Beaux Arts Decorative Objects

A fine antique French enamel tea caddy. Mounted with gilt silver mounts. By Risler of Paris. Decorated with polychrome birds or paradise, rock outcroppings, and flowers/flor...

Yellow/brown and white glazed ceramic vase by Gisèle Buthod Garçon. Raku fired. Artist monogram under the base. Circa 1980-1990. H : 8.3’ x 7.1’ inches.

A ceramic bowl with celadon glaze decoration by Jean-François Fouhilloux. Perfect original conditions. Signed under the base, Circa 1990-2000. Unique piece.

An amazing zoomorphic ceramic by Accolay. Handwritten signature under the base “Accolay,” circa 1960-1970. Perfect original condition.

Ceramic sculpture entitled « Le temple des secrets » by Pierre Martinon. Signed at the base « P.Martinon ». Unique piece. 2001. H : 36.6 x 25.2 x 18.5 inches.

A decorative dish with glaze decoration by Gisele Buthod-Garçon. Perfect original conditions. Signed under the base. Unique piece. Circa 1999.

An elegant porcelain sculpture represented a woman body with glossy black glaze decoration. Signed at the base "Tim Orr", circa 1970-1980.

An elegant porcelain sculpture by Tim Orr with black and white glaze decoration. Signed under the base "Tim Orr", circa 1970.

A stoneware vase with white glaze decoration by the workshop Pierlot, Ratilly, France. Signature at the base. Perfect original conditions, circa 1980-1990.

A wonderful bronze of a seated Venus and Cupid. Modeled with a recumbent Venus attended by Cupid on an oval plinth in the manner of Albert-Ernest Carrier-Belleuse. With finely...

Beautiful ceramic porcelain rendition that is colorful and joyful. This piece is in great condition with no chips. The representation of "funny witch" is whimsical and unique. A gr...

A ceramic sculpture signed A.C. Perfect original conditions, circa 1986.

Stoneware zoomorphic vase by Georges Martin. Artist signature on one side. Circa 1970-1980. Unique piece. H : 11.4’ x 2.9’ x 9.8’ inches.

Stoneware covered pot by Georges Martin with geometrical decoration. Artist monogram on the base. Circa 1970-1980. Unique piece. H : 21.2 x 10.6 x 10.6 inches.

Blue glazed ceramic vase by Art Ceram. Artist monogram under the base. Circa 1950. H : 9.4 x 13.8 x 6.1 inches.

Stoneware sculpture by Georges Martin. Artist signature on the base. Circa 1970-1980. Unique piece. H : 7.7 x 13.9 x 2.7 inches.

A fine original, French, early 20th century bronze statue of a walking wolf "Loup qui Marche" signed by Antoine-Louis Barye, Henry Bonnard foundry Co NY ...

A beautifully detailed French, brass mounted, marquetry and inlaid burl, fruitwood, and kingwood dresser box. The top is domed and the interior lined with original velvet. Bass bandi...

A large late 19th century French Barbotine jardiniere, or cache pot, with swan motif. Hand-painted glazed ceramic with vibrant color and turquoise blue interior. Perfect for the disp...

A porcelain sculpture with black glaze decoration by Tim Orr. Perfect original conditions. Signed under the base, circa 1970.

Pink glazed stoneware sculpture by Laurent Dufour. Artist signature under the base. 2024. Unique piece. H : 25.6 x 11.8 x 11.8 inches.

Clearly influenced by Gustav Dore's masterful painting of a crowd of Titans pushing an enormous boulder at the top of a mountain, with lightning bolts over...

Great female statue of Judith in bronze with brown patina and white marble from Carrara. This young woman holds in her hands, stretched over his head, a scimitar in its scabbard, ready to draw it. The weapon is fitted with a hilt decorated by a stylized lion on the top of the sword guard...

A charming pair of mid-19th century French candle sconces with carved floral-potted urn backplates, and gilt metal and wood arms. Sconces could be electrified for an additional fee.

A zoomorphic ceramic-sculpture- vase by Guerin. Signed under the base. Circa 1950-1960.  

