Romantic Abstract Sculptures

This is beautiful antique French marble shoulder length bust of a beautiful maiden, signed Auguste Moreau, circa 1890 in date. The face and body has been sensitively modelled in Carrara marble with her head tilted to the right, her loose hair falling on her bare shoulders. There is no mistaking its unique design and superb quality, which is certain to attract attention and make it a talking point in any room of your home. Condition: In excellent condition, please see photos for confirmation. Dimensions in cm: Height 53 x Width 33 x Depth 23 Dimensions in inches: Height 20.9 x Width 13.0 x Depth 9.1 Louis Auguste Moreau, 1855-1919, was a French sculptor best known for his bronze-cast figurines. His allegorical Art Nouveau works often depicted women, children, cherubs, and historical figures adorned with floral motifs and ornaments, and were influential to other artists working at the time. Born in Dijon, France in 1855 to a celebrated family of sculptors, including his father Auguste Moreau, he went on to regularly exhibit his work at the Paris Salon from 1861 on. The artist died in 1919 in France. Carrara marble - is a type of white or blue-grey marble popular for use in sculpture and building decor. It is quarried at the city of Carrara in the province of Massa-Carrara (Tuscany, Italy). Carrara marble has been used since the time of Ancient Rome; the Pantheon and Trajan's Column in Rome are constructed of it. Many sculptures of the Renaissance, such as Michelangelo's David, were carved from Carrara marble. For Michelangelo at least, Carrara marble was valued above all other stone, except perhaps that of his own quarry in Pietrasanta. The Marble Arch in London and the Duomo di Siena are also made from this stone, as are the interiors of Manila Cathedral, the cold-white marbles of the Sheikh Zayed Mosque and the campus of Harvard Medical...

A superbly carved early C19th `Grand Tour` marble sculpture of the crouching Venus in good scale. The nude goddess half-kneels on an integral naturalistic base, her arms crossed in f...

Auguste Moreau (1834 - 1917) A Very Fine French 19th-20th Century Art-Nouveau Patinated Bronze figure of Iris, depicting a graceful nude maiden Iris. The female nude figure is modele...

French 19th century bronze gilt putti A set of bronze putti figures on a square marble base. A torch and a flute carrying putti, which are graceful objec...

Libero GREMIGNI. Marble and alabaster sculpture depicting a bust of the Virgin Mary on an oval gray marble plinth, with a signature on the plinth. Italy, late 19th century 35 x 34...

19th-Century Italian School "Bust of a Woman" in Carrara Marble, Signed This polychrome marble bust depicts a high-society woman with puffed sleeves and a collar, her hair styled in...

Bronze Alloy sculpture "Fée Aux Fleurs", Signed L. Moreau, France, Late 19th Century.

Of French origin, this mid to late 19th century bronze figure was made by the prolific French bronze making artist family "Moreau". The sculpture depicts a young female student or sc...

This alluring bronze depicts the full-length figure of a young lady who, swathed in draped clothing, looks downward toward a basket of flowers hung about her waist. The circular base...

19th Century French Bronze Figure of Cupid, Attributed to Auguste Moreau France, circa 1890 Unsigned A captivating 19th-century French bronze figure of Cupid, attributed to the reno...

Pietro Bazzanti - Barzanti (Italian, 1825-1895) "After the Bath" - a fantastic quality and large carved white Carrara marble figure of a semi-nude young maiden standing by the sea-shore. The smiling and posing young beauty, with bare breasts and back, her right arm juxtaposed over her head, while holding a blanket over her waist with her left hand and standing barefoot by a rocky seawall and wavy shoreline. Signed 'P. Barzanti/Florence' (on reverse) and raised on a cylindrical swiveling carved verde antico solid marble pedestal. circa: Florence, 1880-1890. Pietro Bazzanti or Barzanti (Italian, 1825-1895) was a 19th Century Italian sculptor born in Florence. Together with his brother, Niccolò Bazzanti (Firenze, 1802-1869) who was also a sculptor, they both worked the sprawling Florentine studio 'Pietro Bazzanti e Figlio' a hugely successful sculpture studio, operated within the family at their gallery on Lungarno Corsini until the mid-twentieth century. The studio was a place where many talented professors and apprentice sculptors specialized in sculpting marble...

Late 19th century bronze sculpture of a woman in a vineyard carrying grapes. Signed Math Moreau on the base. Mathurin M...