Ceramic Bowls and Baskets

This is a fairly small Chinese Export Tea Bowl, all hand decorated in the Canton Famille Rose Medallion pattern and comes complete wit a carved...

A decorative I Karos pottery, I Caro collector polychrome hand painted and handcrafted in Rhodes, Greece ceramic wall decorative plate with an antelope, carnations and tulip polychrome design. The plate is decorated with a white, blue, aqua, green, and sienna red design and gilded with 24-karat gold. These are intricately, hand painted plates made in Rhodes, Greece by the famous I Caro pottery. Rhodes is famous for its kiln products, such as tiles and pottery, which are glazed and multicolored. It has a beautifully hand painted carnation and tulip in burgundy, light and dark blue and turquoise foliage. An Islamic ceramic plate in the Iznik style, painted in vivid colors with decoration of tulips and carnations. The back of the plate is signed and numbered, it has a string to the back for hanging. It is marked “handmade in Rhodes Greece by Ikaros Pottery...

A very fine Ruskin Arts & Crafts miniature art pottery bowl decorated with blue lustre style glazes by renowned potter William Howson Taylor (British, 1876 – 1935) dated 1913. Rusk...

Vintage Piero Fornasetti "Tema e Variazioni" porcelain plate depicting the face of the famous opera singer Lina Cavalieri, no.78 / made in Milano Italy circa 1960. Original mark on t...

Chinese export rose Mandarin porcelain bowl, circa 1820.

Large Meissen Porcelain serving plate/tray with hand painted floral motives and rich gold decor.

An earthenware bowl supported on a foot ring decorated with elaborate slip paint. The bowl was likely made in Kashan (in nowadays Iran) during 12-14th century, in Khwarazmian Empire,...

A heavy and well executed bowl designed by Gunnar Nylund for Rörstrand. Features dramatic colors in earth tones.

This is a hand painted Chinese Export porcelain dish, which we date to the 17th century, Ming Dynasty, Tianqi or Chongzhen c.1620-1640 The dish is fairly thickly potted with a fai...

A pair of Guatemalan clay cooking pots from the early 20th century. These antique vessels from Guatemala made of clay, each have rounded forms with rustic, decorative texture on thei...

This striking XXL ceramic bowl centerpiece features a bold geometric design, reminiscent of the iconic designs by ICS and Gambone. The shallow, wide form showcases a rich, dark glaze...

Vintage Midcentury Art Studio Pottery Bowl by Hans (Hanns) Welling for Ceramano Ceralux, West Germany 1960's. Red fat lava glazed ceramic dish. Signed at the bottom. This comes in ve...

A French 19th century jardinière basket from the School of Fontainebleau with high relief floral barbotine décor. Born in France during the 19th century, this exquisite jardinière fe...

Vintage pottery bowl and ice bucket from the series Tenera by Inge-Lise Koefoed for Aluminia of Denmark. In great vintage condition with no crac...

Art Deco Bohemian Ditmar Urbach Pottery Polar Bear bowl Videpoche. A Czechoslovakian 1930s pottery polar bear at ice pool figure / bowl / videpoc...

This blue and white Delft charger was hand-painted with a chinoiserie scene in the late 17th century. The decoration style was taken directly from Kraak porcelain...

Danish modernist decorative plate / wall decoration / centerpiece with strong graphic decor from the Tribal Harlekin series by ceramic artist Marianne Starck (1931-2007). Shiny bone white glaze with hand-carved sgraffito graphic lines and patterns in raw anthracite colored clay...

Majolica cherries Basket Sarreguemines, circa 1920.

This lovely Delft plate was hand painted in Bristol*, England, circa 1750-1760. The decoration extends from the center onto the border, covering the entire plate. It features a chino...

Painted at Chamberlain's Worcester around 1810, this dish draws inspiration from 17th-century Japanese Kakiemon palette and design. The style showcases enamels in a distinctive Kakie...

The "twin fish" dishes, emblematic of fertility and marital joy, are also recognized as one of the Eight Buddhist symbols. These dishes were prominently produced by the Longquan kiln...

