Ceramic Ceramics

Mid Century pink and green flamingo ceramic figurine in flamingo pool tray decorative bowl. Maddux of California was a ceramics company that opera...

This splendid antique dessert service is impressive both for its beautiful design and its prestigious maker, Royal Crown Derby Porcelain, which was appointed the official royal porcelain manufacturer to Queen Victoria of England...

Painted ceramic, good condition. Beautiful and unique decorative big sculpture. Tiger was produced in 1960s in Italy. All defects and chipping are on pictures.

1960’s Scheurich Keramik West German Ceramic Vase. Numbered on base: W. Germany 289-41. With olive green/brown, ochre, and white glaze. Lovely condition!

Beautiful and dramatic, a unique hand painted plate, depicting a plumed bird on a branch in Stile Floreale ( Art Nouveau ). Signed.

Lenci Madonna che prega ceramic, 1930, Italy.

Guido Andlovitz.

Wonderful collection of miniature ceramics. These ones are the work of John Andersson, signed ”JA”, and produced at Höganäs in Sweden. There are two vases and one bowl. The sculpture...

Pretty Nordic almue style ceramic vase with hand-painted admiral blue floral decor on white crackle glaze. Manufactured by Søholm on the Danish island of Bornholm in the early 1940s....

Centerpiece white maiolica shell Ferniani factory, early period: 1693-1776 Faenza, circa 1700 Measures: 5.6 in x 14.72 in x 13.46 in (14.3 cm x 37.4...

Rare and iconic budded vase by Danish master of stoneware Axel Salto in terra-cotta and celadon green glaze. Made at the terracotta manufacturer "P.Ibsens Enke" in the 1930s. Signed ...

A massive famille rose enameled Chinese export style charger, Continental, probably French, circa 1900. The large dish painted in vibrant famille rose enamels in an overall pink ton...

Hands-free painted pottery rectangular dish from Austria in Black Forest style. Decorated with a hand-painted tree decor in green all around. Showing trees ...

An exotic decorated, restlessly looking horse stands on an oval base plate; a Chinese man with typical headgear looks out from behind him and clings to the animal's mane. In the fore...

Largest collection of Portuguese tiles in the world 18th century Portuguese "Spring " Measures: 112 cm x 89 cm 48 tiles Important note: This panel is with the tiles restored 18th ...

A seated near pair of late 19th century opposing Staffordshire Lions, textured coats and very well painted in traditional colours. These are of great quality and finely decorated. ...

18th C Chinese Export Famille rose tea pot, in the French taste, of typical form the drum shape with twisted strap handles, and straight angled s...

In 1822 the Chinese Junk "Tek Sing" or true star sank in the south China sea, where the ship and its cargo remained until salvaged in 1999. These antique blue...

White English Victorian Parian Majolica Corn Pitcher, circa 1890.

Article: Ceramic wall plate Decade: 1960s Producer: in style of Atelier Schäffenacker, Germany This original vintage ceramic wall plate with abstract hand-painted and colorf...

Soft is a collection of sensual and tactile ceramic pieces in which Kiki looks at vernacular shapes to re-imagine them. The Netherlands has a long history of craft and Dutch designer...

1970s Vallauris (FR) ceramic lava crater vase

Ceramic carafe / vase with blue glaze and rare pattern by Gunnar Nylund for Rörstrand Sweden. Scandinavian Modern, mid-1900s. Signed. In good condition. Beautiful decorative shape ...

handpainted coral ceramic plates Made in italy, ceramic A piece of italian craftsmanship on your table

This large diabolo vase, signed Roger Capron, is a remarkable work of modern ceramic art. Its slender silhouette and clean design are enhanced by a play of bold geometric patterns, w...

This ceramic jug, with an impressive size of 34 cm high and 12 cm in diameter, is an emblematic work of the artist Simone Carrié. Made in his workshop "Kercy Quimper" during the seco...

Nice Mado Jolain vide-poche ceramic, circa 1950, France. Enameled white earthenware, pale creamy yellow, grey and black decor. Signed underneath. Dimens...

A star shaped blue bowl designed by Pia Rönndahl at Rörstrand in the 1996. The bowl is 29 cm (11.6") in diameter and in excellent condition except from some minor scratches.The bowl ...

Pinched pottery that appears to either be a vessel for pouring or a free form vase. Hand decorated gold leaf line drawings on either side with hearts, cross hatching, arrows and peop...

Joelle Deroubaix Original abstract stoneware ceramic sculpture Elegant black ceramic glazes colors 20th mid-century French design Unique piece Signed at the base Me...

