American Mounted Objects

"Oni Mask" reflects Alexander Yoshikawa's Japanese heritage, inspired by the protective symbolism of traditional Oni masks. Handcrafted in bronze using the lo...

Unique aluminum sculpture originally from a playground - circa 1960s Newly polished aluminum and mounted on a solid steel stand Would be great for a nursery Priced individually -...

Exquisite and large modern style hand carved and polished rock crystal abstract flame sculpture on silver leafed stand. Very decorative for the modern taste. Late 20th century. ...

An industrial assemblage by Wyeth's creator John Birch featuring a mechanical vice and circular glass block on a leather base.

Contemporary American ceramic artist Richard Hirsch Ceramic Crucible Sculpture was made in 2018. It's wheel thrown and hand built clay, wood fired wi...

Contemporary American ceramic artist Richard Hirsch ceramic Crucible Sculpture was assembled in 2018. It's wheel thrown and hand built clay with green glaze, bronze glaze, red glaze,...

Sculptural industrial silver aluminum filter with a hand-blown glass ball top. The sculptural piece is created from an aluminum filter with a hand-blown glass ball mounted on top....

Contemporary American ceramic artist Richard Hirsch Ceramic Crucible Sculpture #14 was assembled in 2010. It's wheel thrown and hand built clay, lowf...

Contemporary American ceramic artists Richard Hirsch, Scott Meyer and Virginia Scotchie's Crucible Assembly Sculpture was created in 2012. This piece is ma...

Notional Generator marks the first in the Idea Machines series, a collection exploring the abstract process of thought generation. This bronze wall sculpture, crafted through the los...

Contemporary American ceramic artist Richard Hirsch Ceramic Crucible Sculpture #4 was created in 2009. It's wheel thrown, hand built with black glaze and raku patinas. In the book "W...

Thomas Lollar earned his BFA and MA at Western Michigan University, and has been teaching ceramics and sculpture since 1975. A master sculptor, his subjects are rendered in both fron...

Shibuya wall sculpture by Daniel Schneiger Dimensions: D 71 x W 137 x H 18 cm Materials: wood, foam, resin and paint Custom sizes available. Custom finishes available. Please cont...

FOLK ART CARVED AND PAINTED WOODEN PATRIOTIC FLAG, single-sided form retaining an old painted surface over gesso. 20th century. Acquired from a folk art collector, where many pieces...

Eye of Perception is a celebration of the transformative power of awareness and perspective. While perception is the only reality we will ever truly know, it is often overlooked and ...

Nautilus sculpture by award-winning artist Michael Olshefski of Primal Modern. Michael brings to life the lines and patterns of an old-world map illustra...

Unique Mid-Century Modern white marble stone sculpture mounted on black marble base. Signed by American artist Yehuda "Dodd" Roth with infamous hearts. See pics for condition and...

Industrial “SOLO” metal wall sign, 1950s. Set of four letters can be rearranged in any way. Each letter measures 4" D x 18" W x 24" H.

Bronze abstract sculpture on a wood plinth base by Palewic, 1981. The sculpture features a "rock" center surrounded by drips of bronze one of which mounts the sculpture to the base. ...

From Steck’s 'Desert Flower’ series, this table top sculpture exhibits, per an America House advertisement in Craft Horizons January/February 1965 (which illustrates this sculpture),...

Cast bronze sculpture of a child with pigtails mounted on wood base. Dimensions 2.5” width x 2.5” depth x 6.5” height. Condition Good vintage condition with original patina.

Fabulously imaginative found object sculpture on a vintage bicycle seat mined in a small antiques store in Amsterdam, having bronze door knocker, beaded bits and pieces from couture ...

c. 1993, signed and dated, great vintage condition. Supersized C. Jere metal strainer wall sculpture from the company’s kitchen utensil series.

Cloud sculpture is conceived, designed and created by award-winning artist and architectural designer Michael Olshefski of Primal Modern. Inspired by the ethereal beauty of clouds, t...

To Chicago-based artist Patrick Fitzgerald, his sculptures are a means of traveling through time. Working from found materials, Fitzgerald constructs miniature soap box cars and the ...

