Stone Clocks

A very fine gilt bronze, patinated bronze and marble clock by Marlin & Cottin, 26 rue Amelot, Paris. The body of the clock made rouge marble ornate with gilt bronze garlands raised o...

A sensational French 19th century Neo-Classical st. Ormolu, patinated Bronze, and marble clock signed by Germain, Paris, 1825. The clock is elegantly raised on a white Carrara marble...

A French ormolu mantel clock French, mid-late 19th century Measres: Height 37 cm, width 39 cm, depth 13.5 cm. A late 19th century French gilt-bronze (ormolu) and marble mantel clock ...

A most exquisite French mid 19th century Louis XVI st. ormolu and white Carrara marble clock. The clock is raised by topie shaped ormolu supports, The rectangular marble base is deco...

An incredible and extremely high quality French late 18th century Louis XVI period ormolu, white Carrara marble and black Belgian marble clock signed Déliau - Rue De La Bartillerie N...

A Napoléon III Marble Mantle Clock With A Patinated Bronze Figure of 'Phryné' by James Pradier. France, Circa 1860. Surmounted by a finely cast pa...

FACTORY / HOUSE: House of Gubelin STYLE / REFERENCE: Art Deco Flat Table Clock METAL / MATERIAL: Stone and Gilt Brass CIRCA / YEAR: 1930's DIMENSIONS / SIZE: Length 5" X Width 5" M...

A horologic masterpiece of precision and beauty, this neoclassical marble and ormolu mantle clock is an extraordinary example of late 18th-century French clockmaking by the famed Jea...

A handsome and high quality French 19th century Napoleon III period black Belgian marble, ormolu and patinated bronze garniture set. The three pi...

An impressive French early 19th century ormolu and white Carrara marble clock. The clock is raised by elegant scrolled foliate supports with dolphin heads. The rectangular white Carr...

Marble clock designed by Arch. Elda Lippi Size: cm. 12 x 12 x 6 H. Materials: Bianco Carrara - Nero Marquina - Pietra serena - Pietra dorata.   

FACTORY / HOUSE: Asprey London STYLE / REFERENCE: Art Deco MOVEMENT / CALIBER: High Grade / 8 Day / 15 Jewels DIAL / HANDS: Enamel with Arabic Numerals / Blued Steel DIMENSIONS: 8 I...

FACTORY / HOUSE: Shreve by Zenith STYLE / REFERENCE: Art Deco / Desk Clock METAL / MATERIAL: Stone and Gilt Bronze CIRCA / YEAR: 1930's DIMENSIONS / SIZE: 5 Inches Tall MOVEMENT / C...

Signed: Joseph Gay Horloger du Roy A Turin The movement is contained in a white marble obelisk which is surmounted by an armillary sphere finial. The front with a panel chased wit...

A beautiful and exclusive clock stand made of steel and granite. Holding a picture of the Stephans-dome. The most famous church in Wienna, Austria. High quality craftsmanship on all...

FACTORY / HOUSE: Alfred Dunhill London STYLE / REFERENCE: Art Deco Desk Clock METAL / MATERIAL: Stone and Metal CIRCA / YEAR: 1930's DIMENSIONS / SIZE...

FACTORY / HOUSE: Bailey, Banks & Biddle STYLE / REFERENCE: Art Deco / 8 Day Clock MOVEMENT / CALIBER: High Grade / 8 Day / 15 Jewels DIAL / HANDS: Enamel with Luminous Numbers / Blue...

French 19th century clockset with dore bronze and marble. Urns measure to be 12" H x 3.25" D.

Gilt bronze and malachite Louis XVI clock French, late 18th century Measures: Height 69cm, width 36cm, depth 13.5cm This fine Louis XVI mantel clock is wrought from malachite and gilt bronze. The malachite veneer is a later, beneficial refinishing. The clock features a plinth-form malachite base supporting four malachite columns, each with a gilt bronze capital. The columns raise an ornately shaped top, which is inset with a circular white enamel dial and is surmounted by urn-form finials. Beneath the dial is suspended an ornately cast and finished gilt bronze drapery...

A gilt bronze and blue lapis lazuli clock with bust of Molière French, circa 1830 Measures: Height 61cm, width 27cm, depth 13cm This exquisite French mantel clock originates fr...

An enchanting classical Louis XVI style gilded ormolu and marble mantel clock, having a standing cherub holding a Cockerel above a white enamel clock face, retails name; Rob. Engstro...

Each in the form of a ship's wheel with 2.5 inch silvered dial, contained in cases, one with seven turned banded agate handles, the other with eight banded agate handles, each on ova...

A very handsome little clock. The patterns in the pale rose/coral quartz are pleasing.

Very fine three piece garniture set, of gilt bronze and Rouge Griotte marble, the clock face signed Thiebaut Freres. The candelabra are 35 inches in heig...

Marble clock designed by Arch. David Palterer. Size: cm. 10.5 x 6 x 26 H. Materials: Rosso Francia / Verde Alpi Designed by: David Palterer.

FACTORY / HOUSE: Asprey London STYLE / REFERENCE: Strut Desk Clock METAL / MATERIAL: Polished Beveled Agate and Nickel CIRCA / YEAR: 1920's / 1930's DIMENSIONS / SIZE: 9.5" X 5.25"...

Impressive antique Austrian champlevé enamel, silver-gilt and lapis lazuli clock set Austrian, Late 19th century Clock: Height 91cm, width 37cm, depth 37cm Candelabra: Height 64cm, width 24cm, depth 24cm Clock case: Height 97cm, width 44cm, depth 41cm Candelabra case: 67cm, width 27cm, depth 27cm Crafted in Austria in the late 19th century, this magnificent three-piece clock set was most likely gifted to the Imperial Russian family by the Austro-Hungarian Royal family. Its design is inspired by various cultures and styles, whilst its high quality celebrates some of the best craftsmen of the late 19th century. Of a tiered pagoda shape, the clock is surmounted by an eagle, its wings spread wide landing atop a vibrant lapis lazuli ball. The eagle is most likely a reference to Turul, a mythological animal which is a symbol of Hungary. This bird of prey is also a popular feature within Turkish traditions. Within a canopy, supported on four sturdy lapis lazuli pillars two prominent silver-gilt bells are hanging. These are carved with various motifs such as acanthus leaf design and connect to the clock mechanism below. The bells ring informing its users of the time. All four sides of the piece are inset with a clock, an unusual feature on an object of this type and a testament to its highest quality. The inclusion of clocks on all sides signifies that the antique is aimed to be a centrepiece, admired from all sides. The dial is decorated using the champlevé enamelling technique, whereby ‘parcels’ are carved into the silver gilt and into which enamel is poured. The 12 numbers are coloured in black with a gold outline and are surrounded by a white circular background making them stand out and easy to read. The hour clock dial is cast in the form of a sun, while the minute hand is represented as the moon. The two motifs symbolise one’s bright and gloomy sides of existence. The four corners around the clocks are mounted with three-dimensional female figures dressed in traditional garments from around the world. For example, one figure is dressed in typical Turkish clothing...