Anglo-Indian Decorative Objects

Lovely quill box Ebony and porcupine quill Good condition Free UK shipping. PLEASE NOTE only available in the UK . Because of the ivory content the item needs a Cites certificate...

This finely preserved Indian Blue Peacock (Pavo cristatus) taxidermy mount showcases the species’ celebrated iridescent blue and green plumage in vivid detail. Native to the Indian s...

Rare and remarkable Anglo Indian box turtle tea caddy, the well marked upper shell hollowed and intricately filled with a star inlaid panel, the base with a lidded box, all in exotic...

A small Sinhalese Porcupine Quill Box with a sliding lid. The panels of porcupine quill panels arranged in a chevron pattern, bordered with ebony and bone inlaid banding. Ceylonese ...

Wonderful writing box made from a tropical hardwood Fabulous shape and plain fluted carving. It gives it a modernist appearance Probably Sri Lankan 3 secret drawers* Replaced lea...

An Anglo Indian bone, ebony and metal inlaid sadeli work box with portable writing desk, Bombay, circa 1850. The sandalwood body of faceted recta...

Antique Persian Khatam Micro Mosaic Inlaid Jewelry Box with Miniature Polo Scene, circa 1940s This exquisite Persian Khatam Kari trinket box is a rare example of masterful micro mosaic marquetry, handcrafted in the 1940s using the ancient Persian art of inlay. Featuring an intricately detailed geometric design and a miniature hand-painted equestrian scene on the lid, this museum-quality piece is a stunning representation of Indo-Persian and Moorish craftsmanship. Khatam Kari, or Persian marquetry, is a centuries-old decorative art that flourished during the Safavid dynasty. It involves the meticulous inlay of thousands of tiny pieces of wood and bone into intricate, repeating geometric patterns—each symbolic of harmony and cosmic order. The top of this box is adorned with a finely rendered painting of royal figures on horseback, possibly princes engaged in a ceremonial game of polo, echoing the refined court culture of the 19th-century Persian and Mughal aristocracy. The box’s micro mosaic surface is covered in richly detailed star and polygon motifs typical of Khatam and Sadeli mosaic traditions. These patterns require precise mathematical planning and exceptional artisanal skill, resulting in a surface that is as intellectually complex as it is visually stunning. Details: * Origin: Asia Indo-Persian * Date: Circa 1940s * Materials: Inlaid woods, camel bone, hand-painted miniature * Style: Islamic Art, Moorish, Anglo-Indian, Micro Mosaic * Dimensions: Height 1.5 in. x Width 6.5 in. x Depth 4.25 in. * Condition: antique condition with minor wear consistent with age These boxes were traditionally used to store writing instruments or jewelry, and today they serve as timeless collectors' pieces, suitable for display or thoughtful gifting. Comparable examples can be found in major Islamic art collections, including the Doris Duke Museum of Islamic Art. Keywords: Persian Khatam Box...

Exquisite mother of pearl inlaid lacquer elephant motif tissue box, Intricately inlaid all over with numerous elephants in landscape. Fitted with a si...

Lofty antique Anglo Indian box crafted with a polished coconut and decorated with jewelry like silvered metal work featuring a hand as a locking clip.

19C Anglo Indian solid silver perfume bottle case. Lovely 19th century Anglo-Indian solid silver perfume bottle case with profuse repousse work. Not hallmarked because it was m...

Indian brass lidded cigarette holder / trinket box, with hand engraved Mughal floral designs all around. Completely hand wrought piece with exquisite detail. Hand crafted in India, c...

Inlaid table cabinet with six compartments and two handles. This is a beautifully decorated crafted box reflecting the craftsmanship and cultural influences of Goa during the colonia...

Stunning large-scale papier mâché vase of elegant form with beautiful hand painted an lacquered red and black abstract floral decoration. Mid-20t...

Charming petite antique Anglo Indian lidded box handcrafted in indigenous hardwoods clad in tortoise shell and decorated with elaborate lacy bone designs, featuring an etched and pai...

Vintage South Asian / Kashmir hand painted and gilt decorated papier mâché bowl - large size - featuring a colorful and extensive floral pattern within roundels set against a black l...

Ebony wood hand carved anglo Indian elephant sculpture. Gorgeous vintage black hand carved wood ebony Anglo-Indian elephant. This is a hand ca...

Indian Silvered & Enamel Engraved Bronze Elephant Automaton Swiss Music box This exceptional mid-20th-century Indian silvered and enamel-engraved bronze elephant automaton music box...

