Rococo Revival Candelabras
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Style: Rococo Revival
Pair of French 19th Century Louis XV style Gilt Bronze Candelabras
Located in New York, NY
Pair of finest quality French 19th Century Louis XV style Gilt Bronze four arm Candelabras with Royal code of arms.
Category
19th Century English Antique Rococo Revival Candelabras
Materials
Bronze
Pair of Large Silvered Bronze Candelabra by Christofle, 19th Century
By Christofle
Located in London, GB
Pair of large silvered bronze candelabra by Christofle, 19th century
French, c. 1890
Height 71cm, diameter 42cm
This extraordinary decorative pair were made by the renowned Parisian...
Category
19th Century French Antique Rococo Revival Candelabras
Materials
Silver Plate, Bronze
Very Fine 19th Century Rococo Parcel Gilt Bronze Candelabrum, France, Circa 1870
Located in Ottawa, Ontario
A stunning & superbly cast 19th century parcel gilt candelabrum in the Rococo taste, showing a sculptural central column of entwined bronze & parcel gilt bronze, rising from a pierce...
Category
1870s French Antique Rococo Revival Candelabras
Materials
Bronze
Stunning Pair of Rococo Design Sterling Silver Candelabra - Hennell London 1870
Located in London, London
Hallmarked in London in 1870 by Robert Hennell IV (with one branch bearing marks for Robert Hennell III in 1840), this wonderful, Antique, Sterling Silver Pair of Candelabra, are sup...
Category
1870s English Antique Rococo Revival Candelabras
Materials
Sterling Silver
Louis XV Style Gilt Bronze Two-Lights Lamp By Gherardo Degli Albizzi
Located in Florence, Tuscany
This Louis XV style gilt bronze lamp by Gherardo Degli Albizzi resumes the taste of Rococò period decoration. As this, vegetal motifs are all-over this piece and it features great e...
Category
2010s Italian Rococo Revival Candelabras
Materials
Bronze
Pair of American Rococo Revival Patinated Bronze Candelabras, Ca. 1825
Located in New York, NY
Bronze, dark-brown patina, unmarked.
Measures: Height: 23”
Width: 14”
The notion of an “American Rococo” seems a contradiction in terms. The very word rococo is as French as Camembert. It connotes a style that reigned along with Louis XV in the aristocratic decadence of the 18th Century. It was garlanded, nonchalant, associated with erotic marshmallow nudes by Francois Boucher and foppish courtiers costumed as shepherds pretending they understood Jean-Jacques Rousseau when all they really wanted was romantic dalliance in the formal gardens of Versailles. In the history of painting it produced but one great artist, Antoine Watteau.
By contrast, Americans of the period are remembered as the flinty inheritors of New England Puritans, full of rectitude and having not a moment for furbelow or frippery. Such few painters as were around included hard-nosed realists like John Singleton Copley and Charles Willson Peale.
Well, as it turns out, life once again acts according to the principle of paradox. There was an American rococo. It came to us indirectly via England disguised under the name Chippendale. Now for the first time the style receives comprehensive survey in the exhibition “American Rococo, 1750-1775: Elegance in Ornament.” Jointly organized by New York’s Metropolitan Museum and the Los Angeles County Museum of Art, it opens here Sundaywith a spread of some 170 works of decorative art and a conscientious catalogue with essays by Met and LACMA curators Morrison H. Heckscher and Leslie Greene Bowman.
There are at least two ways of looking at the decorative arts. Connoisseurs appreciate their design and craftsmanship. Those of sociological bent examine objects of material culture for their revelations of history and the temper of the times. Actually neither view is complete without the other.
Stylistically the rococo reveals a longing for intimacy in its small scale and an urge to organic nature in its love of stylized vines, tendrils, tiny flowers and seashells. If it were a new manner being promoted by Madison Avenue today it would probably be called “Baroque Lite.” There is an ease about the style that makes it airy, but it has an underlying formality that bespeaks lives of gentrified cultivation rather than beer-bellied sloth. It’s fascinating to examine the flintlock firearms on view and find these weapons of death shaped and decorated with the most exquisite care by wood carvers and metal engravers.
All of this is completely consistent with the main currents of 18th-Century European thought. In France, Rousseau sang the virtues of nature and the noble savage like a present-day ecologist. In England, John Locke...
Category
1820s American Antique Rococo Revival Candelabras
Materials
Bronze
Pair of 19th Century Weathered Italian Seven Lights Candelabra
Located in Los Angeles, CA
Pair of 19th century Seven Lights Weathered Italian Candelabras in Amazing Condition
Category
Early 19th Century Italian Antique Rococo Revival Candelabras
Materials
Metal
Pair Michelsen Rococo Style Sterling Candelabra
Located in Austin, TX
Dip into Rococo reverie and illuminate your surroundings with the dazzling duo of Sterling Candelabras by Anton Michelsen. With their every Rococo-inspired detail, they stand as sile...
