Beaux Arts Decorative Objects

A ceramic sculpture signed A.C, circa 1980. Perfect original conditions. Unique piece.

A big ceramic sculpture by Pierre Baey. Unique piece. Perfect original conditions. Circa 1990.  

Wood fired stoneware «Pot à feu» sculpture by Île/Mer/Froid. Artist signature under the base. 2023. H : 30.7’ x 15.7’ inches. - Lives between Marseille, Paris, and Aveyron. Formed...

Brown glazed ceramic cup with metallic highlights by Gisèle Buthod Garçon. Raku fired. Artist monogram under the base. Circa 1980-1990. H : 9.4’ x 7.9’ inches. - Born in 1954 in S...

Large floor vase in black glazed ceramic by Patrick Crulis. 2024. Unique piece. H : 27.9 x 15.7 x 19.7 inches. Approximate sizes. - Born in 1965 in Versailles, he lives and works i...

A ceramic vase with glazes and geometrical decoration by Accolay. Signed under the base "Accolay", circa 1970-1980. Perfect original condition. Unique piece.  

Glazed ceramic footed bowl with pearly white interior by Gisèle Buthod Garçon. Raku fired. Artist monogram under the base. Circa 1980-1990. H : 11’ x 7.4’ inches. - Born in 1954 in...

Stoneware vase by Georges Martin. Artist monogram on the base. Circa 1970-1980. H : 15.7 x 11.8 x 13.9 inches.

Glazed stoneware vase with dripping decoration by Jean Pointu. Artist signature under the base « Pointu fils ». Circa 1950. H : 16.1’ x 5.9’ inches.

Black glazed ceramic mural sculpture by Patrick Crulis. 2024. Unique piece. H : 19.3 x 15.7 x 15.7 inches. Approximate sizes.

Set of ocher, brown and white glazed stoneware vases by Accolay. Artist signature under the base. Circa 1960-1970. H : 17.7’ x 6.3’ inches / H : 21.6’ x 8.3’ inches / H : 18.9’ x 7....

A porcelain sculpture by Wayne Fischer. Perfect original conditions. Signed. Unique piece. 2018. How can an inert object produce deeply unsuspecting, indecipherable, uncontrol...

A porcelain vase designed by Claire Debril for Virebent. Signed under the base, circa 1970-1980.  

A big ceramic vase with glazes decoration by Michel Lanos (1926-2005). Perfect original decorations. Artist monogram under the base. 1995. Unique piece.  H : 21.6 x 13.8 inches. Thi...

Brown glazed stoneware vase with metallic highlights by Gisèle Buthod Garçon. Raku fired. Artist monogram under the base. Circa 1980-1990. H : 7.5’ x 6.7...

A ceramic vase with white glaze decoration attributed to Pol Chambost. No signed. Perfect original conditions. France, 1930.

Unusual Birch Tree Bark Nesting Decorative Trunk Shape Boxes Dimensions: Large Box: 12"x18"x15" Small Box: 11"x15"x13"

A ceramic sculpture signed A.C. Perfect original conditions, circa 1986.

Important stoneware sculpture entitled " Cadence" by Maarten Stuer. Unique piece. Artist monogram under the base. This piece can be put indoor or outdoor. 2023. - Born in 1965 in ...

White glazed stoneware vase by Accolay. Artist signature under the base. Circa 1960-1970. H : 18.9’ x 7.1’ inches.

Glazed cemic pitcher by Jacky Coville. Signature de l’artiste sous la base. Circa 1960-1970. H : 8.3’ x 8.3’ x 7.1’ inches.

Ceramic sculpture entitled « La Citadelle » by Pierre Martinon. Perfect original conditions. Signed and dated at the base "Pierre Martinon 2000". Unique piece. - A great work o...

A set of four 19th century French Limoges style porcelain lidded apothecary jars with elegant hand painted floral decoration and lettering. One jar has a pharmacy label on the revers...

A ceramic covered pot signed Alistair Danhieux. Signed and dated under the base. 2012. Perfect original conditions.

Stoneware Vase-Sculpture by the artist Jacques Laroussinie. Remarkable one-of-a-kind piece, signed. This double-sided vase-sculpture was wood-fired at the renowned ceramics center of...

Important sculpture in glazed stoneware by Philippe Lambercy. Artist monogram on the base. Circa 1980-1990. H : 12.9’ x 28.7’ x 8.3’ inches.

Important sculpture in glazed stoneware by Philippe Lambercy. Artist monogram on the base. Circa 1980-1990. H : 16.5’ x 30.7’ x 7’ inches.

