Stone Clocks

A very good quality 19th century French Louis XVI style gilded ormolu and marble mantel clock, depicting a mother and child after harvesting above an eight day duration chiming clock...

An enchanting classical Louis XVI style gilded ormolu and marble mantel clock, having a standing cherub holding a Cockerel above a white enamel clock face, retails name; Rob. Engstro...

A very fine gilt bronze, patinated bronze and marble clock by Marlin & Cottin, 26 rue Amelot, Paris. The body of the clock made rouge marble ornate with gilt bronze garlands raised o...

A superb clock in the manner of Le Faucher (clocksmith for Louis XVI) signed J. B. Dutertre. Paris, France, circa 1880. Dimensions: Height 19", width 14", ...

An incredible and extremely high quality French late 18th century Louis XVI period ormolu, white Carrara marble and black Belgian marble clock signed Déliau - Rue De La Bartillerie N...

A stunning and high quality French 19th century Neo-Classical st. ormolu and white Carrara marble clock. The clock is raised by fine circular mottled ormolu feet below the solid whit...

A most exquisite French mid 19th century Louis XVI st. ormolu and white Carrara marble clock. The clock is raised by topie shaped ormolu supports, The rectangular marble base is deco...

Marble clock designed by Arch. Elda Lippi Size: cm. 12 x 12 x 6 H. Materials: Bianco Carrara - Nero Marquina - Pietra serena - Pietra dorata.   

A stunning and very high quality French 19th century Louis XVI st. ormolu and Rouge Griotte marble clock signed Raingo Frères. The clock is raised by two elegant rectangular reeded supports at the front and circular spiral fluted feet behind below striking richly chased elongated rosettes centering a fine pierced fitted intertwined laurel branch also repeated at the rounded sides. At the center is an impressive pierced fitted ormolu mount with Rinceau shaped scrolled acanthus leaves and berried laurel garlands flanked by striking fluted columns with fitted decorative ormolu chandelles and stunning lightly curved richly chased cornucopias with ribbons at each side. The enamel dial displays Roman numeral hour markings and Arabic numeral minute markings with elegant pierced foliate ormolu hands framed within an elegant mottled bezel with foliate and beaded designs. Above is the remarkable top crown a richly chased berried laurel wreath, a quiver, arrows, a bow and the eternal flame all tied with a flowing ribbon and displaying a wonderful satin and burnished finish. All original gilt throughout. Raingo Fréres, established in 1813 in Paris, specialized in the high precision clock...

A striking French 19th century Neo-Classical st. ormolu, black Belgian and white Carrara marble clock, signed Vaillant à Paris. The clock is raised by a black Belgian marble base with fine ormolu topie feet and striking fitted ormolu plaques...

A sensational French 19th century Neo-Classical st. Ormolu, patinated Bronze, and marble clock signed by Germain, Paris, 1825. The clock is elegantly raised on a white Carrara marble...

A handsome and high quality French 19th century Napoleon III period black Belgian marble, ormolu and patinated bronze garniture set. The three pi...

Antique French exquisite quality Ormolu clock and candlesticks of Vatican rouge marble, circa 1875-1885 Clock measures 15” H x 10” W x 4 1/2” D Candlestick measures 13” H x 7” W ...

Magnificent clock set three pieces executed by Prosper Roufoel working 26 place Vendome a Paris, one of the most pretigious place in paris where is the great jewwelers and the ritz ...

19th century French gilt bronze and marble figural clock garniture set in the manner of Rollin of Paris depicting a pair of putti playing on naturalistic base raised on oval, white s...

Very fine three piece garniture set, of gilt bronze and Rouge Griotte marble, the clock face signed Thiebaut Freres. The candelabra are 35 inches in heig...

A most exquisite French mid-19th century Louis XVI st. ormolu, white Carrara marble and crystal clock. The clock is raised on a moulded oval white Carrara marble base supported by ri...

A very handsome French 19th century Louis XVI st. 3-piece onyx and ormolu garniture set. The three urns, each with a green onyx body are raised on concave c...

A Napoléon III Marble Mantle Clock With A Patinated Bronze Figure of 'Phryné' by James Pradier. France, Circa 1860. Surmounted by a finely cast pa...

This important silvered bronze, gilded bronze and white Statuary marble clock set was probably made around 1840-1844. The central group is depicting Mary of Burgundy on a falcon hunt...

