Indian Boxes

This beautiful box is crafted from cast aluminum with a polished brass finish. Smooth sides are paired with a removable lid with a stylized tulip motif in raised relief. Ideal to giv...

Antique Anglo-Indian pen box with hidden drawer, made of wood and brass, featuring a central blank brass cartouche, circa first half of the 20th century. This beautiful box is of hi...

Mughal style pietra dura marble box - hand made - featuring an over-all floral and vine design with lapis lazuli, mother-of-pearl and black onyx inlay - signed on the base and the li...

Beautiful white marble jewelry box with floral inlay, made with different semi preciouses stones such as Malachite, Lapis Lazuli and Carnelian. It was made in India in the 1960's.

Exceptional antique Anglo Indian sewing box handcrafted with quills and decorated bone with a brass handle, lion heads and paw feet. The interior has pin cushions and compartments wi...

A superbly hand-painted Mughal miniature lacquer box, created in the refined Indo-Persian artistic tradition and signed “Nangua”. This exquisite octagonal decorative box features a f...

Anglo Indian straw work box with diamond pattern and painted borders. This is a sweet small decorative box, very appealing design with rounded ends on a rectangular body. Unusual eye...

An Exquisite Masterpiece of Mughal Splendor: A Rare Gold-Mounted Jade Box with Diamonds and Semi-Precious Stones Introduction to a Regal Artifact: This exceptional jade box, hailing from the storied Mughal Dynasty, is an unparalleled exemplar of imperial artistry and luxury. Acquired from the prestigious Spink & Son of London, this artifact transcends its material beauty to stand as a significant piece of historical and cultural importance. With its rich provenance and intricate craftsmanship, this jade box embodies the opulence and refined tastes of one of history’s most powerful and influential empires. Craftsmanship: The Art of Mughal Luxury: At the heart of this piece lies a finely carved jade...

Antique Persian Khatam Micro Mosaic Inlaid Jewelry Box with Miniature Polo Scene, circa 1940s This exquisite Persian Khatam Kari trinket box is a rare example of masterful micro mosaic marquetry, handcrafted in the 1940s using the ancient Persian art of inlay. Featuring an intricately detailed geometric design and a miniature hand-painted equestrian scene on the lid, this museum-quality piece is a stunning representation of Indo-Persian and Moorish craftsmanship. Khatam Kari, or Persian marquetry, is a centuries-old decorative art that flourished during the Safavid dynasty. It involves the meticulous inlay of thousands of tiny pieces of wood and bone into intricate, repeating geometric patterns—each symbolic of harmony and cosmic order. The top of this box is adorned with a finely rendered painting of royal figures on horseback, possibly princes engaged in a ceremonial game of polo, echoing the refined court culture of the 19th-century Persian and Mughal aristocracy. The box’s micro mosaic surface is covered in richly detailed star and polygon motifs typical of Khatam and Sadeli mosaic traditions. These patterns require precise mathematical planning and exceptional artisanal skill, resulting in a surface that is as intellectually complex as it is visually stunning. Details: * Origin: Asia Indo-Persian * Date: Circa 1940s * Materials: Inlaid woods, camel bone, hand-painted miniature * Style: Islamic Art, Moorish, Anglo-Indian, Micro Mosaic * Dimensions: Height 1.5 in. x Width 6.5 in. x Depth 4.25 in. * Condition: antique condition with minor wear consistent with age These boxes were traditionally used to store writing instruments or jewelry, and today they serve as timeless collectors' pieces, suitable for display or thoughtful gifting. Comparable examples can be found in major Islamic art collections, including the Doris Duke Museum of Islamic Art. Keywords: Persian Khatam Box...

Very decorative hand painted in the Anglo-Indian style. Painted back and gold with each framed panel filled with female dancers and male flower bearing suiters. A colorful and fun, a...

Beautiful 19th century large hand-crafted decorative round polished brass box with lid delicately and intricately hand-hammered with repousse floral...

Exquisite beauty of this antique Islamic Kashmiri Papier-Mâché Tea Caddy, a stunning storage box with a lid and copper metal lining. This hand-painted gem features intricate miniatur...

Decorative Antique Asian round wood box container with lid and brass pull. Vintage collectible Asian wooden tobacco or opium round container. Round shaped lidded opium container...

Large Asian decorative wooden jewelry box with brass overlay. Large ethnic Indian hand painted decorative jewelry wood box with brass metal hammere...