"Veckla" vase designed by Stig Lindberg for Gustavsberg. Stig Lindberg designed the series in 1950, the series was composed of 12 bowls and vases with sculptural free form shapes. Th...

A gorgeous earth-toned, yellow, green, brown speckle glazed ceramic footed bowl by famed Austrian-born British potter Lucie Rie. The bowl is signed with Lucie Rie's impressed seal on the base. A rare and unique work. Simply a must for any collector of Rie's work or a beautiful stand-alone piece sure to light up any setting. Dame Lucie Rie...

An everyday example of Chinese blue-and-white porcelain, this 19th-century porcelain plate charms with expressive cobalt-blue decoration, sparsely brushed against a blue-grey field. ...

This large antique "Tian" (Provencal term for serving bowl), was crafted in Provence, southern France circa 1780. Round in shape, the handmade terracotta bowl has a subtle yellow gla...

This is the most chic, modern collection by Swarovski. And very RARE. Designed by Artist Martin Zendron for Swarovski Crystal Co, Austria in 2005, the edition was retired and com...

DYKA Centerpiece Bowl by ZEMNA Designed by Tetiana Krasutska. Dimensions: D 17 x W 25 x H 14 cm. Materials: Clay. Each object in the DYKA collection is unique because it is sculpte...

On offer is a Korean celadon bowl with elaborate slip inlays circa 13-14th century from the late Goryeo Dynasties (918 to 1392AD). Despite inspired...

A stunning English Art Nouveau large art pottery bowl decorated in flambe glazes by renowned artist Bernard Moore (British, 1850-1935) and dating from around 1910. The lightly potted...

Mid-century French ceramic whimsical cow vide-poche (circa 1960s) by Albert Thiry. A chalk-white glaze provides the backdrop for a colourful flower motif in the centre recess of the ...

A square Canton porcelain covered entree dish with dimpled corners. The decoration is in cobalt underglaze blue with a willow tea house pattern. The dish has a flaring rim with an in...

Minton Majolica fruit bowl, 12-ins. Dia., formed as a blind latticework basket with a turquoise interior, with a daisy chain molded rim, supported ...

French Art Deco ceramic plate by Roger MEQUINION, France, 1940s. Sand-etched decor. Diameter: 11.9" (30.2cm), Depth: 1.2"(3cm). Engraved signature "R.Méquinion" on the edge ((see ph...

DESCRIPTION: Large Oval Ceramic Sun Plate by Jean Lurçat, Circa 1950, France. Large oval ceramic plate, with central decoration of a stylized sun and leaves. Glazed yellow background...

Colorful hand painted Chinese famille rose porcelain bowl with social scenes and nature motifs of butterflies, florals, and birds Stamped with Qianlong f...

A set of two beautiful 'Våga' bowls. Stoneware with white 'Carrara' glaze. Made by Wilhelm Kåge at Gustavsberg Studio in Sweden, 1940s. Swedish Grace. Great condition. Impressed wi...

Large yellow hand painted porcelain jardinière bowl on a wooden stand.

Small cylindrical ribbed vessel by the Danish ceramist Arne Bang (1901-1983). Made circa 1930s to 40s. It is decorated with a green glaze with dark brown speckles. Marked on botto...

Midcentury decorative ceramic bowl (circa 1960s) by Albert Thiry (1932-2009). A Classic Thiry design and decoration scheme, this bowl's base co...

This large unique bowl has a wonderful glaze. It’s made in Sweden at Rörstrand and designed by Carl-Harry Stålhane. There is only one of its kind and is therefore a spectacular piece...

Sharing with you this very nice and unusual example of 18th century porcelain in famille rose with gilt combination. Absolute top quality painting Condition minimal rimfritting on...

Decorative Bowl or Dish, Ceramic in Red and Brown Enamel, Verceram France 1950 High quality ceramic bowl or vide poche, manufactured by French ceramic atelier named VERCERAM. They ...

A porcelain jewelry dish with equestrian horse scene, circa mid-20th century, Europe. An octagonal jewelry dish/small vide-poche with gold and emeral...

