Medieval Decorative Objects

This antique sterling silver knight figurine from the 19th century is a captivating masterpiece. Dressed in full medieval armor with a staff and fl...

Byzantine style carved marble Baptismal font on later cast stone stand. Four lion leads Circumnavigate the font. Foliate and Byzantine Carving Th...

France / 1550 / statue Saint Eligius / Antique / reliques Religious statue of Saint Eligius from the 16th century in full wood found in France. This very rare find has a beautiful ...

19th century Italian carved alabaster head of a saint wearing a bishop's mitre in the Gothic style. Though a fragment, the intense gaze of this small carving gives it a lot of presence. Rendered by a master carver, this piece has a lot of personality. Likely an architectural fragment, the weathered surface and distressed condition only add to the appeal of this unique sculpture. Mounted on an ebonized walnut base. 10 inches high 3.5 square 5 7/8 inches high by 4 wide by 3.75 deep (head only)

Large base of molded hexagonal pilaster in burgundy stone carved with vines, grapes and rosettes in high relief. Burgundy, 15th century 28 x 63 x 30 cm Provenance : collection De...

This most impressive life sized characterful plaster bust dates to circa 1860. It is finely modelled and depicts a medieval gentleman wearing a simple hat and tunic top. The features...

Antique French Neogothic Altar Torchère Candlestick Set w/ Jesus & Cross This set of antique French candle holders are decorated with images of Jesus and crosses. Each candlestick r...

Vintage French Neogothic Altar Torchère Candlestick Set w/ Black Porcelain These matching black porcelain candlesticks have bronze flourishes. The base of each candlestick has three...

A beautiful decorative brass box. Beautiful ornaments in gothic style. Estimated date and origin: France, circa 1910. Dimensions: 15 x 10 cm and 7 cm tall. The box is in good cond...

A beautiful decorative brass box. Beautiful ornaments in gothic style. Estimated date and origin: France, circa 1910. Dimensions: 10,5 x 6,5 cm and 6 cm tall. The box is in good c...

Antique French Neogothic Altar Torchère Candlestick Set w/ Architectural Elements & Patina Decorate your mantlepiece, altar, church, or chapel with these large ornate candlesticks. ...

Antique French Ornate Gilt Bronze Ormolu Pricket Candlesticks - Pair This rare matching set of antique solid brass handcrafted candle holders rest on triangular shaped base with lio...

A handsome pair of antique gothic style pedestal candelabra torcheres. Made of wrought iron. Contains 13 candle holders at three different levels. The upper level is supported by wav...

Very rare, 19th century statuette of Victor Hugo's famous novel character. If you are a collector of rare novel and/or famous movie characters then this 19th century sculpture of Quasimodo, better known as the Hunchback of Notre Dame...

Brass and enamel multi-light standing candelabra in the Gothic style. The foot is bulbous scroll pattern with enamelled cartouches sitting on three mythical beasts. The candle holder...

Head of a crowned Virgin Île-de-France, first half of 14th century. H26 x 14 x 14 cm Provenance : - Private Collection, Paris France (1960) - Private Collection Tuscany, Italy (19...

Cast bronze life size gothic skeleton / bone praying hands sculpture, titled on base Eternal Hope and signed Park '92. In the style of Blackman Cruz Workshop.

Elephant bird egg from Madagascar. The largest egg ever from a living creature; it is from the extinct elephant bird. Assembled from the shards of se...

Telamon Northern Italy, late 12th - early 13th century Reemployed Roman marble H 32 x L 18 x P 17 cm « Sono coloro che hanno dimenticato che l’uomo é solo un bruco, destinato a dive...

Early 17th century carved limewood figure of st michael circa 1640. Beautiful floor standing figure of the st michael the dragon slayer, also known as archangel michael.  Michael ha...

SMALL Antique French Cast Iron Cemetery Cross Crucifix Child Angel Garden Chapel. Direct from France, a beautiful antique French cast-iron cemetery cross, in a SMALL SIZE with fabul...

A medieval English alabaster statue, possibly dating as far back as the late 14th / early 15th century, mounted on one of our exclusive large display plinths. Well weathered over the centuries, this 600-year-old statue depicts a medieval cloaked figure, possibly a monk, offering a glimpse into English architecture and sculpture of the Middle Ages. This sculpture is possibly made from Nottingham alabaster. During the 14th and 15th centuries, Nottingham was the centre of alabaster carving and painting. Alabaster works were mostly made as small alabaster models with religious themes. During the 16th century Reformation, many alabaster carvings were destroyed under King Henry VIII's rule, making any surviving examples even more significant. Provenance From the collection of Peter Hone (b. 1941). A master plaster caster, he is an expert and experienced collector, building up an extraordinary, museum-worthy collection of items in his one-bedroom flat in London W11...

