Inlay Decorative Boxes

19th century folk art box, with burl wood veneer and mother of pearl and fruit wood inlay. The surface decorated with geometric, diamond and star motifs. The raised top with a banded...

Japanese wooden box with inlay marquetry (Meiji 1868-1912) by HAKONE YOSEGIZAIKU

A rare and exceptional Baroque period Flemish or Dutch red tortoiseshell, bone, horn, ebony, and rosewood lift-top chest with drawer, circa 1725, mounted on a later stand. 17th/18...

A 19th century French ebonized box with brass inlay, the lock signed Vervelle Faut. Vervelle was a famed French maker of boxes, caskets and cabinetry, renowned for their fine craftsm...

FREE WORLDWIDE SHIPPING Opposing Pair of Boulle Boxes From our Boxes collection, we are delighted to bring to market this pair of opposing French Boulle Boxes. The Boxes are of re...

This rare Art Deco straw marquetry lidded box is attributed to French designer Jean Michel Frank. The piece was expertly crafted in France circa 1930. The rectangular shape is stunni...

FREE WORLDWIDE SHIPPING Casket Shaped boulle Sewing Box with Full Contents From our Sewing Box collection, we are delighted to introduce to the market this English Boulle Sewing B...

Antique 19th century Napoleon III era French Marquetry Boulle box. Red and black tortoiseshell with foliate brass inlay. Decoration on top includes the monogram LS. Rectangular form ...

Stunning English Regency Sterling Silver & Tortoiseshell Card Case, circa 1815 This exceptional English Regency card case, dating to the early 19th century (circa 1810–1825), exempl...

Old wooden box, jewelry, or trinket box made of inlaid wood pieces, marquetry box with a geometric chevron design, circa mid-20th century. This wooden box is of high quality and a f...

A small Sinhalese Porcupine Quill Box with a sliding lid. The panels of porcupine quill panels arranged in a chevron pattern, bordered with ebony and bone inlaid banding. Ceylonese ...

Mughal style pietra dura marble box - hand made - featuring an over-all floral and vine design with lapis lazuli, mother-of-pearl and black onyx inlay - signed on the base and the li...

English Regency mahogany box with satinwood inlay. The four corners of the top are inlaid with lovely triangular scalloped decoration. All the border molding are also satinwood inlay...

Stunning and great condition, brass Secessionist box with amazing inlay and the original key. There are -for good reasons- collectors of the Vienne...

An Anglo Indian bone, ebony and metal inlaid sadeli work box with portable writing desk, Bombay, circa 1850. The sandalwood body of faceted recta...

Elegant vintage footed wooden music box with top finely hand painted and inlaid with foliages floral decor. Vintage Italian wooden music box with marquetry inlay featuring a lute and flowers. Marquetry is the art of creating decorative designs using different materials, commonly thin pieces of wood. Handcrafted Jewelry music box, made in Italy with lacquered finish, wood Inlay, red felt lined with hinged lid. The music box has a Swiss Reuge music box...

Architectural Model Box of the Alhambra Palace, with Key Handcrafted in Granada, Spain, Circa 1960s A stunning architectural model box that showcases the ...

The Paris based label has distinguished themselves since their launch, with their iconic use of shagreen mixed with brass and other exotic materials. All furniture is handcrafted by ...

Exquisite mother of pearl inlaid lacquer elephant motif tissue box, Intricately inlaid all over with numerous elephants in landscape. Fitted with a si...

A finely crafted Japanese tabletop cabinet from the early 20th century, this compact storage piece is richly detailed with traditional decorative techniques and export-era flourishes...

A 19th Century Biedermeier Swedish Jewelry box in oak with an ornamental inlay decoration. The fine intarsia work, featuring a floral pattern, is...

Heavily Inlaid with Mother of Pearl and Abalone From our Writing Box collection, we are pleased to offer this stunning Antique Inlaid Writing Box by Hausburg. The Writing Box of rec...

An antique 18th century New England dovetailed and boxwork inlaid document chest in butternet and walnut.

Stunning mosaic design, this intricate quite large wood jewelry box is made from multiple micro pieces of wood, mother of pearl with some possib...

Brulé means 'burnt' in French. Raw and delicate, the Brulé boxes evoke the idea of baked earth or ashes. There is a powerful energy in the details of decisio...

1950s Decorative Brutalist MCM Inlaid Burl Specimen Wood Box by Norman Brumm This small but striking 1950s decorative box by Norman Brumm showcases the artist’s signature Brutalist ...

A beautiful black and white geometric pattern made of bone. The geometric pattern is intricately placed. The box would be a complement to any table - side table, cocktail table or ...

Indian Silvered & Enamel Engraved Bronze Elephant Automaton Swiss Music box This exceptional mid-20th-century Indian silvered and enamel-engraved bronze elephant automaton music box...

