Coral Figurative Sculptures

18th century Italian hand-carved gold leaf angel with fossil agate coral wings and mounted aragonite. The hand-carved angel was once part of a decorative, angelic depiction in a ...

Sculpture red coral handcrafted sculpture with more than 800 red cabochons hand-placed. With structure and base in solid brass gold-plated 24-karat. Except...

Beautiful large coral specimen in as/is condition with some broken arms due to age.

Grand Tour sculpture depicting a little putto playing a violin, made out of Mediterranean sea red coral. Black onyx base. Neaples, Italy 1860 ca.

Chinese red coral carving of Kwan Yin over the lotus flower. The figure is attached to the wooden stand with overall dimension 6 " tall, 2 1...

Italian coral (Sciacca), handle carved with leaves, silver and rock crystal matrix. Sicily, Italy 1800 ca.

Italian carved coral parasol handle in Baroque style. The handle dates to early 19th century. Most likely made in Torre del Greco near Naples. Fin...

A large and impressive vintage gilt bronze figure of the tantric Buddha Vajrasattva, the Diamond Thunderbolt, mid 20th century, Nepal. Crafted of cast and richly gilt bronze, Vajrasattva sits in vajrasana, or full lotus position, his torso slightly bent at the waist. He holds an upright vajra scepter in one hand, raised at heart level. His other hand, resting on his hip, would originally have held a a ghanta, or bell, which is now missing. He is festooned in jewelry, including a five pointed crown, earrings, necklaces and armlets, all studded with coral and turquoise beads. His long hair falling in elegant tresses around his shoulders, the rest tied up in a high chignon topped by a vajra. Vajrasattva wears a dhoti covering his lower half. The dhoti intricately cast and carved with a scrolling vegetal design, and featuring images from the Ashtamangala, or Eight Auspicious Emblems, including the conch, endless knot, and double fish. Scarves billow out around his arms. The tantric Buddha sits upon a tall double lotus throne, the back with more intricately cast decorations of dragons and lotus blossoms against dense vegetal scrolls. The base sealed with a dented copper plate inscribed with a visvajra, or double vajra...

17th or 18th century Italian fragment vase with agate coral, zig zag oyster fossil arms, fossil shells, and a baroque pearl on a polished petrified wood base. This fragment is fro...

Impressive large Imperial quality Chinese hand carved coral figural group depicting four female immortals with flowers, foliage and birds. Incredib...

Gold & coral resting lady object by Romolo Grassi The lady is 18k yellow gold on one very fine solid coral. Accented with diamonds and mounted on quartz Gold gram weight: 766.7 gr...

A nice vintage early to mid-20th century gilt bronze sculpture of the Buddhist deity Avalokiteshvara in his four armed form, known as Chaturbuhja, or Chenrezig in Tibet. Chenrezig, a form of Avalokiteshvara, the bodhisattva of compassion (known as Guan Yin or Kwan Yin in Chinese), sits in vajrasana upon a high double lotus pedestal. One pair of hands is clasped in prayer at heart level, the other pair of hands raised upwards at shoulder lever and holding discreet attributes, a mala (prayer beads) in one hand, a lotus blossom in the other. Chenrezig is dressed in an elaborately patterned floral dhoti that covers his lower half. His torso bare, shoulders covered with a shawl and scarves that billow out around him. He is festooned with jewels, necklaces, bracelets, armlets, earrings, belt and a five pointed crown. The earrings studded with coral. The crown studded with turquoise. His face is cold painted with beautiful details. The hair has been pigmented blue with crushed lapis, indicating his peaceful nature. The copper base plate is inscribed with a visvajra (double vajra...

A wonderfully Chinese carved coral branch in the form of Shou Lao, also called Shouxing, the Chinese god of longevity, Republic period, early ...

A large and impressive Nepalese tantric gilt bronze figure of the dikpala Yama and his sister, Yami, early to mid-20th century (1920s-1940s). Well cast and richly gilt, the buffalo headed dikpala (directional guardian) of the South stands upon the back of a bull trampling a prostate figure. Yama is portrayed here in his four armed form. His primary arms hold a flaming kapala (skull cup...