Gilt Mantel Clocks

A very unusual and quite rare 19th century French chinoiserie/Japanism dore bronze mounted and hand painted porcelain aesthetic movement clock, attributed to E. Lièvre, most probably...

A Magnificent Large Antique French 19th Century Ormolu and Rouge Griotte marble clock set of exquisite craftsmanship. This spectacular clock set is comprising a pair of very large ni...

A very important French gilt bronze and Rouge marble figural mantel clock by Japy Frères Movement: Japy Frères (1806-1930) Origin: French Date: 19th century Dimension: 30 3/4 i...

Restauration Gilt Metal Figural Clock, circa 1830, the circular enamel dial, with strike on bell movement, surmounted by a seated female reading a book, surrounded by foliage, on a r...

Large Napoleon III period gilt bronze mantel set, cloisonné with red and pink enamel, 19th century. Napoleon III period mantel set, 19th century, in gilt bronze, cloisonné with red ...

A high quality Restauration period mahogany and gilt bronze lyre mantel (fireplace) clock in the shape of a lyre. The mahogany case is highly decorated in ...

A very impressive 19th century Louis XVI style Bachuss influenced bronze and gilded ormolu clock garniture. The pair of four branch candelabra each supported by bronze putti, raised ...

Charles X Gilt and Patinated Bronze Mantel Clock, circa 1830, with a circular enamel dial, the movement strike on bell, surmounted by a two handle tazza, acanthus scrolled mounts, an...

A magnificent late nineteenth-century French ormolu and Sèvres style porcelain mantel clock by the celebrated maker Japy Frères. The imposing architectural case is finely cast in gil...

This jewel-encrusted, silver-gilt antique table clock is an exquisite piece of Viennese craftsmanship. It comprises of a scalloped base, which is raised up on four C-scroll feet, and...

Rare Chinese style clock in the shape of a covered pot, in porcelain painted in imitation of Chinese cloisonné enamel and decorated with a two-patina bronze mount. The dome-shaped co...

Victorian Ormolu and silvered bronze mantel clock English, 1871 Measures: Height 50cm, width 36cm, depth 19cm The clock is a fine work in silvere...

A fine & large antique 18th Century French hand-painted & Ormolu Vernis Martin Louis XV period cartel or bracket clock, circa 1750. This very finely detailed, large and impressive 8...

Movement by Auguste Lemaire, Paris. Stamped to backplate with maker's mark and numbered "411", with white enamel chapter ring surrounding a gilt center...

Charles X Patinated Bronze and Brass Mounted Verde Antico Marble Figural Clock, circa 1830, surmounted by a seated woman resting on a pedestal with a harp, the circular silver dial, ...

Grand ormolu and marble clock set by Raingo Frères and Salmson French, Late 19th Century Clock: Height 69cm, width 81cm, depth 23cm Candelabra: Height 80cm, width 34cm, depth 34cm This elegant clock set was created by Raingo Frères and Jean Jules Salmson (French, 1823–1902). Raingo Frères, founded in 1832, was famous for its astronomical clocks, one of which is now in the Windsor Castle collection. The set is complemented by bronzes from the renowned sculptor Salmson, a regular exhibitor at the Paris Salon. The garniture includes a central mantel clock and two matching eight-light candelabra, all expertly crafted from ormolu and white marble. The clock features a central column topped with a finely detailed sculptural group of bacchantes holding grapevine garlands, with cherubs draping them over large vases. The white enamel dial is framed by an acanthus ormolu mount and rests on a base with twin ormolu lion feet. The candelabra mirrors...

A very good quality 19th century French gilded ormolu Louis XVI style mantel clock, having wonderful scrolling foliate decoration in the Rococo style, garlands of flowers draped eith...

A very impressive and stylish early 19th Century gilded ormolu and green marble mantle clock, having two classical maidens either side feeding Rams, an Eagle above the circular white...

An elegant and high quality French 19th century Chinoiserie ormolu, silvered bronze and porcelain clock garniture in the style of Edouard Lievre mounted with Chinese famille verte po...

French gilt bronze mounted marine themed automaton mantel clock French, circa 1850 Measures: With glass dome and base height 90 cm, width 70 cm, depth 33 cm Clock without dome and...

The 8-day time and strike movement with silk thread suspension, dial signed "Raingo Freres, A Paris”. Origin: French Date: Mid/late 19th century Dimension: 23 in. x 27 in. x 12 in.

