Ceramic Bowls and Baskets

Completely handmade porcelain bowl with a hands-free naturalistic painted hare figure with black spots. The Easter bunny is sitting in the middle of the bowl for decorating nuts or s...

20th C period Japanese Printed Cup with Dragon Blue and White Additional information: Material: Porcelain & Pottery Region of Origin: Japan Japa...

Carl Harry Stålhane (1920-1990) for Rörstrand, Sweden. Large ceramic bowl. Glazed in green-blue shades. Mid-20th century. Marked. In excellent condition. First factory quality. Dimen...

Beautiful Vintage Toyo Hand Painted Floral procelain Decorative Small Plate. It does come with a stand. This piece is only for decorative purposes. It has been kept in really good co...

This stunning ceramic or mixed earths piece was made by combining clay slips of light and dark brown, gray-blue, and cream colors. The tight multicolored p...

Elevate your tabletop decor with this delightful hand-painted ceramic plate by Baratti Pesaro, crafted in the 1970s. Bursting with vibrant colors and wh...

A beautiful German oval white porcelain jewelry dish with female(s) figurative design, 'Rendezvous', by Rosenthal, circa early to mid-20th century, Germany. Dish features hand painte...

Antique Spode porcelain blue and white flower cross pattern chestnut basket.

A beautiful hand painted leaf-shaped serving tray with handle, by Anna Weatherley Designs. Anna Weatherley has been designing and producing Fine Botanical Hand Painted Porcelain in H...

A rather spectacular piece in person with a wonderful glaze and color. Wonderfully designed with a good feel and heft to it. We believe this is from the Qing Dynasty but are simpl...

Lot of 3 rare tongue shaped bowls in the red line - design number 319-244. Designed by Bjorn Wiinblad and manufactured by Nymølle in Denmark during the 1970s. Each piece is signed W ...

Description Sharing with you this very sweet and small teapot in imari palette. Flower scene. On 3 feet. Condition: Lid perfect. restoration to spout. Size: 9x6CM LengthxHeight C...

Decorative willow flow blue bowl. This design featured pagodas, trees, and birds. Flow blue is a style popular in Regency England that gets its name fro...

Made in Italy in 1970s - 1980s. This decorative plate is made in lacquered and hand-painted ceramic by Ars Deruta that is the artistic part of the historica...

Completely handmade porcelain bowl with a hands-free naturalistic painted Easter bunny figure with grey spots in country style. The bunny is sitting in th...

A very nice blue and white dish of moulded shape. Unusual shape and painting and mark. Early Edo period. Dating to 1680-1700 Similar object in Shibata collectie Part II - nr 261 ...

A nice Example Kutani Mounted with Ormulu 1. What exactly are ‘mounted porcelains’? The term ‘mounted porcelains’ refers to pieces of porcelain — originally produced in China, Japan...

A lovely and classic Kinkozan Satsuma dish with figural scene. Additional information: Material: Porcelain & Pottery Tea Bowls & Cups Japanese Style: Arita Region of Origin: Japan P...

Alvino Bagni was an acclaimed ceramicist and designer. Born in Verona, Italy, in 1919, he worked for some of the largest Italian ceramic makers, including Bitossi, for which he serve...

Marked a six character Qianlong mark at the base. China, 20th century. Additional information: Material: Porcelain & Pottery Decoration Type / Colour: Polychrome Region of Origin: C...

The Cucumber flower vase was originally designed by Martine Bedin in 1985 for Memphis. An object not thought for simple use but for a long contemplation, the ceramic vase is a true c...

West Germany Ceramic Vide Poche, circa 1970s, signature to identify Beige-grey ceramic pocket tray or bowl with blue and purple geometrical patterns. The glaze is very delicate to the touch. The colours are soft and pastel. One can recognize the West German ceramics...

Fitz and Floyd shell dish with raised shell detail at the base. Beautiful detail work and texture. Nice simple white glazed ceramic finish. Add some classic coastal style to your hem...

Royal Copenhagen Art Deco porcelain oyster shell pipe rest bowl, circa 1923 A tactile and typically understated piece of Danish creativity ...

This pair of brightly colored oval dishes are each decorated in the center with an exquisite rose hand painted in pink with green leaves. Around it are six pairs of smaller red flowe...

A freeform bowl designed by Reuben Haley and produced by Muncie Pottery, USA, 1930s.

Claire Berger Realised in La Borne circa 1980 Large stoneware ceramic plate with colored black and red abstract decoration Original perfect decoration...

A set of two porcelain pocket emptiers/ashtray with a classic shape and unique printed design. This collection is inspired by the city of Palmas, in Brasil. Blue and ocher palm leave...