Set of 2 floor standing candle holders. Made from wood and brass. They came from a monastery in Oirschot Netherlands The bases are made ...

A pair of Gothic style candle wall sconces by Wilton. Solid cast iron, black in color, in a gathered sheaf of leaves design, with two arms and candleholders. Made in the USA, in the ...

Hand Carved Stone Vide poche Basin Jardinière bowl planter vessel sink Antiques . 17th C. Possibly earlier Gothic Container . A Water Trough Benitier in a ...

19th Century Carved Oak Correspondence, Post or Letter Box This very attractive Carved Box is made in Oak, it is carved on the top with 2 letter slots, one for UNANSWERED and the ot...

A refined granite sculpture portraying the head of a young woman, believed to likely represent Saint Joan of Arc, crafted in France during the 1950s. It features a magnificent patina...

French Gothic Ormolu Cut Glass and Marble/Quartz Double Inkwell France, circa 1870s A magnificent French Gothic Ormolu Cut Glass and Marble/Quartz Double Inkwell, dating back to the...

Antique Candle Holder in form of a Dragon Wrought Iron Italy, XIX Century ABOUT This unique and really whimsical wrought iron candle holder in the form of a stylized dragon immediat...

A beautiful casket form cast iron and bronze dresser box, jewelry box, cigar box, or decorative box with interior cedar lining. The front depicts a scene from the 1219 Battle of Lynd...

POLYCHROME CARVED WOOD VIRGIN AND CHILD FROM THE 15TH CENTURY   ORIGIN: SOUTH GERMANY, SWABIA, NUREMBERG REGION PERIOD: 15th CENTURY   Height: 94,6cm Width : 28 cm Depth : 18 cm   Lime wood Original Polychromy Good state of conservation     From 1430 onwards, sculpture underwent a profound stylistic renewal which continued until 1530, the so-called late Gothic period. In the Germanic countries, original sculptures flourished in an expressive and sensitive vein.
This renewal was inspired by the art of Nicholas of Leiden, who was active in Strasbourg in the 1460's. His style broke with the refined and delicate art of the international Gothic style in force throughout Europe around 1400. The figures became more authentic and realistic. The bodies became denser. Clothes are animated by deep, broken folds, the fabrics are heavy and have a great decorative value. In addition, the polychromy is intended to be illusionistic. The painting makes it possible to restore the texture of the materials, the richness of the textiles and the natural skin tone of the characters.   The dissemination of images through engraving and the great mobility of the artists led to the success of this style, which conquered the Upper Rhine, Swabian, Tyrolean and Franconian regions, contributing to the formation of a common stylistic identity in these regions. The economic boom in the flourishing German cities was conducive to the development of original production. Attracted by this prosperity, numerous workshops were set up in order to meet the orders of religious communities, the Church and the laity, including a clientele of middle-class rockers.      This precious Virgin and Child is depicted standing on a crescent moon, her head encircled by a crown of tall flowers. Her long wavy hair spreads over her shoulders, framing her beautiful oval face. Under fine eyebrows drawn with a brushstroke, her almond-shaped, slightly drooping eyes look at the Child with infinite softness. She is dressed in a long red dress with a rounded neckline, belted under the chest. The heavy fabric of her dress spreads out in broken folds at her feet. On her shoulders she wears a golden cloak. The drapery has deep folds. She holds out her right hand while she holds the Christ Child with her left.   Christ, with his well-defined hair, is naked. His cheeks are highlighted with red, he holds an apple in his left hand and with the other hand makes a sign of blessing towards the faithful.   Virgins with Child on a crescent moon were very popular in the second half of the 15th century, especially as the central subject of altarpieces in southern Germany and Austria. The crescent moon on which Mary is standing is reminiscent of the Woman of the Apocalypse. Often equated with the Virgin Mary.    This episode is taken from the Book of Revelation (12:1-6)   1 Then a great sign appeared in heaven: a woman clothed with the sun, with the moon under her feet and a crown of twelve stars on her head. ; 2 She was pregnant, and she cried out because she was in labor, in pain from giving birth. ; 3 Then another sign appeared in heaven: it was a great fiery red dragon, with seven heads and ten horns, and seven royal crowns on his heads. ; 4 His tail swept down a third of heaven's stars and threw them to the earth. The dragon stood in front of the woman who was about to give birth so that when she gave birth, he might devour her child. ; 5 She gave birth to a son, a male child who is to rule all the nations with an iron rod. Her child was snatched up to God and his throne. ; 6 Then the woman fled into the desert, where God has prepared a place for her. There she will be taken care of for one thousand two hundred sixty days.   Some theologians see in this woman a reference to the Virgin Mary and in the child, Jesus.    
This remarkable work is a very fine example of sculpture from Swabian workshops in the last decades of the 15th century. It presents all the characteristic stylistic elements: a highly girdled silhouette, an abundant drapery with angular folds, but also a great physical presence accentuated by the polychromy that restores the anatomical details. This group is made of a wooden log. The deep folds of the drapery highlight the movement of the Virgin holding the child.       Bibliography :   Sophie Guillot de Suduiraut, Dévotion et Séduction, Sculptures souabes des musées de France, vers 1460-1530, Paris musée du Louvre-Éditions somogy, 2015   “Revelation 12 -   Common English Bible...