Experience the allure of a bygone era with this exquisite early 20th century hand-painted and gilt decorated old paris porcelain vase. Immerse yourself in the rich history and artis...

Brown glazed ceramic bowl with metallic highlights by Gisèle Buthod Garçon. Raku fired. Artist monogram under the base. Circa 1980-1990. H : 7.9’ x 8.3’ inches. - Born in 1954 in S...

White/brown glazed ceramic vase by Gisèle Buthod Garçon. Raku fired. Artist monogram under the base. Circa 1980-1990. H : 9.4’ x 5.9’ inches. - Born in 1954 in Salon-de-Provence,...

Yellow/brown glazed ceramic vase by Gisèle Buthod Garçon. Raku fired. Artist monogram under the base. Circa 1980-1990. H : 6.3’ x 3.9’ inches. - Born in 1954 in Salon-de-Provence,...

White/grey and pearly beige glazed ceramic bowl by Gisèle Buthod Garçon. Raku fired. Artist monogram under the base. Circa 1980-1990. H : 4.3’ x 6.7’ inches. - Born in 1954 in Salo...

Blue glazed ceramic vase by CAB (Céramiques d’art de Bordeaux) for la Maitrise. Artist signature under the base. Circa 1930. H : 11.02’ x ...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Refined and elegant pair of French crystal bottles; their shape is classically bulb-shaped; they have simple and delicate grinding; the pointed caps have been ground with a precise facet to enhance the refraction of light; made in Beaux-Arts style between 1900 and 1905 by a Craft company near Paris; the Parisian style...

A porcelain vase with green glaze decoration by Tim Orr. Perfect original conditions. Signed under the base, circa 1970.

Ocher glazed stoneware vase by Accolay. Artist signature under the base. Circa 1960-1970. H : 17.7’ x 6.3’ inches.

Pair of glazed stoneware vase attributed to Louis Dage. Circa 1930. H : 9’ x 5.5’ inches.

A ceramic box signed Alistair Danhieux. Signed and dated under the base, 2011. Perfect original conditions.

A ceramic pitchet by Alexandre Foucher. Original conditions. Signed under the base, circa 1960. Unique piece.

A ceramic sculpture signed Alistair Danhieux. Signed and dated under the base. 2013. Perfect original conditions.

Glazed stoneware sculpture by Michel Lanos. Artist signature under the base. Circa 1980-1990. Unique piece. This work is reproduced in the monograph : Laure Chabanne, Michel Lanos ...

A ceramic vase by Alexandre Foucher to La Borne. Perfect original conditions. Signed under conditions. Circa 1970-1980.

A ceramic cup with white and green glaze decoration by Sainte Radegonde. Perfect original conditions. Signed " D" under the base. Circa 1960.

A porcelain sculpture by Wayne Fischer. Perfect original conditions. Signed. Unique piece. 2022. How can an inert object produce deeply unsuspecting, indecipherable, uncontrol...

A ceramic sculpture signed Alistair Danhieux. Signed and dated under the base. 2013. Perfect original conditions.

Golden glazed ceramic cup with metallic highlights by Gisèle Buthod Garçon. Raku fired. Artist monogram under the base. Circa 1980-1990. H : 2.7’ x 7.9’ inches. - Born in 1954 in S...

A ceramic vase by Charles-Henri Guieba. Wood firing. Perfect original conditions. Signed under the base, circa 1980-1990. Unique piece.

Brown glazed ceramic vase with metallic highlights by Gisèle Buthod Garçon. Raku fired. Artist monogram under the base. Circa 1980-1990. H : 10.6’ x 7.1’ inches. - Born in 1954 in ...

Green and yellow glazed ceramic secret box by Gisèle Buthod Garçon. Raku fired. Artist monogram and signature under the base. Circa 1980-1990. H : 7.5’ x 7.9’ x 7.1’ inches. - Bo...

A large impressive original parcel gilt and silvered 19th century bronze sculpture by Georges Charles Coudray of a female Egyptian harpist, “T...

Large tubular vase « Bambou » in black glazed stoneware by Jean-Pierre Bonardot. Artist monogram under the base. Unique piece, circa 1990. H : 25.2’ x 3.9’ x 5.1’ inches. - Born i...

A porcelain sculpture by Wayne Fischer. Perfect original conditions. Signed. Unique piece. 2022. How can an inert object produce deeply unsuspecting, indecipherable, uncontrol...

A 19th Century English Majolica glazed ceramic begonia leaf plate with a single green leaf on dark brown ground with yellow accents. Mottled green,...

A ceramic sculpture signed AC and dated under the base 1992. Perfect original conditions, circa 1992.

