Medieval Jewelry Boxes

Fine doré bronze mounts. Hand painted scene under glass. This box is signed by maker on the lock.

Walnut veneered. Footed. Silk-lined. Key is included.

A slim and elegant box of highly figured rosewood divided into multiple panels, each bordered with narrow boxwood string inlay. The box rests on small wooden ball feet in faux painte...

This is a vintage deed box. An English, Art Deco iron document or deposit chest, dating to the early 20th century, circa 1930. Displays a desirable age...

Mexican chest. New Spain, 18th century. In polychrome wood. Slight paint losses on the lid. Measurements: 7 x 16 x 6.5 cm. Wooden chest from the vicerega...

A Fantastic 19th Century French Louis XVI Style Dore Bronze Mounted Blue Opaline Crystal Box. The box is composed of two sections of French opaline crystal which are mounted to a fa...

This box is a jewelry box or a decorative box. It was made in the 1970s, in France. Its lid is made of a checkerboard rectangle in wood. It is brown in color.

Lidded Brutalist Hand Made box in hammered brass with interesting floral details. Catches light beautifully - a complement to any surface. Can be used as a jewelry box, 420 stash box...

An exceptional Indo-Portuguese colonial mother-of-pearl veneered casket with silver mounts India, Gujarat, 2nd half of the 16th century, the silver mounts Goa or probably Lisbon Measures: H. 16 x W. 24.6 x D. 16.1 cm An exceptional Gujarati casket with a rectangular box and truncated pyramidal lid (with slopes on each side and a flat top) made from exotic wood, probably teak (Tectona grandis), covered with a mother-of-pearl mosaic. The tesserae, cut from the shell of the green turban sea snail (Turbo marmoratus, a marine gastropod) in the shape of fish scales, are pinned to the wooden structure with silver ball-headed nails. The casket is set on bracket feet on the corners. The masterfully engraved decoration of the silver mounts follows the most refined and erudite Mannerist repertoire of rinceaux and ferroneries dating from the mid-16th century. The high quality and refinement of the silver mounts and, likewise, the silver nails that replaced the original brass pins used to hold the mother-of-pearl tesserae in place indicate the work of a silversmith probably working in Lisbon in the second half of the 16th century. The Indian origin of this production, namely from Cambay (Khambhat) and Surat in the present state of Gujarat in north India, is, as for the last three decades, consensual and fully demonstrated, not only by documentary and literary evidence - such as descriptions, travelogues and contemporary archival documentation - but also by the survival in situ of 16th-century wooden structures covered in mother-of-pearl tesserae. A fine example is a canopy decorating the tomb (dargah) of the Sufi saint, Sheik Salim Chisti (1478-1572) in Fatehpur Sikri in Agra district in the state of Uttar Pradesh, north India. This is an artistic production, geometric in character and Islamic in nature, where usually the mother-of-pearl tesserae form complex designs of fish scales or, similar to the dishes also made using the same technique, with the thin brass sheets and pins, stylized lotus flowers. The truncated pyramidal shape corresponds, like their contemporary tortoiseshell counterparts also made in Gujarat, to a piece of furniture used in the Indian subcontinent within the Islamic world prior to the arrival of the first Portuguese. This shape, in fact, is very old and peculiar to East-Asian caskets, chests or boxes used to contain and protect Buddhist texts, the sutras. A similar chest is the famous and large reliquary chest from Lisbon cathedral that once contained the relics of the city's patron saint, Saint Vincent. Both match in shape, having the same kind of socle or pedestal and bracket feet, and in their engraved silver mountings, featuring the same type of refined, erudite decoration. Their differences lie in the silver borders that frame the entire length of the edges of the chest (both the box and the lid), pinned with silver nails, and on the lock plate, shaped like a coat of arms in the Lisbon example. Given the exceptional dimensions of the reliquary casket...

Midcentury bone inlaid chest box or jewelry casket mesmerizing decorative patterns and extraordinary sculptural and design details provide this authe...

This antique gilt bronze decorative or jewelry box is unsigned, but presumed to have originated from France and dates to approximately 1900 and done in a Renaissance Revival style. T...

Exquisite Middle Eastern Syrian inlay jewelry box intricately inlaid with Moorish motif designs which have been painstakingly inlaid micro mosaic marque...