Enameled Decorative Objects

This small painted wooden box is an iconic piece by the renowned Italian artist and designer Piero Fornasetti. Created in the 1950s, it reflects Fornasetti's unique style, blending t...

French Opaline enamelled glass vanity box, late 19th century. Delicate floral design on black glass with bronze trim.

Vase in Enameled Ceramic Green, Blue and White Italy 1970 Set of 3

Square snuff box with rounded sides in 925/1000 sterling silver gold plated with translucent fired enamel on guillochè and hand painted miniature parrotlets on flowering branches. Ar...

A very attractive Japanese red ground cloisonne round box and cover featuring a design of fans, Meiji Period, circa 1900, Japan. The round cloison...

A large antique Japanese Meiji era enamel over copper vase. The urn shaped vase is enameled with polychrome fan shaped medallions featuring floral, foliage and butterfly motifs surro...

Garniture Enameled ceramic colored Bowl on a stone base France 1960

Art deco Enamel case designed by Finnigans Limited. This extraordinary and beautiful cased-box, was created in London England during the Art Deco period. Has a great provenance and was designed by the famous silversmiths and retail store of Finnigans Limited, back in the 1932. The thematic of this box is rare and very popular. Has been crafted in solid .925/.999 sterling silver standard with gilded interiors. The case has been made in a cushioned compact shape with eight barrels hinge and a push pressure thumb. The main panel on top is illustrated with a landscape scene and a Formula-1 racing red car, with the number L6, all realized with polychrome enamels. The reverse is embellished with engine turned guilloche decorations. This fine piece is masterfully worked with extreme details and is a very especial example for any collector, or a wonderful gift for someone special. It is in perfect preserved condition. Weight: 135.98 Grams, (87.16 Dwt). Measurements: 85 mm by 111.3 mm by 8 mm (3.35 x 4.38 x 0.11 Inches). Hallmarks: Both parts are Stamped with British marks; the mark of the lion for the city of London, the maker's mark Fs.Ld associated to Finnigans Limited, the Gothic letter R for the production year 1932, and signed, "FINNIGANS LTD. LONDON". Finnigans Limited The House of Finnigans was founded by Brian Finnigan in 1830. Brian Finnigan established the house as a sole proprietor and opened a workshop in Newton...

This exquisite Picture Frame Napoleon III is in 925/1000 sterling silver. it has a Squared Shape and sky colour for the fire enameled surface on guilloche. Picture Frame Napoleon III...

Large vase on pedestal, decorated with faun heads, in Sarreguemines enameled earthenware. Covered in flamed cobalt-blue enamel, the grips in the shape of faun heads are gilded with g...

Three Krenit bowls in metal. Grey, red and mint green. Designed by Hermann Krenchel in 1950s. 2000s. In perfect condition. Signed "Normann Copenhagen" Dimensions: D 16.0 x H 7....

Ceramic sculpture Face model from Faces Collections designed by Ambrogio Pozzi and produced by Studio Superego in 2008. Limited edition of 50 pieces. Si...

Ceramic dish by renowned French potter Jean Besnard. Partially glazed etched decor. Made in France in the 1930s. Monogrammed JB.  

An antique Japanese copper vase with polychrome cloisonne enamel decor. Late Meiji period, before 1912. Elongated baluster shape. Intricate floral pattern against the dark green back...

Limited edition ceramic sculpture part of the "Pop Will Eat Himself" designed by Massimo Giacon and produced by Superego Editions. Signed and numbered. Biography Massimo Giacon was...

Hand crafted bronze, brass and enamel wall hanging or mobile by Chilean artist Cesar Vasquez.

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Large...

Rectangular photo frame in gold plated 925/1000 sterling silver with translucent fired enamels on two-tone striped guillochè. In a contemporary style. Ground glass and velvet panel. ...

