1810s Decorative Objects

A fine & rare antique Georgian Scottish inlaid mahogany eight day tall case grandfather clock, by Patrick Bews, Kirkwall, Orkney Islands, circa 1810. Just professionally serviced and overhauled by a professional clock-smith. This very rare antique clock...

English Regency Parquetry diamond inlaid hinged ebonized tea caddy with two lidded interior compartments, original ebonized knobs, stylized foliage borders, locking mechanism with ke...

This impressive mantel clock with an eight day single fusee movement evokes the concept of time well spent in learning. It is crowned by Jupiter's eagle who bears sacred oak garlands above the dial, whose Ionic capital cradle is framed by addorsed studying nymphs. They are seated on a bronze plinth which is centred by an Arcadian Pan mask amongst golden flowered ormolu garlands, the whole resting on turned baluster feet. The dial is cast in ormolu and unusually has Arabic numerals, surround by a anthemion frieze bezel. With the eagle a symbol of Jupiter and hence the divinity of learning, and the mask of Pan a reference to the natural world. This clock is, therefore, a celebration Natural Philosophy, the study of science and the natural world, and a display of classical learning and understanding. The two seated figures derive from the model of L'Etude, which together with La Philosophie, was created for the Sèvres factory by Louis-Simon Boizot in 1780. Under the instructions of the marchand-mercier Dominique Daguerre, these figures were incorporated into a clock design, from which the present clock derives, by the cisleur-doreur François Rémond. In 1788 Daguerre delivered two clocks after his new design to Louis XVI for the Château de St. Cloud. The model obviously appealed to the Prince of Wales, later George IV, as he purchased two clocks of this model from Daguerre, one of which was in his bedroom, the other in his dressing-room one is now in Windsor Castle the other in Buckingham Palace. This clock was probably made by Baetens & Co who specialised in bronze and ormolu decorative objects in the Regency period. No doubt identifying the fashionable subject matter and style after the Prince Regent popularised it at Carlton House. They made models in bronze ormolu and marble for many clock makers of the period. A near identical version of this clock was in the collection of the Marquess of Bath at Longleat House until its sale at Christies in 2002, made by Santiago James Moore French of the Royal Exchange. Other examples of this clock have been recorded by Barraud and Lund...

An elegant and finely detailed pair of George III Regency-period gilt sterling silver candlesticks, hallmarked London, 1818, with maker's marks for Thomas Gairdner. Each candlestick...

Fine French School devotional painting depicting the seated Virgin and Child with the infant Saint John the Baptist, executed in gouache and tempera on parchment, dated 1811 verso. T...

With arched bonnet with brass finials over a convex glass bezel opening to a steel clock face. Newly cleaned and put in ready to go condition. The case with pendulum door. Weights, k...

An exceptional, fine and impressive pair of antique Spanish cast silver candlesticks in the Adams style; an addition to our continental silverware c...

An English Regency Inlaid Amboyna Tea Caddy with brass mounts. The sarcophagus form with lion handles and scrolled feet. The interior with two compartments for tea with a replaced ...

English black lacquered and gilt stenciled figural pagoda hinged tea box with exterior gilt stenciled dragon motif, original interior pewter hand chased figural container with bone k...

Tea Caddy made of rosewood with extensive mother-of-pearl decoration to the top and front. Special features include bun feet and unusual handles on either side with mother-of-pearl b...

Pressed Tortoiseshell Design From our Tea Caddy collection, we are delighted to offer this Regency Architectural Tortoiseshell Tea Caddy. The Tea Caddy of bombe form with flared bas...

Exquisite antique Worcester porcelain desk inkstand and cover in "dragons in compartments" or "bengal tiger" pattern. A stunning piece of English Regency chinoiserie in imari palette...

An exceptional suite of pillar and file cut glass jugs by John Blades consisting of two claret jugs with applied cut handles and pillar and file stoppers...

A rare and unusual French Directoire/ Empire clock depicting Napoleon standing among trophies of war including cannon, cannon balls, map scrolls and standards bearing eagles. The sil...

This is a rare 100% original painted Swedish Mora clock, Jamptland Model.

France, époque Empire, Restauration - important cadre finement décoré - bois doré Cadre Hêtre mouluré, sculpté, doré, assemblages à clefs Dimensions totales : H. 77,5 ; L. 63,5 (cm....

French Empire Antique ormolu & verd antico marble mantel clock of "The Astronomy Lesson" by Jean-Andre Reiche. The fire and mercury gilt ormolu is in excellent condition and is e...

