Ceramic Bowls and Baskets

Nice & Beautiful Arita Japanese Porcelain Kendi. FLoral Scene This 17th Century Japanese Export Porcelain Jug or Ewer, Arita Kilns c.1670-1690 is painted in lovely blue and white. T...

Wonderful pair of large 19th Century Minton Plates having a wonderful quality pair of large Minton chargers decorated with pastoral scenes in lovely gre...

Completely handmade porcelain bowl with a hands-free naturalistic painted hare figure with black spots. The Easter bunny is sitting in the middle of the bowl for decorating nuts or s...

A very nicely made pair of two 18th century Amsterdam Bont porcelain dishes. Most probably Qianlong period blue and white dishes with Amsterdam bont over-decoration of flowers, quails and parrrots. Truly museum pieces. We take a look at Amsterdams Bont porcelain from China. A relatively unknown niche of Chinese porcelain from ca 1680-1740 that was partly decorated in Europe. Because mainstream Chinese collectors have yet to discover the historical significance of these wares they are relatively easy to find in Holland. While also being highly interesting and of often super quality and with an amazing array of decorations. Amsterdams Bont is a name given to porcelain partly decorated in the Netherlands (most likely in cities like Delft, Haarlem, Makkum). Because Amsterdam was at this moment in time the trade centre of the western world and also of the porcelain trade a lot of this over enamelling was probably commissioned by Amsterdam merchants, to reap higher profits on otherwise boring Chinese wares. The name Amsterdam Bont probably derives from the fact that these type of decorated ware was sold by Amsterdam Merchants. Amsterdam Bont consists of either blanc or under glaze blue decorated Chinese porcelain of basic quality, that was later enhanced with red and sometimes other colours in the Netherlands. It must not be mistaken for other type of Chinese & Japanese blanc wares decorated in Europe. Those we simply call European Decorated Chinese porcelain. Amsterdam Bont really is easily recognisable by its colour and style. An interesting side note is that a similar process of overdecorating with red was done in London in more or less the same colours. Method of manufacturing. This enhancemend was done on “petit feux” or small fire at a lower temperature. This technique of baking enamels on a lower temperature that was perfected in the Delft around 1670-1680 to compete with the colourfull Japanese porcelain of the time. At the turn of the 17th c Chinese porcelain...

Large limited edition Salvador Dali decorative porcelain plate. Can be placed on the wall. Marked on the bottom, numbered, includes original box and certificate. Very good/excellent ...

This Antique French Provincial Tian bowl, dating back to the early 19th century and found in Provence, France, showcases a beautiful light yellow glaze with ...

Quality antique Japanese imari bowl having a lovely antique Japanese imari bowl with wonderful hand painted panels with leaves, trees and flowers in wonderful red, blue, green and wh...

A charming mid-20th century ceramic dish by French ceramicist Gustave Reynaud, produced in Vallauris. The piece features a hand-painted stylized bird surrounded by floral elements, r...

Vintage Ceramic Pot Dimensions. 9 1/2 W ; 8 D ; 4 H.

Exctraordinary contemporary Japanese porcelain decorative charger, extremely intricately hand painted in an auspicious karakusa pattern...

A Rare Porcelain Dish, Arita Kilns. Additional information: Material: Porcelain & Pottery Type: Plates Region of Origin: Japan Country of Manufacturing: China Period: 19th century, ...

A pair rare, good conditioned, and quality painted plates. Very nicely decorated piece with good details. Jiaqing period (1796-1820). Additional information: Material: Porcelain &...

Georges Jouve's Ceramic cup or vide-poches "La Figue" signed with apollon mark Measures: 15 x 15 cm.

19th century French hand made and hand painted large fine ceramic bathroom plate with a special soap place marked by GIEN. Very good condition with no restorations. France, circa 1880.

A wonderful vintage Mid-Century Modern California Studio art pottery bowl by San Francisco based ceramicist Helen Faibish (1933-2019) featuring her coveted trademark metallic bronze ...