Rounded rectangular snuffbox in 925/1000 sterling silver with fine hand-painted fire-enamelled miniature depicting the Head of the Statue of Liberty in New York. Dimensions cm. 5.5 x 7 x 1.8. Weight gr. 105. Designed by Giorgio Salimbeni in 1975 in Art Deco style and executed in numerous specimens, at the specific request of the firm Tiffany & Co., in Florence in the headquarters of the Salimbeni firm with completely manual execution by artisan artists with thick slab and large reinforcements suitable for sustaining numerous high-fire enamelled firings at approximately 750 < 800° C. Miniature is a very ancient technique which consists of painting works in small proportions. It was born for the decoration of the first letter of the paragraph of the books. Over the years, however, this technique is refined and enriched, then moving on to precious personal items. Hand-painted miniatures can be done with multiple different techniques. The most important that we use on our articles are of three kinds: 1) Fire enamel. 2) Water tempera on an ivory plate. 3) Painted on mother-of-pearl. Fire enameled miniatures: On a first layer of enamel generally white or very clear or even transparent suitably liquefied at a temperature of about 750° C, the chosen subject is painted using miniature colors which are as many colored crystals, ground and reduced to a very fine, almost impalpable powder washed and purified in distilled water with the addition of small quantities of deoxidizing acids which, diluted with essential oils (usually essential oil of solder), can be mixed to form a palette of colors. With very fine sable hair brushes you draw the subject starting from the perimeter and then gradually adding various layers of color. It is necessary to carry out various firings very often so that the colors harden and are not absorbed by the underlying glaze as, during the subsequent firings at 750 ° C, during liquefaction, it would spread irremediably. Hence the need to form the painting a little at a time, cooking it numerous times. Therefore it is necessary to proceed with numerous retouching, often overlapping different colors that only the painter's experience knows. A beautiful miniature needs from 20 to over 50 firings and is finished when the painter deems he does not have to further intervene. Some colors must have darker tones than others because then, by superimposing the transparent enamel placed at the end of the miniature, they fade. This transparent layer, called “fondant” in jargon, must be smoothed and polished like all other translucent enamel colors. The miniatures with water tempera colors are painted on real...

Colored ceramic 1950 ashtray. Made in a piece on Lava, covered with Ceramic enameled. Signed

1970 "Museum Wall Clock" model 622-342 Pop Modernist / Space age design by Nathan George Horwitt for Howard Miller featuring a white enameled steel frame with a composite pressboard...

This large and very well executed cloisonnae bowl is signed by and unknown artist and originates from China in approximately 1900 in the period Chinese Export style. The bowl is done with black as the predominant color and decorated with Imperial Dragons...

Meiji Period (1868-1912), Japan A small vase with an inlaid scene of a bird and flowers in a garden. Additional information: Material: Bronze & Cloisonne Region of Origin: Japan Pe...

A Small round cloisonné Vase 20th c Chinese In nice Red Flowers FLoral, Top quality 20th c cloisonne. Additional information: Material: Bronze, Cloisonne & Metal Region of Origin: C...

Beautifully decorated with thick enameled green and gold paint decoration. Rare to find with original condition spoon and covered bowl complete. The piece is in good condition and a real beauty...

Superb bucket, pot, Etruscan-shaped vase, from the Art Nouveau period. Circa 1880. French work in the style of the famous Legras glass and crystal workshops. This Pretty Cookie Buck...

This beauty can't be mistaken from any other era, it has all the bells and whistles an Art Deco collector could wish for. This very large and substantial beautiful Art Deco Czech perfume...

Small collection of light duty metal clips, from German newspapers. Silkscreen on thin metal. All working. Kölnische Zeitung (Cologne Gazette) Frankfurter Rundschau Rheinische P...

A large antique Japanese copper vase with cloisonne enamel design. Barrel shape. Floral ornaments and central butterfly motif against the turquoise blue background. Late 19th Century...

Shaped frame for 2 photographs in sterling Silver 925/1000 gold plated with translucent fired enamels on guillochè and hand-painted floral miniatures. Viennese Art Nouveau style seco...

Heart-shaped rounded frame with oval photo in 925/1000 sterling silver gold plated with translucent fired enamel on guillochè. With hinged silver-gilt foot engraved in Empire style. ...

