Revival Bottles

New Murano glass round perfume bottle features heavy, clear class with sommerso-style jewel-toned layers of fuchsia, violet and berry. Top has a scent...

Early 20th Century brass ice bucket or wine cooler from France. This one has great, charming and unbeatable patina and wear. Impressive piece with both form and function standing alo...

20th century French champagne / wine bucket with ring handles. Internal reference: C Code: 8731 Dimensions: H: 8" (20.3 cm) Di: 10" (25.4 cm)

"People" decanter designed by Erik Höglund. Rare small size. produced by Boda during the 1950s. Made from hand blown clear glass. Good vintage condition with age related wear and pat...

Small perfume bottle in white opaline with a ball-shaped stopper. Golden stripes, gold, and a dark blue wreath of roses, anemones, and forget-me-...

This elegant vase was produced by Richard Ginori porcelain manufacturer in Doccia, Italy, in the 1730 Not easy to find this model so fine and elegant with its country flowers in pin...

Beautiful 20th century French Lalique clear and frosted crystal Nina Ricci apple perfume bottle. This wonderful perfume bottle has a frosted apple shaped body with clear leaf decora...

This amazing hand blown Venetian vase made by Salviati, stands 20" tall and is decorated with applied pink and gold leaf. The vase has 2 intertwined snakes encircling the body and me...

Originally from the Lido cabaret in Paris, this mid twentieth century French silver plate champagne bucket features scrolling acanthus leaf handles on each side and a footed base. Th...

Vintage French Orange Champagne Ice Bucket, 1950's France. These champagne buckets from France were used in the 1950's and 1960's and typically were marked with the Vintner's name. T...

Rare Richard Ginori cup and saucer set was made of fine porcelain in Italy. It is decorated with Maiolica pattern, sometimes referred to as Birds o...

Elegant Mid-Century Modern vintage crystal decanter with stopper by Orrefors (Swedish, founded 1898), c. 1960's. Engraved signature to base Orrefors HM 2498 - this particular style was by Edvard Hall. Includes original red Orrefors Sweden sticker with logo. "Orrefors HM 2498" etched into base. Measures 11.5" H x 3" W x 3" D. Orrefors Glassworks was founded in 1898 on the same site where ironworks operations had been run since 1726. In the same year that the glassworks was founded, a hot shop was built for making technical, medical and household glass and stemware to make use of waste wood and labour. Glass now replaced the less profitable ironworks operations. In 1913, Consul Johan Ekman from Gothenburg became the new owner of Orrefors Glassworks. He appointed Albert Ahlin as manager of the glassworks and this marked the start of a new era. In 1914, Orrefors started manufacturing crystal products, and as well as cut crystal according to purchased patterns and samples, Orrefors made art glass using the overlay technique with etched decoration. The new management quickly saw that artists were needed in the business, so Simon Gate was employed in 1916 and was joined by Edward Hald a year later. That same year, Gate and Hald made their first tentative attempts at figure engraving. They also experimented with the new innovative graal (grail) glass technique that was developed at Orrefors by the master glassblower Knut Bergqvist. The major successes were achieved a few years later at the Gothenburg Exhibition in 1923, and in particular at the Paris Exhibition in 1925. The thin engraved glass was admired by the surrounding world, and both Orrefors and the artists themselves were awarded the Grand Prix. The successes of Simon Gate and Edward Hald in Paris in 1925 constituted the start of the long Orrefors tradition of creative design closely combined with genuine and innovative craftsmanship. Since then, new designers and skilled glassmakers have continued in the spirit of Gate and Hald. Vicke Lindstrand and Edvin Öhrström with the new glass technique called Ariel in the 1930s. Sven Palmqvist with Kraka and Ravenna in the 1940s. And in the 1950s with Fuga, which, along with Nils Landberg’s slender tulip-shaped glass “Tulpan” and Ingeborg Lundin’s apple-shaped vase “Äpplet”, are now seen as symbols of the renaissance of Swedish design. The 1960s are associated with Gunnar Cyrén’s Pop glass, and in the 1970s, Eva Englund, Olle Alberius, Lars Hellsten and Jan Johansson as well as Cyrén worked at the glassworks. Since the 1980s, designers such as Anne Nilsson, Erika Lagerbielke, Helen Krantz, Matz Borgström, Per B Sundberg, Martti Rytkönen, Lena Bergström, Ingegerd Råman, Malin Lindahl and Efva Attling...