Gilt Desk Accessories

A Fabulous pair of French Louis XVI style dore bronze mounted hand carved rock crystal swirling spiked candlesticks, attributed to Baguès. Each candlestick is exceptionally hand carv...

Illumination is a rectangular golden silver photo frame with black marble designed by Laura G Art with Heart and it is decorated 360°, both front and back as every one of my picture frames.. A Classic Tiffany motif meanders in relief on a background of Belgian black marble stone. Each model of my photo...

Reflection noir is an italian gold silver floral double photo frame with black marble, a jewel photo frame signed Laura G Art with Heart. It is hand...

A fabulous vintage leather and gilt letter rack dating to c.1975, made in Italy by the iconic fashion house, Gucci. The base is covered in leather, the top being a very dark green a...

A fine antique French Grand Tour cast bronze hippocampus, seahorse statue desk ornament, circa 1820. This wonderful bronze is cast by the lost wax method (cire perdue), it depicts a ...

A most impressive fine quality antique Louis XV style French ormolu encrier / inkstand. Born in France in the 19th century, almost certainly Parisian work, exquisitely chased, chis...

A highly collectable letter opener or paper knife made in gilded bronze and dating to c.1960; a scarce-find in the gold colour. The handle is in the form of a horse head, beautifu...

An Encrier set with richly-veined Verde Antico marble base mounted with pair gilt-bronze inkwells flanked on either side of a Napolean bust. The marble base with pen tray rest on sh...

A gorgeous antique gilt bronze Neoclassical or Adam style notepad holder By Tiffany Studios (signed to the underside) New York, USA, Early 20th Century Measures: 4.63"W x 7.38"D x...

Antique Frankart Art Deco Gilt Cast Metal Figural Deer Bookends C1930 Measures - 6.5"H x 7.25"W x 3.5"D

We would like to present you with this magnificent 19th-century Empire-style inkwell from the Napoleon III era adorned with a raised imperial eagle motif positioned between the two i...

Delightful pair of small Italian picure frames finely crafted and engraved in solid brass. These extraordinary jewel frames were made in Italy in the 1950s. Entirely made of golden ...

Small inkwell crafted in porcelain, the paunch and lid decorated with a frieze of polychromatic floral motives highlighted with gold. The lid topped by a pine cone finial features a ...

Neoclassical Rococo Reticulated Foliate Form Gilt Bronze Letter Holder with Cameo, 20thC Measures- 11.5''H x 10''W x 4.5''D

Mughal ladies Tom Pouce lighter designed by Cartier. Fabulous and extremely rare ladies cylindrical gasoline lighter. Created in Paris during the art deco period by the house of Cartier, back in the middle of the 1920's. This miniature Tom Pouce lighter, takes its name from the classic short fairy tales by the Grimm's brothers, Tom Thumb (Tom Pouce being the French translation). It was crafted with Champlevé colored enamels over rustic bronze and accented with details in yellow gold of 18 karats. Embellished with natural lapis lazuli and an emerald. The main outside body is decorated with organics elements and figures of red and blue birds. Gorgeous look and surely a great conversation piece which is accompanied by the round Cartier red box. Champlevé, in the decorative arts, is an enameling technique or an object made by the champlevé process, which consists of cutting away troughs or cells in a metal plate and filling the depressions with pulverized vitreous enamel. The raised metal lines between the cutout areas form the design outline. Emerald: Accented on top in a bezel setting, with 1 square faceted cut of a natural green emerald of about 0.15 carats. Lapis: Mount with 1 flat round cabochon cut, carved from lapis lazuli of about 1.25 carats. Birthstone: Emerald for the month of May. Weight: 21.95 Grams, (14.07 Dwt). Measurements: Have a diameter of 16 mm and a height of 33 mm (0.63 x 1.30 Inches). Hallmarks Stamped with the maker's mark, the serial numbers, the French taxation mark for luxury items BL inside a rectangular cartouche and signed, "CARTIER 5554", stamped with matching cases numbers, 13 & 13. Ministere Des Finances Lighter Tax 1911-1945 Note: On 10th December 1910 the French state adopted a new tax regulations on all devices indented to produce spark or fire by friction, or by any other means, and of the combustion of a flammable substance. Since 1st January 1911 every lighter in France that was intended for sale in the French market had to be taxed and adequately marked. To confirm that the excise duty was paid to the Ministry of Finance a special duty metal plate (stamp) was attached (usually welded) to the lighter by the lighter manufacturers. The fees charged by the French state were high but the tax rates levied by the state were varying depending on the type and finish of the lighter. Following tax rates were used: 2 French francs for common pocket lighters, 5 Fr for pocket lighters made of silver, 20 Fr for luxury pocket lighters (e.g. made of gold), 5 Fr for common table/desk lighters (over 10 cm), 10 Fr for table/desk lighters (over 10 cm) made of silver, 50 Fr for luxury table/desk lighters (over 10 cm) made of gold or platinum. Between 1911 and 1916 a simple copper plate was used which had the date 1911 engraved. Later, between 1916 and 1945 a new plate (undated) was introduced with the letters "C" and "I" (stands for indirect taxes) and a profile of Mercury (patron god of financial gain, commerce and messengers) with an inscription "Ministère Des Finances" (eng. Ministry of Finance). Two shapes were used for the plate – oval for table lighters, the other one for pocket lighters. Additional to the two duty plates a marking "BL" (Briquet de Luxe, eng. luxury lighter) was introduced in 1926. It was a small hallmark which was considered as more discreet and applied only on luxury lighters like Quercia or Lancel. It is worth to mention that France was not the sole country where lighters were taxed and marked with special plates...