19th century Anglo Indian relief carving of a rat, and elephant riding on a snake or serpent and a tiger. With traces of gilding and remnants of a glass inlaid background. This is a ...

A tall and elegant pair of Kashmiri wooden candlesticks, rising in attenuated columnar form to flared candle nozzles, each richly lacquered and hand-decorated throughout in polychrom...

Exquisitely crafted early 20th century Anglo Indian micro mosaic Sadeli box with gorgeous antique Persian geometric pattern. The finely detailed box featu...

Vintage Asian Silver Metal Hand-Carved Sitar Veena Box. Elevate your decor with this stunning vintage box, featuring intricate hand-carved designs of a sitar and peacock. The ornate ...

Impressive antique Anglo Indian lap top desk crafted in quills and ebony decorated with bone dots. The surprising interior has multiple components featuring a felt writing surface, n...

Ivory and blue chevron decorative trinket rectangular lidded box inlaid with white bone and resin on wood. Large stylish Moorish trinket lidded box with bone and wood inlaid handcraf...

Vintage circa 1930s Fred Zimbalist Taj Mahal Music Box  Swiss Thorens Movement  Numbered  Handmade Figural Brass Box. A rare and highly sought-after vintage Fred Zimbalist Taj Mahal music box, featuring a Swiss Thorens movement and beautifully handcrafted in India. This iconic figural music box is prized by collectors for its exceptional artistry, substantial weight, and striking architectural form inspired by the Taj Mahal. Crafted between the 1920s and 1950s, each Zimbalist music box was individually handmade, ensuring that no two pieces are alike. This example is numbered (#29) and showcases all the hallmarks of Zimbalist’s finest work: chased and engraved metal, brass and bronze casting, and a lustrous nickel-silver plated finish. A superb piece for enthusiasts of vintage music boxes...

Presenting an absolutely stunning 19c Anglo Ceylonese sewing box of museum quality. Made in Ceylon (now Sri Lanka) circa 1860, this is one of the finest sewing boxes of it’s kind that we have ever seen! The box is made from coromandel wood (an exotic hardwood found in Ceylon) and has a serpentine edging all over the front, back and sides. Very often the lids/tops of these boxes suffer cracks due to shrinkage but this one is near perfect with no crack in the lid/top. There is some evidence of natural shrinkage but that is around the edges of the lid/top. It is when you open this box that it reveals it’s true beauty, quality and treasure ! The inside of the lid/top is heavily and beautifully decorated with inlaid bone in scrolling floral patterns which have then been hand painted with red and black ‘lac’ ink. The central medallion is a circle of inlaid specimen exotic hardwoods radiating towards a central bone and hand painted flower. The circle is edged in bone, wood and silver chevrons. What makes this box Exceptionally rare is that it contains 3 lift out base sections. Normally, there would be a maximum of 2. The first tray/section is clearly for the purposes ancillary to sewing with a pair of sections with bone spools for thread etc. There are 17 other lidded compartments with each one highly decorated using hand painted bone and specimen woods to replicate tortoiseshell. The first tray lifts out to reveal a second removeable tray which is made up of a pair of open sections and 8 specimen wood lidded sections each with chevron banding. The third tray is a smaller tray underneath with 14 lidded compartments each with hand painted bone and specimen wood inlaid lids again, replicating the look of tortoiseshell. Again they are banded with a chevron border. This is a museum quality piece ! It is in fantastic condition for it’s age with the minor shrinkage to the edges of the lid/top, some finger pulls missing and some very minor cracks to the tray lids and bases but nothing that in any way detracts from the piece. No key. Dimensions: Closed the box is 16.75 inches wide, 11.25 inches deep and 7.5 inches high Fully open the box is 16.5 inches high, 16.75 inches wide and 11.4 inches deep Anglo-Indian and ceylonese boxes: Anglo Indian boxes were made in India for the English residents from the early part of the 18th century. They were brought back or sent back to England usually by the people who had commissioned them. From the beginning of the nineteenth century they were imported more commercially, although not in any significant numbers until the middle decades. They were very highly valued, especially the early ones, to the extent that the designs were copied on late 19th and early 20th century tins. Anglo-Indian boxes normally consist of 3 main types:- (1) Most of the best and highest quality Anglo-Indian boxes in the 18th and 19th centuries were made in Vizagapatam, India, renowned for its exquisite craftsmanship in using ivory and tortoiseshell and lac decoration. These are referred to as ‘Vizagapatam Boxes...

