxes

A fine Cartier compact case in the iconic Art Deco style, circa 1930s. Sterling silver with gold gilt interior that feature a mirror and a compartment for powder. The exterior featur...

A rare metal box called "Holopherne" in silvered cast bronze by Parisian art jeweler Line Vautrin (1913-1997). Made in 1946-47, this is a relatively scarce piece with the design moti...

A large silver compact case with gilt surface and inset rubies by Boucheron Paris circa 1930s-1940s, of Art Deco period and style. The silver case is quote large compared to similar ...

A Japanese ink stone box (known as Suzuribako) with exquisite maki-e decoration from Edo period (circa mid-18th century). The box features a rectang...

A fine Korean iron box with intricate silver inlay dated to the late Joseon Dynasty circa 19th century. The body of the box is made from iron of a heavy weight although the wear on t...

An Art Deco style enamel and gilt metal box made by French Jeweler Van Cleef & Arpels circa 1930s. The box was most likely used for cigarette (and small bills) and it has an elegant ...

A Kazaribako "Ornamented Box" made of glass by Japanese artist Kyohei Fujita (1921-2004) circa 1980s. The hand-blown glass box with fitting lid is of an oval shape, slightly irregula...

A small square-form table with lacquer and intricate mother-of-pearl inlay design from Ryukyu Islands kingdom circa 17-18th century. Ryukyuan kingdom was used to be an independent is...

A small low table with lacquer and intricate mother-of-pearl inlay design from Ryukyu Islands kingdom circa 17-18th century. Ryukyuan kingdom was used to be an independent island cou...

A Kazaribako "Ornamented Box" made of glass by Japanese artist Kyohei Fujita (1921-2004) circa 1990s. The hand-blown glass box is substantial in size and weight. It features a hexago...

A brilliant Kazaribako "Ornamented Box" made of glass by Japanese artist Kyohei Fujita (1921-2004) circa 1990s. The hand-blown green glass box featur...

A Japanese lacquered wood fubako (a box to store document or small scroll painting) circa late 18th century of Edo period. The rectangular box features a deep lid with rounded corners and recessed mid-edge and a lower box with two bronze medallion rings and tasseled silk ties. The surface of the fubako was elaborately decorated with hiramaki-e and a low takamaki-e on a mottled Mura-nashiji background. The motifs on the lid depict branches of Japanese pine with finely rendered needles on the lower part; on the upper part, it showcases fruited persimmon branches. Two different shades of gold fundame were used to contrast the design and augmented by scattered gold kirigane to highlight some of the leaves. The design continues and cascades down to all sides of the lid as well as the walls of the box. The two bronze medallions appear original to the box and the silk ties show significant fading from the age. This Fine fubako is signed on the lower wall "Kanshosai" in Kanji with a kao mark. All the trims were finished in gold fundame and the interiors a dense nashiji in gold. Kanshosai is the mark of the distinguished lacquer artist Lizuka Toyo I who also signed his work "Toyosai". He was active in the second half of the 18th century during Edo period, employed by Hachisuka Shigeyoshi (1738-1801), daimyo of Awa on Shikoku Island. Although most survived work bearing his marks are inros, he was also known to decorated trays and other larger objects...

A fine Korean iron box that was traditionally used to store tobacco leaves dated to the late Joseon Dynasty circa 19th century. The box is made from iron and has a heavy weight, although the wears along the edges of the lid and base exposes a bronze metal color underneath, indicating the iron metal may contains a high level of copper. The surface was beautifully decorated with elaborate silver inlay that covers the entire surface except the base. The extraordinary workmanship depicts a pair of deer within the circled square (shape of heaven and earth) and a lined background on the long sides and a crane with spread wings on the shorter sides. Both animals were associated with longevity. Their eyes were highlighted with copper inlay, adding a lively touch to the animation. The lid is centered with a Chinese character "Xi" (Paired-Hui in Korean), which means double happiness. (In Chinese culture, it is often used in a wedding ceremony). The large symbol was set on geometrical background of tightly scrolling diamond pattern surrounded by stylized Ruyi mushroom heads, another floral longevity symbol. Archaic fret cloud band borders the entire perimeters of the lid and the container. Tobacco was introduced to Korean in the first half of the 17th century and gradually gained popularity. When the tobacco was started being smoked in shredded form instead of rolled leaves, there rose the production of the smoking accessories, with some in fine quality as luxury items for the elite. The accoutrement such as this box is a fine example made in late Joseon dynasty, using extensive silver inlay, a technique called "jjoeum-ipsa", in which the silver wires were hammered into the scorched iron surface to create the elaborate design. Similar boxes with variation of shape and motifs are in the collection of several major museums. Compare the box with item Gu 754 in the National Museum of Korea; item 22.78 in MET NYC and M.240:1, 2-1926 in V& A Museum in London. The most closely related example we found is item C232 in the collection of the Museum of East Asian Art...

