Pre-Columbian Decorative Objects

Pre-Columbian Earthenware Female Figure, Nayarit, Mexico A tall standing nude female figure of the San Sebastian Red type. The expressive face is adorned with ear ornaments and a sh...

Pre-Columbian Earthenware Dog Vessel, Colima, Western Mexico A lively pre-Columbian Colima dog vessel sitting back on its haunches, with one foot slightly lifted off the ground as i...

Circa 1000 - 1500 CE Pre Colombian. Columbia, Tairona. Beads. A lovely bracelet of a wearable comprised or 17 seed form, tubular and ovoid beads carve...

A small black ceramic figural stirrup vessel from Moche culture circa. 100-500 AD, located in nowadays Northern Coast of Peru. The hollow pot with the stirrup handle was sensitively molded and the surface burnished. The seated figure has his arms folded in front of his chest. He has prominently protruding ears and an expressive face. Provenance Available to the buyer: From an American collection. For a black burnished stirrup bottle, see item 1976.287.8, 64.228.35 in the collection of Metropolitan Musuem of Art, NYC. Many black portrait stirrup bottles are in the collection of Larco Musuem, Lima...

GALERIA MUSEO DE ORO - Vintage museum reproduction Pre-Hispanic artifact - gold plated bronze - marble plinth - original presentation box - signed...

This double-spouted vessel originates from the Peru and is distinguished by its sculptural anthropomorphic design. One of the chambers is shaped as a human figure with a triangular f...

This intriguing head fragment was once attached to a pre-Columbian bust or full effigy figurine. Earthenware figurines like this were made in great abundance throughout Mesoamerican history, serving a wide variety of purposes and functions from religious rituals to burial offerings. Figurines like this commemorated important people and events across Mesoamerica, portraying individuals of different rank and status such as soldiers, merchants, bureaucrats, and occasionally divinities. This figure is adorned with an elaborate headdress, or coiffure, and ear spools...

Pre-Columbian Earthenware Incensario, El Chanal, Colima, Western Mexico A large incense burner/brazier depicting the rain god Tlaloc from the El Chanal area in Colima. This would be...

This expressive vintage bronze sculpture was created by Mexican artist Jesús Tellosa and is signed and dated 1999. The work depicts a stylized winged figure rendered in Tellosa’s distinctive figurative language—abstracted yet deeply emotive, with softened anatomical features, closed eyes, and compact proportions that evoke introspection, spirituality, and quiet strength. Cast in solid bronze, the sculpture displays a richly developed surface with natural patina, visible tool marks, and subtle tonal variations that emphasize the artist’s hand and process. The wings, integrated seamlessly into the figure’s form, suggest themes of transcendence, protection, and inner transformation—recurring motifs within contemporary Mexican sculpture of the late 20th century. Jesús Tellosa is recognized for his contribution to modern Mexican figurative art, working primarily in bronze and other traditional materials while embracing simplified forms and symbolic narratives. His work reflects the broader Mexican artistic movement that sought to bridge pre-Hispanic symbolism, spiritual introspection, and modernist abstraction, positioning the human figure as a vessel for cultural memory and emotional resonance. A compelling and collectible example of late-20th-century Mexican bronze sculpture...

This fantastic and well-proportioned Pre-Columbian style Mexican primitive style vessel figure The sculpture measures 9" High x 6 3/4" Diameter Similar to pieces of Michoacán, We...

Vintage collection of Mayan style zoological animals, circa mid/late 20th century. I think the animals are: crocodile, bull frog, jaguar, beaver. Super fun set. Very lively. Crocodil...

Fine Costa Rican Jade Axe God, Guanacaste-Nicoya region, ca. A.D. 1-1500 Of celt form depicting the mythical part human- part avian figure, with circular eyes...

Matte porcelain creation inspired by traditional Aztec dances from Mexico. A work with an understated yet profusely enriched decoration that mirrors the solemnity of these ritual dan...