To Chicago-based artist Patrick Fitzgerald, his sculptures are a means of traveling through time. Working from found materials, Fitzgerald constructs miniature soap box cars and the branded attire of their imagined drivers. Futuristic forms imbued with history, each sculpture is an exercise in imagining the future through the lens of the past – or vice versa. Entitled “Grocery-Getter," this helmet & jacket set is an homage to High-Low Foods, a Chicago-area grocery chain from the mid-20th century. Ever-appreciative of old-fashioned aesthetics, Fitzgerald captures the spirit of the grocery's painted purple facade in this colorful jacket...

Thomas Lollar earned his BFA and MA at Western Michigan University, and has been teaching ceramics and sculpture since 1975. A master sculptor, his subjects are rendered in both fron...

The architectural cast crystal medallion sculpture, shown here, is by artist Ron Reisman of Nine Day Wonder Studio. Shown in pale grey crystal, it ...

Contemporary American ceramic artist Richard Hirsch's Crucible Sculpture Group #3 was assembled in 2016. It's wheel thrown and hand built clay, wood and soda fired with Baskin crusty...

Contemporary American ceramic artist Richard Hirsch Ceramic Crucible Sculpture #17 was made in 2011. It's wheel thrown and hand built clay, wood fire...

Contemporary American ceramic artist Richard Hirsch ceramic crucible sculpture #32 was assembled in 2016. It's wheel thrown and hand built clay, anagama wood fired with raku rust pat...

Contemporary American ceramic artist Richard Hirsch Ceramic Crucible Sculpture #25 was made in 2011. It's wheel thrown and hand built clay, soda fire...

Contemporary American ceramic artist Richard Hirsch Ceramic Crucible Sculpture #24 was made in 2011. It's wheel thrown and hand built clay, soda fired with bronze glaze, raku rust an...

Contemporary American ceramic artist Richard Hirsch Ceramic Crucible Sculpture #51 was made in 2018. It's wheel thrown and hand built clay with bronze glaze, red glaze, enamel paint,...

Contemporary American ceramic artist Richard Hirsch Ceramic Crucible Sculpture #50 was made in 2018. It's wheel thrown and hand built clay with bronz...

Contemporary American ceramic artist Richard Hirsch Black Ceramic Crucible Sculpture #7 was created in 2009. It's wheel thrown, hand built with black glaze and raku patinas. In the b...

Contemporary American ceramic artist Richard Hirsch Ceramic Crucible Sculpture #12 was made in 2010. It's wheel thrown and hand built, wood fired with raku patinas and black glaze an...

Contemporary American ceramic artists Richard Hirsch and Ken Baskin Ladle Presentation Sculpture was created in 2011. This piece is made of soda fired stoneware, saggar fired brick and steel. In the book "With Fire: Richard Hirsch, A Life Between Chance and Design" written by Scott Meyer, Ken Baskin said; "Working collaboratively is based upon a spirit of dedication and generosity, excellent communication, similar levels of ability and an alignment of passion and vision. Most importantly, the group must have mutual trust and respect. Without question, we all hold each other in the highest esteem. I have the utmost respect for everyone involved in The Crucible Project." This sculpture is signed by both artists and ships directly from the Crucible Show inventory located in Montevello, Al. (Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "Outside In, Collaboration" pgs. 106 - 121 / "Ladle Presentation" pictured on pg. 119) Richard Hirsch Brief Bio: In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence. In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades. Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics Now; Raku: Origins, Impact and Contemporary Expression; and Convergences: The Presence of the Past in Contemporary American Ceramics. Frequently his work appears in book and magazine publications, such as; Overseas Contemporary Ceramic Art Classics by Baiming, China; Raku Investigations into Fire by David Jones, England; The History of American Ceramics from 1607 to the Present by Elaine Levin, New York; World Contemporary Ceramics by Baiming, China; and Firing, Philosophies within Contemporary Ceramic Practice by David Jones, England. Several museums have included his work for their permanent collections. These include; The Carnegie Museum of Art, Pittsburgh; The Renwick Gallery, Smithsonian Institute, Washington DC; The High Museum of Art, Atlanta; The Everson Museum of Art, Syracuse; The Nelson-Atkins Museum of Art, Kansas City, Missouri; The Taipei County Yinko Ceramics Museum, Taipei, Taiwan; and the George R. Gardiner Museum of Ceramic Art, Toronto, Canada. In 1984, Hirsch was elected as a permanent member of The International Ceramics Academy, a worldwide organization headquartered in Geneva, Switzerland. A recipient of a William J. Fulbright Research Scholar Award in 2002, Hirsch has also received several Individual Artists Grants. Most recently he was honored by The Rochester Institute of Technology, with the Board of Trustees' Outstanding Scholarship Award. Recently Hirsch collaborated with Dr. Scott Meyer on his biography, the book is entitled With Fire: Richard Hirsch and is published by The Cary Graphic Arts Press at RIT, ISBN-13: 978-1-933360-97-3. Amid the ever-shifting sands of change and new trends that is prevalent in contemporary ceramics, Richard Hirsch has maintained his steadfast personal aesthetic and continues to make a significant contribution to his field. Ken Baskin Brief Bio: Kenneth Baskin received his BFA from College for Creative Studies in Detroit, Michigan and earned his MFA from University of South Carolina. Presently he holds the position of Associate Professor of Art/Ceramics at McNeese State University in Lake Charles, Louisiana. In 2007 Baskin was honored as one of the recipients of one of the National Council on Education in the Ceramic Arts (NCECA) Emerging Artist Awards. Recently he was honored by being selected for a solo exhibition of his ceramic sculptures at the Taipei County Yingge Ceramics Museum, Taipei, Taiwan; in conjunction with this exhibition he was also invited as a visiting artist, workshop instructor and lecturer at: Tainan National University of the Arts in Tainan, Taiwan and National Taiwan University of the Arts in Taipei. Baskin’s work has also been included in numerous group and solo exhibitions both nationally and internationally. Baskin’s creative research was the topic for an essay titled “20th Century...