Asian decorative trinket lidded box in metal silvered hammered and etched with organic floral design. Anglo Raj style oval form betel box. Dimensio...

Antique Hindu brass decorative box. This is an antique Mughal style brass Indian ornate locking trinket box container. It has six compartments that lock ...

Beautiful blue Lapis Lazuli and Carrara marble stone jewelry box. Created from genuine blue Lapis Lazuli, this box is low in profile and rectangular in form. This lovely jewelry or trinket box features a lid that fits onto its base. Both of which are completely covered in this beautiful blue stone. The interior of the box's base and lid, are created using Carrara marble. The lid features stays, which retrofit into the base, and allow the top to hold to the base without sliding or moving. The exterior is flanked with the gorgeous richly hued blue lapis lazuli. How we would style it: This blue stone box...

Hand-carved Anglo Raj early 20th century carved wood box richly decorated overall with arabesques and floral carving. Hinged lid shallow relief carving with interior lined with red r...

Rajasthani Mughal Decorative Copper Lidded Betel Spice Pandan Caddy Box. Handcrafted decorative North India round metal Asian copper Mughal Raj, Indian lidded , spice, pandan betel box with latch and a top handle. Of dome form with lotus-shaped finial, with spiralling bosse designs, Delicately and intricately hand-chased and hammered with geometric Anglo-Indian designs. Consuming betel leaves with several ingredients such as wet lime paste, katechu, areca nut, cloves and even tobacco leaves has been popular in India from the fourth century AD. Dimensions: Height: 9 in (22.86 cm)Diameter: 7 in (17.78 cm) The box was probably used to store the betel leaf used in the preparation of paan. Lime paste is mixed with grated areca nut and flavourings and the resulting mixture is rolled in the betel leaf to form a small parcel which can then be chewed. As well as being an integral part of Indian hospitality paan is believed to possess medicinal properties and was also taken as an aphrodisiac. The present box, which was elaborately designed for this purpose, would have been taken out ceremoniously on special occasions. Exquisite conversation museum quality piece with a very nice antique patina. Fine intricate artwork with conical form lid with Moorish pierced designs. Islamic Mughal Indo Persian...

A beautifully handcrafted pietra dura round marble trinket box, showcasing the centuries-old decorative art form perfected in both Mughal India and Renaissance Florence. The lid feat...

Beautiful handcrafted decorative round tinned copper Mughal Indian box with lid, latch and handle. Antique South Asian Mughal Round Tinned Copper Box with L...

Beautiful handcrafted tinned copper decorative octagonal betel box with lid and brass latch. The metal is delicately and intricately hand-hammered and repousse with floral and geometric designs. This Vintage brass box...

1920s Hand Painted East Indian Decorative Box. An antique Rajasthani Indian hand painted wood box, early 20th century. The box is handcrafted of wood and feature a hinged lid that can be opened and closed to access the contents inside. Hand painted colorful Indian box with lid depicting human figures and flowers. Style: Anglo Raj, Paint, Wood, Hand-Crafted Place of Origin: India. Anglo Raj Vintage Wooden Box Hand Painted Indian Chest Trinket 1920s. Large Trinket Box Folk Art Hand Painted Colorful Asian Jewellery Chest...

Rare and remarkable Anglo Indian box turtle tea caddy, the well marked upper shell hollowed and intricately filled with a star inlaid panel, the base with a lidded box, all in exotic...

This exquisite Charoite Box (3.5" x 4.25") is crafted from a rare and mesmerizing purple-hued mineral found exclusively in Siberia, Russia. The swirling patterns of deep violet, lave...

Tree Full of Parrots Trinket Box in Brass & Semi Precious Stone, Viya by Vikram Goyal A tree full of parrots is a sign of success in aspirations and future endeavours. According to the 17th century Indian manuscript...

A very attractive vintage inlaid rosewood Indian jewelry box. The hinged box made is from solid figured rosewood and finely and is sumptuously inla...