SAINT FLORIAN   ORIGIN: SOUTH GERMANY, SWABIA PERIOD: END OF THE 15th CENTURY   Height : 100,5 cm Width : 34 cm Depth : 17 cm 
Polychromed lime wood Good state of conservation   
Sin...

VIRGIN AND CHILD IN MAJESTY, ALSO KNOWN AS "SEDES SAPIENTIAE"   ORIGIN : SPAIN, CATALOGNE PERIOD: EARLY 13th CENTURY   Height :  95 cm Width : 32 cm Depth : 28 cm   Softwood No polychromy     In the middle of the 12th century, the Virgin took her place in churches, seated in Majesty, serving as a throne for her son Jesus. She is then called Sedes Sapientiae, meaning the Throne of Wisdom. At that time, she is not represented for herself and only exists because she has been designated as Theotokos, the mother of God, at the Council of Ephesus in 431, where the divine nature of Christ was proclaimed from his birth.   The upright and perfectly hieratic bust of this Virgin and Child in Majesty is seated on a throne-bench. She is dressed in a tunic with a rounded neckline and covered with a fine mantle placed on her narrow shoulders. The supple and natural drapery follows the lines of the body.   Large curls frame her face with delicate and regular features, a long straight nose, almond-shaped eyes, and small lips.   She supports the Infant Jesus with her left hand. Like his mother, he is dressed in a long tunic, and his little feet are visible in the folds. He holds a small sphere in his left hand, while with his right hand, he gestures in blessing. The face of Christ bears a strong resemblance to his mother’s one, and he gives a slight smile.   The position of the Child is no longer as hieratic, nor frontal or central as in the early 12th century, but his face still turns towards the faithful.   The 13th century indeed emerges as a period of transition in the artistic domain. The statuary, while retaining certain characteristics still belonging to the habits of the previous century, also develops new formal solutions.   As a result, Mary maintains a hieratic and frontal position, while her son shifts to place himself well to the left on her knee. Similarly, while the Virgin seems perfectly still, Jesus, on the other hand, appears much more animated, especially in the positioning of his hands. His left hand holds the orb, and judging by the raised right arm directed towards the faithful, one can easily imagine that he was making a gesture of blessing.   The influence of the Sedes Sapientiae from previous centuries still seems particularly prevalent in this work.   These few characteristics allow dating this Spanish Virgin...

SAINT WOMAN IN POLYCHROME CARVED WOOD   ORIGIN : ITALY PERIOD : late 13th century   Height : 103 cm Length : 28  cm Width : 16 cm  Remains of polychromy   ...

Gorgeous handwrought torchère candle holder, Spain, 1940s This medieval style floor candleholder stands up on three legs tripod base. It has a terrific aged patina. It has a clean de...

Chiseled bronze sculpture with gold and black patina. Crusades soldier in armor. The time of the Crusades is between the 1095-1291 centuries. the sculpture dates from the end of the ...

Pair of eight-light antique vintage Italian candelabrum in wrought gilded iron Anonymous Probably early 20th century; Italy Iron A distinctive pa...