French Louis XIV Style Gilt Bronze Foliate Form Inkwell 20thC Measures- 2.75''H x 7.5''W x 5.75''D

Rare and important French Napoleonic ink stand with female sculpture. This hand-crafted and sizable ink stand of marble and gilt bronze is signed by the renowned French sculptor Mar...

Magnificent gilt bronze stamp representing Ophelia, character from Shakespeare's famous play "The Tragedy of Hamlet, Prince of Denmark", more commonly referred to by the abbreviated ...

“Primavera” Gilt Sunburst Letter Opener. Vintage chic desk accessory gilt metal letter opener with articulated radiating sunburst face on slender sh...

Antique French Sevrés inkwell offers porcelain construction in shaped form and having hand painted floral decoration and reserve with a bird, gilt highl...

Ecritoire Art Déco en bronze et bois de corail. Les encriers, vide poche, presse papier, cachet à cire, coupe papier, base en bois de corail. Bronze à décor ciselé : femme danseuse ...

Wood Pen Holder, Black and gold Color Japan 19th Century

Antique inkwell from gilded brass. France, 1840-1860.

Beautiful antique inkwell with Cloisonné-Enamel, France circa 1880.

Our 19th century gilt bronze travel desk from the Renaissance Revival period with exceptional overlaid chased strapwork inset with cabuchon shaped agate stones and hinged handles. I...

Beautiful Art Nouveau Inkwell from France, 1900- 1920s. This special inkwell is decorated all over with typical Art Nouveau ornaments. The attention to detail is reflected in the pen...

Art Deco full desk set in marble and brass, France, 1930s. Composed by: 2 Inkwells W 29.5 cm x D 18.5cm x H 8 cm Ashtray W 14 cm x D 14 cm x H 4 cm Envel...

This antique paper binding press was forged in France, circa 1860. The large Classic "Presse a Relier" made of solid iron is rectangular in shape and features two sides connected to ...

Enameled box by Louis Kuppenheim for Cartier Paris. Very rare box, created during the art deco period in the city of Pforzheim Germany, back in the 1930. This beautiful box was specially commissioned by the Cartier branch in Paris France to the Louis Kuppenheim silversmith workshop. It was crafted with impeccable details in solid .935/.999 silver, with gilded finish in the interior and high polished frames. Has an exceptional workmanship as you expect of the workshop of Louis Kuppenheim, with a remarkable geometric composition made up with in blue and black enamels. It is fitted with nine barrels invisible hinges and a push snap thumb for opening. This box is very rare and involves three big names in their manufacture, such; Cartier, Louis Kuppenheim and Alfred Dunhill. Weight: 128.40 Grams, (82.31 Dwt). Measurements: 83 mm by 58 mm by 12 mm (3.27 x 2.28 x 0.47 Inches). Hallmarks: Stamped with French marks, the maker's mark LK inside an oval cartouche associated to the workshop of Louis Kuppenheim, which is obliterated by the mark AD associated to Alfred Dunhill Paris, twice with the French national mark for the assay of the .935 silver, the case model number, the Cartier serial numbers and signed in full, "CARTIER MADE IN FRANCE STERLING No3277 LK/AD .935". Louis Kuppenheim The company was grounded in 1854 by Louis Kuppenheim (1824-1889) and Heinrich Witzenmann, specialized in silver and gold and enameled artefacts. On the World Exhibition in 1900 the firm received a gold medal for a letter opener. In that same year the company opened a branch in the Rue Richelieu 67 in Paris. In these years some designs by Hans Christiansen were executed, amongst them very delicately enameled silver cigarette cases...