Clearly showing the influences of the Vienna Secession and the Wiener Werkstatte, at a time when Vienna led the Germanic world's interpretation of Art Nouveau and Art Deco, this cyli...

English Porcelain Covered Box on a Green Ground, Circa 1850 A finely decorated English porcelain covered box dating from the mid-19th century, circa 1850. Of shallow circular form,...

Rare Large Milk-White Vase by Gunnar Nylund for Rörstrand, Sweden, 1950s The vase is marked as 1st quality and is in excellent condition. Gunnar Nylund (1904-1997) was a renowned S...

Two pairs of maiolica baskets Antonio Ferretti Manufacture Lodi, circa 1770-1790 Maiolica polychrome decorated “a piccolo fuoco” (third fire). Measures: A) Height 3.54 x 6.69 x 9.84 in (9 x 17 x 25 cm); B) Height 3.93 x 7.48 x 11.02 in (10 x 19 x 28 cm). Total weight 4.85 lb (2.200 kg) State of conservation: A) One of the smaller baskets has some areas of restoration, the other slight chipping from use; B) One of the larger baskets is intact and the other shows a clearly glued break. The mold with which the baskets were forged simulates a wicker weave. The two larger works have high, vertical walls, with branch-shaped handles penetrating the weave. The painted decorations, small polychrome flowers applied only externally, highlight the points where the weaves intersect. The decision to leave the center of the basket devoid of decoration is highly unusual, but given the size and complexity of the shape, as well as the quality of the enamel, it is possible to hypothesize that it represents a precise choice in manufacturing or for a particular client. The two smaller baskets have small, twisted handles and, on the outside, reproduce more decisively the characteristic wicker weave, obtained through thin molded lines. The interior exhibits a rich, typical decoration of naturalistic flowers: a bunch centered around a main flower and secondary stems accompanied by small “semis”. The exterior of these works is also adorned with small little flowers where the weaves intersect. The size and morphological characteristics of the baskets confirm their attribution to the Lodi factory of Antonio Ferretti between 1770 and 1790, during its most successful period; by this point his original reworking of the "Strasbourg" decoration, known as "old Lodi", had achieved great fame even outside Italy. This decorative choice represented a strong point of the Lodi factory, which established itself thanks to the vivid nature of the colors made possible by the introduction of a new technique perfected by Paul Hannong in Strasbourg and which Antonio Ferretti introduced in Italy. This production process, called “piccolo fuoco” (third fire), allowed the use of a greater number of colors than in the past; in particular, the purple of Cassius, a red made from gold chloride, was introduced. Its use allowed for many more tones and shades, from pink to purple. The Ferretti family had started their maiolica manufacturing business in Lodi in 1725. The forefather Simpliciano had started the business by purchasing an ancient furnace in 1725 and, indeed, we have evidence of the full activity of the furnaces from April of the same year (Novasconi-Ferrari-Corvi, 1964, p. 26 n. 4). Simpliciano had started a production of excellence also thanks to the ownership of clay quarries in Stradella, not far from Pavia. The production was so successful that in 1726 a decree of the Turin Chamber came to prohibit the importation of foreign ceramics, especially from Lodi, to protect internal production (G. Lise, La ceramica a Lodi, Lodi 1981, p. 59). In its initial stages, the manufacture produced maolicas painted with the “a gran fuoco” (double fire) technique, often in turquoise monochrome, with ornamentation derived from compositional modules in vogue in Rouen in France. This was also thanks to the collaboration of painters like Giorgio Giacinto Rossetti, who placed his name on the best specimens next to the initials of the factory. In 1748 Simpliciano made his will (Gelmini, 1995, p. 30) appointing his son Giuseppe Antonio (known as Antonio) as universal heir. After 1750, when Simpliciano passed away, Antonio was directly involved in the maiolica factory, increasing its fortunes and achieving a reputation on a European level. Particularly important was the aforementioned introduction in 1760 of the innovative “a piccolo fuoco” (third fire) processing, which, expanding the ornamental repertoire with Saxon-inspired floral themes, could commercially compete with the German porcelains that had one of its most renowned offerings in the naturalistic Deutsche Blumen. Antonio Ferretti understood and promoted this technique and this decoration, proposing it in a fresher and more corrective version, less linked to botanical tables...

French Art Nouveau ceramic vase by Alphonse Cytère, circa 1910. The three-handled body is finished with the distinctive metallic surface associated wit...

wonderful 'S-Handle' mugs, handcrafted by Los Angeles based ceramicist Jed Farlow for Farlow Design. High fired stoneware with matte white speckled glaze. Designed with a human-cente...