A very fine and rare miniature bracket timepiece made by one of Britain’s most revered horological partnerships. The eight day single fusee movement held by four turned pillars with anchor escapement, adjustable lenticular pendulum and hold fast, is of exceptional quality. Housed in an ebonised and glazed bell top bracket clock case of a design particularly associated with this firm, the silvered roman dial with subsidiary date dial in the break arch is signed and also on back plate. This clock is in excellent original condition with a fully glazed back door and side panels with the U shaped carrying handle, a distinctive trademark of Grimalde and Johnson, standing on turned acorn feet. William Johnston is first recorded in partnership with Peter Grimalde between 1810 and 1825, before setting out on his own, Grimalde & Johnston were celebrated precision chronometer makers, and are known for making this style of miniaturised bracket clock during this period in very limited numbers. Examples of clocks by Grimalde and Johnson can be found in, “The Georgian Bracket Clock, 1714-1830” by Richard Barber and “English Bracket and Mantel Clocks” By Andrew Nicholls...

An extraordinary example of Empire period craftsmanship, this grand French mantel clock was created circa 1815 by the esteemed sculptor and clockmaker Albert Ernest. It exemplifies t...

This mantle clock is by a well-respected Paris maker in a fashionable style. The oval base supports a vase shaped clock case in turn supported by winged dolphin heads and flanked by ...

A fine pair of Regency hurricane lights the ormolu-mounted step cut bases supporting radial cut drip pans with fan edge hung with round end rule drop...

An impressive pair of early 19th century French Empire ormolu candelabra, in the form of winged figures of standing ladies, holding aloft flowerhead decorated nozzles, linked by flor...

An Incredible and Rare Pair of 19th Century French Ormolu Covered Potpourris, Attributed to Thomier A Paris. This pair dates to 1810, which is the illustrious French Empire period. These remarkable urns serve as prime examples of the impeccable artistry and superior craftsmanship that characterized the first empire era. Notably, the urns feature figural cherub handles positioned atop rams' heads, engaging in musical endeavors, which adds an alluring touch of sophistication to their design. The captivating allure of these urns is further enhanced by their meticulously hand-chiseled gilded bronze composition, adorned with a splendid two-tone finish. Standing at an impressive height of 24 inches, these urns exemplify an unwavering dedication to detail. Each urn boasts a main body adorned with elegantly crafted relief dancers...

Antique Georgian Sheffield silverplate over coper candlesticks made in England in 1814 Stamped "T" in the style indicating the year they were assayed; 1814

This is a Rare and unique Swedish Mora Clock Alfta Model. it has been restored and New Battery works have been installed with a reproduction face. the Original works and face are ...

Presenting an exquisite duo of antique ginger jars, dating back to the year 1810. These captivating pieces showcase the renowned Famille Rose porce...

An exceptional and highly decorative pair of French Empire period four-light candelabra, dating to approximately 1815, executed in richly contrasting gilt bronze and dark patinated bronze and centered upon beautifully modeled winged figures of Victoria, the Roman goddess of Victory. Monumental in scale at approximately 30 inches high, this impressive matched pair embodies the archaeological classicism, imperial symbolism and superb bronzework that defined the finest French decorative arts of the Napoleonic and early Restoration periods. Each candelabrum is conceived as an elegant winged female figure of Victoria, modeled in dark patinated bronze and standing delicately upon a gilded spherical orb. The figures are depicted in classical drapery, their large feathered wings falling behind the body while both arms are raised overhead to support an elaborate gilt-bronze capital from which the candle branches emerge. Above each figure rises an ornate arrangement of four lights, incorporating scrolling gilt-bronze branches ornamented with classical foliate and floral motifs. The beautifully chased arms terminate in finely detailed candle cups and broad drip pans, while the elevated central stem culminates in a sculptural flame-form finial. The interplay between the dark patination of the figures and the warm gilding of the architectural and decorative elements produces the dramatic two-tone effect so closely associated with sophisticated French Empire bronzes. The winged Victoria figures are particularly striking. Their serene classical faces, tightly arranged hair, articulated feathered wings and deeply folded garments display a sculptural quality intended to evoke the art of antiquity. The use of Victory standing upon an orb was an especially appropriate symbol within Empire design, communicating triumph, power and imperial grandeur. Each candelabrum is supported upon an imposing architectural pedestal formed with a ribbed cylindrical gilt-bronze column, surmounted by a richly modeled foliate collar and raised upon a substantial stepped square plinth. Classical ornament is carried throughout the composition, creating a remarkably cohesive design from base to finial. An Important French Empire Design Tradition The design belongs to the celebrated French Empire “à la victoire” tradition of candelabra incorporating winged figures of Victory. Of particular historical interest, this family of winged-figure candelabra has been connected to a drawing attributed to the celebrated architects and designers Charles Percier and Pierre-François-Léonard Fontaine. That related design depicts an à la victoire candlestick intended for the boudoir of Empress Joséphine at Saint-Cloud, illustrating how closely this imagery was associated with the highest levels of French Empire interior decoration. These à la victoire candelabrums are in the manner associated with the workshop tradition of Pierre-Philippe Thomire (1751–1843), one of the leading Parisian bronze founders and chasers of the Empire period, who was appointed Ciseleur de l’Empereur in 1809. Details Origin: France Period: French Empire Date: Circa 1815 Material: Gilt bronze and dark patinated bronze Form: Matched pair of four-light candelabra Figures: Winged goddess Victoria / Victory Design: Classical à la victoire type Height: Approx. 30 in. Width: Approx. 9.75 in. Depth: Approx. 9 in. Quantity: Pair Condition: Antique condition with age-appropriate surface wear, oxidation, patina and rubbing to the gilding consistent with objects over two centuries old. Please review photographs carefully as they form an important part of the condition description. The substantial scale makes these considerably more commanding than ordinary mantel candelabra...

