Anglo-Indian Decorative Objects

This finely preserved Indian Blue Peacock (Pavo cristatus) taxidermy mount showcases the species’ celebrated iridescent blue and green plumage in vivid detail. Native to the Indian s...

This finely preserved Indian Blue Peacock (Pavo cristatus) taxidermy mount showcases the species’ celebrated iridescent blue and green plumage in vivid detail. Native to the Indian s...

Mughal style pietra dura marble box - hand made - featuring an over-all floral and vine design with lapis lazuli, mother-of-pearl and black onyx inlay - signed on the base and the li...

Beautiful white marble jewelry box with floral inlay, made with different semi preciouses stones such as Malachite, Lapis Lazuli and Carnelian. It was made in India in the 1960's.

VERY DECORATIVE VIZAGAPATAM BOX Vizagapatam, India, 19th Century. Rustic workmanship will only add to the decorative appeal of this Anglo-Indian footed domed casket in ebonized woo...

An Anglo Indian Rectangular Porcupine Quill & Bone Box, 20th Century Description: Constructed from wood, featuring naturally shed porcupine quills inlaid between decorative band...

Indian brass lidded cigarette holder / trinket box, with hand engraved Mughal floral designs all around. Completely hand wrought piece with exquisite detail. Hand crafted in India, c...

Exceptional antique Anglo Indian sewing box handcrafted with quills and decorated bone with a brass handle, lion heads and paw feet. The interior has pin cushions and compartments wi...

Antique Anglo-Indian pen box with hidden drawer, made of wood and brass, featuring a central blank brass cartouche, circa first half of the 20th century. This beautiful box is of hi...

Intriguing antique Ceylonese box handcrafted with porcupine quills and ebony decorated with bone dots.

Antique Anglo-Indian Silver-Plated Figural Stag Covered Box, British Raj Period This elegant Anglo-Indian silver-plated covered box is modeled as a reclining stag and crafted in two...

An Anglo Indian bone, ebony and metal inlaid sadeli work box with portable writing desk, Bombay, circa 1850. The sandalwood body of faceted recta...

For your consideration, a vintage Indian-style slipper ashtray, likely made of silver-plated brass or similar metal. The object features ornate, hand-etched floral and leaf patterns ...

19C Anglo Indian solid silver perfume bottle case. Lovely 19th century Anglo-Indian solid silver perfume bottle case with profuse repousse work. Not hallmarked because it was m...

Vintage South Asian / Kashmir hand painted and gilt decorated papier mâché bowl - large size - featuring a colorful and extensive floral pattern within roundels set against a black l...

Rare and remarkable Anglo Indian box turtle tea caddy, the well marked upper shell hollowed and intricately filled with a star inlaid panel, the base with a lidded box, all in exotic...

Antique Persian Khatam Micro Mosaic Inlaid Jewelry Box with Miniature Polo Scene, circa 1940s This exquisite Persian Khatam Kari trinket box is a rare example of masterful micro mosaic marquetry, handcrafted in the 1940s using the ancient Persian art of inlay. Featuring an intricately detailed geometric design and a miniature hand-painted equestrian scene on the lid, this museum-quality piece is a stunning representation of Indo-Persian and Moorish craftsmanship. Khatam Kari, or Persian marquetry, is a centuries-old decorative art that flourished during the Safavid dynasty. It involves the meticulous inlay of thousands of tiny pieces of wood and bone into intricate, repeating geometric patterns—each symbolic of harmony and cosmic order. The top of this box is adorned with a finely rendered painting of royal figures on horseback, possibly princes engaged in a ceremonial game of polo, echoing the refined court culture of the 19th-century Persian and Mughal aristocracy. The box’s micro mosaic surface is covered in richly detailed star and polygon motifs typical of Khatam and Sadeli mosaic traditions. These patterns require precise mathematical planning and exceptional artisanal skill, resulting in a surface that is as intellectually complex as it is visually stunning. Details: * Origin: Asia Indo-Persian * Date: Circa 1940s * Materials: Inlaid woods, camel bone, hand-painted miniature * Style: Islamic Art, Moorish, Anglo-Indian, Micro Mosaic * Dimensions: Height 1.5 in. x Width 6.5 in. x Depth 4.25 in. * Condition: antique condition with minor wear consistent with age These boxes were traditionally used to store writing instruments or jewelry, and today they serve as timeless collectors' pieces, suitable for display or thoughtful gifting. Comparable examples can be found in major Islamic art collections, including the Doris Duke Museum of Islamic Art. Keywords: Persian Khatam Box...