PRESENTING a LOVELY 19C Anglo Indian Bombay MOP (Mother of Pearl) Sadeli Mosaic Trinket Box from circa 1875-85. Gorgeously detailed and hand-crafted ‘sadeli mosaic’ inlay, from the Bombay Area, with deep greens with silver, pewter, mother of pearl, bone and ebony in geometric patterns. The box case, is made of sandalwood but completely covered in MOP, bone, faux ivory, ebony and mosaic inlay. Edged with faux ivory and banded with a different pattern of sadeli mosaic. Some minor damage to the top (repair is obvious in pics) and ivorine replacements to some edging, but it still a BEAUTIFUL BOX and of real QUALITY! The mosaic work is FABULOUS! Box opens to reveal its original blue velvet lining. It sits on 4 (recently added) silvered button feet. SADELI MOSAIC: “Anglo Indian boxes were made in India for the English residents from the early part of the 18th century. They were brought back or sent back to England usually by the people who had commissioned them. From the beginning of the nineteenth century they were imported more commercially, although not in any significant numbers until the middle decades. They were very highly valued, especially the early ones, to the extent that the designs were copied on late 19th and early 20th century tins. The ancient art of Sadeli Mosaic is said to have been introduced from Shiraz in Persia via Sind to Bombay, a long time before the Anglo Indian boxes were made. It was a technique, which required a high degree of skill and patience. It was executed very lavishly, in that the frequent cuts wasted a great amount of the precious materials used. The workmanship was however more than commensurable to the value of the materials. Ivory, silver, pewter (or other metals), wood and horn were cut into faceted rods which were bound together to form geometric patterns. When the glue has set, the rods were sliced in transverse sections. This gave the maker a number of angled circular pieces in the original pattern. Several variations of patterns could be achieved by combining the materials in different ways. The ivory was sometimes dyed green to give an extra color. The mosaic pieces in a combination of patterns, often separated by ivory, ebony, horn or silver stringing were used to veneer sandalwood boxes. In the early boxes, which date from the turn of the 18th to the 19th century, there are large panels of mosaic covering tops and sides of boxes. It took incredible skill to cover such large areas without any shakes or wavering of the pattern. The corners and joins on these boxes are impeccably matched. The makers (reputed to be Persian) of Sadeli mosaic made in the first two decades of the 19th century displayed a total understanding of the qualities of the different materials they used. They combined substances, which can expand and contract according to atmospheric conditions with others, which are hard and unyielding. The result was a sharp definition of the lines and patterns, which made up the whole design. On the early boxes the designs look deceptively simple. The fact is, they emerged from a culture, which had mastered geometry and understood how to generate a pattern from a set number of points. The patterns are so harmoniously combined that their incredible complexity is not immediately apparent. The earliest Sadeli boxes...

Vintage trinket, trinket box made of inlaid camel bone, purple velvet inside, with a brass clasp, India, 70s. Beautiful and qualitatively made with brass inlaid details, the object ...

Anglo Raj inlaid marble pietra dura decorative box This handmade marble decorative box is inlaid with semi precious stones, this type of design is the same art that you see in the Taj Mahal. Very nice fine pietra dura art...

Vintage Sajai metal and agate talisman box coin purse, Handmade in India, Handmade Sajai metal cross body purse with multi-colored agates and intric...

Collection of 19th century Kashmiri items A highly decorative collection of 19th Century hand crafted Kashmiri objects including 6 different shaped boxes, a working lamp and urn....

Charming petite antique Anglo Indian lidded box handcrafted in indigenous hardwoods clad in tortoise shell and decorated with elaborate lacy bone designs, featuring an etched and pai...

Very fine 18th century Indian Macassar Ebony traveling writing box with Tutenag metal hardware, the vividly grained case with rare alloy trim, the rectangular form opening to make a ...

Very fine William IV tea caddy with mother of pearl inlay in rosewood ground, the overall sarcophagus form, having palm fronds and folia...

Presenting an absolutely gorgeous and very rare 19C Anglo Indian Vizigapatam stamp box. Made in Colonial India (the Time of the Raj) circa 1860. Prob...