Rectangular box with inward corners in sterling silver 925/1000 gold plated with beautiful miniature fire enameled and hand painted by the painter Beatrice Mellana depicting the painting "The Turkish slave" by Francesco Mazzola known as "il Parmigianino" (National Gallery of Parma). Dimensions cm. 8.5 x 11.5 x 3. Weight gr. 345. Designed by Franco Salimbeni in 1965 and manufactured in Florence in numerous specimens with various different subjects, in the headquarters of the Salimbeni company with completely manual execution by artisan artists with thick slab and large reinforcements suitable for withstanding numerous high-fire enameled firings at about 800° C. Miniature is a very ancient technique which consists of painting works in small proportions. It was born for the decoration of the first letter of the paragraph of the books. Over the years, however, this technique is refined and enriched, then moving on to precious personal items. Hand-painted miniatures can be done with multiple different techniques. The most important that we use on our articles are of three kinds: 1) Fire enamel. 2) Water tempera on an ivory plate. 3) Painted on mother-of-pearl. Fire enameled miniatures: On a first layer of enamel generally white or very clear or even transparent suitably liquefied at a temperature of about 750 ° C, the chosen subject is painted using miniature colors which are as many colored crystals, ground and reduced to a very fine, almost impalpable powder washed and purified in distilled water with the addition of small quantities of deoxidizing acids which, diluted with essential oils (usually essential oil of solder), can be mixed to form a palette of colors. With very fine sable hair brushes you draw the subject starting from the perimeter and then gradually adding various layers of color. It is necessary to carry out various firings very often so that the colors harden and are not absorbed by the underlying glaze as, during the subsequent firings at 750 ° C, during liquefaction, it would spread irremediably. Hence the need to form the painting a little at a time, cooking it numerous times. Therefore it is necessary to proceed with numerous retouching, often overlapping different colors that only the painter's experience knows. A beautiful miniature needs from 20 to over 50 firings and is finished when the painter deems he does not have to further intervene. Some colors must have darker tones than others because then, by superimposing the transparent enamel placed at the end of the miniature, they fade. This transparent layer, called “fondant” in jargon, must be smoothed and polished like all other translucent enamel colors. The miniatures with water tempera colors are painted on real ivory...

This ceramic vase, signed Jérôme Massier, embodies the roots of Art Nouveau with its decoration inspired by the French Riviera. Made in Vallauris, France, this 1910 model has floral ...

Rare Ceramic planter by Rosenthal Netter for Ceramiche Bitossi Montelupo, 70s. Glazed ceramic, hand painted in shades of yellow . . Each work created by Bitossi follows a very comp...

The Accolay vase in blue enameled stoneware ceramic, produced in France in the 1970s, is an emblematic work of craftsmanship of that time. Representing the creative spirit of Accolay...

A pair of symmetrical antique Japanese, late Meiji period, enamel over brass vases. Each vase has a globular shaped body and a narrow fluted neck. Each ware is enameled with polychro...

Octagonal table box in 925/1000 sterling silver gold plated with translucent fired enamel on guillochè and beautiful hand-painted enamelled miniature by the painter Beatrice Mellana reproducing the portrait of Madame Drouais painted by her husband Francois Hubert in 1785 and conserved in the Louvre Museum. Fine hand-engravings on the sides. French Empire style. Measure cm. 8x8x3.7. Weight gr. 285. Designed by Franco Salimbeni in 1989 and manufactured in Florence in the headquarters of the Salimbeni company with completely manual execution by artisan artists with thick slab and large reinforcements suitable for withstanding numerous eamelled firings at high heat at about 800° C. Miniature is a very ancient technique which consists of painting works in small proportions. It was born for the decoration of the first letter of the paragraph of the books. Over the years, however, this technique is refined and enriched, then moving on to precious personal items. Hand-painted miniatures can be done with multiple different techniques. The most important that we use on our articles are of three kinds: 1) Fire enamel. 2) Water tempera on an ivory plate. 3) Painted on mother-of-pearl. Fire enameled miniatures: On a first layer of enamel generally white or very clear or even transparent suitably liquefied at a temperature of about 750 ° C, the chosen subject is painted using miniature...