An exceptional large 19th century French figural clock set after a model by Jean Antoine Houdon. Mounted with a large bronze model of a cupid holding a gilt bow and arrow, upon a naturalistic base with flowers and doves, supported on a rouge marble and ormolu mounted circular base with inset clock. Each candelabra modeled with a sitting putti holding a branch with two lights in each hand, raised upon a circular ormolu mounted rouge marble base. Signed: Houdon, circa 1860 Dimesions: Clock Height 36? (91 cm) Width 15? (38 cm) Depth 20? (20 cm) Candelabra Height 26? (66 cm) Width 12? (30 cm) Depth 9? (22 cm) Jean-Antoine Houdon a French neoclassical portrait...

FACTORY / HOUSE: Bailey, Banks & Biddle STYLE / REFERENCE: Art Deco / 8 Day Clock MOVEMENT / CALIBER: High Grade / 8 Day / 15 Jewels DIAL / HANDS: Enamel with Luminous Numbers / Blue...

FACTORY / HOUSE: Bucherer Jewelers STYLE / REFERENCE: Art Deco Desk Clock METAL / MATERIAL: Stone and Nickel Finished Metal CIRCA / YEAR: 1930's DIMENSIONS / SIZE: 6 Inches X 6 Inche...

FACTORY / HOUSE: Asprey London STYLE / REFERENCE: Art Deco MOVEMENT / CALIBER: High Grade / 8 Day / 15 Jewels DIAL / HANDS: Enamel with Arabic Numerals / Blued Steel DIMENSIONS: 8 I...

A beautiful and exclusive clock stand made of steel and granite. Holding a picture of the Stephans-dome. The most famous church in Wienna, Austria. High quality craftsmanship on all...

Factory / house: Mappin & Webb Style / reference: Art Deco / Agate stone Easel desk clock Movement / caliber: 15 Jewels Swiss Made / eight days / manual...

French 19th century clockset with dore bronze and marble. Urns measure to be 12" H x 3.25" D.

19th Century (Early) French Clock Marble & Ormolu Unique clock purchased in France. Gorgeous Marble. impeccable condition. See Detailed Pics.

A gilt bronze and blue lapis lazuli clock with bust of Molière French, circa 1830 Measures: Height 61cm, width 27cm, depth 13cm This exquisite French mantel clock originates fr...

Each in the form of a ship's wheel with 2.5 inch silvered dial, contained in cases, one with seven turned banded agate handles, the other with eight banded agate handles, each on ova...

A very handsome little clock. The patterns in the pale rose/coral quartz are pleasing.

A French fire-gilt bronze clock with marble base depicting a Japanese woman, Louis XVI or Empire Era, 1790-1815. The silk-thread mechanis...

Marble clock designed by Arch. David Palterer. Size: cm. 10.5 x 6 x 26 H. Materials: Rosso Francia / Verde Alpi Designed by: David Palterer.

FACTORY / HOUSE: Asprey London STYLE / REFERENCE: Strut Desk Clock METAL / MATERIAL: Polished Beveled Agate and Nickel CIRCA / YEAR: 1920's / 1930's DIMENSIONS / SIZE: 9.5" X 5.25"...

Impressive antique Austrian champlevé enamel, silver-gilt and lapis lazuli clock set Austrian, Late 19th century Clock: Height 91cm, width 37cm, depth 37cm Candelabra: Height 64cm, width 24cm, depth 24cm Clock case: Height 97cm, width 44cm, depth 41cm Candelabra case: 67cm, width 27cm, depth 27cm Crafted in Austria in the late 19th century, this magnificent three-piece clock set was most likely gifted to the Imperial Russian family by the Austro-Hungarian Royal family. Its design is inspired by various cultures and styles, whilst its high quality celebrates some of the best craftsmen of the late 19th century. Of a tiered pagoda shape, the clock is surmounted by an eagle, its wings spread wide landing atop a vibrant lapis lazuli ball. The eagle is most likely a reference to Turul, a mythological animal which is a symbol of Hungary. This bird of prey is also a popular feature within Turkish traditions. Within a canopy, supported on four sturdy lapis lazuli pillars two prominent silver-gilt bells are hanging. These are carved with various motifs such as acanthus leaf design and connect to the clock mechanism below. The bells ring informing its users of the time. All four sides of the piece are inset with a clock, an unusual feature on an object of this type and a testament to its highest quality. The inclusion of clocks on all sides signifies that the antique is aimed to be a centrepiece, admired from all sides. The dial is decorated using the champlevé enamelling technique, whereby ‘parcels’ are carved into the silver gilt and into which enamel is poured. The 12 numbers are coloured in black with a gold outline and are surrounded by a white circular background making them stand out and easy to read. The hour clock dial is cast in the form of a sun, while the minute hand is represented as the moon. The two motifs symbolise one’s bright and gloomy sides of existence. The four corners around the clocks are mounted with three-dimensional female figures dressed in traditional garments from around the world. For example, one figure is dressed in typical Turkish clothing...