Ceramic Ceramics

Set of three ceramic bottles by the acclaimed French ceramist Roger Capron, a key figure in the ceramic movement in Vallauris from the 1950s onward. A hallmark of Capron's artistry,...

Bellissimo vaso in stile RAFFAELLO , raffigurante un Drago Deruta, Italy, 1960s.

A steelgreen / gray vase designed by Berndt Friberg at Gustavsberg in Stockholm, the vase is 10 cm (4") high. It has a beautiful har fur glaze and vase produced in 1967, it is marked...

Charming Majolica pink clog with a bird Delphin Massier circa 1890. H / 3.5 inches , L / 7 inches. The Massier family produced different pieces with birds in a very creative style in...

These splendid ceramic creations are born from the artistic laboratory of Mosche Bianche. In this casket you can keep small objects of value, born as the materialization (and unive...

1930s Lapis Blue Art Deco Ceramic Refrigerator Water Jug with Matching Stopper A stunning example of 1930s Art Deco design, this lapis blue glazed ceramic water jug is both a functi...

Decorative vintage table lamp made of ceramic, hand painted with colorful two lions motif laying in the field .mounted on hand painted base base. Measures: Height of the lamp withou...

Stan Bitters planter with incised floral motif on both sides. This vessel was designed by one of California's great ceramicist's and manufactured by Hans Sumpf.

This a Limoges Camille Tharaud pate sur pate blue ceramic plaque depicting a mythological figure-Sphinx who is sitting over a lion. She is holding with one hand a large cornucopia...

Eva Stæhr-Nielsen for Saxbo. Glazed stoneware teapot with wicker handle. Beautiful glaze in red-brown shades. Mid-20th century. Measures: 16.5 x 15 cm (incl. handle). In excellent ...

Large unique glazed ceramic dish. White base, decorated with blue and light green. Made by Dorrit May Dorrit May worked with the Danish cera...

Antique Wild Boar Piggy Bank Made of Clay An antique piggy back in the shape of a wild boar. Handmade of clay. It has no opening on the base thus ...

Tactile and organic porcelain vase with leather textured exterior surface and clear glazed interior. Due to the production process, each item is one-of-a-kind. Use individually as a...

This fine ceramic butter churn or crock is in fine condition for its age. Its body is cream, with a fluted top. Two blue stripes decorate the body, all ...

Largest collection of Portuguese tiles in the world 18th Century Portuguese "Saint Antony" Measures: 266 cm x 294 cm Important note: This panel is with the tiles restored 18th ce...

Set of 2 Femme Sconces by Olivia Cognet Dimensions: W 20 x D 20 x H 30 cm Materials: Ceramic. Each of Olivia’s handmade creations is a unique work of art, the snapshot of a precious...

From a very large Studio Pottery collection we offer this stunning vintage British Studio Pottery jug by renowned potter Sheila Casson and made in Ross-On-Wye and dating from the sec...

This group of sponge ware pitchers are in good condition with a minor hair line in the pitcher to the right. This size pitcher were used for cream or milk on the table or in the pant...

French Majolica green & yellow leaves plate circa 1880.

Roz Herrin Handmade and unique piece realised in La Borne. Elegant stoneware ceramic stool by Roz Herrin. Beautiful wood firing ceramics effects wi...

This wonderful vase was created and designed by Gunnar Nylund at the Rörstrand factory in the 1950s, Sweden. The brown golden glaze is amazing and works wonderful with the shape a...

Three wonderful vases from Rörstrand and maker or Designer Gunnar Nylund. Made in Sweden in the midcentury. Beautiful glazed vases in good condition. Measures: Height 26 cm, 17 cm...

Set of 2 huge fat lava ceramic vases, manufactured in 1960s in West-Germany. The individual dimensions are: A: Dm. 23 cm x H 41 cm B: Dm. 28...

Stunning Art Nouveau wash bowl and pitcher set. Striking Belgium design from the 1900s. Marked with makers stamp. In good original condition w...

Large vase with threaded neck by Saxbo, Denmark.

Heinz Erret (1920-2003) for Gustavsberg. "Linea" wall plaque in glazed ceramics with silver inlay in the form of flowers. 1970s. Measures: 33.5 x 21 c...

A beautiful artisanal handcrafted porcelain Dragon ware teacup. This set features a moriage dragon design. Created from slip and applied around the body...

A gorgeous Mid-Century Modern glazed art pottery ashtray or catchall By Rookwood Pottery USA, 1954 Glazed ceramic in a handsome deep brown color. Measures: 4.25"W x 2.88"D x 0.75...