This a great example of a mid-20th century, circa 1950s, Elephant sculpture. The elephant has been eloquently detailed with all of his wondrous wrinkles and glass eyes. The leather e...

Vintage White Marble Open Lotus Flower Shape Large Blow Hand-Carved in India Raj MughalHandcrafted in India, you can use this lotus form bowl indoor or outdo...

Impressive Anglo Indian British colonial style lidded box crafted in mahogany and decorated with bone faux quills and dots having two working keys.

Anglo-Raj style silvered footed vase. Decorated with embossed floral pattern. Great to use as wine or champagne bucket cooler for a chic Bohe...

VERY DECORATIVE VIZAGAPATAM BOX Vizagapatam, India, 19th Century. Rustic workmanship will only add to the decorative appeal of this Anglo-Indian footed domed casket in ebonized woo...

Caribbean mahogany hinged pedestal tea poy with fitted interior, foliate carvings, and resting on the original scrolled feet. Early 19th century.

Large Antique Indian Hand-Carved Brown Wooden Elephant Sculpture Indian, c. 1900 Height 99cm, width 104cm, depth 50cm This finely carved wooden elephant, crafted in India around t...

Fine Micro Mosaic Indo Persian Moorish Inlaid Trinket Jewelry Box with Miniature Polo Scene, circa 1940s Exceptional handcrafted Indo-Persian jewelry or pen box featuring intricate Sadeli micro mosaic marquetry with inlaid geometric designs and a stunning miniature hand-painted scene on the lid. The artwork depicts 19th-century royal princes in traditional Maharaja attire playing polo, reflecting Mughal and Islamic courtly elegance. Crafted using the traditional Khatam technique, the box is richly inlaid inside and out with fine slivers of wood, bone, and metal, showcasing exceptional craftsmanship from the Middle East or India, circa 1940s. * Dimensions: H 1.75 in. x W 6.5 in. x D 4 in. * Condition: great condition; minor wear consistent with age. A museum-quality piece comparable to those in the Doris Duke Islamic Art Collection. Perfect for collectors of Islamic art, Moorish marquetry, and antique micro mosaic. Keywords: Islamic Marquetry, Sadeli Mosaic, Khatam Box...

In the soft, mellow glow of your space, an exquisite treasure from the past emerges—an antique Thai sculpture, a manifestation of profound serenity and wisdom. This seated Dvaravati ...

Igorot tribesmen wood carved picture depicting an indigenous murder scene. Northern Luzon, Philippine islands. Were feared & known as deadly head hunt...