Susan Bland, American (20th century). "Scrapbook #1" mixed media assemblage on board, 1986. Signed, titled, and dated underneath. Presented in a custom plexiglass display case...

From Steck’s 'Desert Flower’ series, this tabletop sculpture exhibits, per an America House advertisement in Craft Horizons January/February 1965 (which illustrates this sculpture), ...

A metal sculpture consisting of a thin rigid wire with folded, fortune-cookie-shape pieces of naturally patinated brass slipped onto the rod and stacked vertically. The rod is set in...

One pair of charming wooden shoe moulds mounted as bookends, comes with four leather bound books. Feel free to call with further questions.

Thomas Lollar earned his BFA and MA at Western Michigan University, and has been teaching ceramics and sculpture since 1975. A master sculptor, his subjects are rendered in both fron...

Thomas Lollar earned his BFA and MA at Western Michigan University, and has been teaching ceramics and sculpture since 1975. A master sculptor, his subjects are rendered in both fron...

Sitting atop a cubic pedestal, the amorphous tendril combines a soft dimension with a pointed shape. The rust texture highlights the varied facets. The oversized base provides an int...

A silver plated abstract sculpture by Lucile Driskell (1924-2017) signed and numbered 1/100.

From Steck’s 'Desert Flower’ series, this tabletop sculpture exhibits, per an America House advertisement in Craft Horizons January/February 1965 (which illustrates this sculpture), ...

Vincent Pocsik’s sculptural works are a study of human form abstracted down to the point of its most transformative power. Flesh twists, contracts, pushes against bones and skin and ...

Several themes appear often in Horn’s work, the most central being multiplicity. Horn’s meticulously constructed wall reliefs are composed of minuscule, seemingly identical pieces...

Several themes appear often in Horn’s work, the most central being multiplicity. Horn’s meticulously constructed wall reliefs are composed of minuscule, seemingly identical pieces...

Several themes appear often in Horn’s work, the most central being multiplicity. Horn’s meticulously constructed wall reliefs are composed of minuscule, seemingly identical pieces...

Todd Merrill Studio has represented Mindy Horn since 2019. Horn believes that a life, an idea, or a work of art all begin with perfection, or as she puts it “an untested plan of what...

Mindy Horn’s ceramic “Garden Tondo” revisits elements most often seen in her vessels, which are notable for their imperfections, appearing to have grown and then weathered organically. With her most recent ceramic wall medallion, a multitude of individual floral specimens converge into an unexpected baroque composition. Each tiny, hand-formed component’s individuality is lost within the larger picture. Incorporating subtle variations in the treatment of the delicate porcelain pieces, such as glazing, bisque firing, the application of powdery mason stain, or firing with a gold luster overglaze, creates a complex, glimmering landscape across the surface. Similarly, the lifting of each tiny composition off of the solid...