RARE CENTER CHAPEL COUNTER 16th Century Lusíada - Portuguese in teak, Partial sissoo coating with ivory inlays, with 9 drawers simulating 10. Micromosaic in different materials, bac...

This antique patinated gilt casket was created in France, circa 1890. Built with brass and copper, the miniature trunk-shaped box with bombe top, stands on...

A Sicilian Marionette head depicting a Saracene, it's a part of " Opera dei Pupi " inspired by The French poem " La Chanson de Roland ". This one it's in original condition with consistent signs of use and age, original fabric and natural hair. A Late 19th Century Hand-Carved Wood Sicilian Head...

We mounted this Gothic architectural fragment on a custom iron stand. In this new context it becomes a sculpture with a almost abstract f...

This is a cast bronze metal box modelled as a casket with a wood liner and depicting medieval scenes. We date this box to the late 19th Century. The box is made of a cast metal (b...

An exquisite French Gothic style jewelry box or small chest, a testament to the timeless allure of craftsmanship. Adorned with intricate brass inlay ...

Unique and adorable late 19th or very early 20th-century smaller-size chandelier - Lüsterweibchen. Finely hand-carved from linden wood, a unique piece, made by a master wood carver ...

Beautifully and expertly hand made in Austria, finest quality Swarovski Crystal Jet Hematite faceted crystal skull with ruthenium finish metal accents on the face and base. Skull fea...

SICILIAN MASTER OF THE 17TH CENTURY "Christ on the Cross" Wooden sculpture Christ Sculpture in carved and carved cypress wood 71 x 18 cm Height 97 good condition for the time

Textured copper box with brass detailing. The exterior of the box features pebbled like texture, perfectly patinated with brass hinges, ball feet and detailing. The hinged box is per...

19th Century bronze statue of a medieval page holding a book, it is raised on a stepped rectangular marble plinth.

These utterly captivating, hand-carved stone lions hail from Italy and date to circa 1600, possibly even earlier. Their regal couchant (lying down) posture adds an air of majestic charm to any setting. One lion gracefully rests its forepaws on a stone ball, while the other clutches a coat of arms shield. They are carved in the same stylistic manner as many of the medieval lions...

Rare romanesque capital with sirens France, XIII century Limestone 25 x 28 x 22 cm This finely carved Romanesque capital, executed in high relief from limestone, features four hyb...

Decorate a shelf or a counter with this elegant antique decorative trunk. Crafted in Spain circa 1880, the strong box is decorated with pierced and engraved geometric motifs througho...

Sizeable crucifix with a finer quality carved corpus of Christ. Looking at Christ like this and thinking about the gruesome way in which He lost His earthly life, the crucifix (in our view) is a symbol of what 'telling people the truth' can lead to. 'The truth does not have many friends' is something I once read. Looking at what is going on in the world today, in most countries that still is the case. However, we feel that we (humans), nevertheless, are still becoming more loving, civilized, empathetic and self-conscious. Mind you, this good size wall crucifix dates from the early 1900s and the cruelties that people did to one another for acting or being different than 'normal' in those days, in most cases were far worse than what we see in this day and age. Looking at Christ on the cross with this in mind, we have come along way and we are slowly, but surely evolving in the right direction. Maybe it is just some of our 'leaders' who are lacking behind. Christ on the cross should therefor also be a reminder of someone who has lived and foreseen all this and who should therefor always be a beacon of hope and light when things are not going our way, yet. What attracted us most in this work of religious art are the quality details of His anatomy and the warm patina of this finely carved corpus. The facial features of this superb corpus of Christ reveal...

This unique, interesting fruit wood "Brasero" table was crafted in Spain, circa 1780. Round in shape, the antique table stands on four chestnut barley twist legs, and is dressed with...

Alabaster plate in high relief illustrating a forgeron working on a metal object (a helmet?). A young woman is in front of him holding in her left hand an ovoid vase or reliquary tha...

Pair of impressively large hand forged sconces of iron and tole having 3 arms each for candles. Could be electrified.

A great pair of bronze gothic style candles. The set dates from circa 1890. Origin: France The candlesticks are in good condition with minor signs of use. One of the candles has ...

Eighteenth century iron candelabra from France with four candleholders. Comes with a rope to hang from mount. Perfect for hanging in a garden tree.

Hand carved wood antique statue of Mother Mary wearing a Gothic crown. This original and all hand carved sculpture of the mother of all mothers is anothe...