A rare cast gilt bronze box "Pinocchio" by French Parisian art jeweler Line Vautrin (1913-1997). The elongated lidded box depicts a silouette portrait of the famous boy. The interior...

A fine Japanese miniature kodansu constructed from Kaki wood (Persimmon) circa 19th century, late Meiji period. With its expressive exotic wood grains and exposed tenon construction,...

Sagejubako is a portable lunch or picnic set that became popular in the early Edo period when an additional meal was added between breakfast and dinner. It normally consists of a han...

A gilt bronze poudrier box with cast poem on surface by Parisian art jeweler Line Vautrin (1913-1997) circa 1940s. The poem "Les 4 ages de la Femme" was an old French lyrical poem th...

A silvered bronze Poudrier "Le loup et le renard" (The wolf and the fox). by Parisian art jeweler Line Vautrin (1913-1997) circa 1940s. The square box features a relief cast of two s...

A large cast bronze powder box (poudrier) by French Parisian art jeweler Line Vautrin (1913-1997) circa 1945-1950. The box called "Feuille" (Leaf) features an irregular leaf form wit...

A lacquer presentation box with mother-of-pearl inlays from Japanese Ryukyu Islands circa 17-18th century. The lidded box in rectangular form with rounded corner is a classic example...

A Japanese writing box with ink stone (known as Suzuribako) with exquisite maki-e decoration circa late Meiji to early Taisho period (1890s-1930s)...

Sagejubako is a portable picnic set that became popular in the early Edo period when an additional meal was added between breakfast and dinner. It normally consists of a carry case w...

A Japanese Lacquer writing box Suzuribako Meiji Period (1868-1912), likely circa late 19th century. This suzuribako is one of the most unusual boxe...

A silvered bronze poudrier box "Ammonite" by French Parisian art jeweler Line Vautrin (1913-1997). In the 1940s, Line Vautrin designed a series that was inspired by the shape of na...

A large bonze box (based on the size, it is likely a card case) by French Parisian art jewelry designer Line Vautrin (1913-1997) circa 1950s. The box features an interesting design i...

A large Japanese lacquer box with elaborate Maki-e design from Meiji period, (mid-late 19th century). The generous size of the box was reser...

A piece of wonderful jewelry by Line Vautrin designed in 1941 on the subject of St Foi, a child martyr on the early fourth century and the patron saint of prinsoers, in a rare form of a reliquary...

Japanese cloisonné enamels are known as shippo-yaki and the mid-19th century saw the production of very high quality wares in the early centers Nagoya. One of the most renowned works...

A gilt bronze box or podier by French Jeweler Line Vautrin, in the pattern of "Moise ou la traversee du desert" coric 1940s-1950s. A rare mode in the box, the top surface of the cover illustrates the biblical story of Moses crossing the desert out of Egypt...

A black lacquer tebako (hand box) with maki-e decoration and silver trim, circa late 19th century, Meiji period. The surface of the lid features a Rinpa style maki-e paint depicting ...

A lacquered wood box with lid from Japan circa 19th century Meiji Period. The finely decorated box was used to store paper slips and small documents on the desk. It is overall finished with black lacquer (kuro) with sparse Mura-Nashiji effect outside and on the top surface of the lid, there are three Komainu, (sometimes known as Shishi or Japanese lions) frolicking and forming a circle in lively motion. Komainu are auspicious animals in Japanese cultures in both Shinto and Buddhism tradition. Originally from China, these animals symbolizes guardians to ward off evil spirits. Hiramaki-e was used in combination with carving and combing to render the lions with various surface textures. A gilt border with an slight angle was given to the lid and even the thin band is decorated with miniature floral scrolls. The interior of the box was finished in a dense nashiji. Underneath the lid, a cluster of peonies open lavishly by two gentle mounts. Takamaki-e (high relief) in both gold and silver were...