Majolica anthropomorphic frog wearing shirt-tails perched atop a shell form dish. The dish with incised indistinct numbers under the base. Dimensions: 3 1/2" W x 4" D x 4" H Condit...

This elegant Wedgwood charger was made in England in the late 18th century, circa 1785. Crafted from creamware, the charger features a meticulously painted geometric border composed ...

Ceramic bowl with Sardines decor, full-fire reduction faience earthenware 20 cm diameter, hand painted unique piece. Perfect decor for the wall or simply placed on a coffee table, th...

French Large Green Majolica Round Bowl or Basket Vallauris circa 1950. D / 11.4 inches. H / 3 inches.

Large antique French washbasin and its pitcher from the manufacture Jules Viellard Bordeaux (JVB). The model is Rouen. Rare to find ! Important pitcher and its basin in polychrome enamelled earthenware, model "Rouen", with decoration of lambrequins and vegetal scrolls, marks on the reverse in blue and marks in hollow «BH». Work of the end of the XIXth century. In 1835, this factory was bought by the Irish David Johnston. He then produced pieces inspired by the very competitive fine English earthenware of Staffordshire. His company will employ up to 700 workers. In 1844, Jules Vieillard, an employee of David Johnston, bought the factory in financial difficulty. It was renamed Jules Vieillard & Cie in 1845. Production is industrialized and refocused only on fine earthenware. This quality earthenware will be awarded at the Universal Exhibitions. - The pitcher : high : 33 cm / 13" length : 25cm / 9,9'' In good condition - The basin diameter : 41,5cm / 16,2'' high : 14cm / 5,5'' restored with the antique technique. You can see staples that were put on the bottom of the basin. It is a 19th century repair technique that we no longer know how to repair...

A large and impressive bowl by M.Anderson from the "transmutation" series.

This elegant pair of Wedgwood creamware baskets and stands has arcaded openwork along the borders. The pair was made at the Wedgwood Etruria factory in Stoke-on-Trent in Staffordshir...

Round ceramic vide-poche or low bowl in beige-brown earth tones. Scandinavian Mid-Century 1960s, produced by Palshus (Denmark), founded by Per and his wife Annelise Linnemann-Schmi...

Wilhelm Kåge for Gustavsberg, "Argenta" dish in ceramic. Green glaze decorated with a pear in silver. 1940s. Model number 1005. In excellent condition with natural cracks. Marked. Di...

1970s Mid-Century Modern handcrafted ceramic, pottery lemon basket or fruit plate in glazed dark green and black with yellow lemons, made in Vallauris. M...