A fantastic, period serving (tea/coffee) set by Le Vaucour/Vallauris, France. Miroesque, 1950's classic style. Coffee pot with lid, tea pot, creamer, 5 cups with plates.

Please feel free to reach out for efficient shipping quote to your zip. J. T. Abernathy ceramic dish with Aqua and Cobalt glaze. Some missing glaze around the edges and bubbled glaz...

Yellow banana ceramic sculpture Zanolli Nove Italy, circa 1970 Measures: 48 x 15 x 20 cm Conditions: Excellent.

On offer is a ceramic bowl entitled Visage de Faune (A.R.256) by Pablo Picasso (1881-1973). The interior surface of the bowl features a striking rendition of the bespoken drawing the...

The designs on this French faience group is typical of pottery made in Rouen. Early 20th Century French Hand-Painted Faience Vasse from Rouen Marking on the bottom: " Rouen Fait ...

Vintage duck terrine mold, pate mold designed by the studio of Michel Caugant, collector's item from the 60s-70s. Entirely handmade item in glazed earthenwa...

It is a unique and eye-catching coffee table that features a ceramic top in a combination of green, red, and orange colors. The base of the table is typically made of wood, and it m...

Pair of French green Majolica tureens with a mushroom on the handle signed Pillivuyt et Cie, circa 1920.

Accolay Important and decorative ceramic vase by French artist from ACCOLAY, original mid-20th century design. Elegant blue and black ceramic glaze colors Realised circa 196...

Scandinavian Modern Wilhelm Kåge "Argenta" Vase in stoneware and inlays in silver for Gustavsberg, Sweden. “Argenta” was introduced at the Stockholm exhibition in 1930 and became W...

Pair of 19th century Satsuma vases, Japan 19th century.

Amusing pair of Victorian Majolica pickles pitchers signed dated with the English mark June 7th 1871.

A very rare and unique French decorative mid century ceramic bowl in white glaze with an iconic dark golden inside by Denise Gatard produced in France, 1960s. In good original condit...

Largest collection of Portuguese tiles in the world 18th century Portuguese " Azulejos " Countryside Scene" Measures: 121cm x 49cm 36 tiles Important note: This panel is with the ...

French red Majolica creamer pitcher Onnaing, circa 1920.   

Rare ceramic piece from 1935, made by Lenci of Turin based on a design by Paola Bologna. Signed and dated under the base. The Madonna in adoration is in good condition, but has some ...

Rare Swedish decorative mid century ceramic bowl in blue turqoise impressed glaze by Stig Lindberg for Gustavsberg Studio Sweden, 1963. In good original condition and signed by the a...

American mid 20th century glazed stoneware geometric sculpture signed and dated 1966. Raw stoneware, a little glaze and some cobalt and iron were the standard elements of the day, al...

Fine quality antique Victorian Doulton Lambeth jardiniere, having a quality antique Doulton Lambeth jardiniere with a brown ground with green and white flowers stemming from the bas...

This is a vintage Art Deco milk jug. An English, ceramic pourer, dating to the early 20th century, circa 1930. Pleasingly decorated example with tasteful colour Displays a desirabl...

Petite ceramic stoneware bowl from Japan, 1960s. Minimalist vessel with soft cream glaze with warm speckling. Perfect as a catch all or decorative object.

Kähler Art Nouveau ceramic bowl. Decorated with polychrome glaze in a typical art nouveau pattern. Signed HAK for Herman A. Kähler. Approx. 1900-1910.

Ceramic Glazed, Volcanoes Set by Newblue Dimensions: D 27 x W 27 x H 33 cm D 26 x W 26 x H 12.15 cm Materials: Recycled Sanitary Ware, Recycled Glass, Quartz and Plant based binders...

Contemporary Spanish Ceramic Sculpture Hand-Painted Talavera Vase Unique Collectible Design Cantareras Gráficas / Graphic Vase (2022) is a unique handcrafted ceramic sculpture created in Talavera de la Reina, Spain, where centuries-old ceramic tradition is reinterpreted through a contemporary artistic language. Entirely hand-painted with traditional engobes and fired twice, each vessel becomes a sculptural canvas where drawing, colour and form merge into a single work of art. Presented by Rossana Orlandi during Salone del Mobile Milano, the Cantareras collection has been featured in Ceramics Now, ICON Design, ELLE Decor Spain and Côté Sud magazine. Inspired by the traditional Spanish water vessels...