Slightly triangular footed bowl by Swedish ceramist Carl-Harry Stålhane for Rörstrand Sweden. Manufactured circa 1950s. The bowl is decorated with a matte haresfur glaze in dusted...

A beautiful celadon plate from the kilns of Sawankhalok, one of the main centers of Thai ceramics during the Sukhotai period (1230-1438). Incised with floral patterns. Celadon prod...

A very nicely decorated bowl. Dating to around 1730/1740 10-10-19-2-1 Additional information: Material: Porcelain & Pottery Decoration Type / Colour: Polychrome Region of Origin: ...

Handcrafted vintage studio art pottery artist signed large 12" bowl blue trim green flowers. Vintage hand painted ceramic blue and green floral signed by artist and date 1982. Vintag...

A stylish Dutch Art Deco art pottery comport hand painted in the Persian pattern and made by the Arnhem pottery dating from around 1920. The comport i...

A large brown ceramic bowl designed by Carl-Harry Stålhane at Rörstrand, the bowl is 18.5 cm (7.4") in diameter. It is in excellent condition except from some minor scratches and mar...

The ceramic bowl is an example of the kind of work by which John Glick became so famous. He was seduced by the effects of the reduction kiln, which decreased the levels of oxygen during firing, inducing the flame to pull oxygen out of the clay and glazes changing the colors of the glazes depending on their iron and copper content. In this way he achieved the rich gradients of ochre and umber and variations in stippling and opacity. It is signed by the artist and stamped with Plum Street Pottery on the verso. John was an American Abstract Expressionist ceramicist born in Detroit, MI. Though open to artistic experimentation, Glick was most influenced by the styles and aesthetics of Asian pottery—an inspiration that shows in his use of decorative patterns and glaze choices. He has said that he is attracted to simplicity, as well as complexity: my work continually reflects my re-examination that these two poles can coexist… or not, in a given series. Glick also took influences from master potters of Japan, notably Shoji Hamada and Kanjrio Kawai, blending their gestural embellishments of simple forms with attitudes of Abstract Expressionism. He was particularly drown to the work of Helen Frankenthaler whose soak-stain style resonated with Glick’s multi-layered glaze surfaces, which juxtaposed veils of atmospheric color with gestural marks and pattern. He spent countless hours developing and making his own tools in order to achieve previously unseen results in his work with clay and glaze. Glick’s “Plum Tree Pottery” (now a designated historic landmark in Farmington Hills, Michigan) studio opened around 1965 and closed in the summer of 2016. It was a private studio space for John and a number of his students and assistants. He believed his shapes evolved guided by forces apparently outside his control. This was instinctual, intellectual and due to his openness to change, fusing into what he thought was the most positive force behind a potter’s approach: evolution and growth. Some have called it inspiration. John was not only a major figure in the Detroit creative community, but in the ceramics world at large. According to Shelley Selim in her book on John, “John Glick: A Legacy in Clay” John remains: “one of the most recognizable names in the field of studio pottery – known for lecturing, publishing, and offering workshops widely – and his work has been featured in well over a hundred local, national and international exhibitions since he was a college student in the late 1950s.” Along with this John has mentored over thirty studio apprentices over five and a half decades, received numerous grants and awards for his work, and has been prolific, with an estimated 300,000 ceramic wares throughout the world. He received his Masters from Cranbrook Academy of Art in Bloomfield Hills, Michigan, working with Maija Grotell, a legendary and influential teacher. Grotell was noted for her deep interest in the human connection to nature’s rhythms and patters. These ideas often grounded her dialog with her students including Glick, affecting, a profund and lasting influence on his future work. This famous Art Academy was designed by architect and faculty member, Eliel Saarinen who collaborated with Charles and Ray Eames on chair and furniture design. Numerous creative artists who are alumni of Cranbrook include: Harry Bertoia, Florence Knoll, Jack Lenor Larsen, Donald Lipski, Duane Hanson, Nick Cave, Hani Rashid, George Nelson, Urban Jupena (Nationally recognized fiber artist), Artis Lane (the first African-American artist to have her sculpture, "Sojourner Truth," commissioned for the Emancipation Hall in the Capital Visitor Center in Washington DC), Cory Puhlman (televised Pastry Chef extraordinaire), Thom O’Connor (Lithographs), Paul Evans (Brutalist-inspired sculpted metal furnishings), Eugene Caples (small bronze images/abstract), Morris Brose (Bronze Sculptures), Herb Babcock (blown glass), Larry Butcher (mixed media) and Lauren Anais Hussey...

Exuding a sublime and strong visual impact in its singular handcrafted design, this oval bowl is named after the internationally renowned and appreciated Japanese dish, usually abbre...

Italian hand painted ceramic server with 6 removable dishes and lidded center bowl, Set on a rotating wood base.