Category
20th Century Danish Rococo Revival Candelabras
Materials
Sterling Silver
Pair of 19th Century Rococo Ormolu & Griotte Marble Candelabra, Barbedienne
Located in Los Angeles, CA
A fine pair of French 19th century Rococo Revival style gilt bronze and Rouge Griotte marble six-light candelabra attributed to Ferdinand Barbedienne (French, 1810-1892) After a mode...
Category
Late 19th Century French Antique Rococo Revival Candelabras
Materials
Griotte Marble, Bronze, Ormolu
Pair 19th Century Silvered Bronze Candelabra in French Rococo Style
Located in New York, NY
Pair of beautiful antique (late 19th century) bronze candelabra in the French Louis XV style with six candle holders around and taller central holder, adorned with Rococo motifs thro...
Category
Late 19th Century French Antique Rococo Revival Candelabras
Materials
Bronze
Cast silver gilt candelabra in the Paul de Lamerie style - Carrington & Co. 1965
By William Carrington & Co.
Located in London, London
Hallmarked in London in 1965 by Carrington & Co., this stunning, Elizabeth II period, cast Pair of Sterling Silver Candelabra, are in the George II Rococo style, featuring original g...
Category
1960s English Vintage Rococo Revival Candelabras
Materials
Sterling Silver
Pair of French Henry Dasson et Cie Gilt Bronze Three-Light Candelabra circa 1892
By Henry Dasson
Located in Milford, NH
An impressive pair of French gilt bronze three-light candelabra in a foliate motif, signed “Henry Dasson et Cie 1892” on the base. Henry Dasson. Henry Dasson (c. 1825–1896) was a nin...
Category
1890s French Antique Rococo Revival Candelabras
Materials
Bronze
Pair of Five Point Silver Candelabras
Located in New York, NY
Five Point Silver Candelabras that are 29 oz each with 800 marking and Made in Italy stamp.
Category
20th Century Italian Rococo Revival Candelabras
Materials
Silver
Superior Pair of 19th Century Patinated & Parcel Gilt Bronze Figural Candelabra
Located in Ottawa, Ontario
An exceptionally fine pair of 19th century patinated & parcel gilt bronze figural candelabra, executed in the Rococo manner closely associated with works by Claude Michel (Clodion) 1...
Category
Late 19th Century French Antique Rococo Revival Candelabras
Materials
Marble, Bronze
Pair of Rococo Revival Ormolu Three-Light Candelabra
Located in Brighton, West Sussex
A Pair of Louis XV Style Rococo Revival Ormolu Three-Light Candelabra.
Finely cast in the Rococo Revival style this fine pair of English candelabra...
Category
19th Century English Antique Rococo Revival Candelabras
Materials
Ormolu
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Christofle "Gallia" - Stunning Pair of 3-Candle Silver Plated Candelabra - MINT
By Christofle
Located in Wilmington, DE
Direct from Paris, a magnificent pair of Louis XVI silver plate 3-candle candelabra by France's premier silversmith "Christofle - Gallia Collection", meticulously restored to near new condition, includes two anti-tarnish storage wraps for easy storage, you can't go wrong buying quality, circa early 1900s. The French silversmithing brand Christofle stands as a paragon of artistry, quality, and timeless sophistication in the world of fine silverware. Founded in 1830 by Charles Christofle, the company has built a reputation for exquisite craftsmanship and pioneering innovation. Over nearly two centuries, Christofle has become synonymous with opulence, earning the favor of royalty, securing prestigious awards, and adorning homes and dining tables worldwide. From their revolutionary silver-plating processes to their dazzling silver plate candelabra, Christofle’s creations epitomize the pinnacle of silversmithing artistry.
Charles Christofle’s foray into silversmithing began when he took over his wife’s family jewelry workshop. His entrepreneurial vision and artistic sensibilities allowed him to transform the modest enterprise into a global luxury brand. Early on, Christofle recognized the demand for high-quality yet affordable silverware, leading him to explore innovative methods for producing silver-plated items. This ingenuity was paired with a deep commitment to artistry, ensuring that every piece bore the hallmarks of French elegance and meticulous craftsmanship.
Christofle’s philosophy of blending tradition with innovation set the company apart. In 1842, Charles Christofle obtained an exclusive license for the electroplating process developed by the English inventors George and Henry Elkington. This technology allowed the company to produce silver-plated goods of unparalleled quality and durability, democratizing the availability of fine silverware. The decision to adopt and refine this technique marked the beginning of Christofle’s ascent to global renown.
