Peruvian Vases

Very Fine Detailed Figural Peruvian Shipibo-Conibo Pottery Effigy Pot or Vase This beautifully detailed figural pottery effigy pot was crafted by the Shipibo-Conibo people of Peru, ...

Peruvian Art Deco Ceramics Hand painted art deco style ceramics Excellent condition, no restorations or chips Circa 2000 Origin Peru Signed on the ba...

This double-spouted vessel originates from the Peru and is distinguished by its sculptural anthropomorphic design. One of the chambers is shaped as a human figure with a triangular f...

Pre-Columbian Blackware Vessel from the Chimu/Inca Culture with looped handle and narrow bottleneck. Peru circa 1100 to 1532. The vessel has a spherical body, a flat base, conical sp...

Large wooden Pre-Columbian Inca Kero cup. From Central Peru, circa 1300 to 1500 AD. A hollowed wooden vessel, of conical form, decorated with carved incis...

A pre-Columbian ceramic stirrup vessel in Cupisnique style circa 700-500BCE. This ancient vessel features a robust squatted body and a short thick stirr...

A collection of two small pre-Columbian ceramic stirrup vessels in Cupisnique style circa 700-500BCE. These ancient vessels from the formative period are distinct in a robust form wi...

This remarkable Pre-Columbian Chimu terracotta vessel is a striking example of ancient Andean ceramic artistry, originating from coastal Peru and dating to approximately 900–1470 AD. The vessel features a distinctive multi-chambered form with a traditional stirrup spout, a hallmark of Chimu pottery...

Pre-Columbian, Peru, Sican-Chimu transitional period, circa 1100–1470 CE. A striking ceramic vessel showcasing the refined artistry of Peru’s northern coastal cultures. The piece is ...

Circa 800 to 1476 AD. Peru. Gourd shaped Pre-Columbian Vessel from the Chancay Culture with a double looped ribbon handle. Faded brown and black vertical stripe detail featured on ve...

Pre-Columbian Vessel from the Moche Culture. Peru, circa 100 AD to 750 AD. Melon shaped vessel with ribbed bulbous body detail, narrow banded neck featuring an intricate poke-work de...

The Shipibo people live along the Upper Amazon. The polychrome slip painted pottery is created primarily by female artists The artists inspiration is aided by covering the eyelids ...

Two Pre-Columbian Pottery Vessels, comprising: a Peruvian female figure form effigy vase with polychrome hand-painted decoration, and a double-spouted vase with two faces. Taller: 5...

Unique large Chulucanas vase. Hand made in Peru by a ceramic artisan in 1996. Signed Taller Garcia on the bottom. This isn't your average tourist Chulucanas piece. This is arti...

Decorative vase by Cesar Alache, in Chulucanas, Peru. Decoration of dancers of a man and a woman around the beautiful ceramic vase.

This sophisticated studio pottery vase by Montes Doggett is a masterful example of contemporary artisanal design. Handcrafted in Peru, the piece features a tactile, horizontal ribbed...

Mid-Century Modern black & brown hand painted ceramic urn shape vase pottery vessel. Signed by the artist and marked at the base. Simply lovely. A-745-335

A large sterling silver vessel in an asymmetrical hour-glass vase form with a larger upper conical body balanced on a much smaller base. Crafted by Graziella Laffi (1923-2009), Lima, Peru, Circa 1965. Marked on the rim: G. Laffi, PERU. The vessel was designed as a modern rendition of ancient pre-Columbina drinking vessel used in ceremony. The piece projects a regal and substantial aura due to its thick double wall construction with seamless craftmanship. The exterior surface was decorated with high relief roundels with concentric rings, arranged in geometrical pattern in two difference sizes. It is an impressive presence with its unique form and ornamentation that is modern and ancient at the same time. The vessel weights about 2012 grams. Graziella Laffi was born in 1923 in Florence, Italy to Gino Laffi, a silversmith and artist. Following her family tradition, Graziella enrolled in master classes after elementary school, focusing on design and painting. She next attended Escuela de Bellas Artes de Puerta Romana for three years, where Gino taught, and then to the Accademia di Belle Arti di Firenze, where she concentrated in architecture until the start of World War II. In 1947, Graziella, then twenty-four, immigrated with her parents to Peru. Gino later created a silversmith studio and showroom called Fabrica Laffi on Avenue Mexico, where Graziella initially learned her Craft. The Pre-Columbian culture in her adopted country inspired Graziella to travel and collect, which ultimately influence her design in the silver pieces. Graziella learned the metalworking techniques of the ancient Peruvian civilizations and rejected the current technology. She mostly used hammering, rolling and creating joints as the ancients do. As an ambassador of Peruvian culture, her work promoted the indigenous Peruvian art and rekindled the interest in its ancient heritage throughout South America, the United States and Europe. She exhibited her growing collection of Peruvian artifacts...

A stunning sterling silver vessel in the form of a stemmed bowl crafted by Graziella Laffi (1923-2009), Lima, Peru, Circa 1965. Marked on the rim: G. Laffi, PERU. The vessel was designed as a modern rendition of ancient pre-Columbina drinking vessel used in ceremony. The piece projects a regal and substantial aura due to its thick double wall construction with seamless craftmanship. The exterior surface was decorated with high relief roundels protrusion alternated with a radiating design that resembles star fish or a blooming flower. It has an impressive presence with its unique form and ornamentation that appears both modern and ancient at the same time. Graziella Laffi was born in 1923 in Florence, Italy to Gino Laffi, a silversmith and artist. Following her family tradition, Graziella enrolled in master classes after elementary school, focusing on design and painting. She next attended Escuela de Bellas Artes de Puerta Romana for three years, where Gino taught, and then to the Accademia di Belle Arti di Firenze, where she concentrated in architecture until the start of World War II. In 1947, Graziella, then twenty-four, immigrated with her parents to Peru. Gino later created a silversmith studio and showroom called Fabrica Laffi on Avenue Mexico, where Graziella initially learned her Craft. The Pre-Columbian culture in her adopted country inspired Graziella to travel and collect, which ultimately influence her design in the silver pieces. Graziella learned the metalworking techniques of the ancient Peruvian civilizations and rejected the current technology. She mostly used hammering, rolling and creating joints as the ancients do. As an ambassador of Peruvian culture, her work promoted the indigenous Peruvian art and rekindled the interest in its ancient heritage throughout South America, the United States and Europe. She exhibited her growing collection of Peruvian artifacts...

Repousse Peruvian silver bouquet vase Peruvian, 20th Century Height 35cm, diameter 19cm Masterfully crafted from Peruvian silver, this grandiose vase showcases intricate repousse w...