Porcelain and bronze inkwell in the taste of Asian Art. Inkwell decorated with a Buddha in white porcelain on a red lacquer tray mounted with gilt bronze and inkwells in porcelain a...

Beautiful antique inkwell with Cloisonné-Enamel, France circa 1880. Stamped at the bottom "M B 5 9".

Exceptional Enameled Desk Set of a box and a seal stamp, France circa 1880. Beautiful Cloisonné- enamel work in bold blue, turquoise, red and beige colours. Measures: Stamp- or matc...

Exceptional Enameled Desk Set of a box, seal stamp and a pocket watch stand, France circa 1880. Beautiful Cloisonné- enamel work in bold blue, turquoise, red and beige colours. Meas...

Art Deco period Egyptian revival style enamel and silver-gilt desk set Continental, c.1920 Box: height 10.5cm, width 27cm, depth 26cm Inkwell: height 7.5cm, width 16.5cm, depth 8c...

A Fantastic 19th Century French Louis XVI Style Dore Bronze Mounted Blue Opaline Crystal Box. The box is composed of two sections of French opaline crystal which are mounted to a fa...

This Tiffany Studios bronze desk set embodies past elegance through its intricate "Zodiac" pattern. Known for exceptional quality, attention to detail, and use of high-quality materials, these sets are crafted with intricate designs, reflecting Louis Comfort Tiffany's artistic vision. With meticulous craftsmanship and high-quality bronze, these sets captivate collectors seeking luxury in workspace decor due to their historical importance and association with Tiffany. Rare and intricately designed, their value is influenced by scarcity and craftsmanship. THE SET INCLUDES 2 BOOKENDS, 1 LARGE AND 1 SMALL INKWELL, 1 HORSE HAIR BRUSH, 1 MATCHBOOK HOLDER...

This stunning enamel, silvered metal, and gilt metal "Pavot" inkwell by Eugène Feuillâtre features peacock feather embellishments. The Inkwell lies under the gilded and silvered metal poppy seed pod lid, to which the title pavot (translated to English as poppy) refers. The vessel is vaguely pumpkin-shaped with negative space in a honeydew green, with white peacock feathers featuring purple and turquoise details. Product Details: Item #: S-21164 Artist: Eugène Feuillâtre Country: France Circa: 1900 Dimensions: 2.25" height, 3.5" diameter Materials: Enamel, Silvered Metal, Gilt Metal Signed: impressed Feuillâtre Exhibition History: Examples of this inkwell can be found in the permanent collections of Musée d’Art et d’Histoire, Geneva (inv. no. E 01500), Musée des Arts Décoratifs, Paris (inv. no. 8746), and Museum für Kunst und Gewerbe, Hamburg (inv. no. 1966.1). Salon des Artistes français, 1898. Literature: L. Bénédite, et. al., "Exposition Universelle de 1900: Les Beaux-Arts et les Arts Decoratifs," Gazette des Beaux-Arts, Paris, 1900, p. 510 (for a related example). H. Frantz, "E. Feuillatre, Emailleur," L’Art Décoratif, no. 28, Paris, January 1901, p. 166 (for a related example). C. Saunier, "Céramique, Verrerie, Émail," L’Art Décoratif, no. 34, Paris, July 1901, p. 155 (for a related example). R. Marx, La Décoration et les Industries d'Art à l'Exposition Universelle de 1900, Paris, 1901, p. 95 (for a related example). M. P. Verneuil, "L'Émail et les Émailleures," Art et Décoration, no. 2, Paris, February 1904, pp. 37-39 (for a related example). M. Rheims, L'Objet 1900, Paris, 1964, p. 34, no. 18 (for a related example). P. Garner, ed., The Encyclopedia of Decorative Arts 1890-1940, New York, 1978, p. 95 (for a related example). Die Jugendstil - Sammlung: Band 1: Künstler A-F, exh. cat., Museum für Kunst und Gewerbe, Hamburg, 1979, pp. 465-466, cat. no. 655. A. Duncan, The Paris Salons 1895-1914, Volume V: Objets d'Art & Metalware, Suffolk, 1994, p. 252 (for related examples). G. de Bartha, L'Art 1900: La Collection Neumann, New York, 1994, p. 128 (for a related example). J. T. Busch and C. L. Futter, Inventing the Modern World: Decorative Arts at the World’s Fairs, 1851-1939, exh. cat., Carnegie Museum of Art, Pittsburgh, 2012, p. 196, no. 9 (for a related example). Macklowe Gallery Curator's Notes: Eugène Feuillâtre’s career began in René Lalique’s enamelling...

Enamel cloissoné and gilt bronze inkwell. France, late 19th century.