Very decorative hand painted in the Anglo-Indian style. Painted back and gold with each framed panel filled with female dancers and male flower bearing suiters. A colorful and fun, a...

PRESENTING A LOVELY 19C Anglo Indian Vizagapatam Bone and Shell Domed Stationery Box – ‘Alice’s Box’. Made in Vizagapatam, India, circa 1860-80. We call this one: “Alice’s Box”! It has lived ‘a hard, well used and traveled life’, as is evident from the number of losses and repairs, as is obvious from the photos, especially to the faux ivory panels and bands to the top. The bonus to the loss of the frieze panels to the dome has a ‘bonus’, however, as their loss has revealed the most GORGEOUS faux blonde tortoiseshell underneath! The box is dome/casket shaped. The top has 3 bands, with the center one being the original. The 2 side bands are later ivorine. The faux ivory and hand-painted medallions on the domed lid, have been saved and they depict Hindu Gods, Vishnu and Shiva. The front and side panels are still in pretty good shape and are decorated with lac ink (indelible ink made from crushed beetles) depicting lovely floral designs. The domed lid open to reveal a series of open compartments for envelopes, writing paper etc. and one lidded panel for stamps. Inside the box are 2 paper labels: one probably being the original item ticket and the other with: ” Alice’s address is 272 Ashworth Ave, Toronto 4, Ontario”. Probably, the original owner? Hence, we call it ‘Alice’s Box’. What a journey/life this box has had! Made in India, made its way to Canada, back to Ireland and then to Texas! This is why, WE LOVE ANTIQUES...

1920s Hand Painted East Indian Decorative Box. An antique Rajasthani Indian hand painted wood box, early 20th century. The box is handcrafted of wood and feature a hinged lid that can be opened and closed to access the contents inside. Hand painted colorful Indian box with lid depicting human figures and flowers. Style: Anglo Raj, Paint, Wood, Hand-Crafted Place of Origin: India. Anglo Raj Vintage Wooden Box Hand Painted Indian Chest Trinket 1920s. Large Trinket Box Folk Art Hand Painted Colorful Asian Jewellery Chest...

Inlaid table cabinet with six compartments and two handles. This is a beautifully decorated crafted box reflecting the craftsmanship and cultural influences of Goa during the colonia...

A wonderfully evocative hand-forged iron chest or keepsake box, richly detailed with engraved floral motifs and a substantial carrying handle. The robust construction and decorative ...

Hand-carved Buddha sculpture mounted on wooden base. A-445-335

Beautiful handcrafted tinned copper decorative octagonal betel box with lid and brass latch. The metal is delicately and intricately hand-hammered and repousse with floral and geometric designs. This Vintage brass box...

Hand-Carved Anglo-Indian Mughal Style Wooden Jewelry Box – Early 20th Century An elegant early 20th-century Anglo-Raj carved wooden box, finely handcrafted in India and richly decorated with continuous arabesque and floral relief carving throughout. The deeply detailed surface work reflects traditional Mughal-inspired craftsmanship, with scrolling foliage motifs executed in a cohesive decorative field across the lid and all sides. The hinged lid opens to a spacious interior lined in deep rust-red velvet, providing a rich contrast to the warm tone of the carved wood while offering a soft protective surface for jewelry, keepsakes, or collectibles. The shallow relief carving enhances the tactile quality of the piece, emphasizing the skill of its hand-executed workmanship. A refined example of Anglo-Indian decorative arts, this box functions beautifully as both a practical storage object and a statement collectible, suited for traditional, bohemian, or eclectic interiors. Origin: India Period: Early 20th Century Materials: Hand-carved wood, velvet lining Style: Anglo-Indian / Mughal Revival / Colonial Decorative Arts Condition: Good vintage condition with age-appropriate wear Keywords / Metadata: Anglo Indian box, Mughal carved box, Indian jewelry box, carved wooden trinket box, early 20th century Indian furniture, Anglo Raj decor, handmade wooden box, Islamic floral carving, Moorish style box, rustic carved box, vintage India box...