A porcelain sculpture by Wayne Fischer. Perfect original conditions. Signed. Unique piece. 2022. How can an inert object produce deeply unsuspecting, indecipherable, uncontrollable emotions? Wayne Fischer is an artist who can create works that force one to ask such moving questions as this. If he doesn’t know why, if he can’t explain the deepest reasons of his artistic research, he definitely knows the workings and limitations of the artistic process he invented. He has never deviated from the course he set for himself since university; translate life. The works presented here show the evolution of his creations over the past thirty years. If Wayne Fischer has received several international prizes and quickly obtained the recognition of his peers in ceramics, nevertheless he retains a singular position at once unavoidable and disturbing. His sculptures are paradoxical, powerful and sensual, and cause a certain unease. They are beautiful, carnal, touchable, all the while being outside the standard idea of beauty. The ambiguity of attraction and rejection is at the heart of this evolution. The pieces from the 1980s and 90s are imposing by their size, stature and symmetry, which give them balance. They generate surprise, curiosity and play between contrasts that are both soft and aggressive. They reference the body, muscles, and torso, without presenting an exact reality. They are double-faced, seductive, and enigmatic. Wayne’s shapes are inspired by shells, bivalves, sometimes presented as though they are floating in space. But the reference of the marine world to the mysterious female body has only one interpretation and only history and emotion condition the reaction of the spectator: he accepts or refuses to see, to be seduced. He is touched or he flees. The more recent sculptures are appreciated in the fullness of their round volume and the search for a pure universal beauty. “Metamorphosis,” the work recently awarded by the Bettencourt Foundation, is from this series of pieces wheel- thrown and deformed which pushes the porcelain from the inside so the bulges evoke the movement of waves or the musculature of several bodies. The exactness, the clean breaks, the assurance of lines and valleys are testimony to the interior power that governs the creation. The life energy expressed is also felt by the artist as the origin of ceramics. All the pieces are curved and tense. They show no marking, no sign of the hand, no imprints, and yet give an impression of spontaneity, as if a dropped piece of clay found its form by chance. Depending on the angles, the content becomes “the origins of the world...

A porcelain sculpture by Wayne Fischer. Perfect original conditions. Signed. Unique piece. 2022. How can an inert object produce deeply unsuspecting, indecipherable, uncontrollable emotions? Wayne Fischer is an artist who can create works that force one to ask such moving questions as this. If he doesn’t know why, if he can’t explain the deepest reasons of his artistic research, he definitely knows the workings and limitations of the artistic process he invented. He has never deviated from the course he set for himself since university; translate life. The works presented here show the evolution of his creations over the past thirty years. If Wayne Fischer has received several international prizes and quickly obtained the recognition of his peers in ceramics, nevertheless he retains a singular position at once unavoidable and disturbing. His sculptures are paradoxical, powerful and sensual, and cause a certain unease. They are beautiful, carnal, touchable, all the while being outside the standard idea of beauty. The ambiguity of attraction and rejection is at the heart of this evolution. The pieces from the 1980s and 90s are imposing by their size, stature and symmetry, which give them balance. They generate surprise, curiosity and play between contrasts that are both soft and aggressive. They reference the body, muscles, and torso, without presenting an exact reality. They are double-faced, seductive, and enigmatic. Wayne’s shapes are inspired by shells, bivalves, sometimes presented as though they are floating in space. But the reference of the marine world to the mysterious female body has only one interpretation and only history and emotion condition the reaction of the spectator: he accepts or refuses to see, to be seduced. He is touched or he flees. The more recent sculptures are appreciated in the fullness of their round volume and the search for a pure universal beauty. “Metamorphosis,” the work recently awarded by the Bettencourt Foundation, is from this series of pieces wheel- thrown and deformed which pushes the porcelain from the inside so the bulges evoke the movement of waves or the musculature of several bodies. The exactness, the clean breaks, the assurance of lines and valleys are testimony to the interior power that governs the creation. The life energy expressed is also felt by the artist as the origin of ceramics. All the pieces are curved and tense. They show no marking, no sign of the hand, no imprints, and yet give an impression of spontaneity, as if a dropped piece of clay found its form by chance. Depending on the angles, the content becomes “the origins of the world...

A big ceramic vase to La Borne. Perfect original conditions. circa 1970. Signed at the base.

Superbly sculpted and highly detailed, this very fine bronze relief dated 1892 -- designed by Lodovico Pogliaghi and sculpted by Angelo Cappuccio for Stefano Johnson in Milan -- depi...

A ceramic box signed Alistair Danhieux. Signed and dated under the base, 2011. Perfect original conditions.

A ceramic vase signed Alistair Danhieux. Signed and dated under the base. 2011. Perfect original conditions.