Maiolica sugar bowl Antonio Ferretti Manufacture Lodi, Circa 1770-1780 Maiolica polychrome decorated “a piccolo fuoco” (third fire). It measures 3.54 x 4.52 x 3.54 in (9 x 11,5 x 9 cm) Weight: 0.394 lb (0.179 kg) State of conservation: small and slight chips on the edges. The small sugar bowl has a swollen and ribbed body resting on a flat base. The cap-shaped lid follows the rib of the container and is topped with a small knob in the shape of a two-colored fruit. The sugar bowl is painted “a piccolo fuoco” (third fire) with the characteristic floral motif of bunches and isolated semis. An example which closely corresponds to this one is kept at the Civic Museum in Lodi (G. Gregorietti, Maioliche di Lodi, Milano e Pavia, Catalogo della Mostra, Milano, 1964 n. 137). This decorative style represented a strong point of the Lodi factory, which established itself thanks to the vivid nature of the colors made possible by the introduction of a new technique perfected by Paul Hannong in Strasbourg and later introduced by Antonio Ferretti to Italy. The production process, called “piccolo fuoco” (third fire), allowed the use of a greater number of colors than in the past; in particular, the purple of Cassius, a red made from gold chloride, was introduced. Its use allowed for many more tones and shades, from pink to purple. The Ferretti family started their maiolica manufacturing business in Lodi in 1725. The forefather Simpliciano started the business by purchasing an ancient furnace in 1725 and, indeed, we have evidence of the full activity of the furnaces starting from April of the same year (Novasconi-Ferrari-Corvi, 1964, p. 26 n. 4). Simpliciano started a production of excellence also thanks to the ownership of clay quarries in Stradella, not far from Pavia. The production was so successful that in 1726 a decree of the Turin Chamber came to prohibit the importation of foreign ceramics, especially from Lodi, to protect internal production (G. Lise, La ceramica a Lodi, Lodi 1981, p. 59). In its initial stages, the manufacture produced maolicas painted with the “a gran fuoco” (double fire) technique, often in turquoise monochrome, with ornamentation derived from compositional modules in vogue in Rouen in France. This was also thanks to the collaboration of painters like Giorgio Giacinto Rossetti, who placed his name on the best specimens next to the initials of the factory. In 1748 Simpliciano made his will (Gelmini, 1995, p. 30) appointing his son Giuseppe Antonio (known as Antonio) as universal heir. After 1750, when Simpliciano passed away, Antonio was directly involved in the maiolica factory, increasing its fortunes and achieving a reputation on a European level. Particularly important was the aforementioned introduction in 1760 of the innovative “a piccolo fuoco” (third fire) processing, which, expanding the ornamental repertoire with Saxon-inspired floral themes, was able to commercially compete with the German porcelains that had one of its most renowned offerings in the naturalistic Deutsche Blumen. Antonio Ferretti understood and promoted this technique and this decoration, proposing it in a fresher and more corrective version, less linked to botanical tables, both with or without contour lines, as well as in purple or green monochrome. After efforts to introduce more industrial production techniques to the sector succeeded, even the Ferretti manufacture, in the last decade of the eighteenth century, started heading towards decline despite its attempts to adapt production to neoclassical tastes. In 1796 the Napoleonic battle for the conquest of the Lodi bridge over the Adda definitively compromised the furnaces. Production resumed, albeit in a rather stunted manner, until Antonio's death on 29 December 1810. (M. L. Gelmini, pp. 28-30, 38, 43 sgg., 130-136 (for Simpliciano); pp. 31 sgg., 45-47, 142-192 (for Antonio). Bibliography G. Gregorietti, Maioliche di Lodi Milano e Pavia Catalogo della Mostra, Milano, 1964 n. 137; C. Baroni, Storia delle ceramiche nel Lodigiano, in Archivio storico per la città e i comuni del circondario e della diocesi di Lodi, XXXIV (1915), pp. 118, 124, 142; XXXV (1916), pp. 5-8; C. Baroni, La maiolica antica di Lodi, in Archivio storico lombardo, LVIII (1931), pp. 453-455; L. Ciboldi, La maiolica lodigiana, in Archivio storico lodigiano, LXXX (1953), pp. 25 sgg.; S. Levy, Maioliche settecentesche lombarde e venete, Milano 1962, pp. 17 sgg.; A. Novasconi - S. Ferrari - S. Corvi, La ceramica lodigiana, Lodi 1964, ad Indicem; Maioliche di Lodi, Milano e Pavia (catal.), Milano 1964, p. 17; O. Ferrari - G. Scavizzi, Maioliche italiane del Seicento e del Settecento, Milano 1965, pp. 26 sgg.; G. C. Sciolla, Lodi. Museo civico, Bologna 1977, pp. 69-85 passim; G. Lise, La ceramica a Lodi, Lodi 1981; M. Vitali, in Storia dell'arte ceramica...

Large patinated Chinese Sang de Boeuf with Flambe glazed bowl, signed, early 20th century. A heavy, thick-bodied earthenware bowl with great color likely used for utilitarian purpose...

Large and monumental danish mid-century decorative dish by sculptor and ceramist Arne Ranslet (1931-2018) He was educated at the Danish Academy of Fine Arts, lived and worked on Bo...

Antique Edwardian quality Wedgwood Jasperware fruit bowl having traditional decoration in wonderful blue and white colours with a circular silver plated rim In perfect original co...

Moroccan large ceramic decorative serving bowl tajine polychrome with leather, stones and metal overlay with conical overlay lid. The bottom is a circular ceramic bowl and the top of the tagine is distinctively shaped into a cone. Handcrafted and hand painted with Moorish designs by artisans in Fez Morocco. Great decorative Moroccan Folk ceramic...