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Glass Drop Pendant Model 2259
Iconic Designs

Glass Drop Pendant Model 2259By Max Ingrand

About the Design

Combat operations during World War II destroyed the stained-glass windows of churches around France. Max Ingrand (1908–69), a French designer who spent time as a POW, would become a leader in their restoration and, in turn, bring his expressive vision to some of the most inventive postwar glass objects, including the striking 1962 Glass Drop Pendant model 2259.

Born in Bressuire, Ingrand spent some of his childhood in Chartres, where he was drawn to the medieval stained glass in the city’s famed cathedral. He later studied at the École nationale supérieure des beaux-arts and École nationale supérieure des arts décoratifs in Paris, training with stained-glass artist Jacques Grüber and architect Charles Lemaresquier. Inspired by the Middle Ages, Ingrand used modern materials to evoke the past while crafting fresh designs in bright colors that would stand the test of time. As his contemporaries were shifting toward abstraction, Ingrand drew on figurative traditions and new geometric forms in his dynamic windows.

World War II interrupted Ingrand’s burgeoning career. Drafted into service, he was captured by the Germans and held in a prison camp. During this captivity, he met Ivan Peychès, who would go on to direct the glass manufacturer Saint-Gobain. After the war, Peychès hired Ingrand to replace and restore church windows damaged as a result of military operations. Ingrand’s success led to international work in churches, hotels and other buildings.

From 1954 to 1967, Ingrand was the artistic director of Fontana Arte — founded in the 19th century by Luigi Fontana in Milan — of which Saint-Gobain was a parent company. There, he focused on a more domestic scale and brought the historic Italian glass company into the industrial age.

Ingrand’s Glass Drop Pendant model 2259 — also known as the Drop Ceiling Light — features two thick slices of teardrop-shaped glass, each with a small area of frosting to diffuse the illumination from the interior bulb. The heaviness of the glass is countered by two brass pins, which elegantly connect the pieces. While he innovated with industrial production at Fontana Arte, Ingrand’s attention to craft is prominent in his popular designs, such as the Fontana table lamp. Fontana Arte continues to produce and update his designs today, adding advancements such as LED lighting. As with his stained-glass windows, he viewed these objects in relation to space. For Ingrand, light was “a means to breathe life into an entire architecture.”

Max Ingrand Glass Drop Pendant Model 2259

7 Results
Fontana Arte Max Ingrand Pendant Lamp 2259, Glass Pantinated Brass, Italy, 1960s
Fontana Arte Max Ingrand Pendant Lamp 2259, Glass Pantinated Brass, Italy, 1960s

Fontana Arte Max Ingrand Pendant Lamp 2259, Glass Pantinated Brass, Italy, 1960s

By Max Ingrand, Fontana Arte

Located in Hausmannstätten, AT

A fantastic pendant light model no. 2259 designed by famous designer Max Ingrand for Fontana Arte, Italy, manufactured in Mid-Century, circa 1960. It is made of solid brass with a na...

Category

Vintage 1960s Italian Mid-Century Modern Chandeliers and Pendants

Materials

Brass

Three-Light Pendant in Green Nilo Glass by Max Ingrand, Fontana Arte, 1960s
Three-Light Pendant in Green Nilo Glass by Max Ingrand, Fontana Arte, 1960s

Three-Light Pendant in Green Nilo Glass by Max Ingrand, Fontana Arte, 1960s

By Fontana Arte, Max Ingrand

Located in Chiavari, Liguria

This pendant light presents itself as a vertically articulated composition, defined by a measured balance between structural rigor and visual fluidity. Its proportions are slender an...

Category

Vintage 1960s Italian Mid-Century Modern Chandeliers and Pendants

Materials

Brass

Max Ingrand For Fontana Arte Drop Pendant Lamp, Model 2259, Italy, 1960s
Max Ingrand For Fontana Arte Drop Pendant Lamp, Model 2259, Italy, 1960s

Max Ingrand For Fontana Arte Drop Pendant Lamp, Model 2259, Italy, 1960s

By Fontana Arte, Max Ingrand

Located in Vienna, AT

A stunning Mid-century ceiling pendant light chandelier dating back to the 1960s. Model no. 2259, handcrafted by Fontana Arte in Italy and designed by the renowned Max Ingrand. This ...

Category

Mid-20th Century Italian Mid-Century Modern Chandeliers and Pendants

Materials

Brass

Max Inrgand for Fontana Arte Rare Chandelier Model 2338
Max Inrgand for Fontana Arte Rare Chandelier Model 2338

Max Inrgand for Fontana Arte Rare Chandelier Model 2338

By Max Ingrand, Fontana Arte

Located in New York, NY

Max Ingrand for Fontana Arte rare chandelier or ceiling light model 2338 with five polished teardrop shaped double glass shades with partial sand-blasted centers suspended by brass s...

Category

Vintage 1960s Italian Mid-Century Modern Chandeliers and Pendants

Materials

Brass

Set of three Max Ingrand for Fontana Arte pendant lights model 2259
Set of three Max Ingrand for Fontana Arte pendant lights model 2259

Set of three Max Ingrand for Fontana Arte pendant lights model 2259

By Max Ingrand, Fontana Arte

Located in London, GB

Lovely set of three original Max Ingrand for Fontana Arte 'Model 2259' Heavy crystal glass lenses partially satinized with brass hardware. Condition is wonderful. Brass has been p...

Category

Vintage 1960s Italian Mid-Century Modern Chandeliers and Pendants

Materials

Brass

Max Ingrand Pendant Lamp Model 2259/2, Crystal & Metal, Italy, 1960
Max Ingrand Pendant Lamp Model 2259/2, Crystal & Metal, Italy, 1960

Max Ingrand Pendant Lamp Model 2259/2, Crystal & Metal, Italy, 1960

By Max Ingrand

Located in Milano, IT

Max Ingrand (1908-1969) Pendant lamp, model 2259/2 Fontana Arte, Italy, ca. 1960. Metal frame and worked glass diffusers, composed of a horizontal bar with two suspended light elem...

Category

Mid-20th Century Italian Mid-Century Modern Chandeliers and Pendants

Materials

Crystal

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Suspension lamp, design Max Ingrand.

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Lamp Crystal Brass Italy 1960s Max Ingrand Fontana Arte

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