Huge ceramic bowl by Guido Gambone with brown and orange glaze. Signed on the bottom with the donkey mark. Guido Gambone (1909 – 1969) is one of ...

1950s ceramic wall sconce by French ceramicist Marcel Guillot. Original bayonet fitting, stamped indistinctly to the reverse. Since the age of 14, Marcel Guillot was exposed to cera...

Pair 19th century Delft hand-painted blue & white vases are a splendid collectible that was created for the lucrative European market during the latter 1800s, where the clay was trea...

The turquoise and green touches in this famille rose plate with strokes of white and yellow make it irresistible. This fits into the Famille Rose Mandarin...

Jørgen Mogensen for Royal Copenhagen, stoneware dish with motif of beetles. Model 21871. In perfect condition. Marked. First factory quality. Dimensions: L 21.5 x D 15.5 x H 3.5...

The Kuznetsov factory was in Volkhov, Russia, was established in 1889, one of many owned by the Kuznetsov family, producing faience chiefly for the Ottoman and Central Asian market, ...

If you’re only buying one piece for the table, it’s got to be one of these. Perfect for salads or pasta, our large splatter bowl looks lovely next to different collections of ceramics on the table. Choose from pink & blue, tan & ivory, and antique green. Diameter: 23cm - Dishwasher safe. Founded by fashion journalist Louise Roe, Sharland England...

A vintage circular studio pottery tray. Nice large size, perfect for using as a serving dish or centerpiece. Features an offset handpainted wheat design i...

A wall hanging sculpture made by Britt-Ingrid Persson at her own studio in Sweden in the 1960s of earthenware. The sculpture shall be mounted at the wal...

N 5 Vases Richard Ginori Gio Ponti Vase Holder

I am offering for sale an item that is currently not strictly necessary in our homes although it was necessary in the past. Why propose it to you? Because I am sure that its charm a...

This large and very striking antique Majolica serving platter, roughly oval in shape, is hand- painted with an exceptionally fine central motif of exotic birds perched atop a tree, e...

Pair of colorful and beautifully modeled American Kestrels,( Falco Sperverius) also known as a Sparrow Hawk. Limited edition by Boehm porcelain stamped, signed and letter numbered. H...

1 of the 150 glazed ceramic tiles tiles by Boch Freres, la Louvière, circa 1920's . Beautiful original antique dark green and off-white tiles with a wonderful rich pattern. The dime...

The Kuznetsov factory was in Volkhov, Russia, was established in 1889, one of many owned by the Kuznetsov family, producing faience chiefly for the Ottoman and Central Asian market, ...

Piero Fornasetti Capricorn Zodiaci Porcelain Plate, Made for Crinos, #9 in Series, Titled "Gli Zodiaci Farmacopei", The Zodiac Pharmacopoeia. 1960...

Cream white glazed ceramic bull made by Bruno Gambone in the 1970s, signed Gambone on the bottom.

A set of two Etruscan majolica teacups with matching saucers. Each piece is glazed in a beautiful pink, purple, green, brown and blue. The tea saucers (or b...

Impressive large abstract sculpture by Danish artist Ole Bjørn Krüger (1922-2007) made in the 1960s in his own workshop. Made from white glazed stoneware ...

French Majolica wire basket Gien circa 1890. Chinoiserie scene with pagoda.

Nice and traditional design in this stoneware / ceramic vase with scales and waves in opposite side . Signed incised in bottom .

A dark yellow vase designed by Carl-Harry Stålhane at Rörstrand. The vase is 10.5 cm (4.2") high and in excellent condition. The vase is marked as 2nd quality. Carl-Harry Stålhane ...

Made in Italy thin neck vase in brown matt color, this pottery peace was designed by Andrea Anastasio at the historical Bottega Cercamica Gatti 1928 in Faenza, Italy, specialized on creating ceramic art, that goes perfect for people passionate on home decor. Year of production: 2020. Made in cast with liquid clay and airbrush , painted with engobes. From Bottega Gatti's portfolio it has being selected a collection of vases, bowls and candlesticks from early '50, specially interesting for their soft shapes and their matt enamels that evokes the "Nature Morte" of Morandi. These pieces can make any room pop in color and design, such as for a lovely dining table decor...

Fornasetti duck ceramic 1960! Italy.

Pat and Jo Rowland Unique ceramic piece realised circa 1970 20th century design White and blue stoneware ceramic glazes colors Signed at the base Original perfect cond...