Southern Costa Rica or Western Panama, circa 800 to 1500 AD. A very fine example of the goldwork of the Veraguas-Chiriqui-Diquis region. A pendant in Carbonera style of a supernatural being, a composite monster with human torso and feline (probably jaguar) head. The figure is set in a frame decorated with little animal heads, one at each corner. The hands have also turned into animal heads. In place of genitalia is a stylized serpent head suspended by a twisted cord that was supposed to continue across the frame. A minor casting accident prevented it form being attached to the frame. A modern goldsmith would solder in two short lengths of twisted wire, but the ancient goldsmith did not have the equipment to make such repair. A double thread ending in spirals goes across the frame behind the neck of the figure, helping to fill up the frame and avoiding a large empty space. The word "thread" reminds us that the twisted and straight cords were, in the original wax model of the pendant really extruded wax threads, turned into metal by the lost wax (cire perdue) process. The braid pattern on the frame is illusory, just two twisted threads of extruded wax laid side by side. The goldsmith made the toes out of extruded wax thread too, very decorative as well. The piece comes with a certificate of authenticity by Mr. Robert Sonin, 5 May 2006. ref. photo roll 3301. A world renowned expert on Pre-Columbian Artifacts...

Two carved Mayan deity limestone architectural carvings or / elements, 19th century or older The larger measures 7" W x 5.5" H x 4.5" D with a 2.5" protrusion The smaller measures ...

The hand carved beaker-shaped wood drinking vessel was used to drink 'chicha' which was a beer-like beverage made from fermented corn. The weathered exterior showing incised geometri...

Pre-Columbian Terracotta Vessel, Colima, Western Mexico A classic shaman’s head vessel having a horn strapped onto the forehead with a slip-painted headband, coffee bean eyes, sharp...

This intriguing head fragment was once attached to a bust or full effigy figurine crafted in 400 A.D. Mesoamerica. Earthenware figurines were made in great abundance throughout Teotihuacan's history. After 250 A.D. objects made from clay increased dramatically in Teotihuacan, serving a wide variety of purposes and functions from religious rituals to burial offerings. Figurines like this commemorated important people and events within the city of Teotihuacan and other parts of Mesoamerica, portraying individuals of different rank and status such as soldiers, merchants, bureaucrats, and occasionally divinities. This figure is adorned with an elaborate headdress, a thick beaded necklace...

We're honored to be partnering with renown Mexican designer Raul Cerda! Founded in 2013, Studio Cerda is a creative studio dedicated to Industrial Design, architecture and interio...

Rueda is part of Metates a work composed of two volcanic stone sculptures that explore wear as the trace of a relationship: between objects, between people, between time and matter. ...

Nayarit Fertility Female Figure With Child Pre-Columbian, West Mexico, Nayarit, Ca. 300 BCE to 300 CE. A seated terracotta female figure from the shaft tomb tradition, shown cradling an infant over her right shoulder - likely a symbolic representation of fertility, maternity, and the continuity of life. This expressive red-slipped sculpture is boldly modeled with exaggerated limbs and stylized facial features, impressed eyes, a broad nose adorned with a septum piercing, and ear ornaments. Her elaborate coiffure is incised with vertical striations and rises into a high crest, pierced at the top with a vent hole connecting to the hollow interior. Manganese blooms across the surface attest to its long burial. Such figures were ritually interred in shaft tombs to accompany the dead, offering symbolic protection or ensuring rebirth in the afterlife. Dimensions: 4 Inches Wide x 8.4 Inches Height (10.2 cm x 21.1 cm) Condition: Presents beautifully with restorations to the head. Provenance: Collection of Y. Kayvan, Los Angeles, California, USA, acquired from a Los Angeles, California, USA gallery acquisition dates range from the late 1990s to 2005 Legal to acquire under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14. This Nayarit Figure...

This seated ceramic figure is attributed to the ancient Nayarit region of Mexico and was likely used as a ritual or burial offering. The ceramic works of this style, known as Chinesc...

Metlapil is part of Metates a work composed of two volcanic stone sculptures that explore wear as the trace of a relationship: between objects, between people, between time and matt...

Papagayo polychrome pottery bowl, Mandador variety. Round bottomed bowl rests on three animal headed rattle legs. Exterior painted wide band with two stylized plumed serpents of jagu...

Jorge Marin 20th Century Terracotta Sculpture, Colombian Influenced A terracotta sculpture by well listed Mexican artist Jorge Marin (b. 1963). Made from ...

Stunning brown ceramic antique seed pot with etched markings. Likely Peruvian. Measures 10" tall and 9" across.

Stamps, or sellos, such as this one were common during the pre-Columbian period in Mesoamerica and most popular during the Formative Period that spanned the years between 1200-800 B....