Antique hand hammered silvered metal engraved beaker beautifully hand chiseled and decorated with geometrical and botanical patterns motifs. One of a kind old Islamic Mughal style lassi drinking metal cup from India beautifully hand etched by artisan. Superb craftsmanship highly decorative beaker, so called lassi cup. This gobelet is hand-engraved in the intricate Mughal style with floral designs and wears a timeworn patina. Mughal Moorish Persian style drinking cup hand crafted, engraved by hand, all by traditional ways and methods used in India. Heavy, sturdy, stunning and unique made of thick, partially silvered metal, all hand tooled, chased and hammered these cups today make wonderful vases or beakers to store paint brushes or pens or use as a small vase on a nightstand or small Moroccan side table...

Asian decorative trinket lidded box in metal silvered hammered and etched with organic floral design. Anglo Raj style oval form betel box. Dimensio...

Anglo-Indian Mother of Pearl Inlaid jewelry Box. 1940s Victorian Anglo Indian box in silver, bone and mother of pearl Inlaid. An elegant Anglo Indian bon...

Likely Chinese, late 19th to early 20th century. This carved buddha figure traditional features including elongated ears, draped robes, a lotus blossom support and raised hands. The...

A very attractive vintage inlaid rosewood Indian jewelry box. The hinged box made is from solid figured rosewood and finely and is sumptuously inla...

A small Sinhalese Porcupine Quill Box with a sliding lid. The panels of porcupine quill panels arranged in a chevron pattern, bordered with ebony and bone inlaid banding. Ceylonese ...

A pair of antique etched brass metal lassi cups that would make beautiful vases. Lassi is a blend of yogurt, water, spices, and sometimes fruit. For generat...

A beautifully handcrafted pietra dura round marble trinket box, showcasing the centuries-old decorative art form perfected in both Mughal India and Renaissance Florence. The lid feat...

Pair of Antique Anglo-Indian etched and polychrome brass peacock figures. Stunning pair of Anglo-Indian etched and polychrome brass peacock figures or sculptures. These beautiful pe...

Antique Anglo-Indian quill box handcrafted and decorated with porcupine quills and bone dots. Made in Ceylon which was the colonial name for Sri Lanka. Porcupine quillwork objects of...

Anglo-Indian Inlaid Hardwood Humidor or Tobacco Box, Attributed to Vizagapatam, British India, Late 19th Century A finely constructed Anglo-Indian humidor or tobacco box of compact ...