Stunning Gucci desk set made of crocodile effect leather in embossed pigskin, and gilded brass.The set includes massive desktop blotter, with removable cover, letter opener, note pad...

Opaline and Brass inkwell by Tiffany Studio, Early 20th Century. Gilded brass and opaline inkwell by Tiffany Studio, early 20th century, Art Nouveau p...

Sculptural Bronze Free-form Inkwell from a New York Socialite Estate Offered for sale is a sculptural bronze free-form inkwell from the estate of a New York socialite. She had mult...

The crescent shaped & dished ‘verdi alpi’ marble base affixed with a pair of lidded gilt bronze inkpots (glass inkwells absent), decorated with fine engine turned detail, flanking a ...

FACTORY / HOUSE: Shreve and Company San Francisco STYLE / REFERENCE: Art Deco Glass, Gilt and Nickel MOVEMENT / CALIBER: 15 Jewels DIA...

Richly chiseled and gilded bronze inkwell. Basin with lion's mouth, arched feet with scrolls and acanthus leaves, resting on an oval marble base rimmed with bronze. 19th century peri...

A beautiful Three-piece Desk Set in gilded silver. Very period Swedish Grace from CG Hallbergs in Stockholm, Sweden dated 1929 by Swedish hallmarks. An elegant gilded silver inkstand...

This piece of nineteenth-century French elegance is sure to be the envy of any collector. The Napoleon III gilt bronze inkwell is a prized find, crafted in circa 1840 France with int...

Place this elegant antique inkwell in a man’s office or study. Created in France, circa 1880, and built of spelter, the desk accessory sits on five small d...

Dall'Italia Settentrionale un affascinante accessorio da scrivania, un Leggio da Tavolo Scolpito e Dorato della metà 1700 in legno di tiglio, appoggiato su quattro piedini torniti ch...

Art Deco fluted and partially gilt letter opener. The knife shaped silver opener features a fluted handle with gilt band and a tapering blade. An elegant and truly stylish desk acces...

A 19th Century Italian Ormolu Mounted Multi-Marble Julius Caesar Coliseum Model. This is a beautiful rendition of a Roman coliseum with a dore bronze mounted Julius Caesar standing in the middle of the marble masterpiece. The domed top is made up of multiple marble species including verde marble, carrara marble, and rough marble...

Art Deco 'Chained Bulldog' Car Mascot / Hood Ornament designed by Marvel, French, 1920´s, silver-Gilt plated bronze, small version, 14cm long, compl...

This elegant paper binding press was forged in France, circa 1870. The Classic "Presse a Relier" made of solid iron is almost square in shape with scalloped edges, and features scrol...

This 19th-century gilded inkwell is a captivating piece of artistry, masterfully crafted to depict a charming bulldog tethered to a rustic tree stump. W...

Gilt Art Nouveau Portrait Casket Double Inkwell WMF (Attrib.) Germany, Circa 1900s Attributed to WMF” Württembergische Metallwarenfabrik A gilt Art Nouveau portrait casket double i...