Round, curved plate (‘pancake’) with flattened bottom and raised edge. Decor: in the middle, one below the other, the text: ‘God granted / through Prussia’s power / his right again /...

These Dutch pancake plates are adorned with a beautiful hand-painted scene in bold Imari colors of cobalt blue and iron red, enhanced by forest green and bright yellow, which replace...

Extremely rare Armenian pottery plate depicting the mosaic floor at the ancient synagogue of Beit Alpha in Israel, circa 1920. Jerusalem's ancient Arm...

Original German vintage hand-painted "Handgemalt" small triangular shape ceramic plate. Ivory grey with a hand-painted scene of a couple with a dog, trees, birds, in Yellow, blue, gr...

A very nicely decorated serving dish. Qianlong period. Lovely balance. Additional information: Material: Porcelain & Pottery Decoration Type / Colour: Blue & White Region of Origin:...

Hella Jongerius has collaborated with Porzellan Manufaktur Nymphenburg for many years creating humurous modern items in porcelain. The hand craft and attention to detail that Nymphen...

A beautiful bowl with amazing lustre glaze and hand painted gold details. Scandinavian Grace / Art Deco. Made by Josef Ekberg at Gustavsberg, Sweden, 1920s. Great condition. Stampe...

A gorgeous Arts & Crafts period pink and lavender glazed ceramic art pottery vase with floral motif By Van Briggle (signed to the underside) USA, Early 20th Century Measures: 5.13...

A beautiful bowl, with fine detailed decorations.

A rare ceramic bowl with overglaze paint decoration by Japanese imperial potter Makuzu Kozan ((1842–1916). Unlike the better-known works Kozan made for the expositions in the west and export to the foreign market, this piece exemplifies his work for the domestic market and the tea ceremony. The bowl was made in the so called "Utusushi" Ogata Kenzan (1663-1743), a celebrated Edo painter and ceramicist. Utusushi is loosely translated as "in the spirit of". It is not at all a simple imitation of a master, but a Japanese concept of embracing the spiritual essence of a master while the creator is free to mix in his or her own unique artistic interpretation and flavor. The bowl was made to hold fruits during the tea ceremony. It has a very distinguished form with a circular lower body morphing into a square upper portion that further opening with flared rim. The surface has a grey glaze onto which Asagao flowers (Japanese morning glory) on the vines were painted in a free and poetic style. White was used for the petals, green for the leaves with touches of gold highlight. Asagao, the symbol of the summer was rendered in the spirit of Ogata Kenzan, and interestingly the shape of the blossom echoes the unique form the bowl. It was likely reserved for the tea ceremony during the summer months. Under the base, Kozan was signed in black on a white porcelain plaque inlay. For two similar examples of Kozan's work Utusushi Kenzan, see Page 168-169 of the book: Sekai ni Aisa Reta ya Kimono Miyagawa Kozan Makuzu...

Beautiful ceramic sculptural ashtray in an array of gradient blue glaze. Although originally an ashtray, this piece transcends to a decorative piece...

Stunning very large French mid-century black matte and glazed green ceramic bowl, signed. This mid-century ceramic piece features magnificent colors of various shades of glazed green...

A striking and large studio pottery bowl decorated with a interwoven linear pattern in cream against a black ground. The shaped rounded bowl is finished in matt glaze and has an inci...

A very nicely potted and painted blue and white Kosometsuke plate of a desirable cobalt blue! Stunning piece with design of Turkish style Arabesque pattern and central a Lingzhi Fung...

Celadon kendi on footring, ribbed body and mammiform spout, long cylindrical neck ending in a splayed mouth with overturned rim. No painted decoration, As the large dishes, celadon k...

Quality antique Japanese blue and white imari plate having a quality antique Japanese imari blue and white plate, hand painted in wonderful ...

A great dish dating to most probably the second half of the 17th century, delicate painting and shape. Very interesting. With landscape scene with trees, birds, rocks and flowers. W...

⁠It's 17th century chinese porcelain, Ming period, made for the Japanese market. This unusual Kosumetsuke plate was used for the tea ceremony. Very nice⁠ The dish is strongly paint...

Mari Simmulson (1911-2000) for Upsala Ekeby. Large ceramic bowl. Hand-decorated with motifs of a bird, flowers in a vase, and a woman's face. Approximately 1960. Model 4063. Marked....

Majolica-style oyster plate or seafood platter by Vallauris Faience with a traditional-style impressed design but a distinctly midcentury decor of 'fat...

Beautiful ceramic bowl by Jerome Heck crafted in the Raku firing technique. This one of a kind piece stands on four legs and develops and opens upwards. The glaze has variations of greens that ondulate in shape around the bowl. Inside the bowl, different designs come forward (turtle figure...