Desk box set of dices designed by William Spratling. This is a very decorative desk box with dices created in Taxco Mexico by the silversmith and jewelry designer William Spratling,...

An exceptionally fine quality example of an early 19th century burr wood campaign writing slope, in beautifully grained burl, with polished brass inlaid, of French origin. Opening to...

Music play box, around 1960s, made in Switzerland. Wood inlays. Plays " Love story " Music Hight when open: 19cm.

Middle Eastern Mosaic Wooden Inlaid Marquetry Box Game Backgammon and Chess. Middle Eastern Micro Mosaic Wooden Inlaid Marquetry Box. Large vintage Moorish Syrian style micro mosaic ...

1950s Anglo Indian Micro Sadeli Mosaic Inlaid Jewelry Box. DIMENSIONS: 7ʺW × 7ʺD × 2.5ʺH. Indo Persian Moorish style micro mosaic inlaid jewelry box with lid. Intricate inlaid Anglo ...

Stunning mosaic design, this intricate wood box is made from multiple micro pieces of wood with some possible bone inlays. Gorgeous craftsmanship. A true work of art. Would be a g...

Inlaid with floral sprays of engraved mother of pearl and brass From our Sewing Box collection, we are delighted to offer this William IV Rosewood Inlaid Sewing Box. The Sewing Box ...

Antique 1940s Mosaic Shell Inlaid Decorative Middle Eastern Islamic Box. Mosaic Luxury Decorative Middle Eastern Islamic Vanity Box. Middle Eastern Asian Mosaic Wood Box with Inlays ...

A large and very good quality French Art Deco style jewelry box made of walnut with fruitwood inlay. Hand-crafted with an eye to details. Grea...

Handcrafted marquetry Moorish wood inlay micro mosaic with miniature hand painted scene. Handcrafted khatam wooden box with very delicate micro mosaic marquetry from the ancient Pers...

This is a wonderful antique French Gonçalo Alves marquetry and ormolu mounted casket, circa 1860 in date. The casket of bureau form has a lift up top and is inlaid with a marquetry ...

Presenting an absolutely stunning 19c Anglo Ceylonese sewing box of museum quality. Made in Ceylon (now Sri Lanka) circa 1860, this is one of the finest sewing boxes of it’s kind that we have ever seen! The box is made from coromandel wood (an exotic hardwood found in Ceylon) and has a serpentine edging all over the front, back and sides. Very often the lids/tops of these boxes suffer cracks due to shrinkage but this one is near perfect with no crack in the lid/top. There is some evidence of natural shrinkage but that is around the edges of the lid/top. It is when you open this box that it reveals it’s true beauty, quality and treasure ! The inside of the lid/top is heavily and beautifully decorated with inlaid bone in scrolling floral patterns which have then been hand painted with red and black ‘lac’ ink. The central medallion is a circle of inlaid specimen exotic hardwoods radiating towards a central bone and hand painted flower. The circle is edged in bone, wood and silver chevrons. What makes this box Exceptionally rare is that it contains 3 lift out base sections. Normally, there would be a maximum of 2. The first tray/section is clearly for the purposes ancillary to sewing with a pair of sections with bone spools for thread etc. There are 17 other lidded compartments with each one highly decorated using hand painted bone and specimen woods to replicate tortoiseshell. The first tray lifts out to reveal a second removeable tray which is made up of a pair of open sections and 8 specimen wood lidded sections each with chevron banding. The third tray is a smaller tray underneath with 14 lidded compartments each with hand painted bone and specimen wood inlaid lids again, replicating the look of tortoiseshell. Again they are banded with a chevron border. This is a museum quality piece ! It is in fantastic condition for it’s age with the minor shrinkage to the edges of the lid/top, some finger pulls missing and some very minor cracks to the tray lids and bases but nothing that in any way detracts from the piece. No key. Dimensions: Closed the box is 16.75 inches wide, 11.25 inches deep and 7.5 inches high Fully open the box is 16.5 inches high, 16.75 inches wide and 11.4 inches deep Anglo-Indian and ceylonese boxes: Anglo Indian boxes were made in India for the English residents from the early part of the 18th century. They were brought back or sent back to England usually by the people who had commissioned them. From the beginning of the nineteenth century they were imported more commercially, although not in any significant numbers until the middle decades. They were very highly valued, especially the early ones, to the extent that the designs were copied on late 19th and early 20th century tins. Anglo-Indian boxes normally consist of 3 main types:- (1) Most of the best and highest quality Anglo-Indian boxes in the 18th and 19th centuries were made in Vizagapatam, India, renowned for its exquisite craftsmanship in using ivory and tortoiseshell and lac decoration. These are referred to as ‘Vizagapatam Boxes...