A rare, sheet silver human face mask with simple relief facial features including large, almond shaped eyes and downturned mouth. Classic stepped pyramid headdress with round, very t...

This intriguing head fragment was once attached to a bust or full effigy figurine crafted in 400 A.D. Mesoamerica. Earthenware figurines were made in great abundance throughout Teotihuacan's history. After 250 A.D. objects made from clay increased dramatically in Teotihuacan, serving a wide variety of purposes and functions from religious rituals to burial offerings. Figurines like this commemorated important people and events within the city of Teotihuacan and other parts of Mesoamerica, portraying individuals of different rank and status such as soldiers, merchants, bureaucrats, and occasionally divinities. This figure is adorned with an elaborate coiffure or headdress and ear spools...

Pink onyx, red travertine and white Venetian marble. Edition of 10 + 3 AP **As this work is made of natural stone, color and veins may vary from the photo** Handcrafted in Mexico Ar...

With a worn finish, this round orangeware bowl is a wonderful example of Pre-Columbian pottery. The delicate bowl has a squat form and tapered lip. Painted with stokes of red slip an...

Exhibiting a rich patina, this petite Maya ceramic bowl dating back to c. 600-900 AD was crafted in the El Copador style. The El Copador style is a polych...

Beautifully aged with a rich patina and pitted wear, this seated ceramic male figure is attributed to the Colima region of Western Mexico. The stylized form of this male figure follows the conventions of Colima pottery...

A pre-Columbian figural vessel from West Mexico Colima culture (circa 300BC-400AD). Made of molded clay, the stoneware vessel depicts a seated hunchback...

This intriguing redware figure was crafted in 400 A.D. from the ancient Teotihuacan region of Mexico. Earthenware figurines were made in great abundance throughout Teotihuacan's history. After 250 A.D. objects made from clay increased dramatically, serving a wide variety of purposes and functions from religious rituals to burial offerings. Figurines like this commemorated important people and events within the city of Teotihuacan and other parts of Mesoamerica, portraying individuals of different rank and status such as soldiers, merchants, bureaucrats, and occasionally divinities. This figure is adorned with an elaborate headdress, a thick beaded necklace...

Southern Costa Rica/Western Panama, circa 800 to 1500 AD. Gold Veraguas-Chiriqui-Diquis twin figure pendant cast by the lost-wax (cire perdu) grasping an imaginary club with their claws, with bat ears and pop out eyes and each figure ending in the shape of a jaguar tooth, symbolizing the power of the jaguar and the ability to see in the dark; The casting process did not go entirely smoothly. Part of his mold, on the side of the proper right figure (viewer's left side), did not fill with metal. The Pre-Columbian goldsmith carried out a superb repair, probably making a wax patch and pouring gate on the gold pendant, then enclosing it in a new mold and pouring in more metal. The patch is hardly visible on the outside. A modern goldsmith, who cannot do it as well, would use his gas torch to solder on a patch. The gold is of such high grade or karat, possibly unalloyed native gold...

Pineapple onyx and green onyx Edition of 10 + 3 AP **As this work is made of natural stone, color and veins may vary from the photo** Handcrafted in Mexico Artist: Coco Brun Maker: ...

A pre-Columbian ceramic stirrup vessel in Cupisnique style circa 700-500BCE. This ancient vessel features a robust squatted body and a short thick stirr...

Pink onyx and red travertine Edition of 10 + 3 AP **As this work is made of natural stone, color and veins may vary from the photo** Handcrafted in Mexico Artist: Coco Brun Maker: S...

Red travertine and white Venetian marble. Edition of 10 + 3 AP **As this work is made of natural stone, color and veins may vary from the photo** Handcrafted in Mexico Artist: Coco ...

A ceramic stirrup vessel pot from late Moche culture circa 500-700AD in nowadays Northern Coast of Peru. The hollow vessel features a rounded body and...

A stunning and rare example of an Olmec Maskette, carved of green stone, from the Veracruz region of Mexico, circa 900 BCE. A beautiful example with lovely proportionality and almost...

Birmania polychrome pottery tripod bowl having hollow rattle, zoomorphic head type feet. Interior painted decoration probably depicts a stylized alligator ...

An incredible and rare example of a Mezcala figure from the state of Guerrero, Mexico, carved of a black serpentine stone, circa 300 BCE. A fantastic example exhibiting deep detail i...