A very rare and important exhibition encrier by François Linke and Léon Messagé. French, circa 1900. Index number 709. Signed to the edge 'F. Linke'. This exceptional and ambitious encrier is modelled as two putti, each holding a standard and sitting on the water's edge, the two inkwells with hinged spirally-fluted covers with glass liners. This important inkwell is based on Léon Messagé's celebrated sculptural group 'La Source' and was originally intended by Linke to form part of his spectacular Stand at the 1900 Paris Exposition Universelle. Like seven or eight other pieces originally intended for inclusion on the Stand, it would seem the encrier was a casualty of both Linke's over-ambitious production schedule and the financial burden that the manufacture of such ornate and high quality work imposed. It was eventually shown on the Stand in September after the gilding was finished by Picard at a cost of 90 French francs. The costs of the model were very high: some 2024 francs (of which Message's combined fee was 1158 francs 40 centimes), underlining the originality and complexity. The 1900 Exposition example was sold, along with three important pieces of furniture from the Stand (the Grand bureau and associated armchair, and the Bahut Louis XV Mars et Vénus), to the South African banker and diamond merchant Solomon Joel. A further six encriers were produced up until 1925. Object Literature: Payne, Christopher. François Linke, 1855-1946, The Belle Époque of French Furniture, p. 90, pl. 97; p. 149, pl. 157; p. 150; pp. 182-183, pls 197 & 198 as exhibited at the Liege exhibition in 1905 & p. 480 for the original notes in Linke's Blue daybook of the late 1890s. François Linke (1855 - 1946) was the most important Parisian cabinet maker of the late nineteenth and early twentieth centuries, and possibly the most sought after cabinet maker of his period. He was born in 1855 in the small village of Pankraz, in what is now the Czech Republic. Records show that Linke served an apprenticeship with the master cabinetmaker Neumann, then in 1875 at the age of 20 he arrived in Paris where he lived until he died in 1946. It is known that the fledgling Linke workshops were active in Paris in the Faubourg St. Antoine as early as 1881, and during this time he supplied furniture for other more established makers such as Jansen and Krieger. The quality of Linke's craftsmanship was unsurpassed by any of his contemporaries and reached its peak with his spectacular Stand at the Paris Exposition Universelle in 1900, where his Grand Bureau took the Gold Medal. He gambled his fortune and reputation on this Stand, exhibiting several breathtaking items of furniture with sculptural mounts of the most exceptional quality and proportion. His gamble worked and his reputation was established to such an extent that Linke continued to be the pre-eminent furniture house in Paris until the Second World War. As the Art Journal reported in 1900 on Linke's Stand: 'The work of M. Linke ... was an example of what can be done by seeking inspiration amongst the Classic examples of Louis XV and XVI without in any great sense copying these great works. M. Linke's work was original in the true sense of the word, and as such commended itself to the intelligent seeker after the really artistic things of the Exhibition. Wonderful talent was employed in producing the magnificent pieces of furniture displayed....' The formation of Linke's distinctive style was made possible by his collaboration with the sculptor Léon Messagé. Together Linke and Messagé designed furniture for Linke's 1900 exhibition Stand, with exuberant allegorical figures cast in high relief, that exemplified Linke's ability to seamlessly merge the different mediums of wood carving, bronze and marquetry into a dynamic unified whole. Today Linke is best known for the exceptionally high quality of his work, as well as his individualism and inventiveness. All of his work has the finest, most lavish mounts, very often applied to comparatively simple carcasses. The technical brilliance of his work and the artistic change that it represented were never to be repeated. Bibliography: Payne, Christopher. François Linke, (1855 - 1946), The Belle Époque of French Furniture, Antique Collectors' Club, (Woodbridge, UK), 2003. Meyer, Jonathan. Great Exhibitions - London, New York, Paris, Philadelphia, 1851-1900, Antique Collectors' Club, (Woodbridge, UK), 2006; pp. 298 - 300. LeDoux - Lebard, Denise. Les Ébénistes du XIXe siècle, Les Editions de l'Amateur, (Paris), 1984; pp. 439-43. Revue Artistique & Industrielle, (Paris), July-August 1900. Coral Thomsen, D. (ed), The Paris Exhibition 1900, The Art Journal, 1901; p.341. Léon Messagé (1842-1901) had a brilliant, but short lived career. He is best known for his incredible sculptural collaboration with François Linke for the 1900 Paris Exposition Universelle. A gifted sculptor, Messagé was also responsible for much of the design and creative work for Roux et Brunet and Joseph-Emmanuel Zwiener. Messagé enjoyed great success as a designer/sculptor before his collaboration with Linke. Indeed he was mentioned as a Gold Medal winner at the 1889 International Exhibition and was especially praised for his work on a cabinet by Zwiener. He came into contact with Linke in 1885 and it appears from then on Linke employed him on a regular basis. Messagé was primarily influenced by Rococo ornament but he strove to re-interpret it. He did not produce slavish copies, and his original approach can be appreciated in Linke's celebrated Grande Bibliothèque and Grand Bureau exhibited at the 1900 Paris Exposition Universelle. A number of drawings by Messagé are recorded and after his success at the exhibition of 1889 he was encouraged to publish his designs. 'Cahier...

A fine Tiffany Studios gilt bronze inkwell. In the Zodiac pattern. Model no. 1072. Simply iconic Tiffany design! Date: Early 20th Century Overall Condition: It is in overall goo...

An Unusual 19th century French Ormolu Mounted Globe Style Tantalus liquor set. The round globe top which rests on an elongated ormolu base is not common to find. The crystal top is m...

This lovely 6-piece bronze doré desk set was made by Tiffany Studios of New York. The early 20th-century set has a warm golden finish with its original patina and has been made in Tiffany's popular Zodiac motif featuring stylized depictions of the 12 signs of the Zodiac set in ovoid cartouches. The Zodiac signs are set amongst intricate Celtic-style knots. The desk set is comprised of a 2-row letter rack, a pair of desk blotter ends, a pen tray, a letter opener, and a large inkwell fitted with a hinged lid. The inkwell comes complete with its original clear glass ink reservoir. This particular selection of pieces is quite practical and represents an ideal manner in which to start a collection of Tiffany Zodiac desk set...