Circa 1901, Erhard & Söhne, Germany, a Jugendstil/Art Nouveau brass and rosewood string box, decorated in the round with children playing tug-of-war. The lid is beautifully decorated...

There is type of English sweet called a Licorice Allsort. They are made in different layers and some have little balls covering them. The red lacquer and the little white pieces of e...

19th century American folk art box with decorated with inlaid hearts, diamonds, triangles and shields. Possibly sailor made, this sweet little box was likely a valentine or keepsake ...

Exquisitely crafted early 20th century Anglo Indian micro mosaic Sadeli box with gorgeous antique Persian geometric pattern. The finely detailed box featu...

A fine and elegant Korean black lacquer and abalone mother of pearl inlay "longevity" box, circa 1930s, Korea. The box, most likely used to sto...

A scarce fine quality antique silver-inlaid solid brass betel nut box (Lutuan), dating to the second half of the 19th / early 20th century, hand-crafted in Mindanao, Philippines. Boxes such as this were used to store the areca nut (also known as the betel nut) which would be wrapped in a betel leaf with lime paste and other ingredients, often tobacco, for chewing. Similar to the European tea caddy, these boxes often served as a way to impress while showing off ones wealth. Betel chewing was prevalent in the southern Philippines as in much of the rest of Southeast Asia. Wealthier Maranao families on Mindanao were able to afford elaborate silver-inlaid brass betel boxes such as this example. Such boxes were used to show off to guests and from which they were offered betel and the other component such as leaves and lime to make up the betel quid. Rare large size, most extant examples of such boxes tend to measure around 5 inches in length. At slightly more than 7.75 inches the example here is larger than most. The distinctive decorative box features a very heavy strong-box like rectangular shaped chest form with canted corners, copper handles, and a conforming hinged lid, lifting open to reveal an interior divided into three compartments covered by four hinged lids. Each of these doors is inlaid with silver in stylized orchid flower patterns. Exceptionally executed throughout, the arabesque silver inlaid exterior is decorated to the top with a large orchid motif within scrolling obid-obid (stylized rope) borders. The front, back and sides are inlaid with sets of stylized tail feathers of the sari-manok bird beneath which are unusual, highly stylized whimsical zoomorphic faces that appear like cat or tiger faces. (Such stylisation is accounted for by Southeast Asian Islamic preferences to avoid the overt and this potentially idolatrous representation of animal and human forms. Designs such as these are drawn from a local design repertoire that has its origins in wood carving. Although the spread of Islam in the Philippines began in the 14th century, mostly through the influence of Muslim merchants from the western Malay Archipelago, decorative arts in this design remain exceptionally rare. This lutuan represents a fine example of Islamic metalwork from the most eastern outreach of Islamic art and civilisation: Mindanao island being significantly further east than even China – artwork from Islamic Southeast Asia remains chronically under-represented in the world’s major collections of Islamic art. PROVENANCE / ACQUISITION Acquired from highly reputable auction house, Austin Auction Gallery, established 1983, Austin, Texas. References Brownrigg, H., Betel Cutters...

Water flowing over rocks creates a contrast between the sparkle of the water and the relative opacity of the rocks. In these boxes black lacquer pours over natural shells that glow a...

Heading : Tunbridge Ware – Wedge-Shaped Stationery Box with Isometric Cubes and Floral Mosaic c1870 Date : c1870 Period : Victorian Origin : Tunbridge Wells – Thomas Barton Decoratio...

A beautiful Tile Mosaic and Brass box with wooden interior - the box is made in Taxco by Salvador Teran, who started the famed Los Castillo shop. The maker of the box is likely Salv...

Mid 19th century Tunbridge ware stationery box by Edmund Nye, manufacturer. The dome-shaped top is inlaid with a specimen parquetry panel, crossbanded with boxwood and stringing and...

An antique English Tunbridge box with geometric inlay, hinged lid, red velvet interior, felted bottom and comes with working key. The box with a diamond form inlaid medallion flanked...

"Imperial Manufacture Of Tula, Russia, End Of The 18th Century. Steel Sewing Box" Russian work from the imperial factory of Tula from the end of the 18th century. inlaid with copper ...

Maitland Smith 1980s large tessellated stone and brass inlay decorative box. Light pink stone with light pink detailing. Brass banding retains unpolished patina.

Large vintage Moorish wedding jewelry box inlaid with semi-precious agate stones and covered with brass and silvered metal filigree. Large circular Moorish Middle East jewelry...

Exuding timeless sophistication, this exquisite straw marquetry decorative lidded box is attributed to the legendary French designer Jean-Michel Frank (1895-1941). With its elongated...

