Stone Clocks

A good quality French gilded ormolu, bronze and rouge marble mantel clock, in the Louis XVI style. Having Doves above the clock face, an enamel dial with an eight day movement, chiming on the hour and half hour. Bronze putti on either side play the pipes and mounted on a rouge marble base. Maker name; Hamilton and inches...

An enchanting classical Louis XVI style gilded ormolu and marble mantel clock, having a standing cherub holding a Cockerel above a white enamel clock face, retails name; Rob. Engstro...

A good quality pair of French gilded ormolu and rouge marble candelabra, depicting two putti each supporting a two branch candelabra.

A French fire-gilt bronze clock with marble base depicting a Japanese woman, Louis XVI or Empire Era, 1790-1815. The silk-thread mechanis...

A very good quality, large French 19th century gilded ormolu and white marble mantel clock, signed; 'Monbro Aine, Paris'. Having an urn of grapes with semi...

A wonderful French 19th century Louis XVI st. Rouge Griotte marble, Ormolu, and patinated Bronze three piece garniture set, by Jacques Gudin, Paris, circa 1820. The elegant set inclu...

A very impressive 19th century French Sienna marble and bronze mounted Grand Tour influenced mantel clock, having an arched top, mythical gods...

Factory / house: Mappin & Webb Style / reference: Art Deco / Agate stone Easel desk clock Movement / caliber: 15 Jewels Swiss Made / eight days / manual...

A very pleasing French gilded ormolu and white marble clock garniture in the Louis XVI style. The clock having a cherub holding a chicken, the white enamel clock face with an eight d...

A spectacular French mid 19th century Louis XVI st. white Carrara marble and ormolu clock in the manner of Clodion. The clock is raised by elegant reeded topie shaped feet below the ...

A charming French 19th century Louis XVI style gilded ormolu and green marble clock garniture, having four ormolu cherubs supporting the urn clock a...

An elegant and high quality French 19th century Louis XVI st. white Carrara marble and ormolu clock. The clock is raised by foliate topie shaped feet below the oblong shaped white Ca...

A stunning and very high quality French mid-19th century Louis XVI st. ormolu and Rouge Griotte marble clock, stamped L. Oudry, Paris. The c...

19th century French gilt bronze and marble figural clock garniture set in the manner of Rollin of Paris depicting a pair of putti playing on naturalistic base raised on oval, white s...

A stunning and high quality French 19th century Louis XV. st. ormolu, patinated bronze and Rouge Griotte marble clock. The clock is raised b...

A magnificent French 19th century Louis XVI st. Rouge Griotte marble and ormolu clock by Raingo Frères, Paris. At the base are stunning ormolu mounts of rosettes and scrolled foliate...

French Art Deco clock, "Shepherds". Made of marble, onyx and bronze. Manual wind.

A horologic masterpiece of precision and beauty, this neoclassical marble and ormolu mantle clock is an extraordinary example of late 18th-century French clockmaking by the famed Jea...

An exquisite French early 19th century Louis XVI st. white Carrara marble and ormolu mounted clock. Raised on ormolu supports the rectangular marble base with beaded trim and Clodion...

A sensational French 19th century Neo-Classical st. Ormolu, patinated Bronze, and marble clock signed by Germain, Paris, 1825. The clock is elegantly raised on a white Carrara marble...

Antique French exquisite quality Ormolu clock and candlesticks of Vatican rouge marble, circa 1875-1885 Clock measures 15” H x 10” W x 4 1/2” D Candlestick measures 13” H x 7” W ...

An exquisite French 19th century Louis XVI st. white Carrara marble and ormolu clock. The clock is raised by ormolu topie shaped supports below a marble base with ormolu scrolling foliage and ormolu beaded row. Above is the central fluted marble column...

A work of exceptional detail, this magnificent Viennese clock takes the art form of enameling to new heights. The elaborately fashioned timepiece rests atop the head of a soldier, who stands on a pedestal populated by sphinxes. Exceptional details encase the entire piece, from the rooster finial to the gem-studded base. A hand-painted portrait of the heroic soldier on the reverse completes this stunning piece. Particularly popular during the 19th century, Viennese enamels...