A Period Louis XV Boulle mantle clock The case is inlaid with brass and is further decorated with Rococo scrollwork and gilded bronze mounts. The det...

This resplendent French Empire gilt bronze mantel clock features an extraordinarily detailed scene of a singing troubadour with his lyre along a rocky river bank. Accompanied by a wi...

French Empire Bronze and Siena Marble "Knight" Clock, circa 1830, the standing figure in armor above a circular gilded dial, the movement with strike on bell, on a graduated Sienna m...

An antique French bronzed spelter clock set with its pair of matching gilt candelabra / garniture. The finely cast figurine of a lady holding a manuscript is entitled Poésie and ...

This antique mantel clock was made in the late 19th century and features a solid combination of black Portoro marble with natural beige, gold, and white veins, paired with green serp...

This Fine french four glass mantel clock has a beautifully gilded case with thick bevelled glass panels and doors. the eight day movement with visible jewelled Brocot escapement is m...

Antique Early 19th Century Empire Gold Brown Gilt Patinated Bronze Mantel Clock French, Early 19th Century Height 54cm, width 52cm, depth 20cm Dating to the early 1800s and desi...

A very impressive and fine quality 19th century French Empire influenced clock set. Having a pair of winged female figures supporting five branch candelabra with scrolling foliate decoration, raised on gilded globes and green marble plinths with ormolu mask mounts. The clock having winged lovers standing over the green marble clock...

A Large and Important Napoléon III Gilt and Silvered-Bronze Sculptural Three-Piece Clock Garniture, By Charpentier, Paris. Comprising a mantle clock and a pair of figural vases. The...

French Patinated Bronze and Black Slate Chariot Clock, late 19th century, of rounded rectangular form, surmounted by a Roman soldier driving a chariot with two horses, below, the cen...

A fine quality French ormolu and patinated bronze and white marble clock set with cherubs holding the candelabras and large central clock with two fem...

Louis XVI Style Gilt Metal Mounted White Marble Portico Mantel Clock, late 19th century, the circular enamel dial with strike on bell movement, surmounted by two handled urn and bouq...

This 'Marie Anoinette' antique clock is signed on the face by an unknown maker, and originated from France and dating to approximately 1880 and done in the period Louis XVI style. Th...

Attributed to Emile Herbert, French, 1828-1893. Comprising a central clock and a pair of flanking lidded vases, the clock on a red and black marble base with Pharaoh busts...

French Empire Style Gilt Metal Mounted White Marble Portico Clock, early 20th century, surmounted by an Imperial eagle, sunburst, the suspended circular dial with battery operated mo...

Large antique French Louis XV style patinated and gilt bronze clock set French, 19th Century Clock: Height 99cm, width 83cm, depth 32cm Torchères: Height 113cm, width 33cm, depth 28...

German mahogany and ormolu bracket clock with gilt bronze pineapple finials, flanking figural floral corner mounts, arched floral side screens, hinged astragal shaped glass door with...

Designed in a fanciful Louis XV style, this beautiful mantel clock takes the form of an Asian elephant, saddled with a howdah (carriage). The clock features a patinated sculpture of ...

This sophisticated gilt bronze mantel clock is an elegant piece of mid-19th century design, beautifully cast and gilded and set with two delicate Sèvres style porcelain panels. The clock case's finest feature is the charmingly naturalistic scene at its top, showing a full-length sculpture of a female figure sitting with a basket and two doves. They are displayed on a naturalistic, oval-shaped plinth, which is decorated all around its exterior with painstakingly intricate foliate motifs. Either side of the plinth there are two Sevres style porcelain panels, each of which shows a winged putto. One putto is shown writing, while the other is shown holding a dove. Each is set inside a turquoise blue border decorated with delicate gilt scrolls. In the centre of the plinth sits the clock dial, which is enamelled and contains Roman numerals. It is signed 'Prize Medal 1851 / Miroy Fres Brevetes / Paris' after the clock's maker, Miroy Freres...

French Regence style cartel in Boulle marquetry in première partie, with a red tortoise shell background. Architectural shaped case, standing on a base with four flattened balls foliaged feet with chiseled motifs on the middle. On each side a glass shows the inner part of the clock and is framed with water leaves frieze in gilt and chiseled bronze. Other motif in gilt bronze such as flowers, beaded acanthus leaves, mascarons, pelmets, swags and music trophies...