A very nice blue and white dish of round shape. Unusual painting. Early Edo period. Dating to 1660-1680 Similar objects in Shibata collection Chenghua marked Additional informati...

Antique 19th c Meji Imari Japanese Porcelain Bowl Arita Japan. A nice and beautiful example. Additional information: Material: Porcelain & Pottery Region of Origin: Japan Period: 1...

English Victorian Sunflower Box Circa 1890.

Wilhelm Kåge (1889-1960), Kåge Verkstad Gustavsberg. Hand-glazed ceramic bowl with blue glaze. circa. 1960s. Marked. In great condition. Dimensions: D 17.6 x H 5.0 cm.

Beautiful set of five 19th-century Fajalauza deep bowls from Granada, Spain. Each piece is hand-painted in cobalt blue on a white tin glaze, featuring classic Andalusian floral and f...

A woven ceramic bowl from Vallauris by Clement and Jerome Massier. Marked by les Fréres Massier on the bottom.

A Delft Polychrome Earthenware Plate, 18th Century With scenic tondo bordered by floral marly. Provenance: Private Australian Collection. Dimensions: Height: 4cm. Diameter: 35.5cm....

Christina Muff (born 1971), contemporary Danish ceramic artist. One-of-a-kind, hand-built, large stoneware vessel. The vessel is covered in a shiny silver, metallic glaze. This v...

A superb example of an English Fairyland Celestial Dragon lustre footed octagonal bowl by Daisy Makeig – Jones, of seldome offered large proportions. Stunning lustre exterior in sh...

Green and blue glazed ceramic bowl with metallic highlights by Gisèle Buthod Garçon. Raku fired. Artist monogram under the base. Circa 1980-1990. H : 4.3’ x 6.7’ inches. - Born ...

Sharing with you this beautiful Chinese porcelain dish of large size. Top Quality Blue and white porcelain. Qianlong period, ca 1735-1740 Additional information: Material: Porcelain...

This signed earthenware vase, masterfully hand-thrown, showcases a distinctive design characterized by its unique shape and flat side. Its surface is adorned with a glossy glaze that...

Unique Japanese contemporary porcelain charger in light red, black and yellow, set against a beautiful red background decorated with an extremely intricate decoration in gold, a sign...

A charming and early bowl designed by Josef Ekberg for Gustavsberg. Wonderful color and glaze with a floral motif. Signed on reverse "Gust...

Porcelain decorated in Japan Edo , c. 1700 Saucer dish Additional information: Material: Porcelain & Pottery Type: Tea/Coffee Drinking: Bowls, Cups & Teapots Category: Blue & White ...

19th century bowl, Napoleon III period, in painted porcelain and gilded bronze, Louis XV style. Dimensions : H: 29cm, W: 46cm, D: 24cm Contact us before ordering to confirm product...

Beautiful mid century bowl by the well known artist / designer Pol Chambost . This plate in fish shape maybe was part of large serving set .

American Stoneware Rectangular Bowl with Chocolate Box Motif A finely crafted American stoneware bowl, distinguished by its thin-walled construction and irregular rectangular form. ...

Biot, France. Large ceramic bowl. Organic form. Matte glaze in dark tones. 1970s Signed with artist's signature. Appears in excellent condition with some scratches on the bottom of t...

Elio Schiavon (1925-2004), Italy. Unique ceramic bowl with blue glass inlay at the bottom. Glaze in green and turquoise tones. With the motif of a face. Approximately from the 1970s...