A French ormolu mantel clock French, mid-late 19th century Measres: Height 37 cm, width 39 cm, depth 13.5 cm. A late 19th century French gilt-bronze (ormolu) and marble mantel clock ...

A striking and very high quality French 19th century Renaissance st. Rouge Griotte marble, patinated bronze, and ormolu garniture clock set. The clock at the center is raised by hand...

FACTORY / HOUSE: Asprey London STYLE / REFERENCE: Art Deco MOVEMENT / CALIBER: High Grade / 8 Day / 15 Jewels DIAL / HANDS: Enamel with Arabic Numerals / Blued Steel DIMENSIONS: 8 I...

A very large and impressive 19th century Empire style gilt and patinated bronze malachite mantel clock depicting 'Psyche Crowning Cupid.' Psyche crown...

A French Napoleon III Period Rouge Marble Gilt & Patinated Bronze Mantel Clock Alfred Emmanuel Louis Beurdeley Movement marked: J. Lefebvre Fils Paris & Numbered1938 Movement stamped: Medaille De Bronze J. Marti & Cie & Numbered 92 Dial signed: A. Beurdeley Fila, Paris France, Circa 1875 Dimensions: Height: 24" (61cm), Width: 22" (56cm) Depth: 11" (28cm) Excellent Working Condition Biography French — Alfred Emmanuel Louis Beurdeley was a Parisian cabinetmaker who specialized in the manufacture of luxurious French furnishings...

Marble clock designed by Arch. Elda Lippi Size: cm. 12 x 12 x 6 H. Materials: Bianco Carrara - Nero Marquina - Pietra serena - Pietra dorata.   

A magnificent 19th century French Renaissance Revival patinated bronze mounted carved walnut "Day and Night" mantel clock.  The dial with Roman numerals flanked by allegorical figures of night and day after Michelangelo. France, circa 1870 Maker: Victor Paillard The movement stamped: Vr. Paillard, Paris. Rodier Paris Stamp & Medaille Dor', 1837 Dimensions: Height 22" (56 cm) Width 37" (94 cm) Depth 9" (22 cm) Victor Paillard (1805-1886) designed and made various bronze decorative and functional objects including chenets, lighting and clocks. He also cast bronzes for some of the most important sculptors of the day including Barye, Carrier-Belleuse and Pradier He opened his first workshop in the 1830s at 105, boulevard Beaumarchais and 6, rue Saint-Claude and by the 1850s was employing around 100 people. His success at numerous international exhibitions including the 1851 Great Exhibition (where he displayed a bronze of the Standing Sappho after Pradier) further enhanced his reputation Day and night by Michelangelo: Though never finished, the tomb of Giuliano de' Medici in the Medici Chapel is the only one of Michelangelo great architectural-sculptural projects to be realized in a form approaching completion. Built between 1520 and 1534, it is widely held to be one of Michelangelo's most stunning achievements. The pose of the central figure on the tomb of Giuliano de' Medici, arms resting at his sides and legs comfortably apart, and its open composition suggest a cheerful Duke, generous in both mind and spirit. In fact, the figure holds in his hand several coins, as if an intended gift. Light plays freely on his beautiful face, yet the figure is lacking in energy and seems to wilt under the burden of the Roman armor...

A beautiful and exclusive clock stand made of steel and granite. Holding a picture of the Stephans-dome. The most famous church in Wienna, Austria. High quality craftsmanship on all...

FACTORY / HOUSE: Alfred Dunhill London STYLE / REFERENCE: Art Deco Desk Clock METAL / MATERIAL: Stone and Metal CIRCA / YEAR: 1930's DIMENSIONS / SIZE...

Clock garnish and two candlesticks. Bronze, rouge griotte marble. France, 19th century, following Clodion's models. Set or garnish consisting of a table clock and two candlesticks ...

This elegant 19th-century French classical mantle clock, crafted from white marble, features an 8-day striking movement, showcasing both beauty and functionality. The clock is adorne...