Stoneware ovoid vase with abstract decoration by Georges Martin. Artist signature on one side. Circa 1970-1980. Unique piece. H : 13.9’ x 4.3’ x 9.2’ inches.

Square stoneware pot with abstract decoration by Georges Martin. Artist monogram under the base. Circa 1970-1980. H : 10.4’ x 10.4’ x 8.7’ inches.

Large Carved Wooden Horse Head This Superb character is carved from a single piece of wood and is set on a wooden stand, it has a good dark patina ...

Blue and pearly white glazed ceramic vase by Gisèle Buthod Garçon. Raku fired. Artist monogram and signature under the base. Circa 1980-1990. H : 9.6’ x 10.2’ inches.

Fine quality Seated Hermes/Mercury. French 19th century bronze seated Mercury / Hermes. "Rastender Merkur" by Pierre Marius Montagne (1828-1879). Fine quality patinated bronze on fau...

A ceramic vase by Lucien Arnaud with glaze decoration. Signed under the base " Lucien Arnaud ". Circa 1920.  

Sculpted as European artists were moving from Beaux Arts realism to a more stylized modern approach to the figure, which we now call Art Deco, this large and rare bronze depicts a nu...

A ceramic cup by André Rozay ( 1913-1991) to La Borne. Perfect original conditions. Signed under the base " Rozay". Circa 1946. Unique piece.

Stoneware panel by Georges Martin with wood base. Artist monogram on the base. Unique piece. Circa 1970-1980. H : 1.8 x 15.7 x 26.2 inches.

Earthenware vase- sculpture by Georges Martin. Artist monogram on the base. Unique piece; Circa 1970-1980. H : 22.8 x 5.9 x 13.8 inches.

The first example of this sculpture we have seen, this striking depiction of a male gladiator -- clothed in nothing but a short mail skirt - is shown in the midst of battle, one arm ...

Glazed ceramic footed bowl with pearly white interior by Gisèle Buthod Garçon. Raku fired. Artist monogram under the base. Circa 1980-1990. H : 11’ x 7.4’ inches.

G/409 - Antique, perfect, rare Italian evening handbag in silver mesh. What's better for a beautiful present ?

A ceramic vase signed Alistair Danhieux. Signed and dated under the base. 2010. Perfect original conditions.

A big ceramic vase by Eugene Lion with glaze decoration. Signed under the base " E. Lion". Circa 1920.   

A large impressive original parcel gilt and silvered 19th century bronze sculpture by Georges Charles Coudray of a female Egyptian harpist, “T...

A porcelain sculpture with green glaze decoration by Tim Orr. Perfect original conditions. Signed under the base. circa 1970.    

A ceramic vase signed Alistair Danhieux. Signed and dated under the base. 2010. Perfect original conditions.