PRESENTING A GORGEOUS 19C Anglo Indian Highly Carved Sadeli Mosaic Sarcophagus Sewing Box. Made in Bombay, India circa 1860-80. Box made of sandalwood with highly carved teak wood reliefs and panels on all sides. Edged with bone and ebony veneers and glorious sadeli mosaic, made from tiny pieces of faux ivory, pewter, green semi-precious stone. The box is in a sarcophagus form with domed lid. The original brass carry handles are on the sides. The interior is in great condition and consists of a removeable mirror under the lid portion, with the original red velvet lining behind it. The base is removeable and contains a number of lidded compartments. 6 of the interior lids on the base, are each inlaid with sadeli mosaic banding. The rest are also carved and chased. The interior is fully complete with 7 lidded faux ivory/bone, thread canisters with sadeli domes and the original bone thimble. The box sits on 4 brass ball or bun feet with the original velvet lining on the base. Some minor repairs and losses, but this box is fully complete. This is ‘rare’ as many of these boxes have not survived in such condition! Included in the sale are 2 photos that were in the box (under the base tray). Interestingly, one of them is a view of downtown Nassau, New Providence (Bermuda) from the early 20C and stamped on the rear. What a ‘journey’ this piece has made! Made in India … travelled to Bermuda, probably via Britain … back to Ireland (where we bought it) …. then to Texas! These boxes were made by superb Indian craftsmen, specifically for sale to the ruling British elite. These types of boxes, carved padouk and sandalwood, (whilst beautiful and superbly crafted) were of a lesser quality, than the more profusely and intricately mosaic inlay, tortoiseshell and ivory boxes, made for the British ‘Upper Classes’ in the areas of Bombay and Vizagapatam. These type of boxes were much more affordable back in 1880 (and indeed today) and would probably have been bought by mid-level diplomats, civil servants or visitors. Sewing boxes (in general), were in EVERY Victorian home in Britain in the 19th Century and like other boxes etc were ‘status symbols’ of your place in society! The more ornate the box, the more ‘Upper Class’ you were! Of it’s type, this one, is one of the very higher quality one’s, than the norm! SADELI MOSAIC: “Anglo Indian boxes were made in India for the English residents from the early part of the 18th century. They were brought back or sent back to England usually by the people who had commissioned them. From the beginning of the nineteenth century they were imported more commercially, although not in any significant numbers until the middle decades. They were very highly valued, especially the early ones, to the extent that the designs were copied on late 19th and early 20th century tins. The ancient art of Sadeli Mosaic is said to have been introduced from Shiraz in Persia via Sind to Bombay, a long time before the Anglo Indian boxes were made. It was a technique, which required a high degree of skill and patience. It was executed very lavishly, in that the frequent cuts wasted a great amount of the precious materials used. The workmanship was however more than commensurable to the value of the materials. Ivory, silver, pewter (or other metals), wood and horn were cut into faceted rods which were bound together to form geometric patterns. When the glue has set, the rods were sliced in transverse sections. This gave the maker a number of angled circular pieces in the original pattern. Several variations of patterns could be achieved by combining the materials in different ways. The ivory was sometimes dyed green to give an extra color. The mosaic pieces in a combination of patterns, often separated by ivory, ebony, horn or silver stringing were used to veneer sandalwood boxes. In the early boxes, which date from the turn of the 18th to the 19th century, there are large panels of mosaic covering tops and sides of boxes. It took incredible skill to cover such large areas without any shakes or wavering of the pattern. The corners and joins on these boxes are impeccably matched. The makers (reputed to be Persian) of Sadeli mosaic made in the first two decades of the 19th century displayed a total understanding of the qualities of the different materials they used. They combined substances, which can expand and contract according to atmospheric conditions with others, which are hard and unyielding. The result was a sharp definition of the lines and patterns, which made up the whole design. On the early boxes the designs look deceptively simple. The fact is, they emerged from a culture, which had mastered geometry and understood how to generate a pattern from a set number of points. The patterns are so harmoniously combined that their incredible complexity is not immediately apparent. The earliest Sadeli boxes...

Antique 19th century Anglo-Indian jewelry, trinket footed box, inlay with ebony, mosaic marquetry Sadeli work and a carved Hindu scene on top. The box case is made from sandalwood wi...

Anglo Indian straw work box with diamond pattern and painted borders. This is a sweet small decorative box, very appealing design with rounded ends on a rectangular body. Unusual eye...

Impressive antique Anglo Indian lap top desk crafted in quills and ebony decorated with bone dots. The surprising interior has multiple components featuring a felt writing surface, n...

19th Century Anglo- Indian Engraved & Jeweled Bronze Cobra Candlestick India, Circa 1890 One the finest examples of late 19th century Anglo- Indian bronze cobra candlesticks, ma...

Carved Indian Colonial Hardwood Elephant Drinks Table or Stool India for the English Market, early to mid-20th century A charming carved Indian Colonial hardwood elephant drinks ...

Wonderful writing box made from a tropical hardwood Fabulous shape and plain fluted carving. It gives it a modernist appearance Probably Sri Lankan 3 secret drawers* Replaced lea...