PRESENTING A GORGEOUS 19C Anglo Indian Highly Carved Sadeli Mosaic Sarcophagus Sewing Box. Made in Bombay, India circa 1860-80. Box made of sandalwood with highly carved teak wood reliefs and panels on all sides. Edged with bone and ebony veneers and glorious sadeli mosaic, made from tiny pieces of faux ivory, pewter, green semi-precious stone. The box is in a sarcophagus form with domed lid. The original brass carry handles are on the sides. The interior is in great condition and consists of a removeable mirror under the lid portion, with the original red velvet lining behind it. The base is removeable and contains a number of lidded compartments. 6 of the interior lids on the base, are each inlaid with sadeli mosaic banding. The rest are also carved and chased. The interior is fully complete with 7 lidded faux ivory/bone, thread canisters with sadeli domes and the original bone thimble. The box sits on 4 brass ball or bun feet with the original velvet lining on the base. Some minor repairs and losses, but this box is fully complete. This is ‘rare’ as many of these boxes have not survived in such condition! Included in the sale are 2 photos that were in the box (under the base tray). Interestingly, one of them is a view of downtown Nassau, New Providence (Bermuda) from the early 20C and stamped on the rear. What a ‘journey’ this piece has made! Made in India … travelled to Bermuda, probably via Britain … back to Ireland (where we bought it) …. then to Texas! These boxes were made by superb Indian craftsmen, specifically for sale to the ruling British elite. These types of boxes, carved padouk and sandalwood, (whilst beautiful and superbly crafted) were of a lesser quality, than the more profusely and intricately mosaic inlay, tortoiseshell and ivory boxes, made for the British ‘Upper Classes’ in the areas of Bombay and Vizagapatam. These type of boxes were much more affordable back in 1880 (and indeed today) and would probably have been bought by mid-level diplomats, civil servants or visitors. Sewing boxes (in general), were in EVERY Victorian home in Britain in the 19th Century and like other boxes etc were ‘status symbols’ of your place in society! The more ornate the box, the more ‘Upper Class’ you were! Of it’s type, this one, is one of the very higher quality one’s, than the norm! SADELI MOSAIC: “Anglo Indian boxes were made in India for the English residents from the early part of the 18th century. They were brought back or sent back to England usually by the people who had commissioned them. From the beginning of the nineteenth century they were imported more commercially, although not in any significant numbers until the middle decades. They were very highly valued, especially the early ones, to the extent that the designs were copied on late 19th and early 20th century tins. The ancient art of Sadeli Mosaic is said to have been introduced from Shiraz in Persia via Sind to Bombay, a long time before the Anglo Indian boxes were made. It was a technique, which required a high degree of skill and patience. It was executed very lavishly, in that the frequent cuts wasted a great amount of the precious materials used. The workmanship was however more than commensurable to the value of the materials. Ivory, silver, pewter (or other metals), wood and horn were cut into faceted rods which were bound together to form geometric patterns. When the glue has set, the rods were sliced in transverse sections. This gave the maker a number of angled circular pieces in the original pattern. Several variations of patterns could be achieved by combining the materials in different ways. The ivory was sometimes dyed green to give an extra color. The mosaic pieces in a combination of patterns, often separated by ivory, ebony, horn or silver stringing were used to veneer sandalwood boxes. In the early boxes, which date from the turn of the 18th to the 19th century, there are large panels of mosaic covering tops and sides of boxes. It took incredible skill to cover such large areas without any shakes or wavering of the pattern. The corners and joins on these boxes are impeccably matched. The makers (reputed to be Persian) of Sadeli mosaic made in the first two decades of the 19th century displayed a total understanding of the qualities of the different materials they used. They combined substances, which can expand and contract according to atmospheric conditions with others, which are hard and unyielding. The result was a sharp definition of the lines and patterns, which made up the whole design. On the early boxes the designs look deceptively simple. The fact is, they emerged from a culture, which had mastered geometry and understood how to generate a pattern from a set number of points. The patterns are so harmoniously combined that their incredible complexity is not immediately apparent. The earliest Sadeli boxes...

Unique low cabinet with intarsia designed by the architect, artist and craftsman Viktor Lurje (1883-1944) and manufactured by Wiener Werkstätte GmbH, circa 1926. Together with Oskar ...

One of a kind and all hand-crafted, good size antique box by Alfred Daguet (1875-1942). Alfred Daguet was a French craftsman/metalsmith, active around the early 1900s and who specia...

A fine Korean iron box with intricate silver inlay dated to the late Joseon Dynasty circa 19th century. The body of the box is made from iron of a heavy weight although the wear on t...

Anglo Indian rectangular porcupine quill, bone and parquetry box. The box with a hinged lid that opens to reveal embossed red velvet lining and a decorated wood panel...