PRESENTING A GORGEOUS 19C Anglo Indian Highly Carved Sadeli Mosaic Sarcophagus Sewing Box. Made in Bombay, India circa 1860-80. Box made of sandalwood with highly carved teak wood reliefs and panels on all sides. Edged with bone and ebony veneers and glorious sadeli mosaic, made from tiny pieces of faux ivory, pewter, green semi-precious stone. The box is in a sarcophagus form with domed lid. The original brass carry handles are on the sides. The interior is in great condition and consists of a removeable mirror under the lid portion, with the original red velvet lining behind it. The base is removeable and contains a number of lidded compartments. 6 of the interior lids on the base, are each inlaid with sadeli mosaic banding. The rest are also carved and chased. The interior is fully complete with 7 lidded faux ivory/bone, thread canisters with sadeli domes and the original bone thimble. The box sits on 4 brass ball or bun feet with the original velvet lining on the base. Some minor repairs and losses, but this box is fully complete. This is ‘rare’ as many of these boxes have not survived in such condition! Included in the sale are 2 photos that were in the box (under the base tray). Interestingly, one of them is a view of downtown Nassau, New Providence (Bermuda) from the early 20C and stamped on the rear. What a ‘journey’ this piece has made! Made in India … travelled to Bermuda, probably via Britain … back to Ireland (where we bought it) …. then to Texas! These boxes were made by superb Indian craftsmen, specifically for sale to the ruling British elite. These types of boxes, carved padouk and sandalwood, (whilst beautiful and superbly crafted) were of a lesser quality, than the more profusely and intricately mosaic inlay, tortoiseshell and ivory boxes, made for the British ‘Upper Classes’ in the areas of Bombay and Vizagapatam. These type of boxes were much more affordable back in 1880 (and indeed today) and would probably have been bought by mid-level diplomats, civil servants or visitors. Sewing boxes (in general), were in EVERY Victorian home in Britain in the 19th Century and like other boxes etc were ‘status symbols’ of your place in society! The more ornate the box, the more ‘Upper Class’ you were! Of it’s type, this one, is one of the very higher quality one’s, than the norm! SADELI MOSAIC: “Anglo Indian boxes were made in India for the English residents from the early part of the 18th century. They were brought back or sent back to England usually by the people who had commissioned them. From the beginning of the nineteenth century they were imported more commercially, although not in any significant numbers until the middle decades. They were very highly valued, especially the early ones, to the extent that the designs were copied on late 19th and early 20th century tins. The ancient art of Sadeli Mosaic is said to have been introduced from Shiraz in Persia via Sind to Bombay, a long time before the Anglo Indian boxes were made. It was a technique, which required a high degree of skill and patience. It was executed very lavishly, in that the frequent cuts wasted a great amount of the precious materials used. The workmanship was however more than commensurable to the value of the materials. Ivory, silver, pewter (or other metals), wood and horn were cut into faceted rods which were bound together to form geometric patterns. When the glue has set, the rods were sliced in transverse sections. This gave the maker a number of angled circular pieces in the original pattern. Several variations of patterns could be achieved by combining the materials in different ways. The ivory was sometimes dyed green to give an extra color. The mosaic pieces in a combination of patterns, often separated by ivory, ebony, horn or silver stringing were used to veneer sandalwood boxes. In the early boxes, which date from the turn of the 18th to the 19th century, there are large panels of mosaic covering tops and sides of boxes. It took incredible skill to cover such large areas without any shakes or wavering of the pattern. The corners and joins on these boxes are impeccably matched. The makers (reputed to be Persian) of Sadeli mosaic made in the first two decades of the 19th century displayed a total understanding of the qualities of the different materials they used. They combined substances, which can expand and contract according to atmospheric conditions with others, which are hard and unyielding. The result was a sharp definition of the lines and patterns, which made up the whole design. On the early boxes the designs look deceptively simple. The fact is, they emerged from a culture, which had mastered geometry and understood how to generate a pattern from a set number of points. The patterns are so harmoniously combined that their incredible complexity is not immediately apparent. The earliest Sadeli boxes...

Vintage jeweled elephant sculpture paper weight wearing traditional ceremonial costume. Finely hand painted animal sculpture of an elephant...

Anglo Indian rectangular porcupine quill, bone and parquetry box. The box with a hinged lid that opens to reveal embossed red velvet lining and a decorated wood panel...

PRESENTING A BEAUTIFUL and RARE 19C Anglo Ceylonese Specimen Wood Trinket Box. Made in ‘Galle’, Ceylon (now Sri Lanka) circa 1860-80. Made for the ex...

A monumental pair of 19th-century Kashmiri floor-standing candlesticks, masterfully crafted in richly lacquered and hand-painted papier-mâché. Remarkable both for their scale—each me...

Standout pair of Anglo Indian obelisks with classic form crafted in mahogany and with silver plate bases with floral designs and ball feet. Signed on the bottom S P 2001.

19th century Anglo-Indian Mughal wood box, inlaid and hand carved with the Taj Mahal and some flowers all around. Jewelry box, Anglo-Raj box from India in great condition. Nice Mughal Bombay Box...

Vintage hand carved wood jewelry trinket storage box with brass inlaid. Hand-carved large wooden Anglo-Raj jewelry box. Found in Kashmir, India. Mi...

Vintage South Asian / Kashmir hand painted papier mâché box with removeable lid - featuring a profuse floral pattern over the top and sides set against a black lacquer background - h...

Antique 19th century Anglo-Indian jewelry, trinket footed box, inlay with ebony, mosaic marquetry Sadeli work and a carved Hindu scene on top. The box case is made from sandalwood wi...

Bronze head sculpture in walnut base pedestal circa 1970's , buddha head.

Anglo-Indian Mother of Pearl Inlaid jewelry Box. 1940s Victorian Anglo Indian box in silver, bone and mother of pearl Inlaid. An elegant Anglo Indian bon...

A beautifully handcrafted pietra dura round marble trinket box, showcasing the centuries-old decorative art form perfected in both Mughal India and Renaissance Florence. The lid feat...

Anglo-Indian penwork decorated veneered sandalwood glove box on turned ball feet the sides and top decorated with scrolling leaf borders and the top with a central leaf-framed cartou...