PRESENTING A GORGEOUS 19C Anglo Indian Highly Carved Sadeli Mosaic Sarcophagus Sewing Box. Made in Bombay, India circa 1860-80. Box made of sandalwood with highly carved teak wood reliefs and panels on all sides. Edged with bone and ebony veneers and glorious sadeli mosaic, made from tiny pieces of faux ivory, pewter, green semi-precious stone. The box is in a sarcophagus form with domed lid. The original brass carry handles are on the sides. The interior is in great condition and consists of a removeable mirror under the lid portion, with the original red velvet lining behind it. The base is removeable and contains a number of lidded compartments. 6 of the interior lids on the base, are each inlaid with sadeli mosaic banding. The rest are also carved and chased. The interior is fully complete with 7 lidded faux ivory/bone, thread canisters with sadeli domes and the original bone thimble. The box sits on 4 brass ball or bun feet with the original velvet lining on the base. Some minor repairs and losses, but this box is fully complete. This is ‘rare’ as many of these boxes have not survived in such condition! Included in the sale are 2 photos that were in the box (under the base tray). Interestingly, one of them is a view of downtown Nassau, New Providence (Bermuda) from the early 20C and stamped on the rear. What a ‘journey’ this piece has made! Made in India … travelled to Bermuda, probably via Britain … back to Ireland (where we bought it) …. then to Texas! These boxes were made by superb Indian craftsmen, specifically for sale to the ruling British elite. These types of boxes, carved padouk and sandalwood, (whilst beautiful and superbly crafted) were of a lesser quality, than the more profusely and intricately mosaic inlay, tortoiseshell and ivory boxes, made for the British ‘Upper Classes’ in the areas of Bombay and Vizagapatam. These type of boxes were much more affordable back in 1880 (and indeed today) and would probably have been bought by mid-level diplomats, civil servants or visitors. Sewing boxes (in general), were in EVERY Victorian home in Britain in the 19th Century and like other boxes etc were ‘status symbols’ of your place in society! The more ornate the box, the more ‘Upper Class’ you were! Of it’s type, this one, is one of the very higher quality one’s, than the norm! SADELI MOSAIC: “Anglo Indian boxes were made in India for the English residents from the early part of the 18th century. They were brought back or sent back to England usually by the people who had commissioned them. From the beginning of the nineteenth century they were imported more commercially, although not in any significant numbers until the middle decades. They were very highly valued, especially the early ones, to the extent that the designs were copied on late 19th and early 20th century tins. The ancient art of Sadeli Mosaic is said to have been introduced from Shiraz in Persia via Sind to Bombay, a long time before the Anglo Indian boxes were made. It was a technique, which required a high degree of skill and patience. It was executed very lavishly, in that the frequent cuts wasted a great amount of the precious materials used. The workmanship was however more than commensurable to the value of the materials. Ivory, silver, pewter (or other metals), wood and horn were cut into faceted rods which were bound together to form geometric patterns. When the glue has set, the rods were sliced in transverse sections. This gave the maker a number of angled circular pieces in the original pattern. Several variations of patterns could be achieved by combining the materials in different ways. The ivory was sometimes dyed green to give an extra color. The mosaic pieces in a combination of patterns, often separated by ivory, ebony, horn or silver stringing were used to veneer sandalwood boxes. In the early boxes, which date from the turn of the 18th to the 19th century, there are large panels of mosaic covering tops and sides of boxes. It took incredible skill to cover such large areas without any shakes or wavering of the pattern. The corners and joins on these boxes are impeccably matched. The makers (reputed to be Persian) of Sadeli mosaic made in the first two decades of the 19th century displayed a total understanding of the qualities of the different materials they used. They combined substances, which can expand and contract according to atmospheric conditions with others, which are hard and unyielding. The result was a sharp definition of the lines and patterns, which made up the whole design. On the early boxes the designs look deceptively simple. The fact is, they emerged from a culture, which had mastered geometry and understood how to generate a pattern from a set number of points. The patterns are so harmoniously combined that their incredible complexity is not immediately apparent. The earliest Sadeli boxes...

Antique 19th century Anglo-Indian jewelry, trinket footed box, inlay with ebony, mosaic marquetry Sadeli work and a carved Hindu scene on top. The box case is made from sandalwood wi...

A beautifully crafted vintage marble box from India, dating to the 1940s–1950s. The surface is intricately inlaid with agate and other precious stones, forming an elegant floral patt...

Antique 19th century beautiful handcrafted decorative round tinned copper bronze South Asian box with lid, latch and handle. A very fine antique Pandan or B...

Handcrafted marquetry Moorish wood inlay micro mosaic with miniature hand painted scene. Handcrafted khatam wooden box with very delicate micro mosaic marquetry from the ancient Pers...

Mounted with Silver From our Sewing Box collection, we are pleased to offer this Solid Coromandel Anglo Indian and Silver Sewing Box. The Sewing Box of...

This is an antique Campaign correspondence box. An Anglo-Indian, teak and brass bound Colonial traveller's writing case, dating to the late Victorian period, circa 1880. Captivati...