Fine Micro Mosaic Indo Persian Moorish Inlaid Trinket Jewelry Box with Miniature Polo Scene, circa 1940s Exceptional handcrafted Indo-Persian jewelry or pen box featuring intricate Sadeli micro mosaic marquetry with inlaid geometric designs and a stunning miniature hand-painted scene on the lid. The artwork depicts 19th-century royal princes in traditional Maharaja attire playing polo, reflecting Mughal and Islamic courtly elegance. Crafted using the traditional Khatam technique, the box is richly inlaid inside and out with fine slivers of wood, bone, and metal, showcasing exceptional craftsmanship from the Middle East or India, circa 1940s. * Dimensions: H 1.75 in. x W 6.5 in. x D 4 in. * Condition: great condition; minor wear consistent with age. A museum-quality piece comparable to those in the Doris Duke Islamic Art Collection. Perfect for collectors of Islamic art, Moorish marquetry, and antique micro mosaic. Keywords: Islamic Marquetry, Sadeli Mosaic, Khatam Box...

Antique Anglo-Indian Kashmir Hand-Carved Wood Jewelry Box, Velvet Lined, circa 1920s A beautifully handcrafted Anglo Raj Kashmir wood trinket ...

Charming petite antique Anglo Indian lidded box handcrafted in indigenous hardwoods clad in tortoise shell and decorated with elaborate lacy bone designs, featuring an etched and pai...

Vintage jeweled elephant sculpture paper weight wearing traditional ceremonial costume. Finely hand painted animal sculpture of an elephant...

Anglo-Indian penwork decorated veneered sandalwood glove box on turned ball feet the sides and top decorated with scrolling leaf borders and the top with a central leaf-framed cartou...

Presenting an absolutely stunning 19c Anglo Ceylonese sewing box of museum quality. Made in Ceylon (now Sri Lanka) circa 1860, this is one of the finest sewing boxes of it’s kind that we have ever seen! The box is made from coromandel wood (an exotic hardwood found in Ceylon) and has a serpentine edging all over the front, back and sides. Very often the lids/tops of these boxes suffer cracks due to shrinkage but this one is near perfect with no crack in the lid/top. There is some evidence of natural shrinkage but that is around the edges of the lid/top. It is when you open this box that it reveals it’s true beauty, quality and treasure ! The inside of the lid/top is heavily and beautifully decorated with inlaid bone in scrolling floral patterns which have then been hand painted with red and black ‘lac’ ink. The central medallion is a circle of inlaid specimen exotic hardwoods radiating towards a central bone and hand painted flower. The circle is edged in bone, wood and silver chevrons. What makes this box Exceptionally rare is that it contains 3 lift out base sections. Normally, there would be a maximum of 2. The first tray/section is clearly for the purposes ancillary to sewing with a pair of sections with bone spools for thread etc. There are 17 other lidded compartments with each one highly decorated using hand painted bone and specimen woods to replicate tortoiseshell. The first tray lifts out to reveal a second removeable tray which is made up of a pair of open sections and 8 specimen wood lidded sections each with chevron banding. The third tray is a smaller tray underneath with 14 lidded compartments each with hand painted bone and specimen wood inlaid lids again, replicating the look of tortoiseshell. Again they are banded with a chevron border. This is a museum quality piece ! It is in fantastic condition for it’s age with the minor shrinkage to the edges of the lid/top, some finger pulls missing and some very minor cracks to the tray lids and bases but nothing that in any way detracts from the piece. No key. Dimensions: Closed the box is 16.75 inches wide, 11.25 inches deep and 7.5 inches high Fully open the box is 16.5 inches high, 16.75 inches wide and 11.4 inches deep Anglo-Indian and ceylonese boxes: Anglo Indian boxes were made in India for the English residents from the early part of the 18th century. They were brought back or sent back to England usually by the people who had commissioned them. From the beginning of the nineteenth century they were imported more commercially, although not in any significant numbers until the middle decades. They were very highly valued, especially the early ones, to the extent that the designs were copied on late 19th and early 20th century tins. Anglo-Indian boxes normally consist of 3 main types:- (1) Most of the best and highest quality Anglo-Indian boxes in the 18th and 19th centuries were made in Vizagapatam, India, renowned for its exquisite craftsmanship in using ivory and tortoiseshell and lac decoration. These are referred to as ‘Vizagapatam Boxes...

Anglo Indian hardwood campaign or dowry chest. This has brass straps, handles and large hinges on the interior. The lock has the original key. The chest is in good condition. It show...