French 19th century clockset with dore bronze and marble. Urns measure to be 12" H x 3.25" D.

Antique Alabaster, Ormolu and Silvered Bronze Clock Set in the Neo-Grec Style French, Late 19th Century Clock: Height 55cm, width 33cm, depth 16cm Candelabra: Height 62.5cm, width 1...

Sleigh-form silvered bronze and green onyx mantel clock French, late 19th century Measures: Height 27cm, width 32cm, depth 29cm This beaut...

A gilt bronze and blue lapis lazuli clock with bust of Molière French, circa 1830 Measures: Height 61cm, width 27cm, depth 13cm This exquisite French mantel clock originates fr...

Each in the form of a ship's wheel with 2.5 inch silvered dial, contained in cases, one with seven turned banded agate handles, the other with eight banded agate handles, each on ova...

An impressive 19th century Empire influenced green marble clock set. Having the arched clock with a white enamel clock face, an eight day striking m...

A very handsome little clock. The patterns in the pale rose/coral quartz are pleasing.

Very fine three piece garniture set, of gilt bronze and Rouge Griotte marble, the clock face signed Thiebaut Freres. The candelabra are 35 inches in heig...

A most exquisite French mid 19th century Louis XVI st. ormolu and white Carrara marble clock. The clock is raised by topie shaped ormolu supports, The rectangular marble base is deco...

Marble clock designed by Arch. David Palterer. Size: cm. 10.5 x 6 x 26 H. Materials: Rosso Francia / Verde Alpi Designed by: David Palterer.

An exceptional large 19th century French figural clock set after a model by Jean Antoine Houdon. Mounted with a large bronze model of a cupid holding a gilt bow and arrow, upon a naturalistic base with flowers and doves, supported on a rouge marble and ormolu mounted circular base with inset clock. Each candelabra modeled with a sitting putti holding a branch with two lights in each hand, raised upon a circular ormolu mounted rouge marble base. Signed: Houdon, circa 1860 Dimesions: Clock Height 36? (91 cm) Width 15? (38 cm) Depth 20? (20 cm) Candelabra Height 26? (66 cm) Width 12? (30 cm) Depth 9? (22 cm) Jean-Antoine Houdon a French neoclassical portrait...

Impressive antique Austrian champlevé enamel, silver-gilt and lapis lazuli clock set Austrian, Late 19th century Clock: Height 91cm, width 37cm, depth 37cm Candelabra: Height 64cm, width 24cm, depth 24cm Clock case: Height 97cm, width 44cm, depth 41cm Candelabra case: 67cm, width 27cm, depth 27cm Crafted in Austria in the late 19th century, this magnificent three-piece clock set was most likely gifted to the Imperial Russian family by the Austro-Hungarian Royal family. Its design is inspired by various cultures and styles, whilst its high quality celebrates some of the best craftsmen of the late 19th century. Of a tiered pagoda shape, the clock is surmounted by an eagle, its wings spread wide landing atop a vibrant lapis lazuli ball. The eagle is most likely a reference to Turul, a mythological animal which is a symbol of Hungary. This bird of prey is also a popular feature within Turkish traditions. Within a canopy, supported on four sturdy lapis lazuli pillars two prominent silver-gilt bells are hanging. These are carved with various motifs such as acanthus leaf design and connect to the clock mechanism below. The bells ring informing its users of the time. All four sides of the piece are inset with a clock, an unusual feature on an object of this type and a testament to its highest quality. The inclusion of clocks on all sides signifies that the antique is aimed to be a centrepiece, admired from all sides. The dial is decorated using the champlevé enamelling technique, whereby ‘parcels’ are carved into the silver gilt and into which enamel is poured. The 12 numbers are coloured in black with a gold outline and are surrounded by a white circular background making them stand out and easy to read. The hour clock dial is cast in the form of a sun, while the minute hand is represented as the moon. The two motifs symbolise one’s bright and gloomy sides of existence. The four corners around the clocks are mounted with three-dimensional female figures dressed in traditional garments from around the world. For example, one figure is dressed in typical Turkish clothing...