A porcelain sculpture by Wayne Fischer. Perfect original conditions. Signed. Unique piece. 2006. How can an inert object produce deeply unsuspecting, indecipherable, uncontrollable emotions? Wayne Fischer is an artist who can create works that force one to ask such moving questions as this. If he doesn’t know why, if he can’t explain the deepest reasons of his artistic research, he definitely knows the workings and limitations of the artistic process he invented. He has never deviated from the course he set for himself since university; translate life. The works presented here show the evolution of his creations over the past thirty years. If Wayne Fischer has received several international prizes and quickly obtained the recognition of his peers in ceramics, nevertheless he retains a singular position at once unavoidable and disturbing. His sculptures are paradoxical, powerful and sensual, and cause a certain unease. They are beautiful, carnal, touchable, all the while being outside the standard idea of beauty. The ambiguity of attraction and rejection is at the heart of this evolution. The pieces from the 1980s and 90s are imposing by their size, stature and symmetry, which give them balance. They generate surprise, curiosity and play between contrasts that are both soft and aggressive. They reference the body, muscles, and torso, without presenting an exact reality. They are double-faced, seductive, and enigmatic. Wayne’s shapes are inspired by shells, bivalves, sometimes presented as though they are floating in space. But the reference of the marine world to the mysterious female body has only one interpretation and only history and emotion condition the reaction of the spectator: he accepts or refuses to see, to be seduced. He is touched or he flees. The more recent sculptures are appreciated in the fullness of their round volume and the search for a pure universal beauty. “Metamorphosis,” the work recently awarded by the Bettencourt Foundation, is from this series of pieces wheel- thrown and deformed which pushes the porcelain from the inside so the bulges evoke the movement of waves or the musculature of several bodies. The exactness, the clean breaks, the assurance of lines and valleys are testimony to the interior power that governs the creation. The life energy expressed is also felt by the artist as the origin of ceramics. All the pieces are curved and tense. They show no marking, no sign of the hand, no imprints, and yet give an impression of spontaneity, as if a dropped piece of clay found its form by chance. Depending on the angles, the content becomes “the origins of the world”. Femininity and sensuality are exalted. Inspired by the body, before and after birth, or simply the sea, the parts of the sculpture conjugate around a mysterious interior cavity, secret and troubling. The interior wall doesn’t correspond to the exterior, and has its own volumes, deformities, and intimacy. The pieces present two kinds of interior: one open, and partially uncovered, the other totally hidden inside. The differences of their respective deformation reinforce the impression of life : the subjective representation of muscles and bones, of bulges pushed by an interior force, like a visceral movement of respiration. The surface of the ceramic is crackled but soft and fine, even reflecting light like the skin. The nuances of color reinforce the expression of sensuality. The alignment of technique and what it causes one to see and feel has rarely been so intimately successful. Wayne Fischer perfected his technique in the 1970s and has remained faithful to it. He adds fibers to porcelain clay that has been chosen for its whiteness to create and accentuate volume around empty space, by assembling slabs or thrown pieces. Then, he makes another piece that takes its place inside; both parts are formed with no hand...

A porcelain sculpture with black glaze decoration by Tim Orr. Perfect original conditions. Signed under the base, circa 1970.

A set of two ceramic dishs by Jacques Lignier with beige, green, red glaze decorations. Perfect original conditions. Signed under the base "J. Lignier", circa 1960-1970. Measures...

Experience the allure of a bygone era with this exquisite early 20th century hand-painted and gilt decorated old paris porcelain vase. Immerse yourself in the rich history and artis...

A pair of 19th century French Majolica glazed ceramic plates with grapevine pattern in green, brown and gold rim. Mottled color on reverse side. Circa 1890-1899. 9.5" Diameter x 1"H...

White glazed stoneware vase by Accolay. Artist signature under the base. Circa 1960-1970. H : 18.9’ x 7.1’ inches.

A ceramic vase with white glaze decoration attributed to Pol Chambost. No signed. Perfect original conditions. France, 1930.

Marble and gilt bronze Orientalist sculpture by Hautot French, Early 20th Century Figure: Height 60cm, width 20cm, depth 18cm Base: Height 12.5cm, width 30cm, depth 30cm Overall: Hei...

A porcelain sculpture with black glaze decoration by Tim Orr. Perfect original conditions. Signed under the base, circa 1970.

A ceramic vase with white glaze decoration by Michel Levêque, Potter of La Borne. Perfect original conditions. Signed " M. Levêque" under the base. Circa 1970.

A porcelain sculpture with black glaze decoration by Tim Orr. Perfect original conditions. Signed under the base, circa 1970-1980.

A porcelain sculpture by Wayne Fischer. Perfect original conditions. Signed. Unique piece. 2022. How can an inert object produce deeply unsuspecting, indecipherable, uncontrol...

A porcelain sculpture with brown glaze decoration by Tim Orr. Perfect original conditions. Signed under the base, circa 1970.

A ceramic sculpture " Bloc in motion" by Maarten Stuer. This piece can be put indoor or outdoor. Artist monogram under the base. 2020. Unique piece.

Yellow/brown glazed ceramic vase by Gisèle Buthod Garçon. Raku fired. Artist monogram under the base. Circa 1980-1990. H : 6.3’ x 3.9’ inches.

A 19th Century carved alabaster bust sculpture of a young girl with a frilled bonnet peeling an orange. After a work by Italian sculptor Pietro Giorgi. There is an old repaired crack...

Both of these fine 'bas-relief' bronze plaques exhibit a fine old patina with a lustrous pinkish hue as a result of the higher ratio of copper found in this particular bronze alloy, ...