Oceanic Centerpieces

Bowl sculpted by hand from a solid block of Calacatta marble. Velvet finishing. Bowl Dimensions: Big L 56, W 27, H 12 cm. Also available: Small L 35, W 17, H 8 cm and Medium L 45,...

Bowl sculpted by hand from a solid block of Calacatta marble. Velvet finishing. Bowl Dimensions: Big L 56 x W 27 x H 12 cm. Also available: Small L 35 x W 17 x H 8 cm and Medium L...

21st century hand carved amber crystal and golden bronze bowl. This bowl is finely chiseled lost wax castings and hand-grounded crystal. The golden bronze rhinoceros on the base was...

Turned biomorphic walnut bowl, Rude Osolnik Originals.

SAHI by Haand: 10 cm (4") travertine sphere, crafted with exceptional hand quality. This elegant decorative object seamlessly blends natural beauty with versatility, making it an ide...

A large precious stone and silver-gilt flower model by Asprey. English, 20th century. Measures: 47cm high x 14cm wide x 12 cm depth. Crafted ...

Big decorative paperweight cube full in black Marquina marble. Each piece is in a way unique (every marble block is different in veins and shades) and handmade by Italian artisans sp...

Stunning green and amber colored Murano glass bowl in a beautiful shape.

A tall and expressive porcelain flower vase with a textured exterior surface and clear glazed interior. As a result of the production process each vase is one-of-a-kind. Dimensions...

A Rare and Historic 1859 Elkington Silvered Bronze Victorian Centerpiece with Cut-Glass Bowl. Presenting a magnificent Victorian silvered bronze centerpiece of unmatched rarity and importance, crafted by the renowned Elkington Mason & Co., Birmingham, in 1859. This exceptional work, complete with its original cut-glass bowl, epitomizes 19th-century British craftsmanship and artistry. Hallmarked to the base, this centerpiece showcases intricate sculptural details, embodying a high level of technical prowess and aesthetic refinement characteristic of Elkington's celebrated works. The centerpiece's striking design features three meticulously rendered figures—a young hunter, a friar, and a fishmonger—each embodying elements of Victorian life and industry. At their feet, a loyal spaniel and various game highlight the naturalistic approach to the composition, enhanced by the masterful chasing and dynamic form. This sculptural ensemble rests on an elaborately decorated base, exuding both grandeur and narrative depth. Adding profound historical value are two engraved plaques. The first, dated “January 28, 1859,” reads: “Presented to William Johnson Esq. as a token of respect & esteem by the workpeople in the employ of Messrs Richard Johnson & Brother, Manchester.” The second, an inscription from 1941, states: “Worshipful Company of Tin Plate Workers, Alias Wire Workers of the City of London, Presented by Arthur Laurence Johnson M.A., Grandson of William Johnson, both Wire Workers, with his Daughter Eleanor Morton Johnson, a Freeman of the Company, to commemorate his Mastership 1941-42.” These inscriptions chart a rich lineage, connecting the Johnson family to pivotal moments in industrial history. William Johnson, alongside his brother Richard, assumed leadership of a wire-drawing firm in 1838, which would later become Richard Johnson & Nephew Ltd. Their contributions included providing galvanized armored wire for the historic 1857 transatlantic telegraph cable...

Natural malachite stone specimen vide poche tray hand carved at center. May be used as a decorative object or used as a paperweight to brighten ones desk. Beautiful includes crysta...

Stunning bright orange colored Murano glass bowl in a beautiful shape. Good condition.