This exquisite mantel clock was designed in the 19th century in France, inspired by an earlier model by François Vion, a famous Parisian metalworker of the 18th century. In this design, as in Vion’s, the Three Graces are depicted holding up a spherical clock...

A Magnificent and Rare French 18th-Century Doré Bronze Mantel Clock Attributed to Robert Osmond. The clock is designed in the form of an urn, supported by a central pedestal and a re...

This truly stunning French mantel clock was crafted during the Empire period, and reflects the Neoclassical interests of the Emperor Napoleon I, whose influence over the decorative arts contributed toward a profound revival of beauties of the ancient empires. The mantel clock is crafted entirely in gilt bronze, and features a stepped base on four block feet. The base depicts a Classical relief panel to the front, showing female dancing figures and putti, as well as musical instruments. Surmounting the base is an arch featuring a central mask fountain and basin...

A very good quality late 19th century French Louis XVI style gilded ormolu mantel clock. Having a broken arch pediment with a twin handled urn to the centre. The inset champlevé enam...

Exquisite Quality French Ormolu and White Marble Winged Cherub Clock. Date: 19th century Origin: French Dimension: 25 1/2 in. high, 23 in. wide, 10 1...

A Monumental Bourdin French figural gilt bronze mantel clock, depicting two women seated on the plinth with garland decoration and a c...

Fireplace clock made of fire-gilt bronze with a rectangular base with a relief depicting winged putti with the attributes of the various sciences. Above it is a clock case in the sha...

Renaissance Revival enamel and gilt bronze mantel clock French, late 19th century Size: Height 53cm, width 29cm, depth 22cm The mantel clock i...

A Large and Important Louis Philippe Period Gilt-Bronze Three-Piece Clock Garniture. Attributed to the Feuchère family. The clock movement by Hémon. In the Renaissance revival style. Comprising a clock and a pair of nine-light candelabra. The clock case of architectural out-shape with cherubic term figures supporting a rectangular pediment centred by an urn. The sides of the clock tower cast in relief with strapwork and foliage. The dial inset with enamel Roman numeral chapters. The twin-barrel clock movement with tic-tac escapement, silk suspension and countwheel strike to bell. Pendulum and winding key. The candelabra as twin-handled vases supporting tiered branches with candle nozzles. Modelled en suite with naturalistic scrolls and foliage. Surmounted by finials modelled as an eagle toying with a serpent. The scrolled handles flanked by cherubic figures and serpents. The bodies fronted by bacchic masks and supported on socles bearing angels. France, Circa 1835. The clock movement signed ‘HEMON A PARIS’. The clockmaker Claude Hémon was established at rue de St. Martin circa 1810-1820. Dimensions, the clock: Height : 106 cm 42 inches Width : 58 cm 23 inches Depth : 38 cm 15 inches Weight : 72 kg Dimensions, the candelabra: Height : 104 cm 41 inches Width : 36 cm 14 inches Depth : 36 cm 14 inches Weight : 28 kg (each) This magnificent clock garniture of palatial size is designed in the Renaissance revival style and dates to the Louis Philippe period. Executed in sculptural gilt-bronze with leaves, scrolls, masks and exotic birds, the naturalistic ornament represents an elaborate system of allegories and mythological iconography which recall the influence of Italian Mannerist art in France. The distinctive design reflects a new style which replaced the neoclassism of the French Empire period. With the fall of Napoleon Bonaparte, artists and designers sought a new decorative vocabulary with which to aggrandise the Bourbon restoration. With the French revolution and Louis XVI’s execution still within living memory, it seemed too soon for a revival of the style of the Grand Siècle. Instead they looked further back to the time of François I, whose patronage of Italian artists had brought the Renaissance to France. The idea of a renaissance revival appealed to the new Bourbon monarchs and their patronage ignited great creativity in the arts. The reigns of Louis XVIII and Charles X, who were brothers of the late King, Louis XVI, and later of Louis Philippe I, nicknamed the Citizen King, coincided with the enlightenment and the dawn of the industrial age. Great technical progress was made in metallurgy and casting which raised the art of bronze making to new heights in the hands of great masters such as Pierre-Philippe Thomire (1751-1843) and Pierre- Jean-François Denière (1774-1866). The renaissance provided a rich and varied source book in architecture, furniture and other decorative arts for designers such as Claude Aimé Chenavard (1798-1838) whose Album de l’ornemaniste (1835) became a reference work. Léon Feuchère (1804-1857) also produced drawings of interiors, silver, bronzes and furniture and was a scion of the prominent family of bronze castors established by his grandfather Pierre-François Feuchère (1737-1823) who had worked as a gilder for the bronze caster Pierre Gouthière before setting up a bronze foundry that would become one of the largest in Paris under the management of his son Lucien-François (d. 1841) and grand-son Armand (1797-1866). A number of drawings by Léon Feuchère have recently been discovered by the Rijksmuseum and probably belonged to the collection of Louis-Philippe-Albert, duc d’Orléans, comte de Paris (1838-1894). Louis-Philippe-Albert was the grandson of the French king, Louis-Philippe I (1773-1850), who granted him the title of comte de Paris, and the son of Ferdinand-Philippe, duc d’Orléans (1810-1842). Ferdinand-Philippe was an important collector and sponsored many young artists to create metalwork objets d’art, notably a celebrated surtout de table made by Claude-Aimé Chenavard and Jean-Jacques Feuchère (1807-1852), a cousin of Armand and Léon. Principally remembered as a sculptor, Jean-Jacques Feuchère trained in the family foundry and designed small objects, cigar boxes...