Lovely and rare piece with storage box. A superb blue and white porcelain vase, with a winter landscape. Made by Fuji Shumei Fujii Mr. Aki Fujii’s specialty is the technique of dra...

19th century pair of cloisonnè Vases, china ca 1880 enamel and cloisonnè. The high of the vases are 30cm and diameter 14cm. The electrification and montage was done beforehand. Car...

Oval table box in 925/1000 sterling silver gold plated with fired enamel, with “paillons” in pure gold on the upper circle, fine miniature fired enamelled with an image of “fox hunti...

This magnificent Accolay floor lamp has remarkable craftsmanship, having been initially used as a vase for dried flowers. It is possible to rewire it and embellish it with a large re...

Octagonal wedge box in 925/1000 sterling silver with black and white colors fire enameled in Art Deco style. Measures 7.8 x 7.8 x 6 cm. Weight gr. 281. Designed by Giorgio Salimbeni ...

Round snuff box in 925/1000 sterling silver gold plated with translucent fire enamel on guilloche and hand-painted miniature of stylized blue bird, late 19th-century Viennese Art Nou...

The ceramic jug designed by Simone Carrié is a remarkable piece of contemporary art of the 1950s. Made in his small workshop "Kercy Quimper", this work reflects the artisanal know-ho...

Vintage Chinese Famille Noire Enameled Black Porcelain Vase Ginger Jar with Wood Stand This Vase/Jar is a stunning addition to any decor. Featuring a rich black porcelain base adorn...

A Ceramic Bottle by Suzanne Ramié for " Atelier Madoura " Vallauris France 1970's. Very elegant shape. Pretty shades of white and yellow colors. Stamped under the base. In very g...

Ceramic vase designed by Paolo Giordano for I+I Collection. With original label. Biography The I+I collection is directed by Paolo Giordano, one of the co-founders of I+I in the ear...

During the 18th century, Europeans provided an eager market for Chinese export porcelain, especially the colorful and fanciful ware known as “famille verte.” Named for a palette of o...

French Victorian round crystal inkwell with silver and enamel cornucopia top (signed TIFFANY) *as is

A fine quality large Neo-Grec gilt bronze-mounted and Champlevé enamel decorated onyx Jardinière by F. Barbedienne Maker: Ferdinand Barbedienne (181...

Stunning Art Deco green glass perfume scent bottle with black enamel geometric decoration and original silk puffer. Beautiful deep green glass, very collectable dating from the 1930s...

This English encaustic terracotta covered carafe, circa 1880, is distinguished by its crisp hand-enameled Greek key decoration and refined neoclassical form. The sculptural silhouett...

This magnificent Roger Capron liqueur service is a real jewel for lovers of art and vintage design. The bottle, 33.5 cm high, has a distinctive tripod base and a white ceramic decora...

This Vallauris ceramic vase, dating from the 1970s, is a real jewel of the French Riviera. Its fine gold decor evokes the refinement and elegance that characterize this sunny region,...

An Impressive Oriental Ceramic Vase by Abderrazak Workshop Nabeul Tunisia 1950's With ancient architectural motifs Signed in enamel Very decorative In good condition Report : Pl...

With its exquisite paintings of putti playing sports in Arcadian landscapes, this ‘bleu celeste’ garniture demonstrates the exceptional beauty and high-quality craftsmanship of Sevre...

Enamel Ceramic Planter, France, Late 19th Century. St Andre, Nice.

Covered Stoneware Pot by Jean & Jacqueline Lerat La Borne France 1950's. Beautiful wood-fired baking. Attractive shades of sandstone. Signed and dated 1953 under. In good conditi...

Armand PETERSEN (1891-1969) : "Hippopotamus" White mat enameled porcelain edited by Bing & Grundahl between 1932 and 1955 Originally planned for a 55 pieces edition, this exceptio...

Vase Sun Leave Grey with all structure in glazed ceramic made in Italy in grey finish and gilded finish.