Thread Abstract Sculptures

In Greek mythology, Medusa, was one of the three monstrous Gorgons, generally described as winged human females with living venomous snakes in place of hair. Those who gazed into her eyes would turn to stone. Medusa was beheaded by the Greek hero...

A lovely quality 19th Century black forest centre piece, having an ornate carved trunk at the centre with a removable glass stem with out swept scalloped edge, a large hunting dog st...

A rock crystal natural specimen piece aka clear quartz, decorative object. Dimensions: 3.5" D x 4.25" W. Marble plinth shown available separately, search 1stDibs ref. #: LU13142392...

Decorative hand-woven mask from Panama, Nemboro by Ethic&Tropic Extraordinary art and decorative items, these masks come from the shamanic beliefs and rituals of indigenous Em...

Decorative hand-woven mask from Panama, Mascara by Ethic&Tropic Extraordinary art and decorative items, these masks come from the shamanic beliefs and rituals of indigenous Embera t...

Hobnail tile wall piece by Gentner Design Dimensions: D 30 x H 40 cm Materials: steel Hand-formed from a sheet of steel, emphasizing the material’s pliable characteristics expre...

21st century woven oak sculptures by Analee Soskin can be hung vertically, horizontally or laid on a table.

Stoneware panel by Georges Martin with wood base. Artist monogram on the base. Unique piece. Circa 1970-1980. H : 1.8 x 15.7 x 26.2 inches.

In Greek mythology, Medusa, was one of the three monstrous Gorgons, generally described as winged human females with living venomous snakes in place of hair. Those who gazed into her eyes would turn to stone. Medusa was beheaded by the Greek hero...

"Overweight", 2016, glazed earthenware, approx. 38 x 56 x 36cm. Ceramic sculpture, unique piece. Andrea Salvatori (Italy, 1975) is an internationally renowned visual artist workin...

German Shepherd Dog Crystal Inkstand / Inkwell Desk Piece Desk decorative inkwell. The base of the inkstand is made of clear crystal, intricately cut glass with a pattern that reflec...

"As a Mexican and Oaxacan, but more as Omar, I see death as something present. It´s something that is a part of life and when you think about death, you begin to value a lot of things. Death is important to me because it’s a constant threat. If you think about dying now, you would probably do things that in another moment you would say, “I’ll do it later.” I see death as an opportunity to live a better life...a continuation of something," says Mexican ceramist Omar Hernández. Omar Hernandez is a Mexican ceramist born and raised in Oaxaca, Mexico. As a child, growing up in a family of potters he didn't have much interest in making pottery, but in his early 20's he realized he could do other things with clay that weren't necessarily utilitarian pieces. It was then that Omar started his skull...