In China, the term qingci "青瓷" (literally meaning blue-green porcelain) is used to designate ceramic objects of gray-green color, with the first character representing blue or blue-green color "青". Various epithets were used to describe this color: "heavenly azure" "天青" (tian qing), "dusty blue" "粉青" (fen qing), or "after the rain passes, the sky becomes blue" - yu guo tian qing "雨過天青", which idiomatically means the arrival of good times after troubles. The characteristic gray-green color is obtained by adding iron oxide to the glaze. During the chemical reaction in reduction firing (i.e., without oxygen access) of the ceramics, the iron contained in the glaze acquires a blue, gray, or greenish hue. During the Song (宋), Yuan (元), and Ming (明) dynasties, the art of Chinese celadon ceramics...

An Imposing Hand Painted Chinese Export Porcelain Twin Handle Enameled Soup Tureen or Centerpiece of large proportions and traditional form, made during last quarter of the Eighteent...

A very nicely decorated dish in unusual palette, flowers in overglaze blue. Qianlong/Jiaqing. Additional information: Material: Porcelain & Pottery Decoration Type / Colour: Polychr...

A vintage ceramic bowl in a textured volcanic blue and green glaze made by Marcello Fantani for Raymor, Italy. Artist: Marcello Fantoni Distributor: Raymor Year: 1950s Origin: It...

This Ming-dynasty (1368-1644) bowl is attributed to the kilns of Yunnan province, painted in dark cobalt underglaze with floral motifs and sweeping brushstrokes. Dated to the 15th/16...

A stunning hand-painted and raised gilt Royal Vienna style plate signed 'Nach Angelica Kauffmann'.

A very nice and beautifully decorated pair of 2 Qing period dishes with a scene of flowers. The painting quality is very nice. Additional information: Material: Porcelain & Pottery ...

An Art Deco Gouda pottery bowl produced by Zuid in Holland in 1923. Decorated in the highly distinctive Collier pattern, this hand-painted earthenware bowl showcases the bold colour ...

Wonderful Art Nouveau large ceramic handled bowl or basket by German artist/designer Wilhelm Süß for Karlsruhe Majolika (Majolica) circa 1910. He was one of their top designers at th...

This hand-thrown faience bowl exemplifies the rustic charm of traditional Fajalauza ceramics, a craft dating back to the 16th century in Granada. Decorated in cobalt blue on a creamy...

Israeli Mid-Century Lapid Sgraffito Glazed Ceramic Bowl (companion pieces REG4743A-M)

This extremely rare plate celebrates the 1928 Summer Olympics in Amsterdam with an image of Chiron -- the centaur who was considered wiser and higher than his fellow centaurs, and wh...

A big dish in the style of Guidette Carbonell with brown glaze decoration. Perfect original conditions, circa 1940-1950. Unique piece.

Large shaped piece with generous glaze and a naive face motive. Gitte Hauptmann is a danish self-taught painter and visual artist born in 1934. She is the daughter of the painter Sv...

1920's Hand-Crafted Danish Art Nouveau Pekingese Dog Ash Tray / Bowl by P. Ipsens Enke. The art nuveau ash tray / bowl feature a well made lively pekingese dog and was designed by...

19th Century Spanish Manises Bowl, features a white base with blue, green, yellow, and orange patterns, including a stylized bird and floral elements around the rim.

Gunnar Nylund for Nymølle. Dish / bowl in glazed ceramics. Beautiful glaze in light brown shades. 1960s. Measures: 37 x 6 cm. In excellent condition. Signed.

Arne Bang (1901-1983), Denmark. Round bowl / dish in glazed ceramics. Model number 50. 1940s / 50s. Measures: 27.5 x 5 cm. In excellent condition. Signed.

Rare antique Royal Crown Derby footed dish / bowl / compote featuring the vibrant Olde Avesbury pattern with Phoenix birds and floral accents. The dish has two handles with a reticu...

A light blue lustre bone china bowl designed by Daisy Makeig-Jones for Wedgwood circa 1915, beautifully decorated with an aquatic scene. When examinin...

Large cup / vide poche by Bruno Gambone Measures: H 10 cm x D 26 cm Signed Gambone Italy at base.