19th century Kashmiri Hand Painted Trinket Box A true work of art, this mid-19th century Kashmiri handcrafted trinket box is covered in beautiful detail. Including peacocks, birds, flowers, and foliage. The hand painted detail is raised from the box with gold gilded paint and vibrant colours. The box is hinged with its original key and painted orange inside, this example would likely have been owner by a wealthy individual considering the amount of detail and craftsmanship that has gone into creating it, A rare survivor. Size of inches approx.: H 4” x W 11.5” x D 4.5” Completely solid in structure and form, with natural wear, loss of surface detail, the paint has worn away over years with damage in areas and loss of detail, The key is present however the lock does not close. The House of...

An Anglo Indian bone, ebony and metal inlaid sadeli work box with portable writing desk, Bombay, circa 1850. The sandalwood body of faceted recta...

19th century Anglo-Indian sandal wood box, Sadeli mosaic box fitted with various compartments finely hand-carved with the Taj Mahal. Of sarcophagus form ...

A beautifully decorated Indian metal box with a stone of amber on the top. 1920s or earlier There once was a fabric inside but it has disintegrated you can see it, all of the fibers ...

Inspired vintage Anglo Indian hinged box crafted in mahogany and clad in a faux tortoise laminate.

Antique Anglo-Indian Silver-Plated Figural Stag Covered Box, British Raj Period This elegant Anglo-Indian silver-plated covered box is modeled as a reclining stag and crafted in two...

An antique Indian wooden box from the 19th century, with brass details and weathered appearance. Topped with a rectangular lid fitted with a c-scroll handle and half opening to revea...

A glamorous Art-Deco style accessory box with aged-brass etched and sculptured ginkgo leaf pattern on a sleek glossy black wood plinth base, designed by Laura Kirar. It's very heavy-...

Nice and unusual Jewelry decorative box with filigree bone overlaid decoration. Large Anglo-Indian footed domed box with exceptional engraved bone de...

PRESENTING A LOVELY 19C Anglo Indian Vizagapatam Bone and Shell Domed Stationery Box – ‘Alice’s Box’. Made in Vizagapatam, India, circa 1860-80. We call this one: “Alice’s Box”! It has lived ‘a hard, well used and traveled life’, as is evident from the number of losses and repairs, as is obvious from the photos, especially to the faux ivory panels and bands to the top. The bonus to the loss of the frieze panels to the dome has a ‘bonus’, however, as their loss has revealed the most GORGEOUS faux blonde tortoiseshell underneath! The box is dome/casket shaped. The top has 3 bands, with the center one being the original. The 2 side bands are later ivorine. The faux ivory and hand-painted medallions on the domed lid, have been saved and they depict Hindu Gods, Vishnu and Shiva. The front and side panels are still in pretty good shape and are decorated with lac ink (indelible ink made from crushed beetles) depicting lovely floral designs. The domed lid open to reveal a series of open compartments for envelopes, writing paper etc. and one lidded panel for stamps. Inside the box are 2 paper labels: one probably being the original item ticket and the other with: ” Alice’s address is 272 Ashworth Ave, Toronto 4, Ontario”. Probably, the original owner? Hence, we call it ‘Alice’s Box’. What a journey/life this box has had! Made in India, made its way to Canada, back to Ireland and then to Texas! This is why, WE LOVE ANTIQUES...

A 19th century small Indian dowry box on wheels with fitted compartments. The door at the top that slides to the side. The fitted interior has a small...

Contemporary Indian black and white stripe bone box. Hinged lid. White with inlaid black strips. Part of a large collection of bone boxes and trays

A 19th century Mughal dowry chest with carved patterns from India. This chest wooden chest with a slanted top strengthened by metal hardware reinforcements. The front displays lightly carved geometrical friezes. A large carved geometrical medallion adorns the triangular lid. The chest rests on four conical legs. This chest opens thanks to an door on the centre of its top. This unusual item was used as a dowry chest in India. This 19th century, Indian Mughal wood dowry chest...

Inlaid table cabinet with six compartments and two handles. This is a beautifully decorated crafted box reflecting the craftsmanship and cultural influences of Goa during the colonia...

Anglo-Indian Mother of Pearl Inlaid jewelry Box. 1940s Victorian Anglo Indian box in silver, bone and mother of pearl Inlaid. An elegant Anglo Indian bon...

Anglo Indian carved mahogany cat with ebonized stripes and a curious expression, featuring a secret compartment on the bottom.

A BRASS MUGHAL INDIAN OVAL BETEL PANDAN BOX Northern India, early 19th century. Length: 5 1/4" in. (13.3 cm.) height: 3 1/4" in. (8.3 cm.) width: 4" in. (1...