A. Toussaint - G. Chaudoir Decorative Objects

A large antique early 19th century Indian brass votive oil lamp modeled as the Hindu deity, Lord Ganesha, circa 1800. A finely cast brass figure of Lord ...

19TH Century artist male lay figure form This hand carved pine artists lay figure is untouched in form and shows lots of natural age. Dimensions in inches: H 12” x W 3” x D 1.5” ...

A Patinated Bronze Figure of Mercury, Late 19th Century Provenance: Private Australian Collection. Description: Modelled after Giambologna’s most celebrated work, the figure of Me...

A Bronze Mermaid Figural Bracket, 19th Century Provenance: Private Australian Collection. Dimension: Height: 33cm Depth: 19cm Width: 10cm.

A Bronze Figure of Napoleon, 19th Century Provenance: Private Melbourne Collection. Description: In full military dress, his sword sheathed and arms folded over his chest, his ri...

This exquisite French bronze sculpture depicts the iconic Venus de Medici, a celebrated classical figure symbolizing beauty and grace. Crafted in the late 19th century, this finely d...

A very fine French 19th century patinated bronze figure of the French hero of the Algerian conquest, Jean-Pierre Hippolyte Blandan (1819-1842) after the French Sculptor Jean Gautheri...

Origin: France. Period: 19th century. Material: Bronze.

Gaston Leroux (French, 1854-1942). A very fine French 19th century polychromed and patinated bronze sculpture of "Aida" resting on a sphinx, her legs crossed and holding a gilt-bronze tambourine, after the model by Gaston Veuvenot Leroux "Aida, A Femme Au Tambourin Assise Sur Une Tete De Sphinx". Signed: Gaston Leroux, Paris, circa 1890. Measures: Height 29 inches (74 cm). Width 15 inches (38.1 cm). Depth 15 inches (38.1 cm). The opulent and extensively detailed version of Aida was inspired by ethnographic findings of the mid-19th century in ancient Egypt as well as the influences of theatre and costume design. Travelers to the East had often recorded their journeys, either in writing or in pictures, but the movement of Egyptomania was wider-reaching than Egyptology. The immensely popular vogue of Egyptomania is without doubt due to the success of performing arts in recreating this era, in particular, Giuseppe Verdi's Aida. Both the Cairo and Paris premieres created sensations so large that they influenced generations of artists from Alexander Cabanel to Cecil de Mille. In Aida, the ruins of Egypt were brought back to life in full color and scale before the eyes of a generation that would make history as romantics, adventurers and explorers. The Cairo premier of Aida was entirely conceived by one of the foremost Egyptologists of the day, Auguste Mariette, who was assigned to the project by Khedive Ismail Pasha...

François-Christophe-Armand Toussaint (1806-1862) A large pair of French mid-19th century gilt and patinated bronze figural torchères: Esclave Indien and Esclave Indienne cast by F. Barbedienne (before 1869) from models by Toussaint dated 1850 the male and female figures each holding aloft glass flame shades, on panelled chamfered rectangular black marble plinths, the bronze pedestals of cylindrical baluster form with acanthus leaf collars and four engaged foliate scroll corbel supports with fluted ornament, on circular socles cast in the form of ribbon-bound laurel garlands, each signed A.Toussaint 1850 and Fondeur F.Barbedienne, 36cm wide, 36cm deep, 217cm high (14in wide, 14in deep, 85in high). the figures 112cm high (44in high Armand Toussaint first exhibited a plaster model at the 1847 Salon in Paris entitled "Un esclave indien portant une torche" along with its female pendant...

The charming figure done completely in the lost wax method is in a primitive naive style. The male figure is dancing excitedly on a rocky outcrop. His costume of a loose-fitting coat with long flared sleeves flying in space as he dances reveals his large potbelly while his loose-fitting shift girdled at the waist with a large belt flips up to show his legs and bare feet as he dances. The figure is suspended on one leg as he moves and his face is animated and happy. The head is cast separately so that his wild hair and beard are free from the body castings...

19th century carved walnut effeminacy male figure We are proud to offer a unique and highly decorative 19th century hand carved walnut figure of an effeminacy male form. Unusual in its figurative posture and detail. This includes the figure standing in a side on pose with flirtatious gesture, a loosely draped over shoulder silk sheet, female form breasts and overly masculine facial details. This item is heavily patinated due to its age. This figure may have at some point in its lifetime have been part for a larger wall carving...