Very cool 17/18C Delft Porcelain plates with hand painted decoration. Inspired on Chinese pieces from the same period. Very interesting scene of a garden landscape with houses & Scho...

Gunnar Nylund for Rørstrand. Bowl in glazed ceramics. Beautiful blue glaze. Mid-20th century. Measures: 16.5 x 6 cm. In perfect condition. Stamped.

The ceramic charger is an example of the kind of work by which John Glick became so famous. He was seduced by the effects of the reduction kiln, which decreased the levels of oxygen during firing, inducing the flame to pull oxygen out of the clay and glazes changing the colors of the glazes depending on their iron and copper content. In this way he achieved the rich gradients of ochre and umber and variations in stippling and opacity. It is signed by the artist and stamped with Plum Street Pottery on the verso. John was an American Abstract Expressionist ceramicist born in Detroit, MI. Though open to artistic experimentation, Glick was most influenced by the styles and aesthetics of Asian pottery—an inspiration that shows in his use of decorative patterns and glaze choices. He has said that he is attracted to simplicity, as well as complexity: my work continually reflects my re-examination that these two poles can coexist… or not, in a given series. Glick also took influences from master potters of Japan, notably Shoji Hamada and Kanjrio Kawai, blending their gestural embellishments of simple forms with attitudes of Abstract Expressionism. He was particularly drown to the work of Helen Frankenthaler whose soak-stain style resonated with Glick’s multi-layered glaze surfaces, which juxtaposed veils of atmospheric color with gestural marks and pattern. He spent countless hours developing and making his own tools in order to achieve previously unseen results in his work with clay and glaze. Glick’s “Plum Tree Pottery” (now a designated historic landmark in Farmington Hills, Michigan) studio opened around 1965 and closed in the summer of 2016. It was a private studio space for John and a number of his students and assistants. He believed his shapes evolved guided by forces apparently outside his control. This was instinctual, intellectual and due to his openness to change, fusing into what he thought was the most positive force behind a potter’s approach: evolution and growth. Some have called it inspiration. John was not only a major figure in the Detroit creative community, but in the ceramics world at large. According to Shelley Selim in her book on John, “John Glick: A Legacy in Clay” John remains: “one of the most recognizable names in the field of studio pottery – known for lecturing, publishing, and offering workshops widely – and his work has been featured in well over a hundred local, national and international exhibitions since he was a college student in the late 1950s.” Along with this John has mentored over thirty studio apprentices over five and a half decades, received numerous grants and awards for his work, and has been prolific, with an estimated 300,000 ceramic wares throughout the world. He received his Masters from Cranbrook Academy of Art in Bloomfield Hills, Michigan, working with Maija Grotell, a legendary and influential teacher. Grotell was noted for her deep interest in the human connection to nature’s rhythms and patters. These ideas often grounded her dialog with her students including Glick, affecting, a profund and lasting influence on his future work. This famous Art Academy was designed by architect and faculty member, Eliel Saarinen who collaborated with Charles and Ray Eames on chair and furniture design. Numerous creative artists who are alumni of Cranbrook include: Harry Bertoia, Florence Knoll, Jack Lenor Larsen, Donald Lipski, Duane Hanson, Nick Cave, Hani Rashid, George Nelson, Urban Jupena (Nationally recognized fiber artist), Artis Lane (the first African-American artist to have her sculpture, "Sojourner Truth," commissioned for the Emancipation Hall in the Capital Visitor Center in Washington DC), Cory Puhlman (televised Pastry Chef extraordinaire), Thom O’Connor (Lithographs), Paul Evans (Brutalist-inspired sculpted metal furnishings), Eugene Caples (small bronze images/abstract), Morris Brose (Bronze Sculptures), Herb Babcock (blown glass), Larry Butcher (mixed media) and Lauren Anais Hussey...

An antique brown-clay plate from Magyarlapos, Transylvania, dating to the early 20th century. The hand-thrown earthenware form has a shallow well and scalloped rim, richly hand-paint...