A Japanese four-case lacquer inro by a member of Kajikawa family circa 19th century (late Edo to early Meiji period). It depicts a nocturnal scenery of a meandering stream surrounded by bush clovers, where a full moon is reflected on the water. It was masterfully decorated in gold and silver maki-e using a combination of techniques including takamakie, togidashi and kirigane as well as aogai (abalone shell) inlays. The stream was set between the slightly elevated banks, adding to this piece a already strong three-dimensional composition. The interior was decorated in gold nashiji. It was signed on the bottom "Kajikawa Zou" (made by Kajikawa and a pot seal centered with "Ei" in Kanji. In one of the compartment, there is a katakana mark, appears to be a name, possibly the owner. Kajikawa clan was one of the most famous lacquer artisanal family established in the 17th century. Many well known members over the generations produced lacquer art in a wide range of formats, but two third were signed only with the family name such as this one. It is therefore not possible to pinpoint the exact author of this piece. Provenance: This inro was purchased as lot 349 in Christie's New York sale Japanese...

A four-case lacquered Japanese inro by Yutokusai (Gyokkei), a lacquer artist active from 1845-1900 (end of Edo to Meiji period). The slightly round inro features a very intricate design with three unfolded fans on the front and two on the back: each reveals a vignette landscape scenery, likely real places in Japan. Using a combination of hiramaki-e and slight takamaki-e, the artist deftly created the pictures with fine details, rendering the inro as a miniature artwork...

This exquisite four-case lacquered inro was dated to the latter part of 18th century to early 19th century (Edo period) and made by Shigehide. The opposite sides of the inro together features a lavish flower arrangement in a bamboo basket (ikebana). The detailed craftmanship was a true pleasure to behold. Mostly Takamaki-e (high relief) were used to texturize the delicate petals of the chrysanthemums, on which different shades of gold were used to create contrast. Raden (mother of pearl) shells were also used to highlight some leaves, rendering the piece an interesting balance of color and material. The interior was completed in a mottled gold finish. It was signed Shigehide on the bottom with a Kao. There is a small carved rabbit ojime bead...

A four-case lacquered inro by Koma Koryu circa 19th century late Edo period. The inro features a pair of Chinese mandarin duck resting under a bundle of blooming irises on the pond. ...

A Japanese black lacquer box with mother of pearl inlays circa early 20th century, end of Meiji period. It was likely to be used to store inkstone or other scholarly items. The piece displays several interesting characteristics that appear puzzling initially. First, the form is not typical Japanese, but more Chinese and Korean, with its scalloped base. Second, the decoration of MOP inlays also suggests a Korean and Chinese affiliation, especially with the linear borders and the scrolling cloud patters on the sides of the box. These two observations suggest that the box may be from Ryukyu Island instead of Japanese mainland. Third, strikingly in the center of the cover, a bold quarterly floral pattern outlined with MOP was filled with a striking mottled red lacquer using tsugaru nuri...

An antique jubako (stack boxes) with five tiers in an elongated octagon shape circa 19th century (end of Edo or beginning of Meiji period). jubako was traditionally used to store and...

A Japanese lacquered wood sake ewer with maki-e design, circa late 19th century, Meiji period. The nicely decorated lacquerware is of a Classic sake ewer for...

A pair of Japanese lacquer lidded Hokai boxes with chased brass hardware and original ropes. Hokai boxes are traditionally used in Japan to store and carry s...

A lovely vintage Korean lacquer box in bright red and decorated with mother-of-pearl inlays circa 1970-80s. The square form box features an auspicio...

An old Japanese lacquered small box likely used to contain incense powder called Kobako, circa Momoyama to early Edo period (16-17th century). The rectangular form box with a fitted ...

A Japanese lacquered box with lid in the shape of a miniature Hasami-Bako (traveling chest) circa late 18 to early 19th century of the Edo period....

A cube form desktop box covered with patchwork copper by American artist and designer Paul Evans (1931-1987). The lidded box has a plastic insert box and was made as an ice box or a ...

A pair of Japanese lacquered lidded Hokai boxes with chased brass hardware and original ropes. Hokai boxes are traditionally used in Japan as the containers ...

A Japanese roiro lacquer scholar combo box with an upper tier of inkstone box (Suzuribako) and a lower document box (Ryoshibako) circa 1910-30s (end of Meiji to Showa period). The high glossy box was beautifully decorated with an image of the famously eccentric Buddhist monks Hanshan and Shide (known in Japan as Kanzan and Jittoku). Often as a pair, they have been a popular motif in Japanese Zen painting...

A small gilt bronze pill box by French Parisian art jeweler Line Vautrin (1913-1997) circa 1940-50s. The rather rare round box features a relief-cast spider on the lid. The interior ...