Delft Animal Sculptures

A 19th century 6-inch olive-brown majolica glazed dust-pressed tile depicting a profile portrait of a neoclassical figure with laurel wreath headdress before a foliage backdrop. Suc...

A pair of opposing foo lions with elaborately carved curled fur and seated on bases. One places a paw on a ball, the other on an upside down baby foo lion. Overall fine time worn sur...

An antique Delft tile of a figure in Turkish dress, circa 1870, made by Ravesteijn of Utrecht, after the original drawing by Nicolas De Nicolay dating to...

Large heavy seated male dog. Well cast with nice details.Seated on a plinth base.

Large pair patinated life size bronze statues sculpture of Regal Big Cats Lions. Exceptional detailed high quality Large pair of Patinated bronze statues of...

A magnificent pair of 18th century French Hand Carved Limestone Lions. The base measurement is 11.5 inches.

A pair of large and finely patinated bronze models of a standing bull and a running cow after models by Isidor-Jules Bonheur, Cast on a Naturalistic Base. French, circa 1890. Signed 'I BONHEUR' and stamped 'PEYROL EDITEUR'. Bonheur was a regular exhibitor at the Paris Salon and his naturalistic depiction of farm animals, including cattle, was one of his most popular subjects. The bronze was cast by his brother-in-law, Hippolyte Peyrol, who ran one of the most successful art foundries in Paris at this time. Isidore-Jules Bonheur (1827-1901) was the son of the painter Raymond Bonheur and younger brother of Rosa Bonheur, the famous sculptor. He was born in Bordeaux and studied painting, at first with his father and then with the Ecole des Beaux Arts in Paris, moving on to sculpture in 1848. He made his debut at the Paris Salon in 1848 with a painting and plaster study of the same subject ‘African horseman attacked by a lioness’. From then onwards, Bonheur exhibited regularly at the Salon as well as other exhibitions, winning medals in 1865 and 1869 together with the prized Gold Medal at the Exposition Universelle of 1889. He was awarded the Legion d’Honneur in 1895. Most of Bonheur’s casts were by his uncle by marriage, Hippolyte Peyrol, whose tiny foundry mark is often very difficult to find. Bonheur’s studies range from farm animals, bears and tigers in a very naturalistic vein to equestrian groups. Although noted primarily for his small groups he did complete two large scale commissions, one to his sister Rosa, at Fontainbleau and the other, two stone lions at the steps of the Royal...

German, late 19th century. An antique German porcelain model of a seated pug.

"Rural Idyll": Large Victorian Staffordshire Cow & Milkmaid Group, Circa 1860-80 A charming and sizable earthenware figure group, dating from the Victorian period (circa 1860–1880),...

Pair of late 19th century Staffordshire porcelain flatback spill vase figurines depicting red and white cows, standing by a tree triunk and being milked by milkmaids with green bucke...

A beautiful wood box with a small compartment inside and a shell lid in the manner of Alexandre Noll.

This original black and white photograph of one of Richmond Barthé's rare, little-known sculptures was taken by the famous studio of Morgan and Marvin Smith, who located on West 125th Street next to the renowned Apollo Theater. The Smith brothers moved from their native Kentucky to New York in the early 1930s, and proceeded to establish a studio that brought together almost every major figure in the Harlem Renaissance in the 1930s, 40s and 50s, mentoring artists such as Jacob Lawrence, Gwendolyn Knight, Selma Burke, Ernest Crichlow and Robert Blackburn. The Smiths captured the night life of Harlem, including musicians and actors such as Harry Belafonte, Sydney Poitier, Eartha Kitt, Ossie Davis, Ruby Dee, Count Basie, Ethel Waters, Billie Holiday, Hattie McDaniels, Zora Neal Hurston, Step n' Fetchit, Pearl...