Pineapple onyx, green onyx and white Venetian marble. Edition of 10 + 3 AP **As this work is made of natural stone, color and veins may vary from the photo** Handcrafted in Mexico A...

Green onyx and white Venetian marble. Edition of 10 + 3 AP **As this work is made of natural stone, color and veins may vary from the photo** Handcrafted in Mexico Artist: Coco Brun...

Incredible anthropomorphic burial urn from the Chimila culture of Colombia, circa 800 AD. These vessels were created to be placed in chambers within shaft tombs of Northwestern Colom...

Pineapple onyx, green onyx and white Venetian marble. Edition of 10 + 3 AP **As this work is made of natural stone, color and veins may vary from the photo** Handcrafted in Mexico A...

Nicoya Ceremonial Basalt Stone Seat in Shape of a Jaguar. Published in the Arizona Museum. This large and finely carved example of Costa Rican skill and craftsmanship is in the form of a jaguar which may have been a lineage or clan symbol - as also was the crocodile - according to 16th-century Spanish conquistadors. There are so many features that make this masterpiece so unique. The most realistic depiction is the face with its head captured in a pose that is threatening and fierce. Sculptors in ancient Central America developed elaborate metate forms that were associated with high status and wealth. They were commonly placed within graves of prominent individuals. Certain ancient rituals must have incorporated this activity and required special metates to be created for this purpose. It may have also served as a throne for the ruler, for whom the assurance of the fertility of his land and people would have been paramount. Even today, stone metates...

Pineapple onyx and white Venetian marble. Edition of 10 + 3 AP **As this work is made of natural stone, color and veins may vary from the photo** Handcrafted in Mexico Artist: Coco Brun Maker: Sten Studio Editor: Galeria Territorio Inspired by the embedded shapes that compose the masks of Mayan dignitaries, particularly the large Mayan earrings, also known as "earlets" or "pendeloques," this series showcases vases with an oval body, highlighting curves and complex shapes. Each piece is meticulously handcrafted and accentuated by two straight fins, each pierced with a hole reminiscent of the typical earrings of Mayan masks...

Pineapple onyx, green onyx and white Venetian marble. Edition of 10 + 3 AP **As this work is made of natural stone, color and veins may vary from the photo** Handcrafted in Mexico A...

Pre-Columbian Indigenous style ceramic figure vessel glazed and painted in multiple shades of brown

Polychrome vase with dense covering and bubble-effect glazes in the spirit of pre-Columbian art. About Accolay Accolay designates both the place (South Burgundy) and the name of a...

This standing effigy was crafted in 500 A.D. - 1000 A.D. Mesoamerica using the gray clay paste that characterizes La Tolita-Tumaco ceramics of early Colombia-Ecuador. The art of La Tolita-Tumaco civilization is considered one of the most developed of the pre-Columbian period as metalwork and ceramics were the most popular form of cultural expression. The ceramic creations of this culture were often based on the human figure to create portraits of people and realistic daily scenes of life cycles and the human condition. This figure appears to be wearing a loincloth and is adorned with a beaded necklace and an elaborate coiffure or headdress. There are holes lining each ear indicating the potential use of ear spools...

A very well-crafted pottery vase Raquira ( Boyaca ) with Feline inspired handles depicting the bodies and heads of cats from the Pre - Colombian period. Hand painted in dark brown, b...

Seated couple, Jalisco, West Coast Mexico A domestic couple, with the man sitting cross-legged, holding a bowl that may have had a stick placed in the opening at the top, which appe...

A South Coast wood ceremonial leeboard, Ica Valley region, Late Intermediate Horizon, ca. A.D. 1100-1400. This large 'remo' made from the hard algarrobo wood, features twelve figure...

World's earliest known pyrography vessel, Nazca Culture , circa 400 AD This unique work of art is a hand-incised half gourd using an early pyrographic (pyrography) wood burned techn...

A collection of two small pre-Columbian ceramic stirrup vessels in Cupisnique style circa 700-500BCE. These ancient vessels from the formative period are distinct in a robust form wi...

Brilliant Mayan Hacha, Veracruz, Mexico, circa 550 - 800 AD. A beautiful example of carved stone, depicting a male warrior facial silhouette with grimaced glare. Relief carved eye an...