A large black vase designed by Carl-Harry Stålhane at Rörstrand. The vase is 34 cm (13.6") high and in excellent condition except from some minor scra...

Two pairs of maiolica baskets Antonio Ferretti Manufacture Lodi, circa 1770-1790 Maiolica polychrome decorated “a piccolo fuoco” (third fire). Measures: A) Height 3.54 x 6.69 x 9.84 in (9 x 17 x 25 cm); B) Height 3.93 x 7.48 x 11.02 in (10 x 19 x 28 cm). Total weight 4.85 lb (2.200 kg) State of conservation: A) One of the smaller baskets has some areas of restoration, the other slight chipping from use; B) One of the larger baskets is intact and the other shows a clearly glued break. The mold with which the baskets were forged simulates a wicker weave. The two larger works have high, vertical walls, with branch-shaped handles penetrating the weave. The painted decorations, small polychrome flowers applied only externally, highlight the points where the weaves intersect. The decision to leave the center of the basket devoid of decoration is highly unusual, but given the size and complexity of the shape, as well as the quality of the enamel, it is possible to hypothesize that it represents a precise choice in manufacturing or for a particular client. The two smaller baskets have small, twisted handles and, on the outside, reproduce more decisively the characteristic wicker weave, obtained through thin molded lines. The interior exhibits a rich, typical decoration of naturalistic flowers: a bunch centered around a main flower and secondary stems accompanied by small “semis”. The exterior of these works is also adorned with small little flowers where the weaves intersect. The size and morphological characteristics of the baskets confirm their attribution to the Lodi factory of Antonio Ferretti between 1770 and 1790, during its most successful period; by this point his original reworking of the "Strasbourg" decoration, known as "old Lodi", had achieved great fame even outside Italy. This decorative choice represented a strong point of the Lodi factory, which established itself thanks to the vivid nature of the colors made possible by the introduction of a new technique perfected by Paul Hannong in Strasbourg and which Antonio Ferretti introduced in Italy. This production process, called “piccolo fuoco” (third fire), allowed the use of a greater number of colors than in the past; in particular, the purple of Cassius, a red made from gold chloride, was introduced. Its use allowed for many more tones and shades, from pink to purple. The Ferretti family had started their maiolica manufacturing business in Lodi in 1725. The forefather Simpliciano had started the business by purchasing an ancient furnace in 1725 and, indeed, we have evidence of the full activity of the furnaces from April of the same year (Novasconi-Ferrari-Corvi, 1964, p. 26 n. 4). Simpliciano had started a production of excellence also thanks to the ownership of clay quarries in Stradella, not far from Pavia. The production was so successful that in 1726 a decree of the Turin Chamber came to prohibit the importation of foreign ceramics, especially from Lodi, to protect internal production (G. Lise, La ceramica a Lodi, Lodi 1981, p. 59). In its initial stages, the manufacture produced maolicas painted with the “a gran fuoco” (double fire) technique, often in turquoise monochrome, with ornamentation derived from compositional modules in vogue in Rouen in France. This was also thanks to the collaboration of painters like Giorgio Giacinto Rossetti, who placed his name on the best specimens next to the initials of the factory. In 1748 Simpliciano made his will (Gelmini, 1995, p. 30) appointing his son Giuseppe Antonio (known as Antonio) as universal heir. After 1750, when Simpliciano passed away, Antonio was directly involved in the maiolica factory, increasing its fortunes and achieving a reputation on a European level. Particularly important was the aforementioned introduction in 1760 of the innovative “a piccolo fuoco” (third fire) processing, which, expanding the ornamental repertoire with Saxon-inspired floral themes, could commercially compete with the German porcelains that had one of its most renowned offerings in the naturalistic Deutsche Blumen. Antonio Ferretti understood and promoted this technique and this decoration, proposing it in a fresher and more corrective version, less linked to botanical tables...

Four planters with two dishes of model Planta designed by Wilhelm Kåge ay Gustavsberg. The larger once are 13 x 13 cm and 11 cm high (5.2" x 5.2" x 4.4")...

Beautiful vintage midcentury West German vessel or vase by Carstens Tonnieshof made post war circa 1950s with a turquoise blue and black glaze with gold details and white lines of dr...

A green vase designed by Carl-Harry Stålhane at Rörstrand, it´s 10 cm (4") high. It´s marked as 1st quality and is in excellent condition. Carl-Harry Stålhane is one of the top nam...