Precious Stone Boxes

Invite healing energy into your home with an exquisite Rose Quartz box. This box is beautifully made with a hinged lid and expert construction. Lined in black velvet with white marbl...

Handmade mosaic trinket box in beaded brass metal over wood with bone inlays. The box has a geometrical octagon design with a footed base and lidded top. It features incised metal ...

Cylindrical tea caddy made of black basalt with silver mounting and figural nodus.

Offered is an exquisite, Early 20th Century, Tessellated Bone Box. This piece is adorned with 13 semi-precious cabochons jewels. It's a very unusual and unique shape and style. Hinge...

A beautiful 1.85-lb, pure gemstone box crafted from six natural stones, showcasing the artistry of a master craftsman. A harmonious blend of green serpent...

Immaculately crafted from the 20th century, this Silvered Filigree Box exhibits the skill of fine craftsmanship and gemstone mastery. This breathtaking piece is exquisitely adorned w...

A fine antique Scottish sterling silver mounted ram's horn snuff mull, set with a large cairngorm gemstone, Edinburgh 1884, by silversmith Peter MacGregor Westren. This rare Scottish...

Decorative jewelry box in tessellated exotic tigers eye with velvet interior.

Incredible portuguese silver jewerly box with semi-precious stones on the lid circa 1850.

PRESENTING a LOVELY 19C Anglo Indian Bombay MOP (Mother of Pearl) Sadeli Mosaic Trinket Box from circa 1875-85. Gorgeously detailed and hand-crafted ‘sadeli mosaic’ inlay, from the Bombay Area, with deep greens with silver, pewter, mother of pearl, bone and ebony in geometric patterns. The box case, is made of sandalwood but completely covered in MOP, bone, faux ivory, ebony and mosaic inlay. Edged with faux ivory and banded with a different pattern of sadeli mosaic. Some minor damage to the top (repair is obvious in pics) and ivorine replacements to some edging, but it still a BEAUTIFUL BOX and of real QUALITY! The mosaic work is FABULOUS! Box opens to reveal its original blue velvet lining. It sits on 4 (recently added) silvered button feet. SADELI MOSAIC: “Anglo Indian boxes were made in India for the English residents from the early part of the 18th century. They were brought back or sent back to England usually by the people who had commissioned them. From the beginning of the nineteenth century they were imported more commercially, although not in any significant numbers until the middle decades. They were very highly valued, especially the early ones, to the extent that the designs were copied on late 19th and early 20th century tins. The ancient art of Sadeli Mosaic is said to have been introduced from Shiraz in Persia via Sind to Bombay, a long time before the Anglo Indian boxes were made. It was a technique, which required a high degree of skill and patience. It was executed very lavishly, in that the frequent cuts wasted a great amount of the precious materials used. The workmanship was however more than commensurable to the value of the materials. Ivory, silver, pewter (or other metals), wood and horn were cut into faceted rods which were bound together to form geometric patterns. When the glue has set, the rods were sliced in transverse sections. This gave the maker a number of angled circular pieces in the original pattern. Several variations of patterns could be achieved by combining the materials in different ways. The ivory was sometimes dyed green to give an extra color. The mosaic pieces in a combination of patterns, often separated by ivory, ebony, horn or silver stringing were used to veneer sandalwood boxes. In the early boxes, which date from the turn of the 18th to the 19th century, there are large panels of mosaic covering tops and sides of boxes. It took incredible skill to cover such large areas without any shakes or wavering of the pattern. The corners and joins on these boxes are impeccably matched. The makers (reputed to be Persian) of Sadeli mosaic made in the first two decades of the 19th century displayed a total understanding of the qualities of the different materials they used. They combined substances, which can expand and contract according to atmospheric conditions with others, which are hard and unyielding. The result was a sharp definition of the lines and patterns, which made up the whole design. On the early boxes the designs look deceptively simple. The fact is, they emerged from a culture, which had mastered geometry and understood how to generate a pattern from a set number of points. The patterns are so harmoniously combined that their incredible complexity is not immediately apparent. The earliest Sadeli boxes...

PRESENTING A LOVELY 19th century Anglo-Indian Carved Padouk Wood and Sadeli Mosaic Box, featuring a carving of a Hunt Scene. Made circa 1870 in Bombay, India during the Rule of th...

PRESENTING A RARE AND DESIRABLE 19C Anglo Indian Highly Carved Padouk and Mosaic Folio Cover. This is a VERY RARE piece of Anglo-Indian and British Victorian Colonial history! ...