The electroplating process revolutionized silversmithing by enabling the application of a thin layer of silver onto a base metal, typically copper or nickel silver. This innovation significantly reduced costs without compromising quality, making silverware accessible to a broader clientele. Christofle’s mastery of this technique elevated the art form, as their artisans meticulously ensured that every piece retained the luster, weight, and elegance of solid silver.
Christofle’s silver plating involved several intricate steps, each requiring skill and precision. The base metal was first meticulously cleaned to ensure that the silver coating would adhere uniformly. The item was then submerged in an electrolytic bath, where an electric current deposited a fine layer of silver onto its surface. Finally, the piece underwent polishing and finishing, a process that demanded an artisan’s eye for detail and dedication to perfection.
The company’s innovations did not stop at electroplating. Christofle continually refined their techniques, developing proprietary methods to enhance the durability and brilliance of their silverware. Their relentless pursuit of excellence ensured that Christofle pieces would retain their splendor for generations, cementing the brand’s reputation for quality and longevity.
Christofle’s commitment to excellence quickly attracted the attention of European royalty and nobility. The brand’s association with regal splendor began in 1851, when Napoleon III appointed Christofle as the official purveyor of silverware to the French court. This prestigious commission marked a turning point in the company’s history, solidifying its status as a symbol of luxury and refinement.
The French court’s endorsement opened the doors to further royal patronage across Europe and beyond. Christofle created bespoke silverware for monarchs, aristocrats, and heads of state, often crafting pieces that were as much works of art as functional items. Their designs graced palaces, embassies, and luxury liners, including the opulent dining rooms of the Titanic and the Orient Express.
Among Christofle’s most notable commissions was the creation of the Sèvres table service for Napoleon III, a stunning collection that showcased the company’s technical prowess and artistic flair. The service featured intricate designs inspired by classical motifs, reflecting the grandeur and sophistication of the Second Empire. Christofle’s ability to seamlessly blend tradition with innovation ensured that their creations remained relevant and desirable, even as tastes and styles evolved.
At the 1855 Exposition Universelle in Paris, Christofle was awarded a gold medal for their groundbreaking electroplating technique. This recognition underscored the company’s role as a pioneer in the field of silversmithing and solidified their reputation as a leader in luxury silverware. Subsequent exhibitions in London, Vienna, and Philadelphia further showcased Christofle’s mastery, earning them accolades for both technical innovation and artistic excellence.
Christofle’s enduring appeal lies in their ability to strike a harmonious balance between form and function. Their pieces are not only visually stunning but also practical, reflecting the company’s commitment to creating silverware that enhances everyday life. This dedication to excellence has earned Christofle a place among the world’s most esteemed luxury brands.
One of Christofle’s most iconic creations is their collection of silver plate candelabra. These masterpieces exemplify the company’s dedication to artistry and craftsmanship, serving as both functional lighting fixtures and decorative centerpieces. Christofle’s candelabra...
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- WILKENS - Manufacture brand for M. H. Wilkens & Sons, Bremen-Hemelingen, Germany
Founded in Bremen in 1810 by goldsmith Martin Heinrich Wilkens, handicraft production and repairs, after the eldest sons Diedrich and Carl joined the company from about 1830 mint company, sales of semi-finished goods and silverware beyond Bremen, production of medals and coins on behalf of the Bremen state, from 1851, supply to world exhibitions, from 1857, steam engine to drive the presses and spinning benches, from 1859, enlargement and expansion of the company to become one of the three most important German silverware manufacturers, still a well-known supplier of high-quality silver and stainless steel tableware today
- 800 - silver fineness
- Crescent in Polygon - WILKENS maker's mark 1874-1886 (after that: screw press)
- 33307, 33308 - Order numbers, Year 1877 (order numbers 32170-34599)
Made 1877 - Historicism 'Second Rococo...
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H 23.23 in Dm 11.03 in
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Rococo Revival candelabras for sale on 1stDibs.
Find a broad range of unique Rococo Revival candelabras for sale on 1stDibs. Many of these items were first offered in the 21st Century and Contemporary, but contemporary artisans have continued to produce works inspired by this style. If you’re looking to add vintage candelabras created in this style to your space, the works available on 1stDibs include decorative objects, lighting, serveware, ceramics, silver and glass and other home furnishings, frequently crafted with metal, bronze and other materials. If you’re shopping for used Rococo Revival candelabras made in a specific country, there are Europe, France, and England pieces for sale on 1stDibs. While there are many designers and brands associated with original candelabras, popular names associated with this style include Gherardo Degli Albizzi, Robert Hennell III, and Robert Hennell IV. It’s true that these talented designers have at times inspired knockoffs, but our experienced specialists have partnered with only top vetted sellers to offer authentic pieces that come with a buyer protection guarantee. Prices for candelabras differ depending upon multiple factors, including designer, materials, construction methods, condition and provenance. On 1stDibs, the price for these items starts at $812 and tops out at $74,019 while the average work can sell for $7,500.