PRESENTING a LOVELY 19C Anglo Indian Bombay MOP (Mother of Pearl) Sadeli Mosaic Trinket Box from circa 1875-85. Gorgeously detailed and hand-crafted ‘sadeli mosaic’ inlay, from the Bombay Area, with deep greens with silver, pewter, mother of pearl, bone and ebony in geometric patterns. The box case, is made of sandalwood but completely covered in MOP, bone, faux ivory, ebony and mosaic inlay. Edged with faux ivory and banded with a different pattern of sadeli mosaic. Some minor damage to the top (repair is obvious in pics) and ivorine replacements to some edging, but it still a BEAUTIFUL BOX and of real QUALITY! The mosaic work is FABULOUS! Box opens to reveal its original blue velvet lining. It sits on 4 (recently added) silvered button feet. SADELI MOSAIC: “Anglo Indian boxes were made in India for the English residents from the early part of the 18th century. They were brought back or sent back to England usually by the people who had commissioned them. From the beginning of the nineteenth century they were imported more commercially, although not in any significant numbers until the middle decades. They were very highly valued, especially the early ones, to the extent that the designs were copied on late 19th and early 20th century tins. The ancient art of Sadeli Mosaic is said to have been introduced from Shiraz in Persia via Sind to Bombay, a long time before the Anglo Indian boxes were made. It was a technique, which required a high degree of skill and patience. It was executed very lavishly, in that the frequent cuts wasted a great amount of the precious materials used. The workmanship was however more than commensurable to the value of the materials. Ivory, silver, pewter (or other metals), wood and horn were cut into faceted rods which were bound together to form geometric patterns. When the glue has set, the rods were sliced in transverse sections. This gave the maker a number of angled circular pieces in the original pattern. Several variations of patterns could be achieved by combining the materials in different ways. The ivory was sometimes dyed green to give an extra color. The mosaic pieces in a combination of patterns, often separated by ivory, ebony, horn or silver stringing were used to veneer sandalwood boxes. In the early boxes, which date from the turn of the 18th to the 19th century, there are large panels of mosaic covering tops and sides of boxes. It took incredible skill to cover such large areas without any shakes or wavering of the pattern. The corners and joins on these boxes are impeccably matched. The makers (reputed to be Persian) of Sadeli mosaic made in the first two decades of the 19th century displayed a total understanding of the qualities of the different materials they used. They combined substances, which can expand and contract according to atmospheric conditions with others, which are hard and unyielding. The result was a sharp definition of the lines and patterns, which made up the whole design. On the early boxes the designs look deceptively simple. The fact is, they emerged from a culture, which had mastered geometry and understood how to generate a pattern from a set number of points. The patterns are so harmoniously combined that their incredible complexity is not immediately apparent. The earliest Sadeli boxes...

19th century Anglo-Indian silver bowl with a rounded melon shaped base decorated with medallions which have pictures of animals and palms, under a rim which has lovely reticulated foliage. Supported on three fish feet.

Anglo Indian hardwood campaign or dowry chest. This has brass straps, handles and large hinges on the interior. The lock has the original key. The chest is in good condition. It show...

Seriously monumental, custom midcentury pair of fabricated composition faux elephant tusks decorated with Egyptian style rings in faux stone. Set i...

Mid-20th Century Anglo-Indian Inlaid Bone Jewelry or Trinket Box. Box features hand-cut bone tiles arranged in a paneled pattern, giving the piece a subtle textural appeal and natura...

Cast Brass Engraved Brazier Box with Pierced Charcoal Tray, North India, Late 19th Century Dimensions: Consisting of Two Pieces: the Box and the Removable Tray Box: 10.5” W to handl...

This is a Fred Zimbalist Thorens silver music box shaped as an old phonograph with trumpet horn. All the silver panels that make the box and the hor...

Intriguing pair of antique Anglo-Indian ducks or birds with a confident stance and engraved details, featuring removable lids and round classes stands that show evidence these where ...

A hand carved wood candle stand from India, circa 1960. Gilt finish. 14 inches high on an 8-inch triangular base.

Antique Anglo Indian pair of tea caddies with silvered metal tops having elephant handles over coconut bowls above carved ebony elephants with bone tusk...

19th Century pair Anglo-Indian carved rosewood elephant statues with bone inlay. The pair are hand carved and profusely inlaid throughout with intric...