Navajo Sterling Silver & Turquoise Hinged Box, by Gary Reeves Gary Reeves (1962-2014) The Navajo sterling silver and turquoise hinged box, crafted by the r...

PRESENTING AN ABSOLUTELY STUNNING AND EXCEPTIONAL 19C Anglo Indian Highly Carved Padouk Sadeli Mosaic Scroll Box of Hindu Gods from circa 1870-80. The box case is made from sandalwood with highly hand-carved padouk wood reliefs on all sides and banded and edged in fabulous ‘Sadeli Mosaic’, made from faux ivory/bone, ebony, silver, semi-precious green stone, etc., in various geometric patterns. The carved lid of this box is EXCEPTIONAL! It is HIGHLY HAND-CARVED and depicts 13 Hindu Gods: Vishnu, Shiva, Harihara, etc., in 9 oval shaped reliefs, surrounded by foliage etc. The sides and rear have highly carved foliage relief panels. The lid opens to reveal the original red velvet lining (also on the base) in SUPERB CONDITION throughout. The QUALITY of the ‘sadeli mosaic’ work is EXCEPTIONAL all over. It has its key and working lock. It sits on it’s 4 original brass turned ball feet. THIS IS A HIGH QUALITY & VERY RARE AND DESIRABLE BOX! SADELI MOSAIC: “Anglo Indian boxes were made in India for the English residents from the early part of the 18th century. They were brought back or sent back to England usually by the people who had commissioned them. From the beginning of the nineteenth century they were imported more commercially, although not in any significant numbers until the middle decades. They were very highly valued, especially the early ones, to the extent that the designs were copied on late 19th and early 20th century tins. The ancient art of Sadeli Mosaic is said to have been introduced from Shiraz in Persia via Sind to Bombay, a long time before the Anglo Indian boxes were made. It was a technique, which required a high degree of skill and patience. It was executed very lavishly, in that the frequent cuts wasted a great amount of the precious materials used. The workmanship was however more than commensurable to the value of the materials. Ivory, silver, pewter (or other metals), wood and horn were cut into faceted rods which were bound together to form geometric patterns. When the glue has set, the rods were sliced in transverse sections. This gave the maker a number of angled circular pieces in the original pattern. Several variations of patterns could be achieved by combining the materials in different ways. The ivory was sometimes dyed green to give an extra color. The mosaic pieces in a combination of patterns, often separated by ivory, ebony, horn or silver stringing were used to veneer sandalwood boxes. In the early boxes, which date from the turn of the 18th to the 19th century, there are large panels of mosaic covering tops and sides of boxes. It took incredible skill to cover such large areas without any shakes or wavering of the pattern. The corners and joins on these boxes are impeccably matched. The makers (reputed to be Persian) of Sadeli mosaic made in the first two decades of the 19th century displayed a total understanding of the qualities of the different materials they used. They combined substances, which can expand and contract according to atmospheric conditions with others, which are hard and unyielding. The result was a sharp definition of the lines and patterns, which made up the whole design. On the early boxes the designs look deceptively simple. The fact is, they emerged from a culture, which had mastered geometry and understood how to generate a pattern from a set number of points. The patterns are so harmoniously combined that their incredible complexity is not immediately apparent. The earliest Sadeli boxes...

Vintage Moorish Mughal Raj jewelry box inlaid with semi-precious agate stones and covered with silvered metal filigree. Moorish Middle East jewelry...

Presenting a fabulously rare 18c Indo-Portuguese Vargueno mini cabinet. Extremely rare, highly important and desirable colonial piece ! It is an In...

A parcel gilt samorodok silver cigarette case by Vladimir Gordon S.t Petersburg, with green stone, c.1900 Embossed signature.. A Fine quality Russian silver cigarette case. Reticul...

A gorgeous clear quartz / rock crystal box with green aventurine carved frog lid by Studio Maison Nurita. Unusual and whimsical - this box boasts an incred...

Heart Shaped Chinoiserie Papier-mâché Lacquer Box. Beautifully painted decorated box with gilt painting on black lacquer. This is wonderful colle...