Impressive size with their original oxidized patina that I have left uncleaned. Handles with rams heads. The plinth decorated with wreaths and musical lyre.

An exceptional, fine and impressive antique George III English sterling silver combination snuff and pill box; an addition to our Georgian silverware collection. This exceptional an...

An absolutely charming Regency sewing box in the form of a basket with it's original bentwood folding swing handle. The domed top features a figu...

Pair of English Pearlware Bough Pots with Lion-Head Covers, Red Transfer-Printed Circa 1810–1820 This pair of pearlware bough pots and covers is of demi-lune form, the flat backs ma...

A fine English Regency brass inlaid mahogany striking bracket clock. Of good color and restrained decoration. Dial signed Moore of Ipswich. Double fusee movement with anchor escapement.

Miniature Empire Bronze Clock - Matelot Paris fire-gilded and patinated bronze early 19th century Dimensions: H x W x D: 18 x 14 x 9 cm Description: Very rare miniature of the famous Pendule Matelot "Au Bon Sauvage". The depiction deals with an important topic of the time, trade with the colonies. The rectangular base stands on pressed ball feet. Attached to the front, we see two cornucopias filled with exotic fruits and held by a bow. A young sailor, dressed in a raffia skirt and feather jewellery...

Outstanding craftsmanship and beautifully crafted in mahogany and features numerous details that make this a desirable timepiece. From the hand carved decorated top pediment with its...

English Georgian Tortoise shell hinged sewing box with a gadrooned molded edge lid, fitted tufted interior, and resting on the original silver plate winged paw feet. Early 19th Century

George III Bracket Clock. Stunning mahogany case with Cupola top surmounted by a ‘pineapple’ finial, profusely inlaid with brass, fishscal...

Beautiful and important wooden memorial temple covered in faux marble. From the purest neoclassical form, this Grand Tour piece of furniture is a classic piece of furniture of grea...

A pair of Geo III antique Sheffield plate telescopic candlesticks by the important maker Thomas & James Creswick who came from the famous family of a long line of silversmiths. His G...

Pair of early 19th century Empire Trajan's column ormolu candlesticks in the manner of P.-P. Thomire (1751-1843): Pair of large Empire ormolu candlesticks, the stem ressembling th...

American diminutive gilt copper spread eagle weathervane mounted on squared iron stand, Early 19th century. Squared iron base is 4.75 inches .

An Exceptional and Quite Rare Pair of French Empire Period Dore Bronze Six-Light Candelabra with Swans, Signed Thomire a Paris. The candelabra are cast in dore bronze and formed wit...

Transport yourself to the elegance of the 19th Century with this exquisite English Sterling Silver Covered Top and brilliant Cut Glass Perfume Bottle. The perfume bottle showcases...

A monumental pair of neoclassical period, Swedish Porphyry Campagna shaped vases, circa 1810. These magnificent handcrafted urns are carved from the uniquely Swedish Porphyry stone, rest on square plinths. Purchased from Didier Aaron in Paris by Michael Taylor. A vase of this shape based on the Borghese vase in the Louvre is shown in a French catalogue of 1805 advertising porphyry from Elfdal in Sweden (H. Sundblom et al., Porfyr, exhibition catalogue, December 1985-February 1986, p.31). A vase of the same shape and size in Blyberg porphyry...

An exceptional, fine and impressive antique Georgian English sterling silver tea caddy; an addition to our Early 19th Century silver teaware collection. This exceptional antique Geo...

Standing with wings extended and one claw resting on a turtles back. This piece was intended to be displayed outdoors. Many old layers of pain. From the Bartlett Burnap Collection. P...