Large pair of mid 20th century Indonesian salt glazed decoration dogs circa 1950. Know in english as the lion dogs and used to symbolise guarding important entrances and buildings  ...

Pair of silvered brass Anglo Indian guarding lion sculptures or bookends.  

Antique Asian Silver Betel Nut Box in Foo Lion Form, Southeast Asia, 19th–20th Century A finely crafted antique South Asian silver betel nut box, ...

Wonderful brass statue of Krishna with Nandi. Brass Krishna with Nandi Statue vintage handmade using lost wax technique for casting. Krishna's mount is N...

Fabulous Anglo-Indian decorative box inlaid. Made in Vizagapatam, situated on the south east coast of India, near Madras. Great decorative inlaid pen box or jewelry box. Inside dimen...

A large scale liberty style leather tiger, mid 20th century, modeled in a prowling pose, with teeth bared and long trailing tail. Height approx: 48 cm x Length approx: 101 cm x Wi...

PRESENTING a LOVELY 19C Anglo Indian Bombay MOP (Mother of Pearl) Sadeli Mosaic Trinket Box from circa 1875-85. Gorgeously detailed and hand-crafted ‘sadeli mosaic’ inlay, from the Bombay Area, with deep greens with silver, pewter, mother of pearl, bone and ebony in geometric patterns. The box case, is made of sandalwood but completely covered in MOP, bone, faux ivory, ebony and mosaic inlay. Edged with faux ivory and banded with a different pattern of sadeli mosaic. Some minor damage to the top (repair is obvious in pics) and ivorine replacements to some edging, but it still a BEAUTIFUL BOX and of real QUALITY! The mosaic work is FABULOUS! Box opens to reveal its original blue velvet lining. It sits on 4 (recently added) silvered button feet. SADELI MOSAIC: “Anglo Indian boxes were made in India for the English residents from the early part of the 18th century. They were brought back or sent back to England usually by the people who had commissioned them. From the beginning of the nineteenth century they were imported more commercially, although not in any significant numbers until the middle decades. They were very highly valued, especially the early ones, to the extent that the designs were copied on late 19th and early 20th century tins. The ancient art of Sadeli Mosaic is said to have been introduced from Shiraz in Persia via Sind to Bombay, a long time before the Anglo Indian boxes were made. It was a technique, which required a high degree of skill and patience. It was executed very lavishly, in that the frequent cuts wasted a great amount of the precious materials used. The workmanship was however more than commensurable to the value of the materials. Ivory, silver, pewter (or other metals), wood and horn were cut into faceted rods which were bound together to form geometric patterns. When the glue has set, the rods were sliced in transverse sections. This gave the maker a number of angled circular pieces in the original pattern. Several variations of patterns could be achieved by combining the materials in different ways. The ivory was sometimes dyed green to give an extra color. The mosaic pieces in a combination of patterns, often separated by ivory, ebony, horn or silver stringing were used to veneer sandalwood boxes. In the early boxes, which date from the turn of the 18th to the 19th century, there are large panels of mosaic covering tops and sides of boxes. It took incredible skill to cover such large areas without any shakes or wavering of the pattern. The corners and joins on these boxes are impeccably matched. The makers (reputed to be Persian) of Sadeli mosaic made in the first two decades of the 19th century displayed a total understanding of the qualities of the different materials they used. They combined substances, which can expand and contract according to atmospheric conditions with others, which are hard and unyielding. The result was a sharp definition of the lines and patterns, which made up the whole design. On the early boxes the designs look deceptively simple. The fact is, they emerged from a culture, which had mastered geometry and understood how to generate a pattern from a set number of points. The patterns are so harmoniously combined that their incredible complexity is not immediately apparent. The earliest Sadeli boxes...

Pair of Igorot tribesmen figural wood carvings depicting hunter and huntress with companion canines, weaponry, and standing on two circular fluted pli...

Pair of Boho Brass & Pink Enameled Lotus Bowls by Sarreid Ltd. A striking pair of mid-20th-century Indian brass pedestal bowls by Sarreid Ltd., featuring vibrant hand-painted enamel...

Igorot tribesmen wood carved picture depicting an indigenous murder scene. Northern Luzon, Philippine islands. Were feared & known as deadly head hunt...