Presenting a superb 19C Anglo Indian Sadeli Mosaic greeting card case. Made in or around Bombay, India circa 1880. This is a greeting card case used for holding your greeting cards or business cards of the day ! The body of the case is made from sandalwood and it is fully overlaid with bone and highly intricate Sadeli Mosaic made up of thousands of micro mosaic pieces of bone, ebony, silver/pewter and semi precious stone. The workmanship is stupenduous !!!! This case is almost museum quality. One or two very, very minor losses of mosaic mainly where the top meets the body but otherwise near mint ! SADELI MOSAIC: “Anglo Indian boxes were made in India for the English residents from the early part of the 18th century. They were brought back or sent back to England usually by the people who had commissioned them. From the beginning of the nineteenth century they were imported more commercially, although not in any significant numbers until the middle decades. They were very highly valued, especially the early ones, to the extent that the designs were copied on late 19th and early 20th century tins. The ancient art of Sadeli Mosaic is said to have been introduced from Shiraz in Persia via Sind to Bombay, a long time before the Anglo Indian boxes were made. It was a technique, which required a high degree of skill and patience. It was executed very lavishly, in that the frequent cuts wasted a great amount of the precious materials used. The workmanship was however more than commensurable to the value of the materials. Ivory, silver, pewter (or other metals), wood and horn were cut into faceted rods which were bound together to form geometric patterns. When the glue has set, the rods were sliced in transverse sections. This gave the maker a number of angled circular pieces in the original pattern. Several variations of patterns could be achieved by combining the materials in different ways. The ivory was sometimes dyed green to give an extra color. The mosaic pieces in a combination of patterns, often separated by ivory, ebony, horn or silver stringing were used to veneer sandalwood boxes. In the early boxes, which date from the turn of the 18th to the 19th century, there are large panels of mosaic covering tops and sides of boxes. It took incredible skill to cover such large areas without any shakes or wavering of the pattern. The corners and joins on these boxes are impeccably matched. The makers (reputed to be Persian) of Sadeli mosaic made in the first two decades of the 19th century displayed a total understanding of the qualities of the different materials they used. They combined substances, which can expand and contract according to atmospheric conditions with others, which are hard and unyielding. The result was a sharp definition of the lines and patterns, which made up the whole design. On the early boxes the designs look deceptively simple. The fact is, they emerged from a culture, which had mastered geometry and understood how to generate a pattern from a set number of points. The patterns are so harmoniously combined that their incredible complexity is not immediately apparent. The earliest Sadeli boxes...

A true piece of jewellery for the home, this handmade pink rose quartz box is finished with a precision fit lid and base, featuring a natural sapphire ...

A true piece of jewellery for the home, this handmade pink rose quartz box is finished with a precision fit lid and base, featuring a natural sapphire ...

Invite healing energy into your home with an exquisite blue green azurite malachite box. This box is beautifully made with a hinged lid and expert construction. Lined in black velvet...

A beautiful colorful decorative box with lid created from Carrara marble and inlaid with a variety of semi-precious stones. The sides are inlaid with a variety of stones in abstract ...

A beautiful colorful decorative box with a lid created from Carrara marble and inlaid with a variety of semi-precious stones. The sides are inlaid with a variety of stones in abstrac...

A beautiful colorful decorative box with a lid created from Carrara marble and inlaid with a variety of semi-precious stones. The sides are inlaid with a variety of stones in abstrac...

Vintage pair of Jewelry boxes is an original decorative object realized in the mid-20th century. Original mixed media: Wood, brass and colored jems. Made in Italy. Various D...

A wonderful early Art Deco box made from highly prized Rose Quartz framed by exotic blue Lapis Lazuli, a winning combination. Excellent condition dating to c.1920. Measures: 6 1/8...

Boasting a modern flair, this small chest with hinged lid is manufactured with the distinct and alluring orbicular jasper. Reminiscent of a volcanic eruption, spots, and shades of wh...

Boucheron silver and vermeil minaudière French, circa 1960 Measures: Minaudière: Height 2.5cm, width 13cm, depth 8.5cm Case: Height 4cm, width 18cm...

This exceptional, 18 carat gold Easter egg was crafted by the famous London-based royal jewellers, Asprey & Co. The piece was then retailed by Garrard & Co, who once worked in collaboration with Asprey, producing luxury jewellery and silver for an elite clientele. The egg has been crafted from gold filigree — that is, gold wires interwoven to make a delicate lace-like pattern. The gold is arranged to form the image of a peacock, with a magnificent fanned train, composed of red, dark blue and green coloured plique-à-jour enamel. The light blue body of the peacock, and its long swirling light and dark blue tail feathers, have been crafted from intricate guilloché enamel, which is often found on Fabergé style eggs...

Italian Renaissance-style (19th Century) large black lacquered box with semi precious stones and bronze floral trim

PRESENTING A BEAUTIFUL AND EXTREMELY RARE 18th Century Scottish Horn and Polished Stone Tea Caddy or Tobacco Jar. This is a piece of Scottish history !!...