A fine, large and important French Empire clock of Apollo playing his lyre in patinated bronze, ormolu and antique vert marble. The dial is signed for the important maker Lepine and ...

English Georgian gilt sterling silver snuffbox, 1812. Rectangular with straight sides. Cover hinged and tabbed; on top, chased pastoral scene: A shepherd sits under a tree with a lam...

This is a 100% original painted Swedish Mora clock. I have installed new battery works. The original works are offered with this clock but they do not work.

A rare set of four Swedish pewter candlesticks by Petter Höijer of Örebro, made ca year 1810. Executed in the Gustavian style at the close of the period, the candlesticks display ele...

George III Longcase Clock The maker of this Longcase clock was Stephen Hurst from Liverpool. The case is made from the finest mahogany with wonderful use of flame mahogany to the trunk door and base. It is beautifully decorated with boxwood and satinwood stringing throughout and ‘sheraton’ style inlay work of the highest quality. The trunk has reeded and canted corners, the hood is also reeded giving the appearance of double pillars, a feature of Liverpool clocks...

A wall clock with gilt bronze ribbon bow joining a gilt bronze ribbon attached to the clock case with patinated bronze back section and laurel leaf mounted surrounding a circular glass hinged cover opening to an enamelled dial signed Bailly a Paris. An eagle with spread wings at the base seated on a plinth. All finely cast. The laurel leaves signify victory and the eagle represents strength and power. Bailly is considered on of the finest French clock makers...

Pair of English Regency tole chestnut urns with hand-painted floral decorative motif, removable lids with acorn finials, original lions head side ha...

Originally one of a pair of figural candlesticks. Finely cast and chased with a candleholder now fitted with a two light modern fixture. T...

An Important French Empire Ormolu Mantel Clock “Lettre d’Amour,” Attributed to François-Louis Savart, Paris The clock is formed with a rectangular case rising from a shaped plinth base set on four flattened bun feet. The base displays a continuous frieze cast in relief with two sheep flanking a central urn, framed by scrolling foliage at each end. Above, the main case supports a circular white enamel dial with Roman numerals and two winding apertures, enclosed within a beaded ormolu bezel. Beneath the dial, a rectangular panel is cast with a reclining male figure in a landscape setting, accompanied by trees. To the left, a female figure is seated on a cushion supported by an X form empire stool, her body turned toward the dial. She raises one hand toward her face while a bird rests on her knee, and she holds a circular medallion bearing a profile portrait. To the right, a tripod table stands on three supports formed as winged griffins with lion heads and clawed feet. The table surface holds a writing box with an open lid, a quill, and a candlestick. The surfaces throughout are finished in gilt, with visible chasing across the figures, drapery, and ornamental borders. The clock is attributed to François Louis Savart, a bronzier active in Paris. Savart produced objects in gilt bronze including clocks, candelabra, and decorative mounts. He maintained a workshop in Paris where he developed figural clock models incorporating classical motifs and narrative subjects. Comparable models associated with Savart include figural compositions with seated female figures, auxiliary furniture elements, and narrative relief panels, reflecting established design types within Parisian bronze production. Savart’s workshop operated within the Paris bronze industry, where cast ormolu objects were produced using sand casting followed by chasing and gilding. The construction of this clock case reflects the use of multiple cast components assembled into a unified structure, including separately cast figures, furniture elements, and applied relief panels. The inclusion of tripod tables, X form seating, and winged supports corresponds to design sources drawn from Greco Roman models that were adapted in Empire period decorative arts. The precise casting, crisp chasing, and consistent gilt surface across the figures, mounts, and relief panels indicate a high level of production quality, with the complexity of the assembled components supporting its desirability among Paris ormolu figural clocks...

Coade Stone Architectural Heads England, 1815 Male and female portrait heads with draped surrounds and weathered surfaces, mounted on iron stands with rectangular bases. Originally f...

Italian porcelain vase, Doccia, circa 1810.

A fine and impressive antique Georgian English sterling silver vinaigrette in the form of a purse, an addition to our silver boxes collection This antique Georgian silver vinaigrette...

Chased and gilded bronze inkwell on a canted base with a frieze of interlacings centered on rosettes. Leobelisk model, topped by a seeded fruit. It features two covered cups decorate...

Of rectangular shape, cast with gothic style arcading, the removable top depicting a fallen knight adjacent to a broken column and opening to two wells. In the early 19th century, ...

Rare Pair of French Empire Period (Circa 1810) Dore Bronze Genie Oil lamps of finest quality, chasing, and two tone gilding w/ Medusa Masks on Gray Marble Bases Each lamp is conceiv...