French fireplace clock onyx 1889 L.Marti et Cie Napoleon III Onyx marble case with fire-gilt fittings circa 1889. The movement is signed with the inscription "L.Marti et Lie ,, Meda...

A figural gilt bronze French Empire clock, ‘Allegory to Triumph and Power’. A Roman emperor stands to the right of the central rectangular plinth housing the movement; atop the plint...

A symbolic skeleton clock from the French Directoire period. A rectangular Carrara marble plinth with bronze toupie feet with knurled decoration supports an ormolu 'arc-de-ciel', wi...

Fine and elegant work of gold-plated bronze as mantel clock in the romantic style. Guilloche silvered dial covered with patina. The bronze sculpture was made using the casting techni...

A fine and rare Bisquit porcelain and gilt bronze Louis XV figural clock f depicting a famous scene in Greek Mythology of Perseus freeing Andromeda. The clock case is made of Bisquit (unglazed) porcelain. The figural group is presented on a rocky outcrop with waves lapping at their feet. She is shown lying over the clock dial with one leg and one arm chained to a rock behind her. Perseus leans agains the other side of the dial reaching to untie Andromeda from the rock behind her. Medusa's severed head is shown at his feet. The base is decorated with a gilt bronze frieze across the front showing cupids playing with stars and sun rays. The rounded sides of the clock are also decorated with gilded panels. The case sits on six toupie feet. The 6.5" white enamel dial is signed Ageron at the top and Paris at the bottom. The dial has Roman numerals with enamelled stars between the numerals; the hands are pierced and gilded. There is also a subsidiary steel hand pointing to the days of the month. The silk string suspension system has been replaced with a steel suspension system. The clock rings the hours and halfs on a bell. The movement for this magnificent clock was made by François Ageron (d. after 1783), who was one of the leading 18th century Parisian clockmakers. Ageron’s establishment was famous and known for his horological genius he created both clocks and watches, many of which had complicated movements. He was born at Arbigny and was received as a Parisian maître-horloger in 1741, at which date he was established at Place du Pont Saint-Michel. By 1747 he had moved to Quai des Augustins, five years later he was at rue Saint-Louis au Palais and then in 1763 at place Dauphine. Like other great clockmakers of the period he used cases by the finest bronziers notably Philippe and Jacques Caffiéri, Jean-Joseph de Saint-Germain, Robert and Jean-Baptiste Osmond, Jacques Dumont...

Rococo style clock with Louis XV monogram, gilt and patinated bronze This Rococo-style clock in gilt and patinated bronze depicts a putto on a chariot drawn by a dragon. The circula...

Napoleon III Gilt Bronze and Sevres Blue Ground Porcelain Mounted Clock, mid-19th century, the painted dial centered by Cupid, the movement strike on bell, surmounted by a footed bow...

An Important Early 19th Century Gilt and Patinated Bronze Figural Mantle Clock By Andre-Antoine Ravrio and Mesnil Modeled with a large and beautiful gilt bronze figure of recumbent...

Restauration Gilt Metal Figural Mantel Clock, circa 1830, the circular enamel dial, with strike on bell movement, surmounted by a seated woman resting on a cushion, the rectangular b...

Louis XVI style gilt bronze and white marble figural mantel clock Origin: French Date: circa 19th century Size: 26-1/2 in x 19 in x 10-1/4 in.